James Caan Movies
Like so many other prominent actors of the 1970s, the versatile James Caan rose to success on the strength of his riveting performance in The Godfather. Born March 26, 1939, in the Bronx, NY, Caan decided to pursue a career in acting while attending college and in 1960 was accepted by Sanford Meisner into the Neighborhood Playhouse. After making his debut off-Broadway in I Roam, he landed in the Broadway production of Mandingo but exited after just four performances because of artistic difficulties with star Franchot Tone. Caan then landed in television, where he became a busy character actor; he made his film debut in an unbilled performance in 1963's Irma La Douce, followed by a meatier role in Lady in a Cage the following year. The 1965 Howard Hawks auto-racing drama Red Line 7000 was his first starring role, followed two years later by the Hawks Western El Dorado, which cast him opposite John Wayne and Robert Mitchum; in 1968, Caan starred in Robert Altman's Countdown, and in 1969, he appeared in Francis Ford Coppola's The Rain People.Caan shot to fame thanks to a poignant performance in the 1970 television movie Brian's Song, in which he played the ill-fated Chicago Bears star Brian Piccolo; his turn as the similarly ill-fated Sonny Corleone in Coppola's 1972 masterpiece The Godfather solidified his stardom and earned him an Academy Award nomination, but his subsequent films, including 1973's Slither and the next year's Freebie and the Bean, failed to live up to expectations. After earning a Golden Globe bid for his work in 1974's The Gambler, Caan briefly appeared in 1974's The Godfather Pt. 2 before co-starring with Barbra Streisand in the hit Funny Lady, followed by Norman Jewison's futuristic parable Rollerball. When both 1975's Sam Peckinpah thriller The Killer Elite and 1976's Harry and Walter Go to New York met with failure, Caan's career took a downward turn, and apart from cameo appearances in both Mel Brooks' Silent Movie and the star-studded A Bridge Too Far, he was largely absent from screens for a time. He also made any number of ill-considered decisions; he and Coppola were unable to come to terms for Apocalypse Now, and he also rejected roles in hits including One Flew Over the Cuckoo's Nest, Superman, and Kramer vs. Kramer.
By the end of the decade, Caan's career had hit the skids, as projects including the 1978 Western Comes a Horseman (co-starring Jane Fonda) and the following year's Neil Simon drama Chapter Two all failed to live up to expectations. His directorial debut in 1980's Hide in Plain Sight fared no better, although Michael Mann's thriller Thief garnered a cult following; when 1982's Kiss Me Goodbye bombed, Caan disappeared from sight for the next five years. Finally, in 1987, Caan resurfaced, starring in Coppola's war drama Gardens of Stone; the next year's science fiction picture Alien Nation was a hit, as was his next major project, Rob Reiner's 1990 feature Misery. After 1991's For the Boys failed to connect with audiences, Caan spent much of the decade in prominent supporting roles which showcased his smart, edgy persona; among the more high-profile were 1992's Honeymoon in Vegas, 1996's Eraser, and the wonderful indie hit Bottle Rocket.
Caan would prove over the coming decades that he liked to work, appearing in projects that ran the gamut from big to small. He'd appear in comedies like Mickey Blue Eyes and Elf, thrillers like City of Ghosts and In the Shadows, indie films like Lars Von Trier's Dogville and Tony Kaye's Detachment. Caan would also delight audiences on the small screen with a starring role on the TV series Las Vegas from 2003 to 2007, ~ Jason Ankeny, Rovi
In Thief, James Caan plays Frank, a professional jewel thief who wants to marry Jessie (Tuesday Weld) and settle down into a normal life. In order to achieve his dream of a family, Frank--who is used to working solo--has to align himself with a crime boss named Leo (Robert Prosky), who will help him gain the money he needs to begin his domestic life. Frank plans to retire after the heist, yet he finds himself indebted to Leo and he struggles to break free. Thief is the first feature film from director Michael Mann and it seethes with his stylish, atmospheric direction. Though his cool approach may put off some viewers, it's a distinctive and effective story-telling approach, and Caan's performance ranks among his very best, making Thief a crime movie like few others. ~ Stephen Thomas Erlewine, Rovi
- Starring:
- James Caan, Tuesday Weld, (more)
Claude Lelouch's Bolero covers a time span of half a century, concentrating on several generations of music lovers, all hailing from different nations and cultural backgrounds. Each of the principal actors plays multiple characters. Among the cast-members is James Caan, Robert Hossein and Geraldine Chaplin. The film's original title was Les Uns et les autres. ~ Hal Erickson, Rovi
- Starring:
- Robert Hossein, Nicole Garcia, (more)
- 1980
- PG
Star James Caan made his directorial debut in the fact-based Hide in Plain Sight. Caan plays a divorced husband and father who comes to visit his ex-wife and children, only to discover that they've evidently disappeared from the face of the earth. Running up against the stonewall tactics of the authorities, Caan eventually learns that his wife's present husband is a witness against the mob, and that his family members have been given a new home and new identities via the Justice Department's new witness relocation program. Denied information concerning his children's whereabouts, Caan desperately attempts to find them himself. Hide in Plain Sight was adapted by Spencer Eastman from the book by Leslie Waller. ~ Hal Erickson, Rovi
- Starring:
- James Caan, Jill Eikenberry, (more)
- 1979
- PG
Neil Simon's bright, autobiographical romantic comedy, a big Broadway success, has been adapted to the screen in a screenplay by Simon, directed by Robert Moore, that subtly shifts the emphasis from the play. In the stage version, recently widowed writer George Schneider (James Caan) and his efforts to form a new relationship after years of marriage, was the crux of the story. The film, however, reduces George's role and, instead, emphasizes the character of Jennie MacLaine (Marsha Mason), the actress being wooed by George. ~ Paul Brenner, Rovi
- Starring:
- James Caan, Marsha Mason, (more)
Old man Ewing (Jason Robards) owns a ranch right next to the ranch of Ella (Jane Fonda). This is a source of two problems: Ewing wants to gobble up most of the land around the two ranches and also wants Ella's ranch; secondly, when Ella was too young to know better, she went to bed with the man, which, many years later, she considers to have been a grievous error on her part. A third problem arises when oil companies begin pressuring both of them to allow drilling on their land, and Ewing won't allow it -- on his or anyone else's land. Before long, war-veteran Frank (James Caan) enters Ella's life and helps her fight to save her land and her sanity, with added assistance from Dodger (Richard Farnsworth), an old local who knows the score. ~ Clarke Fountain, Rovi
- Starring:
- James Caan, Jane Fonda, (more)
Walter Hill's stripped down neo-noir features a protagonist who makes the laconic boxer of the director's similar Hard Times (1974) seem logorrheic by comparison. The film's tone is set in the opening scene as the Driver (Ryan O'Neal) gloms a V-8 sedan and proceeds to whip through claustrophobic parking garages, narrow alleyways, and sundry other high-risk macadam, as he demonstrates why he's known as the best getaway driver in the business to some potential clients, before giving his vehicle a proper burial. Such plot as there is in this highly abstract film concerns the Driver's cat and mouse game with the Detective (Bruce Dern), an employee of the constabulary of an unnamed city, intent on his arrest. A mysterious and beautiful woman, the Player (Isabelle Adjani), soon appears on the Driver's radar, a perfect match for his taciturnity. ~ Michael Costello, Rovi
- Starring:
- Ryan O'Neal, Bruce Dern, (more)
- 1977
Claude Lelouch's Another Man, Another Chance is set in 1870. Fleeing from the Franco-Prussian war, Jeanne (Genevieve Bujold) and boyfriend Francis (Francis Huster) escape to the American west. Their course does not run smooth, and soon Jeanne is left alone to care for her baby. Meanwhile, American veterinaran Jimmy (James Caan), an absolute stranger to Bujold, endures his share of woes, not least of which is the rape and murder of his wife by desperadoes. Inevitably, Caan and Bujold meet and fall in love. Having already suffered the death of Huster, Jeanne tries to dissuade Jimmy from his single-minded pursuit of his wife's murderers. This character conflict determines the outcome of the film's final scenes. Another Man, Another Chance was distributed in the US by United Artists. ~ Hal Erickson, Rovi
- Starring:
- James Caan, Geneviève Bujold, (more)
It's late 1944, and the Allied armies are confident they'll win the World War II and be home in time for Christmas. What's needed, says British general Bernard Law Montgomery, is a knockout punch, a bold strike through Holland, where German troops are spread thin, that will put the Allies into Germany. Paratroops led by British major general Robert Urquhart (Sean Connery) and American brigadier general James Gavin (Ryan O'Neal) will seize a thin road and five bridges through Holland into Germany, with paratroops led by Lieutenant Col. John Frost (Sir Anthony Hopkins) holding the most critical bridge at a small town called Arnhem. Over this road shall pass combined forces led by British Lieutenant Gen. Brian Horrocks (Edward Fox) and British Lieutenant Col. Joe Vandeleur (Michael Caine). The plan requires precise timing, so much so that one planner tells Lieutenant Gen. Frederick Browning (Dirk Bogarde), "Sir, I think we may be going a bridge too far." The plan also has one critical flaw: Instead of a smattering of German soldiers, the area around Arnhem is loaded with crack SS troops. Disaster ensues. Based on a book by historian Cornelius Ryan, A Bridge Too Far is reminiscent of another movie based on a Ryan book, The Longest Day. Like that movie, it is loaded with more than 15 international stars, including Sir Laurence Olivier, Robert Redford, Hardy Krueger, Gene Hackman, Maximilian Schell, and Liv Ullman. ~ Nick Sambides, Jr., Rovi
- Starring:
- Dirk Bogarde, James Caan, (more)
- 1977
Originally screened as a mini-series on the NBC television network, this epic-length feature combines the entirety of The Godfather and The Godfather Part II with 15 minutes of outtakes from the two films, recutting the material into chronological order (clarifying the complex structure of The Godfather Part II, which jumped back and forth between events that occurred before and after the narrative of the first film). The Godfather 1902-1959: The Complete Epic tells the tale of the Corleone Family, from the arrival of Vito Corleone in the U.S. as a boy and his rise to criminal power as a young man (played by Robert DeNiro) to the decline of his empire decades later. While some of the original material was censored for television broadcast, when The Godfather 1902-1959: The Complete Epic was later released on home video, the altered footage was restored to its original content. However, this proved not to be the final and complete document of the Corleone saga, as Francis Ford Coppola added another chapter to the story nine years later with the release of The Godfather Part III. ~ Mark Deming, Rovi
- Starring:
- Al Pacino, Marlon Brando, (more)
- 1976
- PG
Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director Mel Brooks stars as a once-famous comedy director, who with his faithful assistants Dom DeLuise and Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades Burt Reynolds, Liza Minelli, Paul Newman, James Caan and Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film Crazy House). Featured in brief comic cameos are Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman, Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and Barry Levinson also show up on screen as three of the Engulf & Devour minions. ~ Hal Erickson, Rovi
- Starring:
- Mel Brooks, Marty Feldman, (more)
- 1976
- PG
- Add Harry and Walter Go to New York to Queue Add Harry and Walter Go to New York to top of Queue
Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, Rovi
- Starring:
- James Caan, Elliott Gould, (more)
In the year 2018 violence has been outlawed and corporations have replaced government as the ruling party following the demise of politics. With the absence of war or conflict, a forcibly passive population's bloodlust is satisfied by a brutal new sport known as Rollerball. A high-octane melding of the outlawed sports of the past, the worldwide phenomenon of Rollerball has resulted in a corporate-backed sensation. The most popular athlete in the world, Jonathan E. (James Caan) has steadily risen through the ranks to become a legendary veteran of the sport. When the corporate backers of Rollerball begin to fear that Jonathan's popularity has instilled him with a potentially dangerous amount of power, a thunderous struggle between man's free will and the oppression of the masses threatens to shatter the fragile strings that the puppet masters use to manipulate mankind. His determination to remain with the sport flying in the face of the very reason Rollerball was conceived, the corporate rulers hatch a plot to abandon the rules in hopes that Jonathan will be killed and their grip of power will remain an unyielding chokehold on an increasingly bloodthirsty populace. ~ Jason Buchanan, Rovi
- Starring:
- James Caan, John Houseman, (more)
This second-string Sam Peckinpah action film features James Caan as ex-CIA agent Mike Locken, who has retired due to injuries received at the hands of his ex-partner George Hansen (Robert Duvall). But Mike is lured out of retirement to protect Yuen Chung (Mako), an Asian political leader. There's a contract out on Yuen Chung's life -- and the killer assigned to rub out Yuen Chung is none other than Mike's former partner, George Hansen. The confrontation between the two leads to a showdown on a decaying naval vessel between Mike's forces and a group of ninja warriors. ~ Paul Brenner, Rovi
- Starring:
- James Caan, Robert Duvall, (more)
Funny Lady, the follow-up to the 1968 Funny Girl which made a movie star of Barbra Streisand, picks up the character of Fanny Brice in the 1930s. Although she is a tremendously famous Broadway star, she has suffered from the stock market crash and needs to boost her finances. Even Ziegfeld, who soon will pass away, is having a hard time raising money for a show. Into this scene bursts brash young Billy Rose (James Caan), an egotistical lyricist with unrestrained ambition. He cajoles and charms Fanny into linking up with him, convincing him that he can produce a revue that will showcase her to their mutual advantage. Out of town, the show is an unmitigated disaster, and Fanny uses her professional know-how to whip the show into shape. It arrives in New York a hit -- and Fanny and Billy arrive an item. Both of their careers blossom, but even though they marry, their relationship suffers. Fanny still carries a torch for first husband Nick (Omar Sharif), and Billy, partially because of insecurities caused by Fanny's feelings for Nick, has a roving eye. In California working on a lucrative radio show, Fanny and Nick connect again -- and Fanny realizes that she is finally over him. Thrilled, she flies to Cleveland, where Billy is working on a new show, ready to commit herself totally to him -- only to find him in bed with another woman. The two part, but years later they meet again to discuss a new show, and it's clear that the chemistry between them is still there. ~ Craig Butler, Rovi
- Starring:
- Barbra Streisand, James Caan, (more)
An all-star cast including James Caan, Stefanie Powers and Sammy Davis, Jr. headlines this shoestring-budget revisionist western from 1975. Caan stars as Jud McGraw, a cowboy unjustly framed for a crime he didn't commit; he partners up with an ethically wronged Native American woman named Little Moon (Powers). In response to the ills they have each suffered, the two set off to wreak vengeance on a small western town. Onetime Alfred Hitchcock Presents directorial mainstay Bernard Girard helms. ~ Nathan Southern, Rovi
Francis Ford Coppola's legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone's rise with his son Michael's spiritual fall, deepening The Godfather's depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro's business. With Fanucci gone, Vito's communal stature grows, but it is his family (past and present) who matters most to him -- a familial legacy then upended by Michael's (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption. ~ Lucia Bozzola, Rovi
- Starring:
- Al Pacino, Robert Duvall, (more)
- 1974
- R
Freebie (James Caan) and the Bean (Alan Arkin) are a pair of San Francisco cops. Red Meyers (Jack Kruschen) is the mobster whom Freebie and the Bean would like to see behind bars -- or, failing that, six feet under. Nothing stands in the way of the cops' pursuit of Meyers, meaning that private property is given quite a going-over in this picture. The film's most memorable scene finds Freebie and the Bean crashing their car into a poor schnook's living room. TV favorites Loretta Swit and Valerie Harper play the only female roles worth mentioning. The racist and sexist humor in Freebie and the Bean may not go over as well today as it did in the politically incorrect early '70s. ~ Hal Erickson, Rovi
- Starring:
- Alan Arkin, James Caan, (more)
James Toback made his screenwriting debut with this taut drama, loosely adapted from the story by Dostoevsky. Axel Freed (James Caan) is an intelligent and well-respected professor of literature at a noted New York university, who uses great writing as a springboard for examining moral and philosophical issues in his class. But when he's not in front of the chalkboard, Axel has a serious problem -- he's hopelessly addicted to gambling. Axel will bet on almost anything, and while he lives for the heady rush of winning, it doesn't happen all that often, and Axel's latest losing streak has put him in debt to his bookies to the tune of $44,000, more than a college professor could hope to pay in 1974. Even after tapping his mother (Jacqueline Brookes), his grandfather (Morris Carnovsky), and his girlfriend (Lauren Hutton) for cash, Axel still owes thousands to his bookie Hips (Paul Sorvino), who is quickly losing his patience with Axel, especially when he learns after he finally scored a major winning streak, rather than paying off his bills he used the money to keep gambling ... and lost it all, leading to visits from an increasingly threatening series of underworld "collectors." The Gambler also features supporting performances from Burt Young, James Woods, and M. Emmett Walsh. ~ Mark Deming, Rovi
- Starring:
- James Caan, Paul Sorvino, (more)
A "Cinderella Liberty" is Navy jargon for a pass that runs out at midnight. Sailor John Baggs, Jr. (James Caan) has such a pass, and intends to make the most of it while his ship is docked in Seattle. He "wins" prostitute Maggie (Marsha Mason) in a pool game, but backs off at a "wham-bam-thank you ma'am" when he finds out that Maggie has a son, an 11-year-old mulatto (Kirk Calloway) -- and that there's another baby on the way. John has so much empathy for Maggie's travails that he marries her. When she loses her baby, however, Maggie feels unable to resign herself to living with John, plagued by both guilt and an unwillingness to be tied down -- thus forcing John to fight for her. Darryl Ponicsan adapted his own novel. ~ Hal Erickson, Rovi
- 1973
- PG
In Slither, James Caan plays Dick Kanipsia, a recently paroled car thief whose plans to go straight are interrupted when his best pal Harry Moss (Richard B. Schull) is shot and killed. As he lies dying, Moss advises Kanipsia to seek out fellow crook Barry Fenaka (Peter Boyle), who knows where a huge amount of money stolen by Moss is hidden. Aware that he himself is a marked man, Kanipsia has to play it cool en route to Fenaka. This proves difficult when his erstwhile travelling companion, dopehead Kitty Kopetzky Sally Kellerman, robs a roadside diner in his presence. Since nothing is ever quite what it appears to be in Slither, perhaps we shouldn't tell you any more. This truly serpentine tale served as the feature-film directorial debut of Howard Zieff, the former TV-commercial helmsman responsible for the famous Spicy Meatball ad. ~ Hal Erickson, Rovi
- Starring:
- James Caan, Peter Boyle, (more)
Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible.
After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, Rovi
After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, Rovi
- Starring:
- Marlon Brando, Al Pacino, (more)
- 1971
- PG
Candice Bergen plays the title character, a naïve young woman from the countryside who ventures to the bright lights of Chicago in search of an interesting career, true love, and happiness. She ends up working a meaningless job and living in a drab apartment, and she remains lonely as her romantic entanglements also misfire. She has an affair with businessman Jack Mitchell (Peter Boyle), which ends terribly. Next she takes up with Larry Moore (James Caan), but that romance also goes nowhere. Peter Hyams wrote the script and produced the film, which was released in England under the title Date with a Lonely Girl. Director Herbert Ross had much better success with romantic-comedy material in later years when he filmed Neil Simon material such as The Goodbye Girl. ~ Michael Betzold, Rovi
- Starring:
- Candice Bergen, Peter Boyle, (more)
One of the best known and most enthusiastically reviewed made for television films of the 1970's, this drama was based on the true story of football greats Gale Sayers and Brian Piccolo. Sayers (Billy Dee Williams) and Piccolo (James Caan) both joined the Chicago Bears the same year, and while it was obvious from the start Sayers had the talent and drive to be a great player, Piccolo seemed destined to be an also-ran on the team. However, Sayers and Piccolo struck up a friendship which brought out the best in both players, and coach George Halas (Jack Warden) chose them for a special assignment -- they became the first interracial roommates in the history of the NFL. When Sayers suffered a knee injury that threatened to end his career, Piccolo took it upon himself to help his friend through rehabilitation so he could rejoin the team. But when Piccolo began having heath problems, it was a problem too great for Sayers to handle -- his close friend had developed cancer. Adapted from Sayers' autobiography I Am Third, Brian's Song also features Chicago Bears legend Dick Butkus as himself. ~ Mark Deming, Rovi
- Starring:
- James Caan, Billy Dee Williams, (more)
- 1970
- R
A young married couple struggle with their personal problems and their union and the forthcoming birth oftheir unwanted child in this grim domestic drama. Much of the story centers on the husband, a former high school basketball star who is unable to leave the glory days behind and fashion a future for himself and his wife. Though pregnant, the wife is constantly drunk and the two constantly bicker. One night, they have row and the husband takes off to stay with his now-impoverished former coach thereby setting the stage for further turmoil and tragedy. The plot for Rabbit, Run is based on a John Updike novel. ~ Sandra Brennan, Rovi
- Starring:
- James Caan, Anjanette Comer, (more)
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