James Brown Movies

In this Disney film, Hank Cooper (Ed Asner) the owner of a losing professional football team, recruits Gus, a Yugoslavian soccer player, to his team. Even though Gus is a mule, he figures the animal can be taught to make field-goal kicks. Despite the outrage of his team, and sabotage efforts by Crankcase, Spinner and Gwymm (Tim Conway, Tom Bosley and Harold Gould), Gus the Mule kicks his team all the way to a championship. ~ Clarke Fountain, Rovi

To silence the taunts of his young friends, Jamie tries to prove that he's a "real Cartwright" by showing up at school with Ben's rifle-and without Ben's permission. Inevitably, the rifle is broken, and a reluctant Ben punishes Jamie for lying about the incident. Embittered, Jamie runs away from the Ponderosa, unwilling to accept the notion that Ben is being harsh only because he truly loves the boy. Lou Frizzell makes one of his earliest appearances as ranch hand Dusty Rhodes. Written by Preston Wood, "The Gold Plated Rifle" was first telecast on January 10, 1971. ~ Hal Erickson, Rovi

A political filmmaker finds himself in Long Island for a weekend where he finds himself entangled with a high-living, jet set crowd. At first it is exciting, but soon he finds himself disillusioned by their shallowness. The film contains an early performance by Robert De Niro. Footage from Sam's Song was later re-edited into a completely different movie, known as both The Swap and Line of Fire, in which a man investigates the death of his brother. ~ Sandra Brennan, Rovi

Together with Orson Welles' Citizen Kane and John Singleton's Boyz 'n the Hood, director Peter Bogdanovich's Targets is among the most impressive first features ever made. When Bogdanovich's cinematic mentor Roger Corman suggested that Bogdanovich might want to make his directorial debut, he offered to "donate" 20 minutes worth of footage of the Corman-directed The Terror and the services of Boris Karloff, who owed Corman two days' worth of work (at a cost of $22,000). Karloff became so caught up in the 29-year-old Bogdanovich's enthusiasm that he agreed to work an additional two days at a bare-minimum salary.

The script, by Bogdanovich and his then-wife, Polly Platt, was inspired by the 1966 shooting spree of Texas Tower sniper Charles Whitman. Karloff, as Byron Orlock, more or less plays himself: an aging horror star, consigned to low-budget drive-in fare. Unlike the workaholic Karloff, Orlock wants to retire from films, noting that his movies seem inconsequential in light of the real-life horrors occurring every day. As Bogdanovich, playing young-and-hungry director Sammy Michaels, desperately tries to convince Orlock to star in just one more picture, the film's attentions shift to Vietnam veteran Bobby Thompson (Tim O'Kelly). An otherwise amiable, normal-looking lad, Bobby seems to harbor an inordinate fascination with guns, particularly high-powered rifles. One bright and sunny morning, Bobby suddenly and unexpectedly shoots and kills his wife, his mother, and an unlucky delivery boy. He leaves behind a note confessing to these crimes, noting that, while he fully expects to be captured, many more will die before the day is over. From this point onward, the film switches from Bobby's day-long bloodbath (from the vantage point of an oil storage tank, calmly picking off passing freeway motorists) to Orlock's grumbling preparations to make a personal appearance at a local drive-in movie.

Inevitably, Bobby also shows up at the drive-in, hiding himself behind the huge screen and shooting down the patrons as they sit complacently in their cars, watching the latest Byron Orlock film (actually The Terror, in which Karloff also starred). Once the reality of the situation sets in, panic ensues, leading to the ultimate confrontation between the escaping Bobby and the bewildered Orlock. ("Is this what I was afraid of?" Orlock ruefully exclaims as Bobby cowers at his feet.) The tension never lets up throughout Targets' jam-packed 90 minutes. The film was virtually thrown away by its distributor, Paramount Pictures, which was uncertain about packaging a film about a sniper in the wake of the King and Kennedy assassinations. Only when it was reissued to college campuses and film societies did Targets begin building up its much-deserved reputation. Though Targets was not, technically, Boris Karloff's last film, it serves as a worthy valedictory for this cinematic giant. ~ Hal Erickson, Rovi

In this western, a world-weary bounty hunter begins working for an avaricious crook who wants to destroy the good name of a little town so that the railroad will be built across his land. To enact his plan he brings a notorious gambler to town. He also establishes a brothel in the saloon. The sheriff and the good townspeople protest, but the villain takes care of him. This angers the bounty hunter, who has come to like the lawman and he turns against his boss. ~ Sandra Brennan, Rovi

Adapting his own novel, Frank Gruber penned the screenplay for the A.C. Lyles production Town Tamer. Veteran filmmaker Leslie Selander directs an equally veteran cast in this high-action Western. After his wife is murdered, hired gun Tom Rosser (Dana Andrews) rides into town in search of revenge and justice. Two years later, the killers have become the corrupt town leaders: Marshall Lee Ring (Lyle Bettger) and saloon owner Riley Condor (Bruce Cabot). They are aided by the Marshall's sadist henchman Johnny Honsinger (Richard Jaeckel). Tom proceeds to clean up the town by engaging in constant shoot-outs and barroom brawls. Once he gets rid of the bad guys, he earns respect from Mayor Leach (Lon Chaney Jr.), Doctor Kent (Richard Arlen), and other townsfolk (Burton MacLane and Jeanne Cagney). ~ Andrea LeVasseur, Rovi

Actor Lawrence Harvey made his debut as a writer and director with this downbeat drama. Sean McKenna (Harvey) is awaiting execution in a prison in Tangiers after being convicted of murder. McKenna was trying to prevent the crime in question but was instead made the scapegoat. With his life hanging in the balance, McKenna's girlfriend Catherine (Sarah Miles) and his brother Dominic (Robert Walker Jr.) engineer an escape plan, and McKenna is able to beat his date with the hangman. However, McKenna's reunion with Dominic and Catherine proves not to be as joyous as he had expected when he discovers that they have been having an affair. Harvey was to direct only two more films, the second of which, Welcome to Arrow Beach, would prove to be his final work. ~ Mark Deming, Rovi

In this crime drama, several people gather at an inn adjacent to a prison where a man is scheduled to be executed at midnight. Just as the clock is about to strike twelve, a man comes in and confesses the crime. He is arrested. The rest of the guests, who have come to retrieve the original inmate's loot from a safety deposit box, now try to get their hands upon the loot. Treachery and mayhem ensue. Eventually someone calls the police and everything works out for the best. ~ Sandra Brennan, Rovi

In this western, a discharged cavalry soldier rides a stage to his brother's cattle ranch. En route he meets a dance hall girl. Later he saves her from an outlaw's unsavory advances during a heist. When he gets to his brother's ranch he soon learns that his brother makes his real living by rustling cattle. The disappointed ex-soldier leaves him and goes to a trading post where he marries the dance hall girl. Later, one of the bad brother's men convinces him that his good brother snitched on them to the sheriff leading the rustler to seek revenge. Fortunately he learns that it was all a set-up by the outlaw; instead of killing the good brother, the rustler decides to join him on his fur-trapping excursions. This angers the gang member who rallies the rest of his band together to kill the brothers. The brothers end up killing the outlaws in a shoot-out. Unfortunately the rustlin' brother is also killed. The good brother and his wife end up naming their first born daughter after him. ~ Sandra Brennan, Rovi

One more stock western in a long line stretching back to the turn of the 20th century, this oater by peripatetic director Edward L. Cahn has nothing particularly distinctive in its story about a group of outlaws. Billy Wade (played by the athletic James Brown) is an ex-gunslinger who is approached by his outlaw brother Matt (Robert Karnes), not long out of prison, to help him with a big-time robbery. Matt forces Billy's participation with an offer he cannot refuse, unaware that Billy is actually working on the side of the law. ~ Eleanor Mannikka, Rovi

This one-hour, police-story melodrama does not focus on the two-legged officers commonly found chasing the bad guys, but a four-legged K-9 corps German Shepherd named "Wolf" (played by Rocco), whose training forms a large part of the story. Wolf is put through his paces so that when the time comes, he can join up with his bosses and head out to capture some nasty arsonists, intent on torching buildings to collect insurance money. Given that Wolf's fans are likely to be the younger set, any ingrained clichés and lines of uninspired dialogue will not be a great problem. ~ Eleanor Mannikka, Rovi