Tracey E. Bregman Movies

Actress Tracey E. Bregman represents one of only a handful of soap opera actresses to play the same role on multiple daytime dramas -- in this case, department store scion Lauren Fenmore Baldwin, who held court on CBS's The Young and the Restless for two separate periods and then turned up as a regular on The Bold and the Beautiful for three years. A native of Munich, Germany, raised for much of her childhood in London, England, Bregman spent her adolescence in Southern California. She received formal dramatic training under the tutelage of Francis Lederer at The Strasberg Institute and American National Academy of Theater Arts, and was subsequently mentored by Gene Bua and Steven Anderson. Bregman launched her acting career as a regular character, Donna Temple Craig, on Days of Our Lives, and endured parts in several exploitation films during the early '80s, including the slasher picture Happy Birthday to Me (1981) and the prison melodrama The Concrete Jungle (1982), before signing for the Restless role in 1983. It continued until 1985 and picked up again, 16 years later, in 2001; Baldwin's appearances on The Bold and the Beautiful spanned 1995-1998. Bregman also made guest appearances on such series as Fame, The Love Boat, and The Fall Guy. ~ Nathan Southern, All Movie Guide
2000  
 
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A reporter learns some lessons about love from a woman who has made it her business in this made-for-TV comedy-drama. Joanna Scott (Linda Hamilton) is a woman who thought she had the perfect life -- a successful career as a journalist and a strong marriage with her husband, Dale (Stewart Bick), that's already lasted ten years. But when Dale suddenly announces that he's leaving Joanna for a younger woman, her self-confidence goes out the window and she's not sure what to do next. Joanna's editor assigns her to write a story about Madame Simone (Jacqueline Bisset), the Madame of the most luxurious bordello in Paris. It's hardly a subject Joanna would have chosen herself, but she figures a trip to France on the magazine's expense account might help to cheer her up. Joanna meets with Madame Simone, but the Madame senses that Joanna is unhappy and asks her a few questions about the state of her love life. Madame Simone then takes it upon herself to pass a few of the lessons she's learned about sensuality and romance along to Joanna, teaching her the importance of self-confidence as she looks for new love. Sex & Mrs. X first aired on April 10, 2000. ~ Mark Deming, All Movie Guide

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Starring:
Jacqueline BissetLinda Hamilton, (more)
1982  
R  
When she's wrongfully convicted for participation in a drug-smuggling ring, a woman (Tracy Bregman) winds up in a women's prison, where she toughens up during several brutal encounters. ~ John Bush, All Movie Guide

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Starring:
Jill St. JohnTracey E. Bregman, (more)
1982  
 
Some potent comic talent lends credibility to the Canadian Funny Farm. Michael Chapin stars as Mark, a would-be stand-up comedian. Mark leaves his Midwestern hometown behind to try his luck at the California comedy club managed by Gail (Eileen Brennan, doing a superb takeoff of real-life Comedy Store maven Mitzi Shore). Jack Carter and Howie Mandell are among the many funsters who parade past the screen in this uneven but amusing low-budgeter. Funny Farm should not be confused with the 1988 Chevy Chase vehicle of the same name. ~ Hal Erickson, All Movie Guide

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Starring:
Miles ChapinTracey E. Bregman, (more)
1981  
R  
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Certainly the low point in Glenn Ford's acting career, this Canadian production is, nevertheless, one of the slickest-looking slasher films from that subgenre's early-'80s heyday. The plot (what one can make of it) involves an unseen killer stalking a group of college students at the prestigious Crawford Academy. The well-staged murders are mysteriously linked to the slightly off-kilter Virginia (Melissa Sue Anderson, formerly of Little House on the Prairie), whose disturbing past holds the key to the killer's identity. Though this film brought nothing new to the psycho-horror field, it did feature one of the more interesting ad campaigns of the period. One-sheets loudly boasted, "Six of the most bizarre murders you've ever seen!" and barred all late-arriving patrons from entering the theater during the final ten minutes (a promotional stunt stolen from Psycho). This hype proved less than apropos since the murders in question are not particularly bizarre or original (aside from the shish-kabob impalement depicted in the ads), and the film's climax is so painfully contrived that latecomers may be more able to comprehend it than those bemused viewers who watched the film from the beginning. ~ Cavett Binion, All Movie Guide

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Starring:
Melissa Sue AndersonGlenn Ford, (more)

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