Jack Brodsky Movies

Screenwriter Darryl Quarles follows up his smash hit Big Momma's House (2000) with another raucous Martin Lawrence collaboration. Lawrence stars as Jamal Walker, an employee at a medieval-themed mini-golf course who wakes up in 14th century England after a blow to the head. Jamal has soon allied himself with a peasant girl and a broken-down ex-knight to defeat the evil King Leo (Kevin Conway) and his bullying minion, Sir Knolte (Tom Wilkinson). In the meantime, Jamal busts some modern dance moves on the medieval dance floor and encounters such intriguing residents of the period as knaves, peasants, archers, jousting knights, maidens, a princess, and even a giant. Black Knight (2001) is the sophomore directing vehicle of longtime television producer Gil Junger, who joins Lawrence in replacing the team originally attached to this comic vehicle, director F. Gary Gray and star Chris Tucker. ~ Karl Williams, Rovi

Sometimes a family title, among the nobility of England, goes to the "collateral" heirs -- people not in the direct line of decent, like cousins, great-nephews and the like. On rare occasions, these people are not even aware that they are about to be elevated to the House of Lords, and they have been living more-or-less ordinary lives. In this comedy, the family which lacks direct heirs is the Royal Family of England -- as all of the likely heirs have died one after the other in swift succession. In this comedy, the "collateral heir" is an exuberant, fence-busting All-American slob (and pretty good rock n' roll musician) by the name of Ralph (John Goodman). Unknown to him, his grandmother had an affair with a royal prince. Ralph's a good guy, and eager to please. He recognizes the importance of the royal hoopla to England and works very hard to fit in as its new designated king. He is assisted by the ever-unctuous, very serious family factotum Willingham (Peter O'Toole). The trouble is, he doesn't have instincts for politics English-style, and he is constantly "putting a foot wrong," as they might say. The most difficult situation for him is when he develops a new love interest, and she's not "acceptable" to the upper crust. In addition to being hounded by the tabloids, he finds that "the good of the state" requires that he drop his new girlfriend. Things really come to a head just before Ralph's coronation as king. Reviewers generally loathed this feel-good comedy, but audiences seem to have enjoyed it tremendously, and it has done well in video and TV airings. ~ Clarke Fountain, Rovi

Choreographer and filmmaker Herbert Ross directs the romantic backstage drama The Dancers, which features a production of Giselle by the American Ballet Theatre. Mikhail Baryshnikov stars as macho lead dancer Tony Sergoyev, the director of a ballet company beginning a production of Giselle in southern Italy. Tony has been involved with several of the dancers in his troupe, but has recently become close to Contessa (Mariangela Melato). When American teenager Lisa (Julia Kent) arrives, he becomes attracted to her during rehearsals. The conclusion involves the final production, with Tony in the role of Albrecht. Tony's other lover, Francesca (Alessandra Ferri), plays the role of Giselle, while cynical Nadine (Leslie Browne) plays the role of the Queen of the Wilis. ~ Andrea LeVasseur, Rovi

Kathleen Turner plays a writer of adventure stories, Joan Wilder, who has been having trouble selling her works of late because they aren't remotely believable. The basic problem is that the mousy Joan has never had any real adventure in her life. All this changes when she receives a frantic phone call from her sister, whose is being held prisoner by evil art dealers in Colombia. It seems that sis has mailed Joan a map leading to a valuable treasure. Nasty but cowardly Ralph (Danny DeVito), cousin of the principal villain (Zack Norman), has been assigned to claim the map from Joan. But upon arriving in Colombia, Joan and Ralph learn that others of a more homicidal bent are also after the map. Joan is rescued by soldier of fortune Jack Colton (Michael Douglas), who isn't quite clear about his stake in the proceedings. Jack and Joan undergo several perilous adventures in the wilds of Colombia. The treasure turns out to be a valuable jewel, which changes hands (one of them severed!) many times before it is swallowed by an alligator. Joan manages to break free from her pursuers, but Jack is presumed dead. Jack returns at the end of the film in Manhattan to surprise Joan. The sequel to Romancing the Stone was 1985's The Jewel of the Nile. ~ Hal Erickson, Rovi

Larry Peerce directed this tired disaster movie about a mad sniper loose in a football stadium. At the beginning, the sniper picks off a cyclist for practice and then takes roost in the top tower of the Los Angeles Memorial Coliseum. Sent in to stop the terror is Captain Peter Holly (Charlton Heston), who wants to get his hands on the sniper without endangering the lives of the people in the stadium. Unfortunately, there is a second group of law enforcement officers, a tactical commando group, who want to go into the stadium and rush the sniper -- regardless of the danger such an action would cause to the crowd watching the game. The sniper plans to start blasting at the two-minute warning signal of the football game. Holly has to find the sniper before the two-minute warning is given -- not merely to prevent the killings threatened by the sniper but to head off the tactical force before any other unnecessary deaths are incurred by the force's bulldog techniques. ~ Paul Brenner, Rovi

Woody Allen's in-name-only adaptation of the once notorious sexual reference guide by Dr. David Reuben contains seven episodes based on "helpful" questions answered in the book. In "Do Aphrodisiacs Work?", Allen appears as a court jester who uses a love potion to spark the erotic interests of the Queen (Lynn Redgrave). "What Is Sodomy?" stars Gene Wilder as a doctor who throws away his marriage, career, and position in the community when he falls madly in love with an Armenian sheep named Daisy. "Why Do Some Women Have Trouble Reaching Orgasm?" is a parody of stylish Italian films of the '60s in which a slick playboy (Woody Allen) discovers his wife (Louise Lasser) can climax only when they make love in public places. In "Are Transvestites Homosexuals?," Sam (Lou Jacobi) has his little secret revealed at a most inopportune moment. "What Are Sex Researchers Actually Accomplishing?" features John Carradine in a great parody of his mad-scientist roles as Dr. Bernardo, whose research into human sexuality has led to a fearsome mutation -- a 50-foot tall female breast! "What Are Sexual Perversions?" takes us to a broadcast of the popular game show What's My Perversion?, in which Jack Barry leads a panel of celebrities (including Regis Philbin and Robert Q. Lewis) in guessing the erotic obsessions of their guests. And "What Happens During Ejaculation?" takes the audience inside the body of a man in the throes of passion; The Brain (Tony Randall) guides the body's functions, with the help of his assistant (Burt Reynolds), while Allen plays a nervous sperm cell not sure if he can make the big jump. While the quality of the episodes is uneven, the best rank with the funniest moments of Allen's career, especially Gene Wilder's touching romance with the sheep ("I think we can make this work, Daisy") and the final sequence inside the male body ("What if he's only masturbating? I'll end up on the ceiling somewhere!"). ~ Mark Deming, Rovi