Nacio Herb Brown Movies

A Woman Commands is often cited as silent screen star Pola Negri's first talking picture. Actually, it was her first American talkie and almost her last, posting a $265,000 loss for RKO Radio. Ordered to marry Serbian king Alexander (Roland Young), noblewoman Maria Draga (Negri) does what she's told, though her heart belongs to dashing army captain Pasitch (Basil Rathbone). Ultimately, the heroine nearly brings about Pasitch's total downfall, but she redeems herself by sacrificing her life to save his. Negri's thick Teutonic accent is not as much of a detriment as some historians have claimed: the problem lies in the terrible dialogue she is called upon to speak. Such was the failure of A Woman Commands that Pola Negri immediately returned to her adopted homeland of Germany, where she remained until WWII necessitated her second Hollywood comeback in 1943's Hi Diddle Diddle. ~ Hal Erickson, All Movie Guide

Adapted from Owen Davis's stage comedy The Nervous Wreck (itself filmed in 1927), Flo Ziegfeld's musical spectacular Whoopee! was one of the solid hits of the 1928-29 Broadway season, thanks largely to the irrepressible Eddie Cantor. The property was transferred to film virtually intact in 1930, again produced by Ziegfeld (in collaboration with Sam Goldwyn) and again starring Cantor. The star plays Henry Williams, a wide-eyed hypochondriac who heads to a western resort town in the company of his long-suffering nurse Mary Custer (Ethel Shutta). Meanwhile, Wanenie (Paul Gregory), the son of an Indian chief, pines away out of love for white heiress Sally Morgan (Eleanor Hunt), who has been forbidden to marry Wanenie because of their racial differences. One of the most unsympathetic heroines in screen history, Sally coerces Henry into helping her elope then allows the poor boob to be accused of kidnapping. All sorts of zany complications ensue, not least of which is the side-splitting scene in which Henry, disguised as an Indian, adopts a thick Jewish accent while trying to sell a rug to a tourist. The Sally/Wanenie dilemma ends happily when the young man turns out not to be Indian after all, while Henry, cured of his ills by all the excitement, marries nurse Marie. The "Ziegfeld Touch" is most obvious in the final reels, when the story stops dead in its tracks to offer a long, drawn-out parade of "Glorified" Follies girls wearing enormous headdresses and precious little else. But the film's highlight is Eddie Cantor's sly, insinuating rendition of the title song, in which he details in humorous fashion the pitfalls of "makin' whoopee" with the wrong girl. Featured among the Goldwyn Girls are such future stars as Claire Dodd, Virginia Bruce, and 14-year-old Betty Grable, who energetically performs the very first chorus of the very first song in the film. Lensed in eye-pleasing early Technicolor, Whoopee was a success, launching a long and fruitful cinematic collaboration between Eddie Cantor and Sam Goldwyn. It was remade by Goldwyn in 1944 as Up in Arms, a showcase for the producer's "new Cantor" Danny Kaye. ~ Hal Erickson, All Movie Guide

Joan Crawford and Johnny Mack Brown star in this high budget horse opera from M-G-M. She is Joan Prescott, a spoiled debutante en route to the family ranch in Montana and he is the cowboy she meets and marries after impulsively departing the train at a whistle stop. Surprising everyone, Papa Prescott (Lloyd Ingraham) is only too willing to welcome Larry Carrigan (Mack Brown) into the family, Larry being exactly the opposite of the slick society swells that Joan usually dates. But our Joan just can't help cutting the rug with old beau Jeff Pelham (Ricardo Cortez) and a jealous Larry slugs him. An angry Joan hops the next train back to New York but suddenly finds herself a victim of a gang of outlaws. A gang that seems mighty familiar! Co-written by executive producer Irving Thalberg's sister Sylvia, Montana Moon comes complete with songs by house composers Arthur Freed, Nacio Herb Brown and Herbert Stothart, including "The Moon is Low", "Happy Cowboy" and "Let Me Give You Love". ~ Hans J. Wollstein, All Movie Guide

This landmark MGM backstage musical of the early sound era about broken dreams on the Great White Way features a bevy of standards by the songwriting team of Arthur Freed and Nacio Herb Brown. Freed later became unit producer of the legendary Freed Unit at MGM, which is the reason many of the tunes from Broadway Melody --""You Were Meant For Me"", "Broadway Melody", ""The Wedding of the Painted Doll""-- later appeared in Freed's seminal MGM musical Singin' in the Rain. The nominal story concerns midwestern sister act The Mahoney Sisters --Queenie (Anita Page) and Hank (Bessie Love)-- who come to New York to try to make it big on Broadway. Hank's song-and-dance man boyfriend Eddie (Charles King) has promised the gals a part in the new Broadway revue in which he is soon to appear. When Hank and Queenie come to see him, Hank is pleasantly surprised at the way Queenie has filled out. Soon enough, Eddie is making advances to Queenie. Queenie is attracted to Eddie too, but she doesn't want to steal her sister's boyfriend. So she Queenie takes up with a lecherous playboy, leaving it to Hank to put all the confused love relationships in perspective. ~ Paul Brenner, All Movie Guide