Bobby Byrne Movies

Over a hundred leading cameramen (and women) discuss the fine art of motion picture photography in this documentary. Cinematographer Style is compiled from interviews with a broad cross section of respected cinematographers, ranging from award-winning veterans such as Gordon Willis (The Godfather), Vittorio Storaro (Apocalypse Now), Vilmos Zsigmond (Deliverance), and Haskell Wexler (One Flew Over the Cuckoo's Nest) to contemporary masters of the craft such as Roger Deakins (A Beautiful Mind), Peter Deming (Lost Highway), Ernest Dickerson (Do the Right Thing), and Remi Adefarasin (Match Point). While several participants discuss the tools of their trade, Cinematographer Style focuses as much on the philosophy behind photographing movies -- how they find a style that matches the material, their visual influences, how to prepare for a shoot, establishing a lighting and color scheme, and how "pretty" the image ought to be to match the story. Sponsored in part by Kodak, Cinematographer Style received its world premiere at the 2006 Los Angeles Film Festival. ~ Mark Deming, All Movie Guide

The sixth season of Mad About You was marked by flagging ratings and ever-increasing audience dissatisfaction over the self-indulgences perpetrated by the series' creators and stars, which reached a summit (or nadir) with the single-take, "real-time" episode, "The Conversation." Nonetheless, NBC wanted to hold on to the Emmy-winning sitcom, especially since the demise of Seinfeld had passed the cudgel of offbeat comedy to Mad About You. So eager was the network to keep the series on its schedule that it offered both Paul Reiser (Paul Buchman) and Helen Hunt (Jamie Buchman) a daunting 1,000,000 dollars per episode -- a salary increase that, astonishingly enough, neither actor had requested. Once Reiser and Hunt had acquiesced, Mad About You was a firm go for a seventh season, remaining in its familiar Tuesday-night berth (albeit one hour later). While John Pankow, Louis Zorich, and Cynthia Harris were back as, respectively, Paul Buchman's cousin Ira and Paul's parents, Burt and Sylvia, several other longtime regulars were conspicuous by their absence, notably Leila Kenzle (Fran Devanow), who had joined the cast of the new UPN sitcom DiResta. Anne Ramsay -- now billed as Anne Elizabeth Ramsey -- made only guest appearances as Jamie Buchman's sister, Lisa; ditto Robin Bartlett as Paul's gay sibling Debbie. The emphasis of the series was weaned away from the Buchmans' baby daughter, Mabel, refocusing on the relationship between Paul and Jamie -- a relationship that proved to be far more fragile than in previous seasons. Despite the efforts to return to its roots by concentrating on Paul and Jamie's romantic travails, Mad About You continued its precipitous ratings plunge, prompting NBC to move the series from Tuesday to Monday evenings. Thanks to constant pre-emptions, the series was barely seen at all during March and April of 1999, and when it finally returned with new episodes, it was greeted with almost universal indifference. The program briefly rallied with its one-hour finale, a futuristic episode wherein the grown-up Mabel Buchman (Janeane Garofalo) looked back upon the lives of her parents (and their friends) during the first two decades of the 21st century. Perhaps because everyone knew that the series was on its last legs, Mad About You received no Emmy awards for its 1998-1999 output, though guest star Mel Brooks was honored at the American Comedy Awards ceremony. ~ All Movie Guide

Not surprisingly, most of Mad About You's sixth season was built around little Mabel Buchman, newborn daughter of leading players Paul and Jamie Buchman (Paul Reiser, Helen Hunt). Many longtime fans of the series felt that the introduction of Mabel was the "jump the shark" moment, in which the quality of the writing began sliding downhill. Conversely, the series garnered a whole new crop of fans, else why would NBC cease its "football" treatment of the property, uncharacteristically allowing Mad About You to remain in the same (Tuesday night) time slot for two consecutive seasons? (For the record, its competition included CBS' JAG, ABC's Soul Man, FOX's Tuesday-evening movie package, and UPN's Clueless.) The series "new" regulars this year out were not all that new. Graduating from recurring character status, Robin Bartlett was now seen on a weekly basis as Paul's gay sister, Debbie; likewise, Louis Zorich's and Cynthia Harris' appearances as Paul's parents, Burt and Sylvia, became more frequent. Also, Paxton Whitehead, who had played the Buchmans' snooty British neighbor, Hal Conway, during season one, returned to the role, which for the last several years had been essayed by Jim Piddock. Still an Emmy Award "magnet," Mad About You earned Helen Hunt her third Emmy as Outstanding Lead Actress in a Comedy Series, and Mel Brooks his second statuette for his recurring guest appearances as Paul Buchman's philosophical Uncle Phil. ~ Hal Erickson, All Movie Guide

After enjoying a year's worth of high ratings by virtue of its "Must See TV" Thursday night time slot, Mad About You entered its fourth season in a new prime-time berth on Sunday evening, opposite CBS's Cybil and ABC's Lois and Clark. The move neither helped nor hurt the series, which resurfaced on Tuesdays when season five rolled around. Beyond the addition of a few new recurring characters -- among Gates McFadden as Paul Buchman's new boss, Allison Rourke; Alan Ruck as Jamie's new employer, Lance Brockwell; and Hank Azaria (the then boyfriend of series star Helen Hunt) as Nat the dogwalker, Mad About You embarked on some fresh story tangents as well. Paul Buchman (Paul Reiser) was hired as a documentary filmmaker for the Explorer Channel cable service, Jamie Buchman (Helen Hunt) and her friend Fran Devanow (Leila Kenzle) opened their own PR firm, and so forth. The biggest new development was the pregnancy of Jamie Buchman -- or rather, the non-pregnancy, since actual conception was held off as long as the scriptwriters (and the audience) were able to endure the weight. Having scored excellent ratings in past seasons by offering such pop-icon guest stars as Carl Reiner and John Astin, the series continued in this vein throughout season four, most memorably in the episodes featuring Yoko Ono and several former regulars of the 1960s variety show Rowan and Martin's Laugh-In. In addition to maintaining its loyal viewership during its fourth year on the air, Mad About You also garnered another Emmy award, this one for series regular Helen Hunt as Outstanding Lead Actress in a Comedy Series. ~ Hal Erickson, All Movie Guide

Diane Keaton, Carol Kane and Kathryn Grody are the title "siblings," three unrelated women who perform as a lounge trio and struggle to come up with the money to buy their own club. ~ Jason Ankeny, All Movie Guide

The storytelling device of the flashback gets an intense workout in this tragic coming of age drama. Mark Harmon stars as washed-up baseball player Billy Wyatt, who is shocked when he receives news that his childhood sweetheart and friend Katie Chandler (Jodie Foster) has committed suicide and left the disposal of her ashes to his judgment. Although Billy and Katie have not kept in touch through the years, he has always carried a torch for her, his first love. On his way home, Billy recalls his past associations with the free-spirited Katie: their first meeting, the time they made love, and conversations they had, mostly during summers at the New Jersey shore. Billy also remembers the adolescent mischief he got into with his best friend Alan Appleby (played by Jonathan Silverman in the flashbacks, Harold Ramis in the present-day), like when each of them ended up sleeping with other's prom date. Billy finally decides to cast Katie's ashes to the wind in the place where they were happiest, by the seashore. Stealing Home was reportedly based on the real-life experiences of its writers, former Second City troupe members and WKRP in Cincinnati writers Steven Kampmann and Will Aldis. ~ Karl Williams, All Movie Guide

This campy drama, set in the 1940s, was inspired by a hit song by Barry Manilow. It tells the tale of an aspiring songwriter, Lola, a showgirl, and the sleazy owner of the Copa. Tragedy ensues as the two men duel over Lola's love. ~ Sandra Brennan, All Movie Guide

In this comedy, a stuffy congressman is dismayed when he discovers that his beloved daughter intends to marry limousine driver John Bourgignon (John Candy). While intending to put on a good show for his father-in-law to be, John is captured by some political opponents of the congressman. His capturers attempt to brainwash him into assassinating the congressmen, but things don't go exactly as planned. ~ Iotis Erlewine, All Movie Guide

The directorial debut of actor and stand-up comedian David Steinberg concerns a single man who decides that he wants to be a dad -- without the complication of a wife. Burt Reynolds stars as Buddy Evans, the manager of Madison Square Garden. A longtime lothario, Buddy has always been very content as a bachelor, but he has begun to feel lately that he'd like to experience fatherhood. His yearnings receive plenty of fuel from his best friends Larry (Norman Fell) and Kurt (Paul Dooley), and from his parental-mentor relationship with a young boy, Tad (Peter Billingsley). So Buddy decides to seek out a woman who will bear his baby for a price, with no strings attached. He finds Maggie Harden (Beverly D'Angelo), a beautiful young music student working as a waitress and yearning for the financial resources to study in Paris. She agrees to serve as Buddy's temporary companion, but as the months pass and her pregnancy progresses, Maggie begins to fall in love with Buddy, who doesn't return her affections -- at first. Steinberg would go on to have greater success as a television sitcom director, calling the shots for several episodes of hit series in the '80s amd '90s. ~ Karl Williams, All Movie Guide

Joan Micklin Silver's writing and direction are at the heart of this wistful recollection of a romance, based on Ann Beattie's novel Chilly Scenes of Winter. The film concerns Charles (John Heard), who recalls his love affair with Laura (Mary Beth Hurt). It has been a year since Laura has left him and returned to her husband Ox (Mark Metcalf) and stepdaughter Rebecca. But Charles thinks about her all the time and even has imaginary conversations with her. Charles met Laura in the filing room at Utah's Department of Development in Salt Lake City, and it was love at first sight. Laura was married but had moved out of her house six weeks before. Charles musters up the courage to ask her out, and soon after they are living together. Living with Charles, Laura has never been happier. But she feels she doesn't deserve her happiness, since she has walked out on a family who had done nothing wrong to her. She can't understand why Charles loves her so much, "You have this exalted view of me, and I hate it. If you think I'm that great then there must be something wrong with you." So Laura decides to move back in with Ox. As Charles muses, Laura is more comfortable with "someone who loves you too little over someone who loves you too much." Charles becomes obsessed with winning her back from her family, watching her pick up her daughter from school, driving past her house, and becoming friendly with her flirtatious fellow worker Betty (Nora Heflin) in order to find out more about Laura. ~ Paul Brenner, All Movie Guide

In this drama, a Chicano gang member falls in love with a beautiful, wealthy Anglo girl. She tries to get him to leave the gang, but the young man is too deeply involved in being macho to listen. Then his grandmother dies and he travels to Mexico for the funeral. There his mother decides to introduce him to his estranged father, a boozy Anglo-American neer-do-well. Seeing his father causes the boy to take a good look at himself. He decides he wants a better life. He tries to leave the gang and they end up beating him senseless. Still he persists, and soon he is reunited with the girl he loves. ~ Sandra Brennan, All Movie Guide

T.T. (Dennis Christopher), a Midwesterner, has traveled to the beaches of California for a dose of the surfin' life. He believes that the people he finds there are glamorous and knowledgeable. They reject his Midwestern nerdiness, make fun of him, and generally give him a hard time for not fitting in and wanting to. However, eventually he figures out that they are no wiser than he is, and that their lives are surprisingly empty. ~ Clarke Fountain, All Movie Guide

Martin Scorsese's documentary of the 1976 final performance of the legendary Sixties rock group The Band is at once a show featuring some of the greatest rock performers of their generation and a bittersweet look back at an era that was just beginning to fade. As Scorsese guides the group through interview segments discussing their 15 years together, these relatively young men sound like battle-weary survivors. But The Band were in splendid form for this show, and their multiple guest stars pulled out all the stops, especially Muddy Waters, whose "Mannish Boy" is so powerful it nearly burns a hole in the screen; Van Morrison, with a rousing performance of "Caravan;" and Bob Dylan, whose "Baby Let Me Follow You Down" displays the brilliant cockiness of his barnstorming days with this band. The all-star camera crew and superb stereo sound mix create what is considered to be of the best-looking and sounding rock films ever (as the opening credit says, play this movie loud!), and two studio-shot sequences with Emmylou Harris and The Staple Singers stand on their own. ~ Mark Deming, All Movie Guide