Victor Brooks Movies

Cover Girl Killer demonstrates that the sleaze market was as active in 1960 as today. In this grindhouse quickie, some looney tune is bumping off photographer's models. A Hugh Hefner-type girlie mag publisher, anxious that his talent pool not be depleted, sets a trap for the killer. The publisher's top model, a pneumatic blonde, allows herself to be used as bait. There's epidermis aplenty but no outright nudity in Cover Girl Killer; still, the film found its way on the "art house" circuit in the early 1960s. ~ Hal Erickson, Rovi

An Englishman finds himself on the holiday from hell in this horror movie. He had gone to Britanny for rest and relaxation. Instead he finds himself involved in a satanic cult run by a sophisticated vampire. Two of the man's friends are killed there because the cult requires human sacrifices. The man really gets mad when the vampire kidnaps his girlfriend. The angered Englishman soon exposes the creature's identity leaving the bereft vampire to wander through a cemetery. There, he stumbles upon a cross and dies. ~ Sandra Brennan, Rovi

This romp through the comedic world of spy-chase stories starts with Dick Lanchester (David Tomlinson), a less-than-brilliant British diplomat, taking an atomic scientist to a NATO meeting. A simple escort service turns into disaster when the so-called scientist steals major secrets and escapes with the sensitive material on a roll of film -- but not for long. The precious negatives are gobbled up by a racehorse, and the chase begins. The scientist and his fellow spies are after the racehorse, the British security network is after the spies, and meanwhile, there is the matter of how to retrieve the film... ~ Eleanor Mannikka, Rovi

With Goldfinger, the James Bond series took a turn away from relatively straightforward spy thrillers and toward campy gadgetry, extravagant sets, and kitschy jokes. Bond (Sean Connery) has to prevent a notorious gold smuggler, appropriately named Goldfinger (Gert Fröbe), from robbing Fort Knox. Goldfinger is surrounded by evil henchmen such as the sexy female pilot Pussy Galore (Honor Blackman) and Oddjob (Harold Sakata), who kills with his steel-rimmed bowler hats. In order to stop Goldfinger, Bond has to survive several perilous situations, including a huge, deadly laser. Goldfinger is one of the most popular films in the James Bond series, and it set the tone not only for the rest of the series but also for most of the action/adventure films of the late '60s and early '70s. ~ Stephen Thomas Erlewine, Rovi

Jayne Mansfield, Marilyn Monroe's blond competition in the late '50s and early '60s, stars in this crime melodrama as Billy, the leader of a gang of thieves. She charms Jim (Anthony Quayle), a widower with a young daughter, into joining the group effort on a particular robbery. After the heist, Jim personally stashes away their stolen loot while she leads the police off in another direction. But the unfortunate new recruit ends up in the clinker for five years while the others go free. Once out of jail, Jim is brought up short -- Billy has allied herself with another man and her gang has money to spare -- though not enough money, they decide. Against Billy's wishes, the gang takes drastic measures to get at Jim's hidden cache of loot from the robbery that sent him to jail. ~ Eleanor Mannikka, Rovi

In this taut British drama, a wanderer becomes friends with a would-be runaway teenage girl. The two end up in a local barn and there she attempts to convince him to take her away from her unhappy homelife, but he will not. Meanwhile, police stage a massive manhunt for a fugitive child killer as well as for the missing girl. ~ Sandra Brennan, Rovi

In direct contrast to his later lush-budgeted international epics, director J. Lee Thompson turns his lenses towards the London slums in the sincere but saccharine No Trees in the Street. Based on the play by Ted Willis, the film is set in the years just before World War II, when England hadn't completely dug itself out of the worldwide depression. Melvyn Hayes is featured as an aimless teenager, who tries to escape his squalid surroundings by entering a life of crime. He falls in with local hoodlum Herbert Lom, who holds the rest of the slum citizens in the grip of fear--including Hayes' own family. No Trees in the Street chronicles Hayes' sordid progress from nickel-and-dime thefts to murder. ~ Hal Erickson, Rovi

In this mystery, a Scotland Yard agent must break up a ring of jewel thieves. He goes undercover and successfully infiltrates the gang, but trouble begins when he finds himself falling for one of the late gang members' widows, and she learns his real identity. She threatens to expose him until he decides to quit the Yard and become a real criminal. Fortunately, Fate intervenes, and he accidentally leads the gang to the waiting police. ~ Sandra Brennan, Rovi

An abused boy stands accused of killing his drunken father in this British drama. Fortunately two compassionate neighbors take him in and help to prove his innocence. The film is also called Scamp. ~ Sandra Brennan, Rovi

Hammer Films and director Terence Fisher followed the excellent Horror of Dracula with this well-made, richly-colored sequel which suffers only from the conspicuous lack of Dracula himself -- since Horror's Christopher Lee had declined participation in further Dracula sequels for the time being. In his stead, we have young, blond Baron Meinster (David Peel) providing the requisite vampiric threat. Though imprisoned in the family estate by his mother, Meinster is released from his silver chains by an unsuspecting French teacher (Yvonne Monlaur), through which he gains access to a veritable smorgasbord of nubile wenches at a girls' school. Fortunately, master vampire killer Dr. Van Helsing (Peter Cushing) is on the case. Besides featuring some of the best acting, photography and period detail of the Hammer Dracula series, this is also one of the first to delve into the more sexual aspects of vampirism, with implicit suggestions of incest, sadomasochism and homosexuality. ~ Cavett Binion, Rovi

Adapted from the novel by John Wyndham, this intelligent British monster movie begins with a meteor shower so intensely bright that it blinds the majority of the world's population, rendering them vulnerable to attack from hordes of carnivorous plants known as "Triffidus Celestus" grown from meteor-borne spores. As the plant-monsters continue to multiply and seek human prey, the remaining sighted people join forces to combat the veggie invaders. One such survivor, an American seaman (Howard Keel) whose eyes were bandaged during the meteorite impact, battles his way through the Triffid ranks. Meanwhile, a couple (Kieron Moore and Janette Scott are trapped in a lighthouse. Good production values make this low-budget effort look more expensive than it probably was; the uncredited assistance of Freddie Francis -- who directed several scenes with a second unit -- also helps. ~ Cavett Binion, Rovi

The star of this slapstick comedy is not a person but an antique Bentley sports car, the source of several misadventures. Murdoch Troon (Stanley Baxter) is a simple civil servant who has his heart set on romancing Claire (Julie Christie in an early role), the daughter of wealthy businessman Charles Chingford (James Robertson Justice). As a part of his scheme to appear irresistible, Murdoch takes driving lessons so he will be able to impress Claire in the Bentley. Both the lessons and his driving test produce moments of hilarity, and as might be expected, there cannot be a movie featuring a car without a wacky, wild chase. ~ Eleanor Mannikka, Rovi