John Bryan Movies

Marlene Dietrich stars as the noble Domini Enfilden in this third film version of Robert Hichens' 1904 novel. After caring for her dying father, Domini is told by her Mother Superior (Lucille Watson) that she should go to the Algerian desert to rest and seek sanctuary. On her way to the town of Beni-Mora, Domini meets the ill-tempered and mysterious Boris Androvsky (Charles Boyer), a Trappist monk who has forsaken his vows and also seeks the Algerian desert for salvation. Domini is attracted to this moody monk, but continues on. Her desert guide, Batouch (Joseph Schildkraut), takes Domini to a cabaret, where a riot breaks out during a production number. Boris re-appears to rescue her from the trashed club. Domini and Boris fall in love, marry, and travel to the desert for their honeymoon. There the newlyweds encounter a unit of the French Foreign Legion, whose commander, De Trevignac (Alan Marshal), holds a secret to Boris's past. ~ Paul Brenner, Rovi

Greta Garbo enjoyed one of her greatest triumphs in this glossy adaptation of Alexandre Dumas' oft-filmed romantic tragedy. Here, Garbo stars as Marguerite Gauthier, who is born into humble circumstances but in time becomes Dame aux Camille, one of the most glamorous courtesans in Paris. Camille is kept by the wealthy and powerful Baron de Varville (Henry Daniell), but after many years of earning a good living from her beauty without finding true love, Camille's heart is stolen by Armand (Robert Taylor), a handsome but slightly naive young man who doesn't know how she came by her fortune. Armand is just as attracted to Camille as she is to him, and she's prepared to give up the Baron and his stipend to be with Armand. However, Armand's father (Lionel Barrymore) begs Camille to turn away from his son, knowing her scandalous past could ruin his future. Realizing the painful wisdom of this, Camille rejects Armand, who continues to pursue her even as Camille contracts a potentially fatal case of tuberculosis. Remarkably, even though this was one of Garbo's greatest commercial and critical successes, she would make only three more films before her retirement in 1941; Camille, however, would be filmed several more times following this version (most memorably by elegant sexploitation auteur Radley Metzger in 1969's Camille 2000). ~ Mark Deming, Rovi

A British soldier stationed in Africa comes to believe that he is in possession of Arthur's Excalibur in this drama. The expert swordsman comes to believe this after he is named a hero during a duel. He attributes his skill and courage to the famous weapon. Later he is deeply embarrassed to learns that it is not Arthur's sword. This does not keep him from saving his friends from enemy hands. ~ Sandra Brennan, Rovi

In this sci-fi comedy, a nutty inventor and his loyal butler use his time machine to travel to Elizabethan times. ~ Sandra Brennan, Rovi

In this drama, set during the reign of King Charles II, the aristocratic Lady Skelton (Margaret Lockwood) attempts to relieve the tedium of her day-to-day life by secretly acting as a highway robber. Meeting up with the rogue Captain Jerry Jackson (James Mason), the two begin a relationship. When her private and public lives begin to interfere with one another, however, Lady Skelton finds herself caught up in a tangled web of romance, danger, and jealousy. ~ Iotis Erlewine, Rovi

Immediately grabbing the audience's attention with a heart-stopping opening scene in a dark graveyard, acclaimed British director David Lean realizes the cinematic potential of Charles Dickens' classic 1861 novel, and the result is considered by many to be one of the finest literary adaptations ever made as well as one of the greatest British films of all time. Crystallized into a tight 118-minute running time by Lean, Ronald Neame, and a corps of uncredited contributors, this is the story of young Pip, a lad of humble means whose training as a gentleman is bankrolled by a mysterious benefactor. Along the way, Pip falls in love with the fickle Estella, befriends the cheerfully insouciant Herbert Pocket, has memorable encounters with the escaped convict Magwitch and the lunatic dowager Miss Havisham, and almost (but not quite) forgets his modest origins as the foster son of kindhearted blacksmith Joe Gargery. The role of Pip is evenly divided between Anthony Wager as a child and John Mills as an adult; Alec Guinness makes his starring film debut as the jaunty Pocket; Jean Simmons and Valerie Hobson are costarred as the younger and older Estella; and Martita Hunt is unforgettable as the mad Miss Havisham ("It's a fine cake! A wedding cake! MINE!") Remade several times, Great Expectations resurfaced in 1989 as a TV miniseries, with Jean Simmons, originally the young Estella, tearing a passion to tatters as Miss Havisham; and in 1998 it was remade again, in a contemporary version, with Ethan Hawke, Gwyneth Paltrow, Robert DeNiro, and Anne Bancroft in the Miss Havisham role. ~ Hal Erickson, Rovi

Based on a novel by J. S. Fletcher, The Root of All Evil casts Phyllis Calvert as a grimly ambitious woman scorned. Jilted by wealthy Albert Grice (Hubert Gregg), farmer's daughter Jeckie Farnish (Calvert) vows to accumulate enough money so as to never again be dependent on any man's attentions. Suing Grice for breach of promise, Jeckie parlays her generous settlement into a sizeable fortune. She increases her riches by linking up with philandering mining-engineer Charles Mortimer (Michael Rennie). Though she and Mortimer accrue millions from oil wells, it simply isn't enough: the hard-hearted Jeckie has decided that she craves true romance after all. The moral of Root of All Evil is obvious from the first scene onward: it is up to Phyllis Calvert and her talented co-stars to wade through a sea of cliches and come up with something worth watching. ~ Hal Erickson, Rovi

Cinematographer Ronald Neame made his directorial debut with the 1947 murder melodrama Take My Life. When a Covent Garden violinist is found murdered, her ex-lover, show business manager Nicholas Talbot (Hugh Williams) finds himself under suspicion. The only person who believes that Talbot is innocent is his wife, opera diva Phillipa Shelley (Greta Gynt). Unable to convince the authorities, Phillipa plays detective herself, utilizing a snatch of a newly written song as her main clue to the true killer's identity. If the mysterious murderer isn't all that mysterious to the audience, it is only because the actor in question had played too many similar roles in the past. ~ Hal Erickson, Rovi

David Lean directed this romantic drama, scripted by Eric Ambler from a novel by H.G. Wells. Mary Justin (Ann Todd) is married to wealthy financier Howard Justin (Claude Rains), and while their marriage allows her to lead a comfortable lifestyle, there's little excitement in their relationship. While visiting Switzerland, Mary happens to run into Steve Stratton (Trevor Howard), with whom she was romantically involved years before she wed Howard. Mary finds herself falling for Steve once again, and she has to decide if she should leave her husband in hope of finding real passion or stay with a man who treats her well but whom she does not love. Leading lady Ann Todd married David Lean the same year this was released; it was the first of three films they would make together prior to their divorce in 1957. ~ Mark Deming, Rovi

David Lean's Madeleine was inspired by a true story that rocked the English legal system to its foundations in the mid-19th century. Told in flashback, the film explains why aristocratic young Scotswoman Madeleine Smith (Ann Todd, then the wife of director Lean) is on trial for murder. The audience is apprised of Madeleine's illicit romance with deceptively charming Frenchman Emile L'Angelier (Ivan Desny), her futile attempts to break off the relationship, her "proper" betrothal to Englishman William Minnoch (Norman Wooland), and the murder by poison of the now-inconvenient L'Angelier. The jury's verdict was as controversial in 1950 as it had been a century earlier. David Lean and scenarists Stanley Haynes and Nicholas Phipps refuse to take sides, permitting the viewers to draw their own conclusions about the notorious Madeleine. ~ Hal Erickson, Rovi

The Magic Box was the English film industry's contribution to the 1951 Festival of Britain. Its all-star cast generously forsook their usual salaries for the privilege of paying tribute to that unsung pioneer of cinema, William Friese-Greene, here played by Robert Donat. Adapted by Eric Ambler from the controversial biography by Ray Allister, Magic Box contends that Friese-Greene was the true father of motion pictures, and not such upstarts as W. K. L. Dickson and Thomas Edison. Told in flashback, the film details Friese-Greene's tireless experiments with the "moving image," leading inexorably to a series of failures and disappoints, as others hog the credit for the protagonist's discoveries. The huge cast includes such British film luminaries as Joyce Grenfell, Miles Malleson, Michael Redgrave, Eric Portman, Emlyn Williams, Richard Attenborough, Peter Ustinov, Cecil Parker, Kay Walsh, and, best of all, Laurence Olivier as the confused bobby who witnesses Friese-Greene's first motion picture demonstration. ~ Hal Erickson, Rovi

Released in the US as Man With a Million, The Million Pound Note is a satisfying adaptation of a satirical short story by Mark Twain. Gregory Peck plays Henry Adams, an impecunious American living by his wits in London. Henry becomes the object of a wager between millionaire brothers Oliver and Roderick Montpelier (Ronald Squire and Wilfred Hyde-White), who want to find out if a man with a million pound note in his bank account could live comfortably for one month on the strength of that note--without ever spending a penny of it. When Henry is given the note and lets it be known that he has it, every courtesy imaginable is extended to him by hoteliers, restauranteurs, etc. Trouble brews when Henry uses the note's reputation to speculate on the stock market. When his creditors demand that he produce the note as an act of faith, Henry is unable to do so, whereupon pandemonium reigns--and the audience's laughter cascades. ~ Hal Erickson, Rovi

A young David McCallum heads the cast of the British melodrama The Secret Place. Set amongst the bombed-out buildings of London's East Side, the film concerns the misdeeds of a two-bit criminal gang headed by Gerry Carter (Ronald Lewis). In a fit of inspiration, Carter masterminds a meticulously planned diamond robbery, actually succeeding in swiping the precious gems. Unfortunately for the crooks, the diamonds accidentally come into the the possession of Freddie Haywood (Michael Brooke), a policeman's son. McCallum plays Mike Wilson, the sullen teddy-boy brother of Carter's girlfriend Molly (Belinda Lee), who tries to inveigle Freddie into giving up the diamonds. ~ Hal Erickson, Rovi