Rory Calhoun Movies

A young woman (Jean Simmons) manages a remote California sheep ranch with her father (Brian Aherne). A plane carrying a sheriff (Stephen McNally) and a man indicted for manslaughter (Rory Calhoun) crashes nearby. Both men are cared for by the girl, who doesn't know at first which is the cop and which is the criminal. She falls in love with the convicted man and believes protestations of innocence, but the vindictive sheriff tries to dissuade her of these feelings. Given several chances to finish each other off, both sheriff and convict relent. Under the influence of the girl, they agree to return to Utah together, where (it is implied) the criminal will be given a bias-free trial. ~ Hal Erickson, All Movie Guide

A Ticket to Tomahawk has sometimes been described as a musical western satire, but in fact is more "straight" western than anything else--not that there's anything wrong with that, of course. Dan Dailey plays a travelling medicine show entrepreneur who comes to the aid of fast-shootin' Anne Baxter, daughter of a railroad man. Stagecoach line representative Rory Calhoun is doing everything he can to prevent a new train service from winning a Colorado territory franchise. The whole affair boils down to a race between the train and Calhoun's coaches. The film's never-take-a-breath action scenes are played out against some of the most gorgeous Colorado scenery ever captured on Technicolor. A Ticket to Tomahawk has achieved latter-day fame due to the unbilled presence of Marilyn Monroe as one of Dan Dailey's chorus gals. ~ Hal Erickson, All Movie Guide

In this lively musical a chorine hooks a successful businessman and becomes the snob she thinks he expects her to be. This is a problem, because he fell in love with her because she was so earthy and fun. Now that she has become refined and aloof, he is bored. Fortunately, just as he is leaving, the plucky girl sees the error of her ways and marital bliss ensues. Songs include: "Ain't Misbehavin'", "The Dixie Mambo", "I Love That Rickey, Tickey, Tickey", and "A Little Love Can Go a Long Way". ~ Sandra Brennan, All Movie Guide

The original "honor student by day, hooker by night" melodrama, Angel stars Donna Wilkes in the title role. During the daylight hours, the 15-year-old Angel is known as Molly, a model prep school student. Devoid of parents, Molly must find some way to keep up the cash flow, so she hits the Hollywood mean streets as a prostitute. While we thankfully don't see Angel "in action", as it were, the film makes up in violence what it lacks in raw sex. Psycho John Diehl is on the loose murdering prostitutes; detective Cliff Gorman tries to stem the murder spree, but soon the hooker ranks are sorely diminished, leaving Angel the next likely target. With the help of such friends as ex-cowboy star Rory Calhoun and transvestite Dick Shawn, Angel manages to avoid becoming a statistic. We're not giving anything away here: after all, there was a 1986 sequel, Avenging Angel. ~ Hal Erickson, All Movie Guide

Jim Walker Rory Calhoun is a hero who fights Indians and crooks who plan a series of stagecoach robberies in this routine western. He defends the honor of a woman (Corinne Calvet) wrongly accused of having a bad reputation. Johnny Mack Brown plays the local Sheriff Ben Hall, with Lon Chaney, Jr. as the friendly stagecoach driver Charlie Russell. Watch for DeForest Kelley in a pre-Star Trek role as a crazed gunman. ~ Dan Pavlides, All Movie Guide

Veteran Hollywood screenwriter Clyde Ware handled the directing chores in Bad Jim. The film is worth noting as the cinematic debut of John Clark Gable, the son of guess who. Gable, James Brolin, and Richard Roundtree play three soft-hearted bandits who purchase a horse from Billy the Kid. They use the easily recognizable steed to convince their victims that they are members of Billy's gang-thus eliminating the nasty necessity of gunplay. One of the gang members breaks away from the others, taking the horse with him, and pretty soon he's every bit as mean and dangerous as the real Billy. The film's pace may be a bit too measured for some tastes, but the characters are believable and the story has its own peculiar logic. Bad Jim is slightly reminiscent of John Ford's Three Godfathers; both films, in fact, feature Harry Carey Jr. is a supporting role. ~ Hal Erickson, All Movie Guide

Adam Cartwright is rescued from drowning by Tom Wilson (Rory Calhoun), a man as lucky at cards as he is at love. Though grateful to Tom, Adam looks askance when Tom moves in on Matilda (Barbara Wilkin), the girlfriend of a man named Jerry (Tom Skerritt). When Tom is accused of killing Matilda's father, Adam tries to prove his innocence-a task that proves deceptively easy when Sue makes an all-too-convenient confession. Written by Jerry Adelman, "Thanks For Everything, Friend" originally aired on October 11, 1964. ~ Hal Erickson, All Movie Guide

Rory Calhoun stars as veteran gunfighter Brett Wade in Dawn at Socorro. In a lengthy flashback, the audience learns why Wade has hung up his guns and turned to gambling. Upon meeting dance-hall girl Rannah Hayes (Piper Laurie), he vows to take her out of the shady saloon run by Dick Braden (David Brian). He engages Braden in a card game, winner take all, with Rannah as the stakes--only to lose everything. Sorely tempted to strap on his guns again to claim Rannah, Wade is saved from this fateful decision by the timely arrival of another notorious fast gun, Jimmy Rapp (Alex Nicol). Less of a traditional western than a character study, Dawn at Socorro received better-than-usual reviews when it first came out in July of 1954. ~ Hal Erickson, All Movie Guide

The Yankees and the Rebels must stop fighting over a stolen gold shipment and join forces to save a New Mexico fort from a major Indian attack in this western. ~ Sandra Brennan, All Movie Guide

Though not readily apparent, Flight to Holocaust is the feature-length pilot film for a potential TV series. Crashing into the side of a high-rise building, an airplane is precariously wedged in the structure's 20th floor. Dispatched to rescue the survivors are a team of acrobatic troubleshooters, played by female circus performer Fawne Harriman and combat veterans Chris Mitchum, Patrick Wayne, Desi Arnaz Jr. and Paul Williams. As can be gathered by a perusal of the cast list, the film's gimmick was the presence of three second-generation Hollywood stars. After the initial telecast of Flight to Holocaust on March 27, 1977, NBC invited viewers to mail in their opinions of the film. Evidently the verdict was unanimous, since no weekly series resulted. ~ Hal Erickson, All Movie Guide

Actor Richard Carlson learned how to direct while starring in his popular TV series I Led Three Lives, then extended his directorial expertise to such theatrical second features as Four Guns to the Border. Rory Calhoun, George Nader, and Jay "Tonto" Silverheels play three desperate bank robbers who are halted in their escape by the plight of Colleen Miller and Walter Brennan. Miller and Brennan will be at the mercy of marauding Apaches unless the three desperadoes offer their services. Miller shows her gratitude to Calhoun with a steamy love scene that must have given the censors of 1954 conniptions. Four Guns to the Border ends on a sorrowful note, indicating that Richard Carlson wasn't preoccupied by cliches when occupying the director's chair. ~ Hal Erickson, All Movie Guide

Half-Nelson was a very brief TV cop series which made its bow on March 24, 1985, with a two-hour "special". Joe Pesci, sporting lots and lots of hair, stars as ex-Manhattan cop Rocky Nelson, nicknamed "Half" Nelson because he stands well under six feet. Nelson is now a Beverly Hills security guard who dreams of launching an acting career. Guest star Morgan Brittany shows up just long enough to die along with an old buddy of Nelson's. The official police verdict is suicide, but Nelson suspects foul play. Also showing up in cameo roles are Dean Martin, John Matuszak, Larry Holmes and Jerry Reuss. The Half-Nelson pilot was telecast on a Sunday; the subsequent series settled into a Friday night slot (but not for long). ~ Hal Erickson, All Movie Guide

A remake of 1933's The Greeks Had a Word for Them, as well as a retread of 20th Century-Fox's favorite plotline, How to Marry a Millionaire was the first Hollywood comedy to be lensed in Cinemascope. Lauren Bacall, Betty Grable and Marilyn Monroe play three models of modest means who rent an expensive Manhattan penthouse apartment and pose as women of wealth. It's all part of a scheme hatched by Bacall to snare rich husbands for herself and her roommates. The near-sighted Monroe is wooed by an international playboy, but ends up settling for the tax-dodging fugitive (David Wayne) who owns the girls' apartment. The knuckle-headed Grable goes off on an illicit weekend in the mountains with a grouchy married executive (Fred Clark), but falls instead for a comparatively poor--but very handsome--forest ranger (Rory Calhoun). And Bacall very nearly lands an aging millionaire (William Powell), but has a sudden attack of conscience and opts instead for the supposedly poverty-stricken chap (Cameron Mitchell) who has been pursuing her since reel one. It turns out that she has actually landed one of the richest men in New York--and upon learning this, our three luscious heroines faint dead away. Before the opening credits roll in How to Marry a Millionaire, we are treated to a "live" orchestral rendition of Alfred Newman's "Street Scene" overture, conducted by Newman himself. In addition to its being the first wide-screen comedy, Millionaire was also the first-ever presentation of the weekly NBC series Saturday Night at the Movies, premiering on the small screen on September 23, 1961. ~ Hal Erickson, All Movie Guide