Richard Brooks Movies

Originally billed as merely $, Dollars stars top box office draws Warren Beatty and Goldie Hawn. Beatty plays a security whiz, employed in Hamburg, Germany. He devises a clever method of robbing the secret bank vaults of notorious criminals, reasoning that the crooks will never turn to the cops. The notion that the crooks may have a few words to say to him does not dissuade Beatty as he and gold-hearted hooker Hawn work out their carefully calculated, meticulously timed robbery. ~ Hal Erickson, Rovi

Grant (Ralph Bellamy) is a wealthy rancher who hires four mercenaries to retrieve his wife, Maria (Claudia Cardinale), from the clutches of the desperado Raza (Jack Palance) in this Western adventure set in 1917. Dolworth (Burt Lancaster) is a munitions expert who joins gunslinger Fardan (Lee Marvin), horse trainer Hans Ehrengard (Robert Ryan), and longbow master Jake (Woody Strode) when the men are offered 10,000 dollars apiece for the safe return of Grant's kidnapped wife. The cadre travels 100 miles into Mexico to retrieve the woman, whom they later discover wants to remain with Raza, but they decide to nab Maria anyway to make good on the money. Soon Fardan, Hans, and Jake are chased across the border by the enraged Raza and his equally deadly female accomplice Chiquita (Marie Gomez), while Dolworth stays behind to fight off Raza's Mexican banditos. The film received Academy Award nominations for Best Direction (Richard Brooks), Best Screenplay (Brooks again), and Best Cinematography (Conrad L. Hall). ~ Dan Pavlides, Rovi

Suburban housewives console themselves with pills and alcohol to tolerate their spouses' infidelities in The Happy Ending. Mary Wilson (Jean Simmons) is married to Fred (John Forsythe) and she prepares for their 16th wedding-anniversary party with tranquilizers and booze. The guests are clients of Fred's, a successful tax attorney. Harry (Dick Shawn) and wife Helen (Tina Louise) are two of the guests. Helen offers herself to Fred, as Mary entertains thoughts of bedding down with the playboy Sam (Lloyd Bridges) or a young gigolo (Bobby Darin). Agnes (Nanette Fabray) is the level-headed housekeeper who wryly observes the proceedings, and Shirley Jones is on hand as one of the guests. Mary ends up in the hospital in need of a stomach pump after a half-hearted suicide attempt. After the incident, her incredulous husband shallowly suggests that she needs a hobby. All is not well in the suburban Shangri-La in this feature, that tends to sympathize with the female characters. ~ Dan Pavlides, Rovi

Bette Davis goes the "kitchen sink drama" route in The Catered Affair. As the frowsy wife of Bronx cabdriver Ernest Borgnine, Davis insists that her daughter Debbie Reynolds have a high-class wedding--caterers and all. Reynolds and future hubby Rod Taylor want a simple ceremony, but Davis' mind is made up. The wedding snowballs into an unwieldy affair as Davis and Borgnine find that they must invite everyone they know or risk incurring the wrath of their neighborhood. When the cost of the affair exceeds the family's bank account, Davis rails at Borgnine for failing to be a good provider. It takes her till the very end of the film to realize what a fool she's been. Gore Vidal, of all people, adapted The Catered Affair from a TV drama written by Paddy Chayefsky; the original telecast had starred Thelma Ritter. ~ Hal Erickson, Rovi

In his only MGM film, Humphrey Bogart plays the commanding officer of a M*A*S*H unit during the Korean War. Bogart runs his operation by the book, though he can take time out now and again for compassion. When nurse June Allyson shows up, Bogie is irritated by her foolhardiness and misplaced idealism. Need we tell you that the two "opposites" eventually fall in love? Keenan Wynn steals the show as the camp's wheeler-dealer, a sort of ancestor for such future insouciant M*A*S*H characters as Hawkeye, Trapper John and B.J. Hunnicutt. According to Hollywood scuttlebutt, Humphrey Bogart liked writer/director Richard Brooks because he could walk all over him. Brooks doesn't appear too servile in his disciplined handling of the film, though one can detect a slight lack of enthusiasm on his part. ~ Hal Erickson, Rovi

Blonde good-time girl Vivian Heldon (Jan Sterling), who lives in a cheap rooming house in a working-class section of Boston, run by the inquisitive and neurotic Mrs. Smerrling (Elsa Lanchester), goes out one night after a phone conversation with her boyfriend, proclaiming that she's got big plans and might even move to a nicer place. After putting in her shift as a waitress at a cheap dive called The Grass Skirt, she latches onto Henry Shanway (Marshall Thompson), an innocently drunk patron, who's trying to wash away his sadness over his wife's stillborn child. She uses Henry's car with him in tow to drive out to Cape Cod, then strands him on foot and meets her boyfriend -- but when she arrives, he puts a bullet into her, then strips the body, throws it into the sea, and drops the clothes and the car into a lake. Six months later, an ornithologist from the cape spots the skeleton of a human foot sticking up through the sand.

Enter Lt. Peter Morales (Ricardo Montalban) of the Boston PD; he and his partner on this case, Det. Sharkey (Wally Maher), bring the bones to Dr. McAdoo (Bruce Bennett), of Harvard University's forensic medical laboratory. Over the next few days, McAdoo and his staff are able to determine the gender, age, and general appearance of the person to whom the bones belonged, and that this is a case of murder -- and that the victim was pregnant. Morales and Sharkey, combing through what they know about the victim and the missing persons records of six nearby states, eventually tie the skeleton up with Vivian Heldon, who disappeared on just about the same day the victim was killed, and also to Shanway's car, which he reported stolen that day. The poor slob, who is merely trying to cover up a drunken lapse from his wife (Sally Forrest), acts guilty enough and lies about just enough so that Morales is certain that he's the murderer. His investigation isn't helped by the interference of Mrs. Smerrling, who sold Vivian's belongings when she didn't return to her room, and now seems fixated, even obsessed with the details of the case and its connection to her rooming house. While the police tighten the screws on Shanway, she backtracks Vivian's phone calls and makes contact with the woman's boyfriend, James Joshua Harkley (Edmon Ryan), member of a wealthy Boston family, and a married man; she also manages to steal a vital piece of evidence. But instead of turning it over to the police, she uses it to blackmail Harkley.

Meanwhile, the district attorney sets an early trial date for Shanway, but with the opening arguments only a week away, Morales begins to develop doubts about Shanway's guilt, in addition to harboring his own sympathy for Grace Shanway, whose life is being gradually destroyed by the prosecution on her husband -- not that Morales thinks he's innocent, but there's enough that's not right about the case, including the missing murder weapon, that he's not 100-percent sure. And that's when Vivian's friend and neighbor, Jackie Elcott (Betsy Blair) reports how strangely Mrs. Smerrling is acting, and the fact that she's got a gun. But before they can question her, Harkley kills Mrs. Smerrling -- now it's a race between Morales and Harkley to see who can get to the murder weapon first. ~ Bruce Eder, Rovi

This drama was one of the first major-studio efforts to confront anti-Semitism (beating the Oscar-winning Gentleman's Agreement by several months), and it features a standout performance from Robert Ryan as a bigoted soldier on the run. Monty Montogomery (Ryan) is a violent and unstable soldier who, while out on a pass, goes on a drinking spree with three buddies, Floyd (Steve Brodie), Arthur (George A. Cooper), and Leroy (William Phipps). While boozing it up in a tavern, the four men meet Joseph Samuels (Sam Levene), and end up at his apartment for a party. Monty, however, has a fierce hatred of Jews, and he later goes into a drunken rage in which he beats Joseph to death. Monty's friends can barely remember the incident through their liquor-shrouded memories, but they recall just enough to make themselves scarce when police detective Capt. Finlay (Robert Young) begins making the rounds looking for information on Joseph's murder. Sgt. Kelly (Robert Mitchum), a soldier who knows the four men, begins to suspect that something is up, and he works with Leroy's wife and Finlay to help ferret out the killer in his ranks, while Monty kills Floyd when he becomes convinced that he's going to talk to the authorities. While director Edward Dmytryk showed real bravery in bringing this story to the screen, it had greater repercussions than he might have expected; the film's controversial themes led to Dmytryk's denunciation by the House Un-American Activities Committee during the McCarthy-era investigations of the 1950s. Luckily, unlike other filmmakers who suffered similar accusations by HUAC, Dmytryk continued to work steadily through the '50s and '60s. ~ Mark Deming, Rovi