Stephen H. Burum Movies

An egotistical TV reporter learns to appreciate the good things in life thanks to an eccentric, homeless clairvoyant in this old-fashioned romantic comedy from director Stephen Herek (Mr. Holland's Opus). Seattle native Lanie Kerrigan (Angelina Jolie) has spent most of her adult existence trying to live down her gawky, geeky adolescence: She toils for hours at the gym to keep cellulite at bay; she's managed to snag an engagement to a star baseball player (Christian Kane); and through her chipper puff pieces on the nightly news, she's cultivated a loyal following of couch potatoes who pester her for autographs. She's ready to take the next step to national news when her boss suggests she further hone her skills with ace cameraman Pete Scanlon (Edward Burns), who also happens to be an old flame of Lanie's. Her comfortable but shallow existence begins to change the moment she and Pete do a story on Prophet Jack (Tony Shaloub), a sage soothsayer who spouts unusually accurate predictions to passers-by in exchange for spare change. Jack offers up the theory that Lanie will not get her cushy promotion; in fact, he says she'll die within a week. When Jack's other prophecies start coming true, Lanie starts living each day as if it were her last -- much to the dismay of her co-workers and her fiancé. ~ Michael Hastings, All Movie Guide

Brian De Palma directed this science-fiction suspense story. When the United States sends its first manned mission to Mars, hopes are high for new scientific discoveries, but many of those hopes are dashed when the Mars crew meets an unexplained disaster; three members of the mission are killed, and a fourth (Don Cheadle) loses all radio contact with the Earth. A rescue mission sets out to bring back the one survivor; in the process, they discover that Mars may not be a dead planet after all, and uncover some startling evidence about the fate of their predecessors. The rescue crew includes Gary Sinise, Jerry O'Connell, Connie Nielsen and Tim Robbins. The screenplay was partially by award-winning playwright Ted Tally, who won an Oscar for his adapted screenplay of The Silence of the Lambs. ~ Mark Deming, All Movie Guide

Brian DePalma directed this taut thriller, set in Atlantic City, where a corrupt cop investigates a political assassination. Outside an Atlantic City arena-hotel-casino, a TV news reporter stands in a pre-hurricane storm to report on the heavyweight boxing match about to begin inside. A transition to the stadium interior focuses on Atlantic City homicide Detective Rick Santoro (Nicolas Cage), a father with a wife and son, yet also a dishonest cop who maintains a mistress and cheerfully accepts bribes. DePalma's Steadicam follows Santoro on a fast-paced tour of the stadium as the laughing, yelling detective travels stairs and hallways, talks to a gal with a between-rounds placard, visits the dressing room of champ Lincoln Tyler (Stan Shaw), rides down an escalator to squeeze money from a small-time hood, enters the arena of 14,000 fight fans, talks on his phone with his girlfriend and wife, and sits ringside next to his lifelong buddy, Navy Cmdr. Kevin Dunne (Gary Sinise). Behind Dunne, the U.S. Secretary of Defense Charles Kirkland (Joel Fabiani) is seated alongside billionaire casino owner Gilbert Powell (John Heard). As the fight gets underway, Dunne abandons his position protecting the defense chief to pursue a suspicious redhead. From his ringside vantage point, Santoro has a close view of the champ, curiously conscious despite taking a kayo punch. At that moment, an assassin fires at Kirkland. Santoro immediately concocts a good cover story for his pal (to explain why Dunne left his post protecting Kirkland). Just after the shooting, Dunne kills a Palestinian extremist, the apparent killer, and Santoro orders the stadium doors locked, hoping he can locate other suspects among the fleeing crowd. One such is Julia Costello (Carla Gugino), an injured woman in a blond wig who spoke with Kirkland seconds before the gunfire. After a video replay reveals the champ took a fall, going down to the floor from a punch that never touched him, Santoro becomes more curious and suspicious, comparing witness accounts, and he attempts to locate Julia, convinced she's the key to truth behind the assassination. As it all comes to a head, Santoro peels through successive layers of corruption, ultimately confronting himself in a self-examination of his own values. Filmed at Montreal's old Forum. ~ Bhob Stewart, All Movie Guide

After he is framed for the death of several colleagues and falsely branded a traitor, a secret agent embarks on a daring scheme to clear his name in this spy adventure. Though it drew its name from the familiar television series, director Brian DePalma's big-budget adaptation shares little more with the original show than the occasional self-destructing message and the name of team leader Jim Phelps (Jon Voight). The film focuses not on Phelps but his protégé, Ethan Hunt (a reserved Tom Cruise), who becomes a fugitive after taking the blame for a botched operation. He responds by banding together with a group of fellow renegades, and he is soon maneuvering his way through a twisted series of double crosses that mainly serve as excuses for spectacular high-tech action sequences. Much of the activity revolves around a missing computer disk, with the film's most famous scene depicting Hunt's delicate efforts to retrieve the disk from a secure, well-alarmed room in CIA headquarters. ~ Judd Blaise, All Movie Guide

The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern-day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them. A who's-who of cinematographers -- Nestor Almendros, John Bailey, Conrad Hall, Laszlo Kovacs, Sven Nykvist, Vittorio Storaro, Haskell Wexler, Gordon Willis, Vilmos Zsigmond and others -- discuss their craft with rare perception and insight, paying homage to pioneers like Gregg Toland, Billy Bitzer and John Alton and explaining the origins behind many of the most indelible images in movie history; from Citizen Kane to The Godfather and from Sunrise to Night of the Hunter, many of the truly unforgettable moments in American film history are here in all their brilliance and glory. ~ Jason Ankeny, All Movie Guide

The life of powerful union leader Jimmy Hoffa is the subject of this biographical drama. The focus is strongly on Hoffa's public and political life, from his early days as a labor organizer to his later conflicts with the Federal government -- and, eventually, his mysterious disappearance. ~ Judd Blaise, All Movie Guide

Actor Jack Nicholson, writer Carole Eastman, and director Bob Rafelson re-team 22 years after their classic Five Easy Pieces, for this romantic comedy. Nicholson plays Harry Bliss, a small potatoes security expert unhappily married to a Japanese woman (he sarcastically calls her Iwo Jima during therapy sessions). Harry's life is coming apart at the seams -- not only is his marriage on the rocks, but the IRS and assorted creditors are nipping at his heels. Then opera singer Joan Spruance (Ellen Barkin) contacts him. It seems she wants Harry's help in obtaining an attack dog for her apartment, since an unknown person has been burglarizing her home and attacking her with an ax. Needless to say, Harry and Joan fall in love. ~ Paul Brenner, All Movie Guide

Casualties of War was based on a New Yorker article by Daniel Lang. This, in turn, was inspired by a true incident which illustrated the dehumanizing aspects of the Vietnam experience. Michael J. Fox plays Eriksson, a member of an American squadron stationed in the deepest jungles of Southeast Asia. Sean Penn co-stars as Meserve, the squadron sergeant, who vows revenge after his best friend is killed. He orders his men to invade a village and "requisition" a young Vietnamese girl (Thuy Thu Lee), who is repeatedly tied, gagged and gang-raped. The horrified Eriksson refuses to participate in these atrocities, and he does his best to console the girl and to attempt to free her. Before this can happen, however, Meserve orders another man to kill the girl. Once he returns to camp, Eriksson attempts to file a report on the tragedy and to bring Meserve and the others to justice, but he is stonewalled by the brass and threatened with death by his fellow soldiers. Eventually Meserve and his co-conspirators are jailed for their crimes, but Eriksson can never forget his "compliance" in the incident by failing to save the girl. The script is by well-known playwright David Rabe. ~ Hal Erickson, All Movie Guide

In this sequel to the 1981 hit comedy Arthur, the story picks up where it left off with the bibulous millionaire hero (Dudley Moore) marrying poverty-stricken Linda Marolla (Liza Minnelli) instead of going through with a prearranged wealthy marriage. The vengeful father (Stephen Elliott) of the justifiably jilted bride begins pulling a few crooked strings, and before long, Arthur is broke. Worse still, Linda is pregnant. Will Arthur crawl back into a bottle, or will he save the day? John Gielgud makes a cameo appearance as the ghost of the family-retainer character he played in the first Arthur, while Dudley Moore's real-life wife Brogan Lane shows up in a minor role. ~ Hal Erickson, All Movie Guide

The core and darker nuances of the original "Nutcracker" fairytale by E.T.A. Hoffman (with music by Tchaikovsky) are kept alive in this adept cinematic interpretation with its combination of ballet, special effects, and Maurice Sendak's costume and production designs. The Pacific Northwest Ballet Co. perform the tale about a young girl's dream. The Stahlbaum house is celebrating the night before Christmas, and the children, Fritz and Clara (Vanessa Sharp) welcome their godfather Herr Drosselmeier (Hugh Bigney) who brings them gifts. Clara's gift is a beautiful nutcracker, so beautiful that her brother becomes jealous and breaks it. Later, when everyone is in bed, Clara sneaks back to the Christmas tree to look at her repaired nutcracker and has a marvelous and often menacing dream. The Christmas tree grows to fill the room, and a mighty army of mice led by the Mouse King threatens her. The Nutcracker and the toy soldiers try to defeat the army but the Nutcracker is captured, at which point Clara (Patricia Barker as the dream Clara) bravely clobbers the Mouse King, and the army is defeated. From that point onward, she and the Nutcracker -- who has turned into a Prince -- have many adventures in the Land of Snow where a series of more than seven different dances introduce enchanting and grim characters. ~ Eleanor Mannikka, All Movie Guide

Jeff Bridges plays an LA sheriff who loses his job due to his inability to stay away from booze. While attending an AA meeting, Bridges is invited to attend a party, where he meets the beauteous Alexandra Paul. Also at the party is an old enemy of Bridges', druggie Randy Brooks. It doesn't take long for Bridges to figure out that Brooks is a pimp and Paul is one of his hookers. She begs Bridges to help her break away from Brooks. Not long afterward, Paul is killed, and Bridges crawls back into the bottle. Eventually sobering up, he vows to avenge Paul's death. Much blood is spilled before the killer is revealed (it isn't who you think); along the way, Bridges gets a new lease on life when he falls in love with ex-hooker Rosanna Arquette. An enormous flop, 8 Million Ways to Die is redeemed by Jeff Bridges' powerful performance. One hopes that the orignal Lawrence Block novel wasn't quite as confusing as the film. ~ Hal Erickson, All Movie Guide