Richard Brooks Movies
After attending Philadelphia's Temple University, Richard Brooks labored away as a sports reporter for the Atlantic City Press Union, the Philadelphia Record and the New York World-Telegram. Brooks joined New York radio station WNEW as a staff writer in the late 1930s, then moved on to the NBC network writing pool. After a season as director of New York's Mill Pond Theatre, Brooks headed to Los Angeles, where he did some more radio writing and broke into films as a scripter of "B" pictures, Maria Montez epics and serials. Following two years' wartime service with the Marines, Brooks published his first novel, an anti-intolerance effort titled The Brick Foxhole. Brooks was contractually unable to work on the screenplay adaptation of Brick Foxhole (released in 1947 as Crossfire), but found time to pen a brace of additional novels; he also co-wrote Brute Force (1947) and Key Largo (1948). In 1950, Brooks made his directorial debut with MGM's Crisis, an offbeat political melodrama containing a memorable dramatic performance by Cary Grant. Brooks' breakthrough film as director was the landmark juvenile delinquent drama The Blackboard Jungle (1955). Thereafter, Brooks was regarded as an "independent" (though he didn't officially break away from the studio system until 1965), scripting as well as directing such prestige items as Brothers Karamazov (1958) and Cat on a Hot Tin Roof. He earned several Academy Award nominations, winning the "Best Screenplay" Oscar for Elmer Gantry (1960). Brooks' later independent productions, nearly all of them adapted from popular novels, included Lord Jim (1965) In Cold Blood (1967) Happy Ending (1969, starring Brooks' then-wife Jean Simmons) and Looking for Mr. Goodbar (1976). In 1987, Brooks entered into a partnership with actor Robert Culp, but their Crime Inc. Productions never produced a film. ~ Hal Erickson, Rovi- 1946
One of many films of the late 1940s examining the impact of WWII on post-war domestic life in the U.S., The Swell Guy is the story of an unprincipled war correspondent, Jim Duncan (Sonny Tufts). Jim has returned to his hometown following the war and tries to milk his wartime status and pose as a hero. He's actually a corrupt con man who exploits the good graces of his brother Martin (William Gargan) and tries to woo Martin's wife Ann (Ruth Warrick). Jim cheats the townspeople by staging rigged craps games, and he engages in other nefarious schemes that depend on the local citizens' naïve trust in the supposed war hero. Jim finally steals money from the town's charity campaign for war veterans and tries to leave town before his misdeeds catch up to him. But Jim gets a chance for redemption and real heroism when he alone can save his nephew's life. This film was directed by Frank Tuttle and based on the book The Hero by Gilbert Emery. ~ Michael Betzold, Rovi
- Starring:
- Sonny Tufts, Ann Blyth, (more)
- 1953
"You guys will never be soldiers!" With these words, Richard Widmark opens and closes Take the High Ground. Widmark plays tough drill sergeant Thorne Ryan, whipping his recruits through basic training in preparation for shipment to Korea. Merton Tolliver (Carleton Carpenter) is the standard-issue private who just can't seem to cut it, despite Ryan's (Widmark) relentless special attention. To prove that the behemoth sergeant has a tender side, the script contrives a romantic triangle involving Ryan, Julie Mollison (Elaine Stewart), and Sgt. Laverne Holt (Karl Malden). The film is an amalgam of rugged realism and Hollywood hokiness, with Widmark terrific as the topkick you love to hate. Filmed at Fort Bliss, TX, Take the High Ground utilizes several real-life soldiers in the drill sequences (you can recognize the real ones; they aren't afraid of Richard Widmark). ~ Hal Erickson, Rovi
- Starring:
- Richard Widmark, Karl Malden, (more)
- 1958
Dostoyevsky's novel The Brothers Karamazov is given a Hollywood screen treatment by producer Pandro S. Berman and director Richard Brooks. Yul Brynner plays Dmitri Karamazov, a callous Russian officer who cuckolds his domineering father (Lee J. Cobb) with the old man's mistress Grushenka (Maria Schell). Richard Basehart is Dmitri's intellectual brother Ivan, while William Shatner is the pious Alexey Karamazov; both men eventually enjoy the attentions of the willing Grushenka. The Karamazovs' half-brother is Smedyakov (Albert Salmi), an epileptic whose purpose in the story is clarified after the family patriarch's murder. It is now part of Hollywood folklore that Marilyn Monroe fought long and hard to be cast as the enigmatic Grushenka. ~ Hal Erickson, Rovi
- Starring:
- Yul Brynner, Maria Schell, (more)
- 1956
- NR
Bette Davis goes the "kitchen sink drama" route in The Catered Affair. As the frowsy wife of Bronx cabdriver Ernest Borgnine, Davis insists that her daughter Debbie Reynolds have a high-class wedding--caterers and all. Reynolds and future hubby Rod Taylor want a simple ceremony, but Davis' mind is made up. The wedding snowballs into an unwieldy affair as Davis and Borgnine find that they must invite everyone they know or risk incurring the wrath of their neighborhood. When the cost of the affair exceeds the family's bank account, Davis rails at Borgnine for failing to be a good provider. It takes her till the very end of the film to realize what a fool she's been. Gore Vidal, of all people, adapted The Catered Affair from a TV drama written by Paddy Chayefsky; the original telecast had starred Thelma Ritter. ~ Hal Erickson, Rovi
- Starring:
- Bette Davis, Ernest Borgnine, (more)
- 1954
Filmed on location in Europe, Flame and the Flesh is nothing more nor less than a vehicle for the glamorous Lana Turner. The plot finds Madeline (Ms. Turner) stranded in Italy with nary a lire to her name. But this doesn't bother her, because she's always depended upon the kindness of strangers--handsome, wealthy strangers. Madeline's present target is singer Nino (Carlos Thompson), who is engaged to Lisa (Pier Angeli). Throwing Lisa over, Nino weds Madeline, only to discover that she hasn't any intention of giving up her amorous lifestyle. Ultimately, Madeline comes to the realization that Nino is the only man in her life, but she seems to have a lot of fun sampling the alternatives. ~ Hal Erickson, Rovi
- Starring:
- Lana Turner, Anna Maria Pier Angeli, (more)
- 1969
- PG
Suburban housewives console themselves with pills and alcohol to tolerate their spouses' infidelities in The Happy Ending. Mary Wilson (Jean Simmons) is married to Fred (John Forsythe) and she prepares for their 16th wedding-anniversary party with tranquilizers and booze. The guests are clients of Fred's, a successful tax attorney. Harry (Dick Shawn) and wife Helen (Tina Louise) are two of the guests. Helen offers herself to Fred, as Mary entertains thoughts of bedding down with the playboy Sam (Lloyd Bridges) or a young gigolo (Bobby Darin). Agnes (Nanette Fabray) is the level-headed housekeeper who wryly observes the proceedings, and Shirley Jones is on hand as one of the guests. Mary ends up in the hospital in need of a stomach pump after a half-hearted suicide attempt. After the incident, her incredulous husband shallowly suggests that she needs a hobby. All is not well in the suburban Shangri-La in this feature, that tends to sympathize with the female characters. ~ Dan Pavlides, Rovi
- Starring:
- Jean Simmons, John Forsythe, (more)
- 1956
Set in the West of the late 19th century, Richard Brooks' film stars Robert Taylor as Charles Gilson, a brutal buffalo hunter who kills purely for sport and enjoyment. Stewart Granger portrays Sandy McKenzie, a former hunter on whom Gilson is seeking revenge. ~ Jason Ankeny, Rovi
- Starring:
- Robert Taylor, Stewart Granger, (more)
Loosely based on F. Scott Fitzgerald's short story Babylon Revisited, MGM's The Last Time I Saw Paris is a star-studded soap opera, luxuriously lensed by director Richard Brooks. In his last film as an MGM contractee, Van Johnson plays reporter Charles Wills, who while covering the VE Day celebrations in Paris, meets and falls in love with the gorgeous Helen Ellsworth (Elizabeth Taylor). Soon afterward, Charles and Helen are married. Charles supports his wife with a low-paying wire service job, devoting his evenings to writing a novel. After numerous rejections, Charles is more than willing to give up writing and live off the revenue of a Texas oil well in which he'd invested. As he squanders his newfound riches on creature comforts, he loses his literary ambitions and, slowly but surely, the love and devotion of his wife. His self-destructive behavior is halted only by a devastating tragedy. Donna Reed costars as Charles sister-in-law Marion, who carries a torch for him throughout the picture, and Eva Gabor contributes a supporting role. ~ Hal Erickson, Rovi
- Starring:
- Elizabeth Taylor, Van Johnson, (more)
- 1951
Filmed on location in Italy, The Light Touch served as a showcase for MGM's newest female star Pier Angeli. The title refers to the nimble-fingered technique utilized by art thief Sam Conride (Stewart Granger). Sam is a cog in the wheel of the operation controlled by illegal art peddler Felix Guignol (George Sanders). Angeli plays Anna Vasarri, a young painter who'd like to reform Sam but who is unavoidably sucked into the illicit activities orchestrated by Guignol. Sam endangers Anna's life as well as his own when he masterminds a solo theft, intending to leave Guignol in the lurch. An unexpected jolt of religiosity forces Sam to mend his ways, much to Anna's relief. ~ Hal Erickson, Rovi
- Starring:
- Stewart Granger, Anna Maria Pier Angeli, (more)
Grant (Ralph Bellamy) is a wealthy rancher who hires four mercenaries to retrieve his wife, Maria (Claudia Cardinale), from the clutches of the desperado Raza (Jack Palance) in this Western adventure set in 1917. Dolworth (Burt Lancaster) is a munitions expert who joins gunslinger Fardan (Lee Marvin), horse trainer Hans Ehrengard (Robert Ryan), and longbow master Jake (Woody Strode) when the men are offered 10,000 dollars apiece for the safe return of Grant's kidnapped wife. The cadre travels 100 miles into Mexico to retrieve the woman, whom they later discover wants to remain with Raza, but they decide to nab Maria anyway to make good on the money. Soon Fardan, Hans, and Jake are chased across the border by the enraged Raza and his equally deadly female accomplice Chiquita (Marie Gomez), while Dolworth stays behind to fight off Raza's Mexican banditos. The film received Academy Award nominations for Best Direction (Richard Brooks), Best Screenplay (Brooks again), and Best Cinematography (Conrad L. Hall). ~ Dan Pavlides, Rovi
- Starring:
- Burt Lancaster, Lee Marvin, (more)
- 1948
To the Victor is one of the first Hollywood films to touch upon the subject of war guilt. There are no high-ranking Nazis or gas ovens here; the people on trial are French citizens, accused of collaboration. This being a Warner Bros. production, the cast includes such authentic Frenchpersons as Dennis Morgan, Bruce Bennett and Dorothy Malone; leading lady Viveca Lindfors isn't from Burbank, but she's not from France either. Once past this obstacle, the film raises some interesting moral and ethical questions, but was made to close to the events for anything resembling objectivity. Plus there's a turgid romance between a French girl and a black marketeer, which adds nothing to the proceedings. To the Victor warrants B for effort, C for results. ~ Hal Erickson, Rovi
- Starring:
- Dennis Morgan, Viveca Lindfors, (more)
- 1943
This frothy fantasy adventure centers upon the exotic romance between a shark fisherman (the sharks he captured are used for the manufacture of vitamin A) and the beautiful princess of Temple Island. They meet when the fisherman asks a young boy with royal connections to introduce him to the princess so he can ask for permission to fish the teeming waters near the island. The boy introduces the hunter to the girl and love immediately blossoms until he makes his request. She believes that he is really only looking for a way to steal the treasure located in the temple pool, and she banishes him. The boy has other plans for them though. At the same time, a crooked treasure-seeking trader conspires to get the booty for himself.. A major confrontation between good guys and bad eventually ensues with wild accusations flying like palm fronds in a hurricane. The shark hunter is accused of murder and imprisoned. Once again, the brave boy comes to his rescue and together they set out to prove his innocence. The story reaches its climax at the great temple that gave the island its name. A terrible earthquake ensures that the villains get their due. ~ Sandra Brennan, Rovi
- Starring:
- Jon Hall, Maria Montez, (more)
Based on Charles McCarry's 1979 novel The Better Angels, Wrong is Right is set in a near future in which violence has become something of a national sport and television news has fallen to tabloid depths (a significantly bigger stretch in 1982, when the film was released.) Star Sean Connery plays Patrick Hale, a globe-trotting reporter with access to a staggering array of world leaders. As the film opens, he has ventured to the Arab country of Hegreb to interview his old acquaintance, King Ibn Awad (Ron Moody). Awad has learned that the President of the United States (George Grizzard) may have issued orders for his removal; as a result, Awad is apparently making arrangements to deliver two mini-nuclear devices -- each about the size of a small suitcase -- to a terrorist, with the intention of detonating them in Israel and the United States, unless the President resigns. In the intricate plot that unfolds, nothing is quite the way it seems, and Hale finds himself caught between political leaders, revolutionaries, CIA agents and other figures, trying to get to the bottom of it all. ~ Craig Butler, Rovi
- Starring:
- Sean Connery, George Grizzard, (more)
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