Robert Buckner Movies

Tony De Costa is cast as Ramon, a Mexican youth who has suffered a lifetime of abuse at the hands of his father, and now is under the thumb of his cruel boss. Mad at the world, Ramon refuses to reveal the fact that he's discovered a rich gold vein. And then, inevitably, the boy is befriended by the kindly Cartwrights. Featured in the cast are Bruce Dern as Bayliss and Ross Hansen as Rader. Written by Robert Buckner and Preston Wood, "The Gold Mine" has seldom been seen since it originally aired on March 8, 1970. ~ Hal Erickson, All Movie Guide

Moon Pilot is an engaging Disney sci-fi comedy that manages to shoot off a few neat and surprisingly satirical barbs at the hypertense US/Russia "space race" of the era. Tom Tryon plays an astronaut who is ordered to keep his upcoming moon flight a secret, even from his family. While on a plane, Tryon is approached by lovely Dany Saval, who seems to know all about the astronaut's hush-hush mission, and who warns him about possible defects in his spacecraft. Despite the diligence of his FBI guards, Tryon is confronted time and again by Saval, who eventually reveals herself to be a visitor from the planet Beta Lyrae. A friendly alien, Saval merely wants to offer Tryon a special coating formula that will safeguard his rocket. Enchanted by the girl, Tryon plays hookey on his guards to spend more time with her, leaving the FBI, NASA, the CIA and the local constabulary to chase their own tails. When his rocket is launched, Tryon discovers that Saval has stowed away. The two sing a romantic song about Beta Lyrae while mission control (personified by Brian Keith at his most bombastic) expresses confusion over the bizarre transmissions emanating from Tryon's capsule. The release of Moon Pilot was heralded by a "preview" on Disney's Wonderful World of Color TV series, titled "Spy in the Sky." ~ Hal Erickson, All Movie Guide

In this suspenseful crime drama, a decent British sailor stationed in France is forced to smuggle gold when one of the gang members mistakes him for their contact who was killed. Real trouble ensues when the seaman is arrested and interrogated by a group of international police. He finally proves his innocence to them and at their request becomes their spy. He returns to the gang and soon finds that they and the police think he is double-crossing them all. The poor sailor ends up badly beaten by cops and crooks alike until at last he helps the cops get the smugglers. ~ Sandra Brennan, All Movie Guide

This tense, uncompromising African actioner affords Victor Mature one of his best screen roles. When his family is wiped out by Mau Mau insurrectionists, white hunter Mature assembles an expedition to track down the tribal leader responsible for the massacre. The British authorities don't want Mature to foment further difficulty by seeking revenge, so they revoke his hunting license. Still, he manages to embark upon his justice-seeking safari by hiring himself out as a guide for millionaire lion hunter Roland Culver and Culver's fiancee Janet Leigh. The grimness of the proceedings is occasionally leavened by an incongruously upbeat musical score. Safari was photographed on location by Ted Moore and directed by Terence Young, who'd later collaborate on the James Bond epic Thunderball (1965). ~ Hal Erickson, All Movie Guide

A U.S. military officer is motivated by love and compassion to begin a life of crime in this action adventure story. Sgt. Joe Lawrence (Richard Widmark) is an American Army officer who, while stationed in Berlin shortly after the end of WWII, falls in love with Maria (Mai Zetterling), a refugee trying to raise enough money to move a group of German orphans to South America, where they can start life anew. Joe wants to help her, and with his buddies Sgt. Roger Morris (George Cole) and Brian Hammell (Nigel Patrick), Joe plans a daring robbery. A fortune in gold is being transferred from England to Germany via military transport, and Joe, Roger, and Brian intend to hijack the plane and grab the treasure. While the robbery goes off as planned, the three participants soon have second thoughts about what to do with their ill-gotten gains. Seven years later, leading lady Mai Zetterling would commence a distinguished career as a director with her film Wargame. ~ Mark Deming, All Movie Guide

Man Behind the Gun is a standard-issue Randolph Scott western elevated by good performances and exciting action sequences. Scott plays Callicut, newly arrived in the bustling mid-19th century metropolis of Los Angeles. Outwardly just another soldier of fortune, Callicut is actually an undercover agent for the government, sent to LA to investigate a covert organization that hopes to make Southern California a separate state. When he finds the time, he romances schoolteacher Lora Roberts (Patrice Wymore), whose life he'd previously saved during a stagecoach holdup. Callicut's rival for Lora's attentions is Roy Giles (Philip Carey), a hotheaded Army captain who may be in on the secessionist movement. Once Callicut finds out who's behind the movement, all hell breaks loose. Robert Cabal makes a brief appearance in Man Behind the Gun as a supposedly harmless Latino who turns out to be firebrand desperado Joaquin Murietta. ~ Hal Erickson, All Movie Guide

The real-life deportation of gangster Lucky Luciano was the inspiration for this romanticized and slightly crackbrained crime drama. Jeff Chandler plays the Luciano counterpart, who once he arrives in Italy renews his criminal activities. Chandler masterminds a black-market racket, capitalizing upon wartime shortages in Europe. He falls in love with a Contessa (Marta Toren), who is the benign patroness of the small village where he lives. Under her influence, Chandler abandons his life of crime, turns his back on the ill-gotten gains that he's already smuggled into Italy, and becomes a pillar of the community. And if you believe that, We have some land in Florida we'd like to show you. ~ Hal Erickson, All Movie Guide

A pleasant comedy with serious undertones, Free for All stars Robert Cummings as erstwhile inventor Christopher Parker. Hoping to secure a patent on his latest invention--a formula that turns water into gasoline--Parker is flummoxed by yards and yards of governmental and bureaucratic red tape. He also faces formidable opposition in the form of avaricious oil-company executive Blair (Ray Collins). Thankfully, Peterson can occasionally seek comfort in the arms of Alva (Ann Blyth), fortuitously the daughter of sympathetic patent-office employe Mr. Abbott (Percy Kilbride). Within a few years, the heat generated by the House UnAmerican Activities Committee would preclude the on-screen depiction of a villainous oil executive (this particular stereotype would, however, stage a comeback during the energy crises of the 1970s). Outside of its satirical jibes, Free for All scores its biggest laughs when concentrating on the various eccentrics (Percy Helton, Harry Antrim et. al.) dwelling in Mr Abbott's gadget-laden boarding house. ~ Hal Erickson, All Movie Guide

The longest-running non-musical play in Broadway history, Life With Father was faithfully filmed by Warner Bros. in 1947. William Powell is a tower of comic strength as Clarence Day, the benevolent despot of his 1880s New York City household. Irene Dunne co-stars as Day's wife Vinnie, who outwardly has no more common sense than a butterfly but who is the real head of the household. The anecdotal story, encompassing such details as the eldest Day son's (James Lydon) romance with pretty out-of-towner Mary (Elizabeth Taylor), is tied together by Vinnie's tireless efforts to get her headstrong husband baptized, else he'll never be able to enter the Kingdom of God. Each scene is a little gem of comedy and pathos, as the formidable Mr. Day tries to bring a stern businesslike attitude to everyday household activities, including explaining the facts of life to his impressionable son. Donald Ogden Stewart based his screenplay upon the play by Howard Lindsey (who played Mr. Day in the original production) and Russell Crouse; the play in turn was inspired by a series of articles written by Clarence Day Jr., shortly before his death in 1933. Due to a legal tangle with the Day estate, Life With Father was withdrawn from circulation after its first run; it re-emerged on the Public Domain market in 1975. ~ Hal Erickson, All Movie Guide

In this film noir with romantic overtones, con man and cardsharp Nick Blake (John Garfield) returns home after serving in WWII to discover that a rival syndicate now controls New York's gambling rackets -- and that his girlfriend Toni (Faye Emerson) has run off with his money. Looking for a fresh start, Nick heads for California, where he becomes reacquainted with Pop Grueber (Walter Brennan), who gave him his start in the underworld. Pop and his boss Doc Ganson (George Coulouris) tip Nick off to a scam they've brainstormed to separate young widow Gladys Halvorsen (Geraldine Fitzgerald) from her recently inherited fortune. Nick's job is to sweet talk Gladys out of her money and then make tracks, but he finds himself falling in love with her and wants out of the deal. Meanwhile, Toni comes back into the picture and tries to convince Doc that Nick is trying to cheat him, leading to a kidnapping. Incidentally, John Garfield won the leading role in Nobody Lives Forever after Humphrey Bogart turned it down. ~ Mark Deming, All Movie Guide

Such was the prevailing mood among filmgoers in 1943 that God Is My Co-Pilot was allowed to show a spiritual shaft of light in the sky and several scenes of enemy pilots spitting up blood when shot down by American bullets. The film was based on the best-selling novel by fighter pilot Col. Robert Lee Scott Jr., who fought in the Pacific during World War II. At 34, Scott was told he was too old to fly in combat, but he proved his worth as a member of the Flying Tigers. Dennis Morgan plays Scott with pious sincerity, while the more traditional "regular guy" roles went to such stalwarts as Dane Clark and Alan Hale. Like most aerial combat films of the era, God Is My Co-Pilot soars highest when its characters stay off the ground and away from all that pontificating dialogue. ~ Hal Erickson, All Movie Guide

In his final epic Western, Errol Flynn plays cattleman Clay Hardin, who, on a trek south of the border, has discovered that San Antonio saloon proprietor Roy Stuart (Paul Kelly) is actually a cattle rustler of major proportions. Determined to bring Stuart to justice, Clay runs into difficulties when he mistakes feted chanteuse Jeanne Starr (Alexis Smith) for being on the saloon owner's payroll. Meanwhile, Stuart's French-accented partner, and enemy, Legare (Victor Francen), uses the taut situation to benefit himself. Then Clay's longtime friend, Charlie Bell (John Litel), is brutally slain and Jeanne's manager, Sacha Bozic (S.Z. Sakall) is forced to skip town, Bozic, unbeknownst to Clay, having witnessed the murder. The real killer is eventually forced to confess and San Antonio erupts in a climactic gun battle that culminates in a shootout at the historic Alamo. With Hungarian actor Sakall providing some much-needed comedy relief, Alexis Smith, Doodles Weaver, and a chorus perform a few songs, including: Ray Heindorf, M.K. Jerome, and Ted Koehler's "Some Sunday Morning"; "Put Your Little Foot Right Out," by Larry Spier; and Jack Scholl and Charles Kisco's "Somewhere in Monterey." According to some reports, both Raoul Walsh and Robert Florey directed a few additional scenes. ~ Hans J. Wollstein, All Movie Guide

More so than most wartime films, Mission to Moscow must be viewed within the context of its times. Requested by President Roosevelt to make a film supportive of America's Russian allies, Warner Bros. turned to the memoirs of Ambassador Joseph H. Davies, who spent several years prior to WWII in the Soviet Union. As played by Walter Huston, Davies is a pillar of incorruptable integrity, reporting the facts "as I saw them" (only in later years was Davies revealed to be something less than a paragon of virtue who was willing to alter opinions for political, personal and financial expedience). Sent to Moscow by FDR as a means of finding out if Russia is a potentially trustworthy ally in case of war, Davies and his family are given the royal treatment by the Commissars, who display the social, technological, agricultural and artistic advances made under the Stalin regime. Invariably, the Russian citizens are shown to be singing, smiling, freedom-loving rugged individuals-in contrast to the Nazis, who are depicted as humorless automatons. In its efforts to present the USSR in the best possible light, the film glosses over the notorious Purge Trials of 1937, presenting the trials as scrupulously fair and the defendants as unabashed traitors to the Soviet cause. At one point, Russia's annexation of Finland in 1939 is "justified" by Davies' explanation that the Soviets merely wanted to protect their tiny neighbor from Nazi domination! It is unfair to label Mission to Moscow as Communistic or even left-wing, since it was merely parroting the official party line vis-a-vis US/Soviet relations in 1943. Even so, screenwriter Howard Koch found it very difficult to get film work after the war because of his contributions to this "Pinko" project (conversely, Jack Warner pulled a Pontius Pilate, washing his hands of the matter by insisting that he was strongarmed into making the film). Seen objectively, Mission to Moscow is top-rank entertainment, superbly and excitingly assembled in the manner typical of Warners and director Michael Curtiz. The huge cast includes Gene Lockhart as Molotov, attorney Dudley Field Malone as Winston Churchill, Maynart Kippen as a benign, pipe-smoking Stalin, Charles Trowbridge as Secretary Cordell Hull, Leigh Whipper as Hailie Selassie, Georges Renavent as Anthony Eden and Alex Chirva as Pierre Laval, along with the more familiar faces of Ann Harding (as Mrs. Davies), George Tobias, Eleanor Parker, Moroni Olsen, Minor Watson, Jerome Cowan, Duncan Renaldo, Mike Mazurki, Frank Faylen, Edward van Sloan, Louis-Jean Heydt, Monte Blue, Robert Shayne and even Sid (sic) Charisse. Original prints of Mission to Moscow include a 6-minute prologue delivered by the real Joseph Davies. ~ Hal Erickson, All Movie Guide