James L. Brooks Movies
One of the few producer/director/writers to handle both movie and TV assignments with equal aplomb, James L. Brooks was born in Brooklyn and spent his college years in New York City. Following an apprenticeship with CBS news, Brooks went to work for documentary producer David L. Wolper. In 1969, Brooks broke into the non-documentary end of the business with his TV series drama Room 222, which, though dated and obvious when viewed today, was an important stepping stone in improving the racial balance on prime time television. Room 222 was a "serious" effort; thus, Hollywood insiders were surprised when Brooks formed a partnership with writer Allan Burns, formerly of such raucous projects as The Bullwinkle Show and My Mother the Car, to develop sitcoms.Brooks and Burns knew what sort of programs they wanted to do, but they were forced to fight tooth and nail with the CBS higher-ups to get what they wanted on the air. Nobody, they were told, wanted to see a show about a single woman working at a television station. Further, nobody wanted to see anyone on TV who was Jewish, had a mustache, or came from New York City. All these "unwanted" elements would be present in the Brooks/Burns project The Mary Tyler Moore Show; the show that nobody wanted ran from 1970 through 1977, earning its production team a multitude of awards. Brooks would later be on the ground floor of such TV hits as Cheers and Taxi, which more than compensated for such relative failures as The Associates.
Moving into films as a producer/scripter (Starting Over, 1979) and even an occasional actor (Albert Brooks's Modern Romance, 1981), Brooks would end up director/producer/writer of Terms of Endearment, the Academy Award winner of 1983. He went on to direct Broadcast News (1987), a truer but no less hilarious and poignant glance at the cutthroat network news business than Mary Tyler Moore Show had been. He also found great success as a producer on such films as Big (1988), ...Say Anything (1989), and Jerry Maguire (1996). During the '90s, Brooks has had equal parts success and failure. Among the winning projects was The Simpsons, the first successful prime time cartoon series since The Flintstones. Brooks' less spectacular efforts have included I'll Do Anything (1994); conceived and filmed as a return to the Big-Budget Musical genre, it tested so poorly that it was released with all the songs cut out. In 1997, however, Brooks had a major success with the Jack Nicholson/Helen Hunt vehicle As Good As It Gets, a caustic comedy with a heart of gold that provided both Hunt and Nicholson best acting kudos from the Oscars and Golden Globe ceremonies. The film won a Golden Globe for Best Picture and was nominated for several more. It also received several more Oscar nominations, including one for Best Screenplay.
~ Hal Erickson, All Movie Guide
It is a testament to the brilliance of The Mary Tyler Moore Show that the series' 168th and final episode earned an Emmy Award for Best Comedy Writing. When WJM-TV is taken over by new owners, everyone in the newsroom is certain that he or she will be given the pink slip -- none more so than anchorman Ted Baxter (Ted Knight), who literally hides behind his family during a meeting with newly installed station manager Coleman (Vincent Gardenia). But in one of the worst-kept secrets of the 1976-1977 TV season, everybody in the newsroom is fired except for Ted. Even so, there's still plenty of time for laughter, tears, and cameo appearances by former regulars Valerie Harper (Rhoda) and Cloris Leachman (Phyllis). And remember: It's a long way to Tipperary.... "The Last Show" originally aired on March 19, 1977. ~ Hal Erickson, All Movie Guide
James L. Brooks' Thursday's Game is a witty made-for-television comedy about two businessmen (Bob Newhart and Gene Wilder) who meet every Thursday night to play poker and discuss their professional and personal problems. ~ Stephen Thomas Erlewine, All Movie Guide
Season three of The Mary Tyler Moore Show was launched with a spoof of a then-current broadcasting trend: "Happy Talk" TV newscasts. Ordered by station management to lighten up the format of WJM-TV's six o'clock news report, Mary Richards (Mary Tyler Moore) is stuck with the responsibility of transforming humorless anchor Ted Baxter (Ted Knight) into a veritable laugh riot. The strategy backfires when Ted begins cracking bad-taste jokes at the slightest opportunity, culminating in an on-the-air confrontation with a fed-up Mary. Meanwhile, she tries to convince her chauvinistic boss, Lou Grant (Edward Asner), that equal pay for female employees is not merely a political slogan. "The Good-Time News" first aired on September 16, 1972. ~ Hal Erickson, All Movie Guide
Gene Wilder and Bob Newhart star as husbands who have some explaining to do in this made-for-television comedy. Wilder stars as Harry Evers and Newhart as Marvin Ellison, two friends who decide to keep up their Thursday night escapades after their weekly poker game breaks up. When their wives find out though (Ellen Burstyn and Cloris Leachman, respectively) they want to know just what their husbands have been doing. ~ Bernadette McCallion, All Movie Guide
Mary (Mary Tyler Moore) is swept off her feet by dashing, romantic foreign correspondent John Corcoran (Monte Markham). He'd like to get serious with her and she wants to reciprocate. There's only one problem: Corcoran is married. Joyce Bulifant makes her first series appearance as Marie Slaughter, the wife of newswriter Murray (Gavin MacLeod). "Just a Lunch" was originally broadcast on January 16, 1971. ~ Hal Erickson, All Movie Guide
One of the best network sitcoms to emerge from the 1970s (and it was a crowded field indeed during that remarkable decade!), The Mary Tyler Moore Show starred the titular actress as Mary Richards, a single, slightly insecure woman in her early thirties who worked as associate producer for the evening news broadcast at independent Minneapolis station WJM-TV. Mary's boss was irascible-but-lovable producer Lou Grant (Edward Asner); head writer for the newscast was upbeat if somewhat sarcastic Murray Slaughter (Gavin MacLeod); and the WJM anchorman was Ted Baxter (Ted Knight), blessed with dazzling looks, a mellifluous voice, an enormous ego, and a pea-sized intellect. In the early seasons, future Good Times star John Amos was seen as WJM weatherman Gordy Howard; and beginning in the series' fourth season, Betty White was added to the cast as Sue Ann Nivens, hostess of the station's "Happy Homemaker" show, whose sugary-sweet demeanor masked a powerful sex drive. When not at the studio, Mary Richards could be found in her small apartment, palling around with her brash, New York-bred neighbor Rhoda Morganstern (Valerie Harper), who worked as a department-store window dresser; and with her landlady, supercilious busybody Phyllis Lindstrom (Cloris Leachman), who prattled endlessly about her never-seen husband, Lars, and who carried on a battle of wits with the acidulous Rhoda. Seen on a less frequent basis were Phyllis' spoiled daughter, Bess (Lisa Gerritsen); Murray's perky wife, Marie (Joyce Bulifant); and beginning in the third season, Ted Baxter's soft-spoken but iron-willed girlfriend, Georgette Franklin (Georgia Engel), who eventually married Ted and bore him a daughter.
As The Mary Tyler Moore Show rolled on, both Valerie Harper and Cloris Leachman departed for their own spin-off series, respectively Rhoda and Phyllis. Also, Lou Grant and his wife, Edie (Priscilla Morrill), were divorced, Ted and Georgette adopted an eight-year-old boy named David (Robbie Rist), and Mary moved out of her old apartment and into a high rise -- though she took her trademarked "Big M" wall decoration with her. In the series' now-legendary final episode, the new station manager of WJM-TV decided to fire everyone on the staff -- except, incredibly, for the dimwitted Ted Baxter! Originally telecast by CBS from September 19, 1970, through September 3, 1977, The Mary Tyler Moore Show was not only the recipient of numerous industry awards, but it also served as the cornerstone for the thriving MTM Productions TV-series factory, which turned out such worthwhile efforts as Lou Grant, a straight dramatic series starring Ed Asner in a continuation of his Mary Tyler Moore role. ~ Hal Erickson, All Movie Guide
As The Mary Tyler Moore Show rolled on, both Valerie Harper and Cloris Leachman departed for their own spin-off series, respectively Rhoda and Phyllis. Also, Lou Grant and his wife, Edie (Priscilla Morrill), were divorced, Ted and Georgette adopted an eight-year-old boy named David (Robbie Rist), and Mary moved out of her old apartment and into a high rise -- though she took her trademarked "Big M" wall decoration with her. In the series' now-legendary final episode, the new station manager of WJM-TV decided to fire everyone on the staff -- except, incredibly, for the dimwitted Ted Baxter! Originally telecast by CBS from September 19, 1970, through September 3, 1977, The Mary Tyler Moore Show was not only the recipient of numerous industry awards, but it also served as the cornerstone for the thriving MTM Productions TV-series factory, which turned out such worthwhile efforts as Lou Grant, a straight dramatic series starring Ed Asner in a continuation of his Mary Tyler Moore role. ~ Hal Erickson, All Movie Guide
Big-hearted Mary (Mary Tyler Moore) offers to substitute for the WJM-TV employee who normally mans the studio's newsroom on Christmas Eve. It seemed like a good idea at the time, but before long, she is desperately lonely for human companionship. Henry Corden, longtime voice of cartoon character Fred Flintstone, makes an appearance (sort of). "Christmas and the Hard-Luck Kid" was originally broadcast on December 19, 1970. ~ Hal Erickson, All Movie Guide
Originally telecast September 19, 1970, "Love Is All Around" is the classic opening episode of The Mary Tyler Moore Show. Newly arrived in Minneapolis, Mary Richards (Mary Tyler Moore) rents an apartment from airheaded Phyllis Lindstrom (Cloris Leachman), then manages to get off on the wrong foot with her waspish neighbor Rhoda Morganstern (Valerie Harper). The next day, Mary applies for a clerical job at the newsroom of bottom-rated WJM-TV, where in quick succession, she meets long-suffering news writer Murray Slaughter (Gavin MacLeod) and egotistical anchorman Ted Baxter (Ted Knight). Surviving a contentious job interview with cantankerous TV producer Lou Grant (Edward Asner) -- who, as everyone knows, hates spunk -- Mary unexpectedly lands the position of associate producer for "The Six O'Clock News." And there's still time left over for a bittersweet reunion with her ex-boyfriend (Angus Duncan). A model of brisk and economical comedy construction, "Love Is All Around" set the high standards for all the brilliant Mary Tyler Moore Show episodes to follow. ~ Hal Erickson, All Movie Guide
Nancy Walker makes her first series appearance as Ida Morganstern, the guilt-dispensing, impossible-to-please mother of Rhoda Morganstern (Valerie Harper). Arriving in Minneapolis, Ida unexpectedly shows up at the doorstep of her daughter's friend, Mary (Mary Tyler Moore). The reason? Rhoda isn't home, or at least, she's pretending she isn't home. Even though CBS didn't want this episode to be filmed because the network "suits" found no humor in the prickly Rhoda-Ida relationship, "Support Your Local Mother," which first aired on October 24, 1970, won The Mary Tyler Moore Show its first Emmy Award for outstanding writing. ~ Hal Erickson, All Movie Guide
At Andy's urging, Aunt Bee becomes the star of a cooking show on Silver City television station WZAZ. Scoring a hit as "The Mayberry Chef", Bee worries that she is neglecting her duties at home, but Andy and Opie assure her otherwise-even though their own attempts at cooking are, to put it charitably, gosh-awful. Jack Bannon, the son of Petticoat Junction star Bea Benaderet, appears as the TV announcer. Written by 27-year-old James L. Brooks (Taxi, The Simpsons etc.), "The Mayberry Chef" originally aired on January 1, 1968. ~ Hal Erickson, All Movie Guide
Dub Taylor guest-stars as Ben, the brother-in-law of Mayberry's fix-it man Emmett Clark. Conspiring with Emmett's wife Martha (Mary Lansing), Ben tries to convince Emmett to go into the insurance business. Soon, however, Martha realizes that Emmett will never be happy without a hammer or screwdriver in his hand. First shown on January 8, 1968, "Emmett's Brother-in-Law" was written by a decidedly pre-Taxi James L. Brooks. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Hartman, Dub Taylor, (more)










