Ken Brown Movies

Steve Fisher, best known for I Wake Up Screaming, wrote the story and screenplay for the British melodrama Terror Street. Dan Duryea plays Bill Rogers, an American jet pilot, who comes to England to find out why he hasn't heard from his wife lately. Upon his arrival, he learns that his wife has been murdered, and that he's the prime suspect. With only 36 hours at his disposal, Rogers takes it upon himself to track down the actual killer. Such familiar British-movie faces as Erich Pohlmann and Kenneth Griffith share screen time with relative newcomers like Elsy Albin and Ann Gudrun. Running 83 minutes, Terror Street was originally released in England in an 80-minute version titled 36 Hours. ~ Hal Erickson, All Movie Guide

An American pilot swears to get revenge on the German ace who shot his brother in this war movie set in war-torn Europe. Montgomery is the pilot. After he sees his brother die while trying to parachute to safety, Montgomery's plane is shot down over Germany. He is placed in a POW camp. There he meets a Russian medic and a Czech. Together the trio escapes. Along the way it is discovered that the Czech is a Nazi spy. The medic, Annabella, makes it to England through the underground. Montgomery, discovers a local airport, impersonates a German pilot, steals a plane and flies home. He also manages to kill the flying ace who shot his brother. ~ Sandra Brennan, All Movie Guide

W.C. Fields heads to Esoteric studios to pitch a story idea to producer Franklin Pangborn. The producer wants to make a conventional romantic musical starring Fields' niece, teen-aged soprano Gloria Jean, but "The Great Man" has other ideas. As Pangborn sits in dumbfounded silence, Fields unravels an incoherent farrago which begins with him travelling to a Russian colony in Mexico--by way of an airliner with an open observation platform. Fields dives from the plane when his precious flask of gin falls overboard; he lands safely at the mountaintop mansion of the formidable Mrs. Hemoglobin (Margaret Dumont). Playing a kissing game with Hemoglobin's beauteous daughter (Susan Miller), who has never seen a man before, Fields decides to make a quick exit when Mama wants to get in on the game too. Reunited with Gloria Jean in the Russian colony, Fields learns that Mrs. Hemoglobin is worth millions, so he climbs back up the mountain, ignoring such obstacles as a displaced African gorilla. Disposing of his rival Leon Errol, Fields is about to wed Mrs. Hemoglobin, but is talked out of it at the last moment by Gloria Jean. At this point in the narrative, producer Pangborn can stand no more. He tells Fields to take his nonsensical screenplay and vacate the premises. After a brief episode at a soda fountain ("This scene was supposed to be in a saloon, but the censors made us cut it out"), Fields drives off to new adventures with his niece--but not before a zany slapstick car-chase finale, prompted by Fields' mistaken belief that he's rushing a corpulent middle-aged lady to the maternity hospital. W. C. Fields' original screenplay for Never Give a Sucker an Even Break (written under the fanciful pseudonym of Otis Criblecoblis) made a lot more sense than what ended up on screen, but Fields' extended absences from the studio, coupled with Universal's desire to reshape the film into a vehicle for their new star Gloria Jean, necessitated a complete restructuring of the plot. While hardly Fields' best or most representative film, Sucker is an excellent example of the sort of nonsensical "nut" humor in vogue in 1941 thanks to Olsen and Johnson's Hellzapoppin'. And, occasionally, the film stands still long enough to allow W. C. Fields to mutter a priceless aside or toss off a perfectly timed double-take. ~ Hal Erickson, All Movie Guide

Johnny Mack Brown from Alabama stretches his acting range to play the Man From Montana. The old "divide and conquer" western plotline is trotted out once more, as evil land usurpers pit homesteaders against cattlemen in a range war. Riding into this tense situation is Bob Dawson (Brown), who deduces that the man behind all the trouble is probably a highly respected member of the community. Dawson is absolutely right, but it takes a couple of brutal murders before the "mystery man" finally tips his hand. Nell O'Day, an expert horsewoman in her own right, plays the heroine, while Fuzzy Knight supplies an acceptable blend of comedy relief and rugged self-reliance. ~ Hal Erickson, All Movie Guide

The Under-Pup served to introduce Universal's new preteen songstress--and potential Deanna Durbin replacement--Gloria Jean. Producer Joe Pasternak sagaciously based the leading character on Jean herself: A shy, self-effacing 11 year old girl, thrust into a glamorous lifestyle beyond her ken. She plays a small-town thrush who wins a music scholarship to a fancy Interlochen-style music camp. Her rich classmates snub Jean at first, but she wins them over with her indefatigable good spirits and her angelic singing voice. While The Under-Pup made Gloria Jean a star, she never did become the new Deanna Durbin as planned--partly because the old Deanna Durbin still had a decade's worth of movies left in her. ~ Hal Erickson, All Movie Guide