Homer Brightman Movies

Ichabod and Mr. Toad is a two-part Walt Disney cartoon feature based on a pair of well known stories. The first half of the film is an adaptation of Washington Irving's The Legend of Sleepy Hollow, all about gawky 17th century schoolteacher Ichabod Crane and his love for the beautiful Katrina. The girl's vengeful ex-beau Brom Bones decides to scare Ichabod out of Sleepy Hollow by filling the impressionable teacher's brain with stories about the ghostly Headless Horseman--who of course makes an appearance that very night! The second half of Ichabod and Mr. Toad is based on the "Toad of Toad Hall" stories from Kenneth Grahame's The Wind and the Willows. The aristocratic but childish Mr. Toad loves motorcars, but his affection leads him to a jail term when he is accused of stealing an automobile. It's up to Toad's faithful friends to break Toad out of jail and expose the real crooks. One of Disney's better "omnibus" cartoon features, Ichabod and Mr. Toad is enhanced by the narrative skills of Bing Crosby in the Ichabod segment and Basil Rathbone in the Mr. Toad sequence. ~ Hal Erickson, Rovi

A blend of live-action and animation, Fun and Fancy Free is comprised of two distinct tales linked by additional footage featuring Jiminy Cricket. Disney had been planning to use each story for separate feature films but the involvement of the United States in WWII disrupted his plans and the stories were shelved until after the war. The first is a musical story based on a children's story by Sinclair Lewis and is narrated by Dinah Shore, who also sings. It is the tale of a sad little circus bear named Bongo who is adored when performing but ignored after the show. Tired of travelling and being mistreated, he escapes into the forest where he discovers that life in the wilderness is not as free and easy as he thought. Despite the obstacles awaiting him, Bongo manages to find the thing he most longed for -- true love. By contemporary standards, the story is almost 'unbearably' sweet, but it should be remembered that such candy-coated fluff as "Bongo" was the remedy war-weary audiences needed to lift their spirits. The second tale is more zesty thanks to the peppery repartee between ventriloquist Edgar Bergen and his two dummies Charlie McCarthy and Mortimer Snerd. Together the three tell would-be Disney child star Luana Patton, a story based on "Jack and the Beanstalk" featuring Mickey Mouse, Donald Duck and Goofy, who climb a magic beanstalk and try to retrieve a stolen singing harp to restore wealth to their impoverished kingdom.

In 1997, to commemorate the film's 50th anniversary, it was released on video tape in a restored version (the executive producers in charge of restoration were Phil Savenkic and Harry Arends) that has brought the colorful animated sequences back to their original depth and vibrance. This video version also contains a brief but informative documentary hosted by noted film historian Leonard Maltin and narrated by Corey Burton at the end that gives the fascinating history of the films. It also contains rare footage of the making of the films and a priceless segment in which Walt Disney performs as Mickey Mouse. "Mickey and the Beanstalk" was the last time Disney provided his voice. ~ Sandra Brennan, Rovi

In his first postwar animated feature, Walt Disney attempted to repeat the Fantasia formula, substituting "pop" music for the Classics. Make Mine Music consists of ten unrelated cartoon vignettes, each one featuring a popular recording artist. "A Rustic Ballad" is the story of the Martin-Coy hillbilly feud, narrated musically by the King's Men. "A Tone Poem" is an impressionistic interpretation of the song "Blue Bayou", sung by the Ken Darby chorus and rendered artistically by Disney's ace animators. "A Jazz Interlude", done in "sketchbook" style, is performed by Benny Goodman and His Orchestra, and features the jitterbug specialty "All the Cats Join In". Jerry Colonna is next on the program in "A Musical Recitation", offering his own inimitable version of "Casey at the Bat". "Ballad Ballet" features Ballet Russe stars Tatiana Riabouchinska and David Lichine, dancing to Dinah Shore's vocalization of "Two Silhouettes". "A Fairy Tale with Music" turns out to be Prokofiev's "Peter and the Wolf", narrated by Sterling Holloway. Next, Benny Goodman and company return with a surreal visualization of "After You've Gone", followed by "A Love Story", which features the Andrews Sisters' rendition of the ballad "Johnny Fedora and Alice Blue Bonnet." The hilarious "Opera Pathetique" finale finds Nelson Eddy narrating the story of Willy, "The Whale Who Wanted to Sing at the Met". Better in its individual components than its sum total, Make Mine Music was drubbed by critics, who felt that Disney had abandoned his "artistic" aspirations in favor of crass commercialism, but performed reasonably well at the box office, inspiring several more "omnibus" animated features. In later years, the ten individual segments would be released as separate short subjects, both theatrically and as episodes of Disney's various TV series (where the original narration was often supplanted by the unfunny interpolations of Professor Ludwig Von Drake). ~ Hal Erickson, Rovi

This 43-minute animated feature is Walt Disney's contribution to the wartime "Good Neighbor Policy" between the USA and Latin America. Opening with live-action footage of Disney and his staff (referred to by the narrator as a "group of artists and musicians") heading off to South America to glean material for a new cartoon project, the film then segues into the misadventures of American tourist Donald Duck at Lake Titicaca. Moving down to Chile, the audience is entertained by the story of Pedro the little airplane, who vows to deliver the mail through the treacherous mountain ranges between Santiago and Mendoza. In the Argentine Pampas, our old friend Goofy tries to acclimate himself to the life of a Gaucho. The best sequence is reserved for last: the Carnaval in Rio de Janeiro, with an animated paintbrush guiding Donald Duck and his South American counterpart Jose Carioca on a surrealistic, samba-rhythmed tour of Brazil. ~ Hal Erickson, Rovi