Val Burton Movies

Forget what you've been led to believe: Bedtime for Bonzo is a most enjoyable film, and Ronald Reagan is not outacted by the chimpanzee. Reagan is cast as psychology professor whose reputation is sullied by the fact that his father was a convict. To prove that environment rather than heredity dictates a man's personality, Reagan uses Bonzo the chimp to test out his theories. The hairy little guy seems to be responding to the kindnesses lavished upon him--and then he is accused of robbery. Reagan nearly goes to jail in Bonzo's stead, but everything turns out all right in the end (we're not giving anything away; after all, everybody knows that there was a Bonzo Goes to College in 1952). While it's an uphill climb, Ronald Reagan and his able costars Diana Lynn and Walter Slezak manage to keep Bonzo from running away with the picture. And yes, director Fred DeCordova is the same guy who produced Johnny Carson's late-night show in the 1980s and 1990s. ~ Hal Erickson, All Movie Guide

While perhaps not Abbott & Costello's best film, The Time of Their Lives is certainly their most unusual. Lou Costello plays a Revolutionary War-era tinker, whose prized possession is a letter from George Washington, commending Costello as a loyal patriot. Costello's lady love is Anne Gillis, maidservant to aristocratic Jess Barker. Costello's rival in romance is Barker's butler Bud Abbott, who locks the tubby tinker in a trunk to keep him away from Gillis. Meanwhile, Gillis stumbles onto a plot to betray the Colonial Armies, masterminded by Barker. The girl is kidnaped and spirited away, but not before Barker has appropriated Costello's letter from Washington and hidden it in a mantelpiece clock. All this is witnessed by Barker's fiancee Marjorie Reynolds, who disguises herself as a man, the better to make her way through the lines to warn the Colonial troops of Barker's plot. She frees Costello from his trunk and enlists his aid in locating Washington. Mistaken for traitors, Costello and Reynolds are shot dead. Their bodies are thrown in a well as a colonial officer curses their souls to remain on the grounds of Barker's estate "until the crack of doom," unless some evidence should prove them innocent of treason. A few moments later, Costello and Reynolds materialize as ghosts. They try to escape the grounds, but a supernatural force holds them back. Flash-forward nearly two centuries to 1946: Costello and Reynolds, still confined to the estate, resent the intrusion by Barker's descendants, who plan to renovate the mansion and open it to tourists. The two ghosts decide to haunt the estate, resulting in a series of amusing and well-conceived invisibility gags. Much to their surprise, Costello and Reynolds find none other than Costello's old nemesis Bud Abbott as one of the house guests. No, Abbott isn't a ghost: he's a famed psychiatrist, a descendant of the butler who double-crossed Costello back in 1780. Costello has a high old time playing tricks on the nervous Abbott (a fascinating reversal of the usual Abbott-Costello relationship) before the rest of the house's occupants decide to hold a seance to find out what's annoying the two ghosts. In a genuinely spooky sequence, sinister house servant Gale Sondergaard, possessed by the spirit of Jess Barker, reveals that the ghosts have been falsely accused of treason, and that their salvation lies in locating that letter from Washington. Driven by a feeling of remorse over the sins of his ancestor, Abbott does his best to help the ghosts. Before the plot is resolved, there is time for a standard Abbott-and-Costello chase scene, with the invisible Costello driving a car wildly around the estate, with a terrified Abbott cringing in the back seat. More than a little inspired by The Canterville Ghost, The Time of Their Lives was the second of two Universal films that attempted to recast Abbott and Costello as individual characters rather than smart guy-dumb guy team members. While the film is an unmitigated delight when seen today, it failed at the box office in 1946, compelling Bud and Lou to return to their standard formula in their next film, Buck Privates Come Home. ~ Hal Erickson, All Movie Guide

Paramount's "Henry Aldrich" series came to a quiet conclusion with 1944's Henry Aldrich's Little Secret. The titular secret is a baby, the son of woebegone Helen Martin (Ann Doran). Because her husband is in jail, Helen has been adjudged an unfit mother by the local welfare board, headed by the father of our hero Henry Aldrich (Jimmy Lydon). Taking pity on Helen, Henry hides the baby in his own home while Helen leaves town to prove her husband's innocence. The finale finds Henry lampooning Mr. Smith Goes to Washington with a comic-pathetic filibuster on behalf of poor Helen. Way at the bottom of the cast list is Noel Neill, TV's future Lois Lane. ~ Hal Erickson, All Movie Guide

This youthful musical follows the romantic travails of a group of talented high school students and their charismatic high school bandleader. ~ Sandra Brennan, All Movie Guide

Originally titled Passport to Destiny, RKO's Passport to Adventure manages to be both whimsical and melodramatic all at once. Elsa Lanchester stars as a Cockney charwoman who sneaks into wartime Berlin, fully intending to kill Adolf Hitler. Lanchester is convinced that a snake-eyed charm left to her by her late military-officer husband will protect her from harm-and, given the ease with which she obtains a domestic job in the Berlin chancellory by posing as a deaf-mute, who's to say that the charm doesn't work? Once the Nazis catch on to Lanchester's mission, she is rescued by German officer Gordon Oliver, who happens to be a member of the underground resistance. One of the best bits in Passport to Adventure occurs at the beginning, when Elsa Lanchester gazes reverently upon a photo of her dear departed husband-whom we immediately recognize as Lanchester's real-life hubby Charles Laughton. ~ Hal Erickson, All Movie Guide

Henry's friends think he's a coward because he refuses to fight a local bully, but his reason for refusing had more to do with wanting to impress Elise, the daughter of the chemistry teacher. While in her father's lab, Elise tells Henry he misunderstood her, and points out how brave her own father is: he uses himself as a guinea pig in experiments. As Henry is holding a test tube containing his latest experimental formula, a flash of lightning scares him and he reflexively swallows the formula. Henry starts for home, but the drug starts taking affect and he wanders into Kenniston manor, a supposedly haunted house, before going home and passing out. When he awakens the next day, he has an expensive ring in his hand. He soon learns that Mr. Quid, a teacher, and Mr. Bradley, the school principal, had been in the manor at the same time he was. He also learns that Bradley has disappeared, as has the famous Kenniston ring, and that Quid has been charged in connection with these events. Afraid that, under the influence of the drug, he is responsible for Bradley's disappearance, Henry and his friends set out to discover what really happened in the haunted house. ~ Craig Butler, All Movie Guide

James Lydon makes his second screen appearance as "typical" teenager Henry Aldrich in Henry and Dizzy. The plot complications begin insuinating themselves when Henry and his pal Dizzy Stevens (Charles Smith) inadvertently wreck an outboard motor. Our heroes spend the rest of the picture trying to raise the necessary 120 bucks to repair the damage before Henry's dad (John Litel) finds out. As a result, they wreak plenty more damage before the film's slapstick denoument at beautiful Lake Wopacotapotalong. As always, Henry and Dizzy scores its biggest points with its stellar supporting cast, including Maude Eburne as a snooty dowager, Warren Hymer as a cheeful bum, former "Our Gang" kid Carl "Alfalfa" Switzer as an obnoxious brat and future "Lois Lane" Noel Neill as Dizzy's waterlogged girl friend. ~ Hal Erickson, All Movie Guide

Henry Aldrich for President was the second of Paramount's "Henry Aldrich" series to star Jimmy Lydon in the teenaged title role. This time Henry is pitted against an arrogant jock for the presidency of the Centerville High School student council. Henry's chances don't seem bright, especially since a pompous teacher (Lucien Littlefield) is writing the opponent's speeches for him. As often happens in these films, a misunderstanding threatens not only to lose Henry the election but to get him expelled from school as well. Somehow the plot is resolved by a wild climactic airplane ride, with hapless Henry at the controls. ~ Hal Erickson, All Movie Guide

The Higgins family gets in another comical bind when Ernest loses the fortune in bonds he was hired to deliver. In order to recoup the lost $5,000, Papa Higgins decides to try and marry Grandpa to the wealthiest old widow in town by sending her a steamy love letter and signing his own father's name to it. Meanwhile, Papa also goes to the bank and much to his surprise, is granted a loan. Unfortunately for Grandpa Higgins, the widow has received the letter and joyfully accepted his proposal. When he tries to back out, she promptly sues him leaving the family in a real pickle. ~ Sandra Brennan, All Movie Guide

This "Jones Family" entry does without the services of Pa Jones, inasmuch as actor Jed Prouty was having contract problems with 20th Century-Fox. When Mr. Jones is hospitalized by a heart attack, the rest of the Jones clan must figure out a way to pay the ever-mounting medical bills. They head to California, where they open up a bungalow court. Hoping to improve their business (which is virtually nonexistent), the Joneses open their doors to families with children and pets. As a result, a rival landlord sues the family for "noise pollution", leading to a raucous courtroom finale. On Their Own was the last screen appearance for Florence Roberts (Grandma Jones), who passed away two days after the film's release. ~ Hal Erickson, All Movie Guide

Jackie Cooper and Freddie Bartholomew, both recent graduates of the MGM production factory, are reteamed in Universal's Two Bright Boys. While drilling for oil on his Texas ranch, young Rory O'Donnell (Cooper) must fend off the efforts of all-around villain Hallitt (Alan Dinehart) to claim Rory's property for himself. Meanwhile, expatriate Englishman Hilary Harrington (Melville Cooper) and his son David (Freddie Bartholomew) wander the countryside in search of a dishonest dollar. At first hired by Dinehart to help force Rory off his land, the two Britishers instead befriend the young rancher and try to help him bring in a gusher. Hardly Universal's most important 1939 release, Two Bright Boys was still entertaining enough to pay its way. ~ Hal Erickson, All Movie Guide

Considered by many to be the best of the many Bert Wheeler-Robert Woolsey vehicles of the 1930s, Cockeyed Cavaliers is set in Merrie Olde England, where the comic-opera ambience is immediately established when a Walter Winchellesque town crier (Franklin Pangborn) sings the local gossip. Bert and Bob play a pair of wandering indigents who are constantly in trouble because of Bert's chronic kleptomania. "My doctor tells me it's a sickness," he explains." Bob: "Well, why don't you take something for it?" Bert: "I've already taken everything." Bert's latest bit of unintentional larceny earns the boys a few hours in the local pillory, where the villagers pelt them with vegetables until they are rescued by a feisty young boy. Unbeknownst to our heroes, the "boy" is beautiful young Mary Ann (Dorothy Lee), who has disguised herself to escape an arranged marriage with the gross and gouty Duke of Weskit (Robert Grieg). Stopping over at a local inn, Bert, Bob and the in-drag Marian make the acquaintance of a lusty Baron (Noah Beery), who celebrates his recent hunting trip in song. Forced to make a quick getaway when the local constable shows up, Bert and Bob "borrow" the clothes of a pair of drunken royal physicians (Snub Pollard and Jack Norton) and escape in the doctors' coach, with Mary Ann still in tow. Following the instructions found in the coach, the boys stop over at the home of the Duke of Weskit, obliging Mary Ann to remain in disguise. Bert and Bob ingratiate themselves with the Duke by curing his stomach ache (using a horse-doctor book!), while Bob tries to make time with Weskit's gorgeous niece Lady Genevieve (Thelma Todd) -- never dreaming that "Genny" is the wife of the irascible Baron whom they previously met at the inn. All sorts of double-entendre nonsense ensues before Bert and Bob save themselves from the Baron's jealous wrath by capturing an elusive wild boar, a contingency that also permits Bert to wed Mary Ann, whose true identity has finally been revealed. Elaborately produced on leftover sets from RKO Radio's The Little Minister, Cockeyed Cavaliers is a gem of a comedy, filled to overflowing with clever dialogue and hilarious sight gags. Musical highlights include the novelty song "I Went Hunting (And the Big Bad Wolf is Dead)" and the delightful "Dilly Dally." ~ Hal Erickson, All Movie Guide

This remarkable early-talkie "disaster" flick was the first directorial effort of Felix E. Feist. An enormous tidal wave destroys New York City and most of the Eastern seaboard -- and that's only the beginning of the picture! The rest of the film deals with the aftermath of the deluge. Hero Martin (Sidney Blackmer), certain that his wife Helen (Lois Wilson) and his children have died in the disaster, begins a romance with bathing beauty Claire (Peggy Shannon). They must fight for their lives against Jephson (Fred Kohler Sr.) and his band of outlaws, who are using the apocalyptic crisis as an excuse to rape and pillage. Surviving one peril after another, the couple is forced to face their biggest crisis when it turns out that Martin's family has not perished after all. Claire nobly solves everyone's problem by swimming out to sea, never to be heard from again. Ned Mann's special effects and miniature work are first-rate, resurfacing as stock footage for years afterward (incidentally, some of the earthquake footage was filmed during an actual California quake in early 1933). Also praiseworthy is the superb, wall-to-wall musical score. For years considered a "lost" film, Deluge was found again in 1987 and has since been restored to an approximation of its original form -- though a full-scale videotape release is long overdue. ~ Hal Erickson, All Movie Guide