Mel Brooks Movies
Farce, satire, and parody come together with Vaudeville roots and manic energy to create the Mel Brooks style of comedy. Born Melvin Kaminsky to a Russian Jewish family in Brooklyn, NY, the writer/producer/director/actor was one of very few people to win an Oscar, Emmy, Grammy, and Tony award. After serving in the U.S. Army during World War II, he worked as a standup comic at resorts in the Catskills and started writing comedy. Along with Woody Allen, Neil Simon, and others, he wrote for Sid Caesar's Your Show of Shows, which later became Caesar's Hour. Teaming up with fellow staff writer Carl Reiner, he developed the award-winning "2000 Year Old Man" comedy skit, which led to several recordings, television appearances, and a 1998 Grammy. He and writer Buck Henry also created the spy-parody TV series Get Smart (1965-1970) starring Don Adams. During this time, he produced theater, married actress Anne Bancroft, and made his first film: an Oscar-winning animated short parody of modern art called The Critic. He then put together a screenplay based upon his experiences working with Broadway executives that led to his feature-length debut The Producers. He cast stage legend Zero Mostel in the lead role and got B-movie producer Joseph Levine to put up the funds, but the movie didn't get distributed until Peter Sellers saw it and encouraged its release. Brooks ended up winning an Oscar for Best Screenplay and, in 2000, adapted the film into a highly successful Broadway musical. By 1970, after the release of his next film The Twelve Chairs, Hollywood thought his work was "too Jewish." In 1974, Brooks made the marketable move toward parodies with the Western spoof Blazing Saddles, winning him a Writer's Guild award and introducing his stock actors Harvey Korman and Madeline Kahn. Finding his niche, he would continue to make parodies throughout his career by spoofing horror (Young Frankenstein), silent movies (Silent Movie), Hitchcock (High Anxiety), historical epics (History of the World -- Part I), and science fiction (Spaceballs).Working simultaneously as writer, director, and lead actor, Brooks started to generate negative press about his excessive style. In 1983, appearing opposite Bancroft, he concentrated on just acting for the remake of the Ernst Lubitch classic To Be or Not to Be. He continued working with his production company Brooksfilms during the '80s as an executive producer on projects as varied as The Fly, The Elephant Man, Solarbabies, and 84 Charing Cross Road (starring Bancroft). His brief stray into non-parody films in 1991 (Life Stinks) was universally dismissed, so he returned to form with Robin Hood: Men in Tights and Dracula: Dead and Loving It. Other than the occasional cameo or random appearance as voice talent, Brooks spent the late '90s winning awards and playing Uncle Phil on the NBC series Mad About You. In 2001, the Broadway musical version of The Producers (starring Nathan Lane and Matthew Broderick) led to a successful national tour and broke a new record by winning one Grammy and 12 Tony awards. ~ Andrea LeVasseur, All Movie Guide
- 2003
Taped approximately six weeks before the 100th birthday of comedy legend Bob Hope, this elaborate (and highly-rated) TV "love letter" to "Old Ski Nose" is hosted by former Today Show anchor Jane Pauley. The special covers the familiar biographical ground, tracing British-born Leslie Townes Hope from his first paying gig as a Charlie Chaplin imitator at age 12, then on to nearly two decades of singing, dancing, and adlibbing in vaudeville before achieving stardom on the Broadway stage in the 1933 musical Roberta. Achieving even greater success in films and on radio, Hope still remained just another entertainer until he began his celebrated, indefatigable tours of far-flung military camps in WWII, thereby kicking off a humanitarian "second career" that would extend well past the Vietnam era. Finally, the program covers in detail Hope's years on television, specifically the 285 specials which he headlined on NBC from 1950 to 1996. Many of the film clips will be familiar to even the most casual Hope fans, with one noteworthy exception: A clip from a mid-'80s Mike Douglas Show, in which Hope engages in a putting match with a two-and-a-half-year-old Tiger Woods. Dozens of Hope's contemporaries and fans from all walks of life show up to offer their own special tributes, though sadly many of his co-star's from his classic films -- notably Bing Crosby and Dorothy Lamour -- are no longer around to put in their two cents' worth. Nor does Bob Hope himself make a "live" appearance on 100 Years of Hope & Humor, though it is the understatement of the century to say he is certainly there in spirit. And need we add that the theme of the show (in more ways than one) is "Thanks for the Memory"? ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Jane Pauley, (more)
In 1961, Mel Brooks and Carl Reiner cut a comedy record entitled The 2000 Year Old Man. Largely ad-libbed, the routine consisted of an interview, conducted by Reiner, of the world's oldest living man, played by Brooks. Their freewheeling conversation covers such topics as the earliest known language ("basic Rock"), the discovery of women, the invention of laughter, the creation of the Cross (it was easier to put together than the Star of David), and the 2,000-Year-Old Man's relationship with Robin Hood ("He stole from everybody and kept everything -- he just had a good press agent") and Joan of Arc ("Know her? I went with her!"). The routine was peppered with such observations as "I have 25,000 children...and not one of them ever writes!" At the height of Mel Brooks' Blazing Saddles-generated movie popularity, a half-hour animated cartoon utilizing the original "2000 Year Old Man" recording as its soundtrack was produced by Leo Salkin films and Crossbow/Acre Enterprises. This TV cartoon special first aired January 11, 1975. ~ Hal Erickson, All Movie Guide
Helene Hanff's book 84 Charing Cross Road had previously been a TV program and a stage play before it was converted into this 1986 film. The scene is New York, 1949: Anne Bancroft plays a struggling writer and passionate bibliophile, who answers an advertisement from a rare-volumes bookshop at 84 Charing Cross Road in London. Thus begins a two-decade romance by correspondence between Bancroft and Briton Anthony Hopkins, the man in charge of the overseas department of Marks and Company. Though several meetings are arranged, Bancroft and Hopkins never come face to face thanks to mitigating circumstances. But Anne finally makes it to London, and finds that much has changed. 84 Charing Cross Road was produced by Mel Brooks, the husband of star Anne Bancroft. ~ Hal Erickson, All Movie Guide
- Starring:
- Anne Bancroft, Anthony Hopkins, (more)
- 1998
In June 1998, the American Film Institute announced the top 100 films of the 20th century. The list was complied from a survey of 1,500 participants, including filmmakers, historians, critics, and other entertainment industry professionals. The AFI and CBS produced this multi-packet video feature that features film clips of those top films, including Citizen Kane, The Godfather, It's a Wonderful Life, Star Wars, and Gone With the Wind. This 145-minute special is hosted by Jodie Foster, Richard Gere, and Sally Field, and is annotated with features of the filmmakers like Martin Scorcese and Sidney Lumet. ~ Forrest Spencer, All Movie Guide
Vulgar, crude, and occasionally scandalous in its racial humor, this hilarious bad-taste spoof of Westerns, co-written by Richard Pryor, features Cleavon Little as the first black sheriff of a stunned town scheduled for demolition by an encroaching railroad. Little and co-star Gene Wilder have great chemistry, and the delightful supporting cast includes Harvey Korman, Slim Pickens, and Madeline Kahn as a chanteuse modelled on Marlene Dietrich. As in Young Frankenstein (1974), Silent Movie (1976), and High Anxiety (1977), director/writer Mel Brooks gives a burlesque spin to a classic Hollywood movie genre; in his own manic, Borscht Belt way, Brooks was a central player in revising classic genres in light of Seventies values and attitudes, an effort most often associated with such directors as Robert Altman and Peter Bogdanovich . Some of this film's sequences, notably a gaseous bean dinner around a campfire, have become comedy classics. ~ Robert Firsching, All Movie Guide
- Starring:
- Cleavon Little, Gene Wilder, (more)
- 1982
The genuine love felt by the people of France for American comedian Jerry Lewis has become something of a topic for incredulous humor in the United States over the years, but if there was any doubt as to whether the many jokes overstated the case, this exhaustive six-hour hagiography from director Robert Benayoun quickly erases it. Nothing less than an adoring outpouring of idolatry, Bonjour Monsieur Lewis is simultaneously affectionate and reverential toward its subject, presenting hundreds of rare clips, outtakes, interviews, and tributes from Lewis' estimated six million feet of tape and film housed in his obsessively complete basement library, a collection of nearly everything he has ever done. In between highlights of his film career, there are talks with Martin Scorsese (who directed Lewis in 1982's The King of Comedy), Steven Spielberg, John Landis, Mel Brooks, and Louis Malle, among others. There are also a number of rare films of Lewis on-stage at French venues, singing "Sonny Boy" with his own father and son, reuniting with Dean Martin at a Muscular Dystrophy telethon, and engaging in some raunchy ad libs cut from his early films. The film clips are varied and fairly thorough, even excerpting Lewis' rare TV version of The Jazz Singer, but, alas, virtually ignoring the Holy Grail among Lewis completists, his aborted concentration-camp project The Day the Clown Cried. Other segments deal with his highly praised charitable efforts and relationship with children. More of a tribute than a real documentary, the film is nevertheless a treasure trove for anyone remotely interested in this talented and enigmatic comedy legend. ~ Robert Firsching, All Movie Guide
- Starring:
- Jerry Lewis, Dean Martin, (more)
- 2000
Seinfeld producer/creator Larry David has often claimed that the character of George Costanza, the abrasive, neurotic, spectacularly luckless Seinfeld supporting player so brilliantly played by Jason Alexander, was based on David himself. Small wonder, then, that most of the plotlines of the self-deprecating, reality-based sitcom Curb Your Enthusiasm have a distinctly Costanzan flavor -- with Larry David, in the role of former standup comic-turned-TV executive Larry David, a dictionary definition of the phrase "his own worst enemy." A spinoff of the 1999 HBO "mockumentary" special of the same name, the weekly 30-minute Curb Your Enthusiasm is filmed in cinéma vérité fashion, with much of dialogue ad-libbed (though the premise of each episode has been carefully worked out in advance).
Larry David portrays himself as the archetypal Hollywood wheeler-dealer, forever promoting "can't miss" TV and film projects, and using (and sometimes abusing) his myriad of showbiz celebrity connections -- among them Richard Lewis, Rob Reiner, Shaquille O'Neal, Ted Danson, Mary Steenburgen, Wanda Sykes, and Mel Brooks, not to mention a generous supply of former Seinfeld stars -- to further advance his already super-successful career. And yet, no matter how high he climbs, David is a slave to his own foibles, phobias, and neuroses, perpetually opening mouth and inserting foot, making as many enemies as friends in high places and never relaxing long enough to enjoy or appreciate what he has accomplished. In typical Seinfeld fashion, our hero manages to make a sizable and often insurmountable mountain out of the tiniest and least significant of molehills. While the plotlines of the first two ten-episode HBO seasons were relatively self-contained, season three was held together with the through-line of Larry opening a Planet Hollywood-style restaurant, while the focus of season four was the rather improbable premise that Larry had been offered the starring role in Mel Brooks' smash Broadway musical The Producers. Also appearing on Curb Your Enthusiasm are Cheryl Hines as Larry's spouse, Cheryl; David's longtime production associate Jeff Garlin as Jeff Greene; and Susie Essman as Jeff's wife, Susie. The series is very much an HBO production with an unending stream of hilarious profanities and sexual situations (though the series' funniest running gag is probably the cleanest: Larry David's constitutional inability to figure out the basic protocol of tipping the help). ~ All Movie Guide
Larry David portrays himself as the archetypal Hollywood wheeler-dealer, forever promoting "can't miss" TV and film projects, and using (and sometimes abusing) his myriad of showbiz celebrity connections -- among them Richard Lewis, Rob Reiner, Shaquille O'Neal, Ted Danson, Mary Steenburgen, Wanda Sykes, and Mel Brooks, not to mention a generous supply of former Seinfeld stars -- to further advance his already super-successful career. And yet, no matter how high he climbs, David is a slave to his own foibles, phobias, and neuroses, perpetually opening mouth and inserting foot, making as many enemies as friends in high places and never relaxing long enough to enjoy or appreciate what he has accomplished. In typical Seinfeld fashion, our hero manages to make a sizable and often insurmountable mountain out of the tiniest and least significant of molehills. While the plotlines of the first two ten-episode HBO seasons were relatively self-contained, season three was held together with the through-line of Larry opening a Planet Hollywood-style restaurant, while the focus of season four was the rather improbable premise that Larry had been offered the starring role in Mel Brooks' smash Broadway musical The Producers. Also appearing on Curb Your Enthusiasm are Cheryl Hines as Larry's spouse, Cheryl; David's longtime production associate Jeff Garlin as Jeff Greene; and Susie Essman as Jeff's wife, Susie. The series is very much an HBO production with an unending stream of hilarious profanities and sexual situations (though the series' funniest running gag is probably the cleanest: Larry David's constitutional inability to figure out the basic protocol of tipping the help). ~ All Movie Guide
- Starring:
- Larry David, Cheryl Hines, (more)
Mel Brooks does it again with this send-up of vampire films. That Leslie Nielson plays the great blood-sucking count gives viewers a good idea as to what they are in for. This Dracula takes himself very seriously despite the fact that he's a bit of a klutz with a tendency to slip in the bat guano that adorns his castle floor. Staying very close to Bram Stoker's original story, Brooks also pays sly homage to other major vampire film classics, including Nosferatu. Though silly but subtle gags abound in this outing, Brooks has taken great care to recreate the late 19th-century atmosphere in rich detail and harkens back to Hammer horror movies popular during the '50s and '60s. ~ Sandra Brennan, All Movie Guide
- Starring:
- Leslie Nielsen, Peter MacNicol, (more)
As played by Jessica Lange, Frances Farmer is a rebel from the word go, winning a high school essay award by writing a piece in defense of Communism. Determining to become an actress, Frances is equally determined not to play the Hollywood game: she refuses to acquiesce to idiotic publicity stunts, and insists upon appearing on screen sans makeup. Her defiance attracts the attention of Broadway playwright Clifford Odets, who convinces Frances that her future rests with the Group Theatre. But once she leaves Hollywood for New York, Frances learns to her chagrin that the Group intends to exploit her movie fame in order to draw in customers. Her desperate attempts to restart her movie career, combined with her increasing dependence on alcohol and the pressures brought to bear by her monster mother (Kim Stanley), result in a complete mental breakdown. Even while institutionalized, Frances is abused by the powers-that-be; she is forced to undergo an injurious brain operation, is treated like a mad animal, and periodically raped by the inmates. Frances is released in the custody of her mother, who persists in browbeating her tortured daughter until Frances discovers the legal means to break away. The real-life Frances spent her last years as host of a local Indianapolis TV program, dying in 1970 at age 57; the film comes to a climax when Frances is feted on the smarmy network program This is Your Life. Other actual personages depicted herein include Clifford Odets (played by Jeffrey DeMunn), Harold Clurman (Jordan Charney) and Ralph Edwards (Donald Craig). Frances' first husband Leif Erickson is fictionalized as "Jeffrey York", and played by Lange's real-life inamorata Sam Shepard. And if you listen closely, you'll hear the voice of Kevin Costner, whose minor role was whittled down to one line when he, like Frances Farmer, had the temerity to argue with the director. The unhappy life of actress Frances Farmer was also covered in Farmer's autobiography, Will There Ever Be a Morning? While the film rights for that book were sold to a TV-movie concern, the producers of the theatrical feature Frances were able to ship their production out to the public first. ~ Hal Erickson, All Movie Guide
- Starring:
- Jessica Lange, Kim Stanley, (more)
- 1993
In Frasier's first holiday episode, Frasier Crane (Kelsey Grammer) makes plans to spend Christmas with his son Frederick (remember him from Cheers?). But when these plans fall through, a disappointed Frasier volunteers to fill in for sports-show host Bulldog at radio station KACL on Christmas Day. Unfortunately, all of his callers are just as depressed as he is, leading Frasier to seek comfort after his gig by going to a diner he has never previously visited. Our hero's uncharacteristically shabby appearance and dour demeanor have an unusual effect on the diner's regular customers. ~ Hal Erickson, All Movie Guide
- 1977
- PG
This is Mel Brooks' spoof of over ten Alfred Hitchcock classics, including Psycho, Vertigo, and The Birds (Brooks actually used the bird trainer from that classic suspense movie in making his film). Brooks plays Dr. Richard H. Thorndyke, a renowned Harvard psychiatrist with a concealed fear of heights, or High Anxiety. Thorndyke takes over as the newest director of the PsychoNeurotic Institute for the Very, Very Nervous after the last director dies under suspicious circumstances. He soon finds himself to be in the company of some very strange colleagues, including longtime Brooks collaborators Cloris Leachman and Harvey Korman, with Madeline Kahn as Victoria Brisbane, the eccentric daughter of a patient at the institute and Thorndyke's love interest. Korman takes on the role of Dr. Charles Montague, a psychiatrist with a closeted habit of his own. Leachman plays Charlotte Diesel, a charge nurse with a dark sneer and tendency towards domination. As Thorndyke heads to a psychiatry conference, he is faced with saving the Institute, his reputation, and his own sanity. Although the film was not well-received by critics, it picked up a 1978 Golden Globe nomination for best picture (musical or comedy) and landed Brooks a nomination for best actor. The movie has a number of cameos, from a young Barry Levinson's spot as an unstable bellboy to a small part by Hitchcock's right-hand special effects man, Albert J. Whitlock, who plays Kahn's father. ~ Rachel Koetje, All Movie Guide
- Starring:
- Mel Brooks, Madeline Kahn, (more)
- 1981
- R
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Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, All Movie Guide
- Starring:
- Mel Brooks, Dom DeLuise, (more)
- 2002
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What would life amongst the Muppets have been without their unofficial leader Kermit the Frog? That's the question posed by this made-for-TV confection, which not only spoofs the Yuletide classic It's a Wonderful Life, but also takes satirical aim at such pop cultural phenomena as Moulin Rouge and Fear Factor. The plot is set in motion when typically evil banker Rachel Bitterman (Joan Cusack) forecloses on the Muppets' famous variety theater, with the intention of building a gaudy nightclub. But Bitterman's machinations take a back seat when apprentice guardian angel, Daniel (David Arquette), shows Kermit (voiced by Steve Whitmire) what conditions would have been had Kermit never existed. Without going into full detail, suffice to say that a Kermit-less world would have found Miss Piggy (voiced by Frank Oz) running a fraudulent psychic hot line, Fozzie Bear as a homeless derelict, and Sam the Eagle as a caged dancer at a rave. Decked out with cameo appearances by everyone from Whoopi Goldberg to the cast of the TV series Scrubs, It's a Very Merry Muppet Christmas Movie debuted over NBC on November 29, 2002. ~ Hal Erickson, All Movie Guide
- Starring:
- Steve Whitmire, Frank Oz, (more)
- 2003
This 3D-animation children's series was staged in flashback form, as an elderly pig regaled his grandchildren with stories of his youth on the Raloo Farm in Ireland. Among the many friends of young Piggley Winks were Wiley the Sheep (his voice provided by the legendary Mel Brooks), Dannan the Duck, and Ferny the Bull. The object of the series was to teach the kids at home how to find creative solutions to problems, and to respect the wisdom of their elders. These were driven home on each episode with a live epilogue featuring soccer star Cobi Jones. Its title derived from the leading character's favorite slang expression, Jakers! The Adventures of Piggley Winks was first seen over the PBS network on September 7, 2003. ~ Hal Erickson, All Movie Guide
If a comedy is to be made from the plight of the homeless, who have to scrape through their days returning deposit bottles and cleaning car windshields to get their daily bread as the rich get richer and more heartless, it may as well be Mel Brooks' Life Stinks. The trademark Brooks humor dominates this fable about a ruthless billionaire, Goddard Bolt (Mel Brooks), who wants to obliterate a poor section of Los Angeles and build a high-tech commercial center in its place. His only problem is that he owns only half the land needed for the construction, the other half belonging to equally ruthless billionaire Vance Craswell (Jeffrey Tambor), who has his own ideas for the land. The two try to buy each other out until, finally, a deal is struck: Craswell bets that Bolt cannot survive a month on the streets as a homeless man. If Bolt makes it, he gets the property. If he doesn't, Craswell gets it. Bolt agrees and, as a poor man, he begins to feel the pain of being uprooted and alone, even meeting a friendly homeless woman, Molly (Lesley Ann Warren) with whom he forms an attachment. ~ Paul Brenner, All Movie Guide
- Starring:
- Mel Brooks, Lesley Ann Warren, (more)
Amy Heckerling repeats the successful formula of Look Who's Talking in this sequel, with the addition of John Travolta singing "All Shook Up" to a group of nursery schoolers and Mel Brooks cast as the voice of a toilet. The film begins with James struggling to support his family. He stills wants to become an airline pilot, but in the meantime is driving a cab. His wife Molly (Kirstie Alley) is struggling too, as a busy accountant. The strain is showing on their marriage, but then Molly becomes pregnant again, giving birth to a daughter named Julie (voice of Roseanne Barr). When the new baby arrives back home, their son Mikey (voice of Bruce Willis) has to contend not only with the new intrusion but also with Mr. Potty (voice of Mel Brooks). ~ Paul Brenner, All Movie Guide
- Starring:
- John Travolta, Kirstie Alley, (more)
- 1996
Though told to give up coffee during her pregnancy, Jamie (Helen Hunt) must somehow stay awake while burning the midnight oil on Lance Brockwell's political campaign. Meanwhile, Paul tries to decide how best to spend a large financial grant. Coming to Paul's rescue (if not Jamie's) is his aphorism-spouting Uncle Phil (guest star Mel Brooks). With this episode, Harry Groener replaces Alan Ruck as Lance Brockwell. ~ All Movie Guide
- 1997
Mel Brooks returns as Paul's Uncle Phil, who has been on his deathbed for what seems to be years. Phil wants Paul (Paul Reiser) and Jamie (Helen Hunt) to name their new baby after him. But Paul is convinced that the little visitor will be a "she" rather than a "he." Imagine an episode of a 1960s sitcom getting away with the title of this one. ~ Hal Erickson, All Movie Guide
- 1999
Mel Brooks is back as Paul's redoubtable Uncle Phil. As Paul (Paul Reiser) stands on the sidelines with mouth agape, Uncle Phil elects to go for his high school diploma -- some 63 years after dropping out. This plot development is almost as fascinating as the breast-transplant treatment undergone by Jamie's (Helen Hunt) mercurial sister, Lisa (Anne Elizabeth Ramsay). ~ All Movie Guide
- 1997
Mel Brooks makes another unbearably funny appearance as Uncle Phil, here about to face trial for coupon fraud. Meanwhile, three-week-old Mabel is placed on a long waiting list for preschool, and Jamie (Helen Hunt) and Ira (John Pankow) have a strange adventure. Listen carefully for the Grand Great-Uncle Lullaby. ~ Hal Erickson, All Movie Guide
- R
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High Anxiety
This is Mel Brooks' spoof of over ten Alfred Hitchcock classics, including Psycho, Vertigo, and The Birds (Brooks actually used the bird trainer from that classic suspense movie in making his film). Brooks plays Dr. Richard H. Thorndyke, a renowned Harvard psychiatrist with a concealed fear of heights, or High Anxiety. Thorndyke takes over as the newest director of the PsychoNeurotic Institute for the Very, Very Nervous after the last director dies under suspicious circumstances. He soon finds himself to be in the company of some very strange colleagues, including longtime Brooks collaborators Cloris Leachman and Harvey Korman, with Madeline Kahn as Victoria Brisbane, the eccentric daughter of a patient at the institute and Thorndyke's love interest. Korman takes on the role of Dr. Charles Montague, a psychiatrist with a closeted habit of his own. Leachman plays Charlotte Diesel, a charge nurse with a dark sneer and tendency towards domination. As Thorndyke heads to a psychiatry conference, he is faced with saving the Institute, his reputation, and his own sanity. Although the film was not well-received by critics, it picked up a 1978 Golden Globe nomination for best picture (musical or comedy) and landed Brooks a nomination for best actor. The movie has a number of cameos, from a young Barry Levinson's spot as an unstable bellboy to a small part by Hitchcock's right-hand special effects man, Albert J. Whitlock, who plays Kahn's father. ~ Rachel Koetje, All Movie Guide
Robin Hood: Men in Tights
Mel Brooks directed and co-wrote this satiric comedy which lampoons a number of cinematic treatments of the legend of Sherwood Forest, including Robin Hood: Prince of Thieves and The Adventures of Robin Hood. Robin Hood (Cary Elwes) comes home after fighting in the Crusades to learn that the noble King Richard (Patrick Stewart) is in exile and that the despotic King John (Richard Lewis) now rules England, with the help of the Sheriff of Rottingham (Roger Rees). Robin Hood assembles a band of fellow patriots to do battle with John and the Sheriff, including Asneeze (Isaac Hayes) and his son Ahchoo (Dave Chappelle), the blind watchman Blinkin (Mark Blankfield), Will Scarlet O'Hara (Matthew Porretta), and Rabbi Tuckman (Brooks). The Sheriff is eager to put Robin Hood out of business with the aid of criminal mastermind Don Giovanni (Dom DeLuise), but Robin soon has an ally in the royal palace when he falls for the lovely Maid Marian (Amy Yasbeck), whose minder Broomhilde (Megan Cavanagh) has uncooperatively outfitted Marian with a chastity belt. The cast also includes Tracy Ullman, Robert Ridgely, and Clive Revill. ~ Mark Deming, All Movie Guide
Silent Movie
Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director Mel Brooks stars as a once-famous comedy director, who with his faithful assistants Dom DeLuise and Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades Burt Reynolds, Liza Minelli, Paul Newman, James Caan and Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film Crazy House). Featured in brief comic cameos are Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman, Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and Barry Levinson also show up on screen as three of the Engulf & Devour minions. ~ Hal Erickson, All Movie Guide
The Twelve Chairs
One of several film versions of the 1928 Russian novel The Twelve Chairs (one of the better-known adaptations was the 1945 Fred Allen vehicle It's in the Bag), Mel Brooks' movie is set in the years following the Bolshevik revolution. Onetime aristocrat Vorobyaninov (Ron Moody), now reduced to a humdrum clerical job, discovers that his family's fortune still exists. To keep their riches from falling into the hands of the revolutionaries, Vorobyaninov's family hid the loot in one of twelve chairs. Taking a crafty beggar (Frank Langella) into his confidence, Vorobyaninov returns to the ruins of his ancestral mansion to reclaim his fortune. Also chasing after the twelve chairs is an Orthodox priest (Dom DeLuise), who tells himself that he only wants the money to replenish his church. Alas, the chairs have been scattered to the four winds, sparking a film-length race to retrieve the furniture and claim the gold. ~ Hal Erickson, All Movie Guide
To Be Or Not To Be
Mel Brooks and his real-life wife Anne Bancroft play Frederick and Anna Bronski, musical comedy stars in 1939 Poland. The highlight of the Bronskis' act is Frederick's imitation of Adolf Hitler, but he is forced to eliminate this turn for fear of offending the Nazis. Meanwhile, Anna enters into a harmless flirtation with Polish bomber pilot Andre Sobinski (Tim Matheson). The pilot's nightly signal to visit Anna in her dressing room is "To Be or Not to Be," spoken by Bronski during the Shakespearean portion of his act. When the Germans march into Warsaw, the Bronskis and the rest of their troupe are forced into hiding (notably the homosexual Lupinski, played by Lewis J. Stadlen, who is forced to endure the humiliation of wearing a pink star). Flying for the Polish resistance in England, Sobinski asks kindly Professor Seletzky (Jose Ferrer) to deliver his "To Be or Not to Be" message to Anna. When Seletzky doesn't seem to recognize the name of Anne Bronski, Warsaw's biggest star, Sobinski suspects that something is amiss. Sure enough, Seletzky is a Nazi spy, heading to Warsaw to help Col. "Concentration Camp" Ehrhardt (Oscar-nominated Charles Durning) destroy the underground movement. Parachuting into Poland, Sobinski enlists the aid of the Bronski troupe to foil the Nazis. What follows is an uproarious series of disguises and deceptions, capped by Bronski's impersonation of Der Fuhrer. ~ Hal Erickson, All Movie Guide
This is Mel Brooks' spoof of over ten Alfred Hitchcock classics, including Psycho, Vertigo, and The Birds (Brooks actually used the bird trainer from that classic suspense movie in making his film). Brooks plays Dr. Richard H. Thorndyke, a renowned Harvard psychiatrist with a concealed fear of heights, or High Anxiety. Thorndyke takes over as the newest director of the PsychoNeurotic Institute for the Very, Very Nervous after the last director dies under suspicious circumstances. He soon finds himself to be in the company of some very strange colleagues, including longtime Brooks collaborators Cloris Leachman and Harvey Korman, with Madeline Kahn as Victoria Brisbane, the eccentric daughter of a patient at the institute and Thorndyke's love interest. Korman takes on the role of Dr. Charles Montague, a psychiatrist with a closeted habit of his own. Leachman plays Charlotte Diesel, a charge nurse with a dark sneer and tendency towards domination. As Thorndyke heads to a psychiatry conference, he is faced with saving the Institute, his reputation, and his own sanity. Although the film was not well-received by critics, it picked up a 1978 Golden Globe nomination for best picture (musical or comedy) and landed Brooks a nomination for best actor. The movie has a number of cameos, from a young Barry Levinson's spot as an unstable bellboy to a small part by Hitchcock's right-hand special effects man, Albert J. Whitlock, who plays Kahn's father. ~ Rachel Koetje, All Movie Guide
Robin Hood: Men in Tights
Mel Brooks directed and co-wrote this satiric comedy which lampoons a number of cinematic treatments of the legend of Sherwood Forest, including Robin Hood: Prince of Thieves and The Adventures of Robin Hood. Robin Hood (Cary Elwes) comes home after fighting in the Crusades to learn that the noble King Richard (Patrick Stewart) is in exile and that the despotic King John (Richard Lewis) now rules England, with the help of the Sheriff of Rottingham (Roger Rees). Robin Hood assembles a band of fellow patriots to do battle with John and the Sheriff, including Asneeze (Isaac Hayes) and his son Ahchoo (Dave Chappelle), the blind watchman Blinkin (Mark Blankfield), Will Scarlet O'Hara (Matthew Porretta), and Rabbi Tuckman (Brooks). The Sheriff is eager to put Robin Hood out of business with the aid of criminal mastermind Don Giovanni (Dom DeLuise), but Robin soon has an ally in the royal palace when he falls for the lovely Maid Marian (Amy Yasbeck), whose minder Broomhilde (Megan Cavanagh) has uncooperatively outfitted Marian with a chastity belt. The cast also includes Tracy Ullman, Robert Ridgely, and Clive Revill. ~ Mark Deming, All Movie Guide
Silent Movie
Silent Movie is just that: a totally nonverbal comedy, save for one single line. Director Mel Brooks stars as a once-famous comedy director, who with his faithful assistants Dom DeLuise and Marty Feldman return to Hollywood with plans for a comeback. Brooks wants to return to the good old days by producing a silent movie (he explains this via subtitle). Producer Sid Caesar is agreeable, provided Brooks can line up top stars. In a series of vignettes better seen than described, Brooks persuades Burt Reynolds, Liza Minelli, Paul Newman, James Caan and Anne Bancroft (Brooks' real-life wife) to star in his project. The only holdout is mime Marcel Marceau, who after a few moments of walking against the wind shouts the film's solitary line: "No!" Meanwhile, the crooked executives of the Engulf and Devour conglomerate want to take over Caesar's studio and are worried that Brooks' film might be so huge a hit that Caesar won't be interested in selling. To prevent this, the conglomerate dispatches sexy Bernadette Peters to lure Brooks into drink and ruination. The film's climax is lifted from the 1943 Olsen and Johnson film Crazy House). Featured in brief comic cameos are Harry Ritz as the man with half a suit, Charlie Callas as the blind man, Dom DeLuise's wife, Carol Arthur, as the incredibly pregnant woman, Fritz Feld as the headwaiter (whose trademarked "Pop" is conveyed on a subtitle) and Henny Youngman as the diner with a fly in his soup. Co-writers Ron Clark, Rudy DeLuca and Barry Levinson also show up on screen as three of the Engulf & Devour minions. ~ Hal Erickson, All Movie Guide
The Twelve Chairs
One of several film versions of the 1928 Russian novel The Twelve Chairs (one of the better-known adaptations was the 1945 Fred Allen vehicle It's in the Bag), Mel Brooks' movie is set in the years following the Bolshevik revolution. Onetime aristocrat Vorobyaninov (Ron Moody), now reduced to a humdrum clerical job, discovers that his family's fortune still exists. To keep their riches from falling into the hands of the revolutionaries, Vorobyaninov's family hid the loot in one of twelve chairs. Taking a crafty beggar (Frank Langella) into his confidence, Vorobyaninov returns to the ruins of his ancestral mansion to reclaim his fortune. Also chasing after the twelve chairs is an Orthodox priest (Dom DeLuise), who tells himself that he only wants the money to replenish his church. Alas, the chairs have been scattered to the four winds, sparking a film-length race to retrieve the furniture and claim the gold. ~ Hal Erickson, All Movie Guide
To Be Or Not To Be
Mel Brooks and his real-life wife Anne Bancroft play Frederick and Anna Bronski, musical comedy stars in 1939 Poland. The highlight of the Bronskis' act is Frederick's imitation of Adolf Hitler, but he is forced to eliminate this turn for fear of offending the Nazis. Meanwhile, Anna enters into a harmless flirtation with Polish bomber pilot Andre Sobinski (Tim Matheson). The pilot's nightly signal to visit Anna in her dressing room is "To Be or Not to Be," spoken by Bronski during the Shakespearean portion of his act. When the Germans march into Warsaw, the Bronskis and the rest of their troupe are forced into hiding (notably the homosexual Lupinski, played by Lewis J. Stadlen, who is forced to endure the humiliation of wearing a pink star). Flying for the Polish resistance in England, Sobinski asks kindly Professor Seletzky (Jose Ferrer) to deliver his "To Be or Not to Be" message to Anna. When Seletzky doesn't seem to recognize the name of Anne Bronski, Warsaw's biggest star, Sobinski suspects that something is amiss. Sure enough, Seletzky is a Nazi spy, heading to Warsaw to help Col. "Concentration Camp" Ehrhardt (Oscar-nominated Charles Durning) destroy the underground movement. Parachuting into Poland, Sobinski enlists the aid of the Bronski troupe to foil the Nazis. What follows is an uproarious series of disguises and deceptions, capped by Bronski's impersonation of Der Fuhrer. ~ Hal Erickson, All Movie Guide
- 1984
This live appearance by Mel Brooks includes songs, skits and jokes. ~ John Bush, All Movie Guide
