Adele Buffington Movies

When seen today, Bullwhip seems to be a dry run for the 1975 Jack Nicholson-Mary Steenburgen western Goin' South. To save himself from being hanged on a trumped-up murder charge, frontiersman Guy Madison agrees to marry whip-wielding spitfire Rhonda Fleming. Once the ceremony is over, Fleming wants nothing to do with her new husband, but he insists upon insinuating himself in her burgeoning fur-trading business. How long will it be before the heroine succumbs to Madison's rakish charms? When Shakespeare wrote this story, he called it Taming of the Shrew. ~ Hal Erickson, All Movie Guide

William "One Take" Beaudine sat in the director's chair for the independently produced Born to the Saddle. Chuck Courtney plays a young horse trainer who goes to work for the truculent Donald Woods. Courtney believes that Woods was responsible for the death of the boy's father, and hopes to exact revenge if his suspicions are confirmed. Instead, the older and younger man become close friends thanks to their mutual love of horses. Featured in the cast is actress Karen Morley, in one of her few screen appearances after being officially blacklisted for her allegedly leftist political beliefs. Adele Buffington adapted the screenplay of Born to the Saddle from a short story by Gordon Young. ~ Hal Erickson, All Movie Guide

Monogram's Bringing Up Father series, based on the popular comic strip by George McManus, hit a high point of sorts with 1950's Jiggs and Maggie Out West. Joe Yule Sr. (Mickey Rooney's father) and Rene Riano are perfectly cast as nouveau riche Jiggs and Maggie, who head thataway when Maggie inherits a goldmine. As usual, Maggie spends her time trying to climb the frontier social ladder, while down-to-earth Jiggs is more interested in finding a plate of corned beef and cabbage. Dinty Moore, Jiggs' favorite pubkeeper, is played by Tim Ryan; he is brought into the plot as the owner of a western saloon. The climax finds Jiggs and Maggie facing certain death at the hands of an outlaw named Snake Bite (Jim Bannon), who hopes to claim the mine for his own. Artist George McManus, who started Bringing Up Father way back in the early 1900s, makes a gag appearance as himself. ~ Hal Erickson, All Movie Guide

Whip Wilson, Monogram Pictures' clone of PRC's bullwhip champ Jack LaRue, stars in Arizona Territory. Wilson plays the pal of US marshal Andy Clyde, who is kept busy tracking down a counterfeiting ring. Wilson goes undercover to get the goods on the bad guys. When all else fails, he flails-his whip, that is, a total of four times in this 56-minute western. Veteran sagebrush scenarist Adele Buffington pulls a few old chestnuts out of the fire to flesh out the plotline of Arizona Territory. ~ Hal Erickson, All Movie Guide

The differences between West of El Dorado and Johnny Mack Brown's previous 1949 vehicles are minimal. Once again, Brown is teamed with Max "Alibi" Terhune, comic ventriloquist extraordinaire. In this outing, Johnny and Alibi try to straighten out a hostile young boy (Teddy Infuhr) whose older brother was a notorious stagecoach bandit. When a gang of thieves try to strong-arm the kid into revealing the whereabouts of the stolen loot, Johnny and Alibi come to the rescue. There's a cursory romantic subplot involving heroine Mary (Reno Browne) and Barstow (Marshall Reed). ~ Hal Erickson, All Movie Guide

Haunted Trails is another of the long series of Whip Wilson westerns churned out by Monogram in the late 1940s. As before, Wilson is aided and abetted by grizzled sidekick Andy Clyde, who acts the leading man right off the screen. This is no accident: Adele Buffington's screenplay makes certain that the talented Clyde has the lion's share of the footage, and he makes the most of it. The plot concerns a group of bandits who exploit local rumors about a ghost for their own purposes. The combination of Clyde's buffoonery, Buffington's script and Lambert Hillyer's direction results in one of Whip Wilson's best vehicles (it might even have been better without the stiff and uncomfortable Mr. Wilson). ~ Hal Erickson, All Movie Guide

Monogram's Whip Wilson western series occasionally produced a better-than-average entry. In Range Land, Wilson and saddle pal Andy Clyde try to get the goods on a gang of stagecoach bandits. The robberies are being staged by a "solid citizen" who hopes to accumulate a fortune in gold bars. Whip goes undercover, joins the gang, has a few close shaves, and collars the crooks. And, in keeping with his screen nickname, Wilson wields a mean bullwhip whenever the occasion arises. One of the villains is played by Leonard Penn, the father of actors Sean and Christopher Penn. ~ Hal Erickson, All Movie Guide

Even his cinematic rival Lash LaRue allowed that Whip Wilson was one of the best whip wielders in the movies. Shadows of the West was Wilson's second starring vehicle for Monogram, and as in the first, Crashing Thru, the star is teamed with seasoned sagebrush funster Andy Clyde. The Whipster plays a vacationing lawman who takes time out from his much-needed R-and-R to help out a reformed criminal. Striking an incongruous note is heroine Reno Browne, whose lavish wardrobe is a bit too lavish for her frontier surroundings. Though Whip Wilson wasn't much in the acting department, and while his singing and fisticuffs left a lot to be desired, his prowess with a whip was nothing short of astonishing. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown stars in this above-average B-Western from Monogram, penned under the pseudonym of Jess Bowers by veteran genre specialist Adele Buffington. Mack Brown plays Johnny Murdoch, a drifter arriving in Gold Flats in search of his prospector father. From old-timer Dusty Hanover (Raymond Hatton), Johnny learns that Old Man Murdoch was murdered for his claim by Rex Hillman (Holly Bane), a hireling of Carter Morgan (Bill Kennedy). The latter proves to be a representative of Brandon Enterprises, a company that is grubstaking local prospectors in order to appropriate their claims when they suddenly, and mysteriously, expire. But Dusty is in possession of an old poster that proves Marc Brandon (Steve Darrell), the owner of the crooked company, to be a wanted outlaw. When Johnny accuses Brandon of killing both his father and fellow prospector Matt Cramer (Ted Adams), the elderly outlaw takes his own life. Rumors of a valuable strike at Dead Man's Basin start a gold rush and Morgan uses this opportunity to rid himself of the prospectors by having them attacked by henchmen masquerading as Indians. The entire wagon train is wiped out, except for Matt Cramer's widow, Mary (Virginia Carroll); her son, Bud (Lanny Rees); and Brandon's willful daughter, Marcia (Virginia Belmont). They are all rescued in the nick of time by Johnny and Dusty. It all comes down to a brutal fistfight between Morgan and Johnny, with the latter emerging the victor. With peace and tranquility restored, Johnny asks Marcia to marry him. ~ Hans J. Wollstein, All Movie Guide

Monogram added several songs and a barn dance to this otherwise standard Johnny Mack Brown hay burner, in which the veteran cowboy star comes to the aid of a beleaguered female rancher. Just "drifting along," Steve Garner (Mack Brown) obtains the job of foreman on a spread belonging to pretty Pat McBride (Lynne Carver). Unbeknownst to Pat, local banker Jack Dailey (Douglas Fowley) not only holds the mortgage on the ranch but is also the man responsible for the death of Pat's father. Aided by old-timer Pawnee Jones (Raymond Hatton), Steve begins an investigation into Dailey's dirty dealings and barely escapes an accusation of rustling. In order to elude the law, Dailey plans to have Steve arrested for murdering one of his henchmen, Lou Woods (Steve Clark), but the scheme backfires and the sheriff (Jack Rockwell) instead apprehends Dailey and his gang. ~ Hans J. Wollstein, All Movie Guide

Flame of the West has always attracted more attention than most of Johnny Mack Brown's Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poore (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin' irons. Raymond Hatton contributes his usual grizzled comedy relief in Flame of the West, while Joan Woodbury is interestingly cast as a saloon-hall girl without a heart of gold. Flame of the West works so well on a dramatic level that the musical interludes of Pee Wee King seem downright intrusive. ~ Hal Erickson, All Movie Guide

Burly Johnny Mack Brown once again plays undercover U.S. Marshal Nevada McKenzie in this overly complicated series oater from low-budget Monogram. This time, McKenzie, who goes under the alias of Roy Ferris, is waylaid by would-be stage robber Cy Manning (John Merton) en route to the Bar X Ranch. Manning forces Nevada to partake in a stagecoach robbery arranged by his girlfriend, Dale Grimes (Joann Curtis), who, as our hero soon learns, is in cahoots with her nasty brother, Ned (Jack Ingram). The latter is secretly attempting to force his fiancée, Marsha Earley (Beatrice Gray), off the Bar X and when Dan Murray (Jimmie Martin) shoots and kills Manning in self-defense, Grimes blames Nevada, Marsha's new foreman. Hooking up with fellow undercover marshal Sandy Hopkins (Raymond Hatton), Nevada eventually manages to prove his own innocence in the shooting and arrest of the entire Grimes gang. Stranger From Santa Fe was based on a "Pilgrim Ramrod for Hell's Range", a Charles N. Heckelmann short story that appeared in Big-Book Western magazine. ~ Hans J. Wollstein, All Movie Guide

In his first of 20 "Nevada McKenzie" Westerns for Monogram Pictures, brawny Johnny Mack Brown plays the title role, a drifter happening upon the dying owner of a local abattoir (Jack Daley). The latter, with his dying breath, warns our hero about Lash Edwards (Harry Woods, a cattle rustler turned empire builder who is terrorizing the local businessmen. Using the assumed name of Jack Mckenzie, Nevada, aka The Ghost Rider, befriends the dead man's son (Tom Seidel), hoping through him to get the goods on Edwards, whom he suspects of having murdered his own parents. Working alternately with and against Nevada is Sandy Hopkins (Raymond Hatton), an undercover U.S. marshal. Although Nevada refuses Sandy's offer to join the marshals in the last scene of The Ghost Rider, insisting on "carrying out his crusade alone," the two are both lawmen when reunited for the second film in the series, The Stranger from Pecos (1943). ~ Hans J. Wollstein, All Movie Guide