Marshall Brickman Movies
Born in Brazil to American parents, Marshall Brickman paid his way through college as a folksinger. While still in his teens, Brickman was a member of the Tarriers, a group which also included future actor Alan Arkin. Turning to writing, Brickman penned special material for Candid Camera, then hit the talk show circuit, winning an Emmy for his work on The Dick Cavett Show. Through Cavett, Brickman became acquainted with Woody Allen; he would collaborate on the scripts of some of Allen's best films of the 1970s. In 1977, Brickman and Allen shared an Oscar for the screenplay of Annie Hall (both men should have gotten Purple Hearts, considering the numerous torturous rewrites the script underwent before emerging on the screen). As a solo director, Brickman has displayed an acute gift for timing and a delightful sense of the ridiculous, though the quality of his films lacks the consistency of his Woody Allen collaborations. Brickman's best directorial effort was 1980's Simon, an identity-crisis science fiction satire starring Brickman's onetime fellow "Tarrier" Alan Arkin; his weakest effort was the teen-oriented flick The Manhattan Project (1985). ~ Hal Erickson, All Movie Guide
In the late '60s, American culture experienced a period of change as the youth movement challenged conventional attitudes about politics, sex, drugs, and gender issues, while the advancement of the Vietnam War found many citizens questioning the actions and wisdom of their government for the first time. As American attitudes continued to evolve, so did the American film industry; as costly big-budget blockbusters nearly brought the major studios to the brink of collapse, smaller and more personal films such as Bonnie and Clyde, Easy Rider, and Five Easy Pieces demonstrated there was a ready audience for bold and challenging entertainment. As the '60s faded into the 1970s, American cinema moved into an exciting period of creativity and stylistic innovation, which led to such landmark films as The Godfather, MASH, The Last Picture Show, Shampoo, One Flew Over the Cuckoo's Nest, Chinatown, and Taxi Driver, and new freedom for directors and screenwriters. Ironically, however, it was another pair of big-budget blockbusters directed by students of the new wave of filmmaking -- Jaws and Star Wars -- which brought the studios back to power and put an end to Hollywood's flirtation with offbeat creativity. A Decade Under the Influence is a documentary which explores the rise and fall of new American filmmaking in the 1970s, and features interviews with many of the key directors, screenwriters, and actors whose work typified the movement, including Francis Ford Coppola, Robert Altman, Martin Scorsese, Paul Schrader, Roger Corman, Dennis Hopper, Jon Voight, and Julie Christie. A Decade Under the Influence received its world premier at the 2003 Sundance Film Festival, and an expanded version of the film was later shown on the premium cable outlet The Independent Film Channel; the documentary was the final work of co-director Ted Demme, who died shortly before the film was completed. ~ Mark Deming, All Movie Guide
- Starring:
- Martin Scorsese, Francis Ford Coppola, (more)
Diane Keaton stars in this adaptation of Christopher Durang's popular one-act play Sister Mary Ignatius Explains It All for You as Sister Mary, a nun who teaches at a parochial school and has very firmly held ideas about sin, forgiveness, and the importance of church doctrine. As Sister Mary delivers a lecture on sin and its consequences, she's interrupted by several of her former students, who have little positive to say about how a Catholic education has impacted their lives. Sister Mary Explains It All also stars Brian Benben, Jennifer Tilly, and Wallace Langham; it was produced for the Showtime premium cable network, where it first aired in May 2001. ~ Mark Deming, All Movie Guide
- Starring:
- Diane Keaton, Brian Benben, (more)
A man who may be on the verge of death quickly takes a thorough look at his life in this drama. Vincent Eastman (Richard Gere) is speeding along a mountain road in Canada when, while swerving to avoid a stalled van, he discovers that he's about to run headfirst into a trailer truck. As he's about to suffer a potentially fatal accident, Vincent finds himself flashing back on the events of his life -- most notably his relationships with his wife Sally (Sharon Stone), his mistress Olivia (Lolita Davidovich), and his daughter Meaghan (Jenny Morrison). While Vincent genuinely cares for Sally, he finds her cold and unemotional, but while the free-spirited Olivia has a passion for life that Sally lacks, Vincent can't bring himself to leave his wife for her. All parties involved feel that Vincent is hurting Meaghan with his inability to commit himself one way or the other, and his friend Neal (Martin Landau), a partner in his architectural firm, warns him that it is wrong for a man to live under two roofs at once. Intersection was an American adaptation of the 1970 French drama Les Choses de la Vie. ~ Mark Deming, All Movie Guide
- Starring:
- Richard Gere, Sharon Stone, (more)
There's a real murder and a real mystery in Woody Allen's Manhattan Murder Mystery, but these plot pegs are used mainly to allow Allen to explore modern urban relationships. Allen plays a N.Y.C. book editor, Larry Lipton, married to Carol (Diane Keaton, who replaced Mia Farrow at the last minute, for reasons well publicized at the time). Carol is a free spirit, ever willing to try new experiences, but Larry is a wet blanket. When it begins to look like a neighbor has killed his wife, Carol is eager to investigate the mystery, but Larry thinks her suspicions are nonsensical and doesn't want to leave his apartment. Undaunted, Carol finds another "Nick Charles" in the form of family friend Ted (Alan Alda), who joins the investigation, and feels attracted to Carol and isn't afraid to let her know. Meanwhile, a writer under Larry's aegis (Anjelica Huston), who feels romantically drawn to him, also decides to join in the fun. Slightly jealous of Carol in the face of her budding relationship with Ted, Larry reluctantly agrees to go along on her clue-hunting expedition -- and it is he who discovers the corpse, who as it turns out was killed after Carol started poking around the apartment building. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
Bette Midler stars as a Martha Raye-type entertainer during the World War II era in this big-budget nostalgia piece. Midler plays big-band singer Dixie Leonard, who is chosen to perform at an overseas USO Christmas show by her uncle Art Silver (George Segal), a comedy writer for famed comedian Eddie Sparks (James Caan). Dixie is shuttled to London, where she is thrown on-stage with Eddie, who takes an immediate dislike to her. But her performance is a sensation, and the audience can't stop howling at Dixie's smart one-liner comebacks to Eddie. Dixie is catapulted to stardom, and the repartee between Eddie and Dixie becomes the stuff of legend. The two spar together through World War II, the McCarthy era, and Vietnam. But Dixie stops speaking to Eddie when he fires a writer for being a communist sympathizer and, later, she doesn't speak to him again after he arranges for a reunion between her and her son on the battlefields of Vietnam. Finally, Dixie, now an old woman, is cajoled to appear on a television awards show to reunite with a now decrepit Eddie, age 91. ~ Paul Brenner, All Movie Guide
- Starring:
- Bette Midler, James Caan, (more)
Everyone knows that teenagers are smarter than adults, and if given a chance the kids could save the world--if they don't blow it to bits first. The Manhattan Project tells of how 16-year-old Christopher Collet tries to alert his community to the dangers of nuclear energy. John Lithgow, a doctor in a pharmaceutical research plant wherein covert plutonium experiments are taking place, is the boy friend of Cowlet's mom Jill Eikenberry. While Lithgow is romantically occupied, Cowlet and his girl Cynthia Nixon steal the plutonium and construct their own atomic bomb. They do this, of course, as a warning to foolhardy grownups--none more foolhardy than the folks who put up good money to make this film. Manhattan Project was directed by longtime Woody Allen collaborator Marshall Brickman, whose expert sense of comic timing obscures the thickheaded "message" of this picture. ~ Hal Erickson, All Movie Guide
- Starring:
- John Lithgow, Christopher Collet, (more)
Wealthy metallurgist Harry Mitchell (Roy Scheider) lives to regret his extramarital affair with pretty young Cini (Kelly Preston). A trio of vicious blackmailers (John Glover, Robert Trebor, Clarence Williams III) show Mitchell a videotape of his most recent roll in the sack with Cini. They demand a huge amount of hush money, but Mitchell calls their bluff, going so far as to tell his politicially ambitious wife Barbara (Ann-Margret) about the affair. But the extortionists haven't even gotten started yet. Tying Mitchell to a chair, they force him to watch a tape of Cini being horribly murdered-with the evidence arranged so that Mitchell will be accused of the crime. But Mitchell remains firm in his refusal to pay up, whereupon he mounts a "fight fire with fire" plan all his own. 52 Pick Up was based on a novel by Elmore Leonard, which was previously filmed in 1984 as The Ambassador. ~ Hal Erickson, All Movie Guide
- Starring:
- Roy Scheider, Ann-Margret, (more)
Saul (Dudley Moore), a married psychiatrist, becomes romantically obsessed with Chloe (Elizabeth McGovern), one of his patients. Chloe has already devastated one psychoanalyst, and although the venerable Freud himself (Alec Guinness) appears to counsel Saul in his worst moments, the man continues on his tormented way. In spite of notable names in the acting field, neither the subsidiary characters nor the story itself rise above the limited dialogue and plot. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Dudley Moore, Elizabeth McGovern, (more)
- 1980
- PG
In this far-out comedy that slams it to academia, television, and the military, Simon (Alan Arkin) is a puffed-up professor who is boondoggled by a group of geniuses in a think tank. Becker (Austin Pendleton) leads the wacked-out thinkers as they invent off-the-wall games to keep themselves amused instead of solving global problems in ecology or whatever. They manage to convince Simon he is really a space alien, but then Simon gets away from them and takes refuge in a strange commune headed up by a former television executive (Adolph Green) whose bible is TV Guide. Simon's life does not get any easier since he is being hunted by the army with orders to shoot on sight. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Alan Arkin, Austin Pendleton, (more)
On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen's romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist. His love life is in barbed-wire territory: he is tormented by his second ex-wife Jill (Meryl Streep), a lesbian who has written a tell-all book about their marriage, and he is dating teenager Tracy (Mariel Hemingway), to whom he refuses to commit, and keeps hinting that a breakup may be imminent. Isaac's disillusioned (and married) best friend Yale (Michael Murphy) has begun an affair with the cerebral writer Mary Wilke (Diane Keaton). While Isaac makes a last minute, sink-or-swim decision to quit his job and devote all of his time to book writing, and neurotically moans about what the lack of a full time job will do to him ("My parents won't have as good of a seat in the synagogue," he moans. "They'll be far away from God... away from the action") Yale is crippled by his lack of resolve, as indicated by his inability to leave his wife Emily (Anne Byrne). Meanwhile, Isaac and {%Mary) begin to fall for one another. Tracy then tells Isaac the basic truth that none of his hung-up friends and past lovers fully realizes: "You have to have a little more faith in people." Manhattan is both a seriocomic dissection of perpetually dissatisfied New Yorkers and an ode to the city itself, filmed in glorious black-and-white by ace cinematographer Gordon Willis, and set to a score of rhapsodic George Gershwin music. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
In 1973, health-food store owner Miles Monroe (Woody Allen) enters the hospital for a routine gall bladder operation. When he expires on the operating table, Miles' sister requests permission to cryogenically freeze her brother's body. After 200 years, Miles is unwrapped by a group of scientists and awakens to a "brave new world" of deadening conformity, ruled with an iron fist by a never-seen leader. Miles is forced to flee for his life when the scientists -- actually a group of revolutionary activists -- are overpowered by the leader's police. He eludes the cops by pretending to be an android, and in this guise is sent to work at the home of Luna (Diane Keaton), a composer of greeting cards who thinks that the world of the future is perfect as it stands. There's more, but why spoil your fun? Sleeper is the most visual of Woody Allen's earlier films, and demonstrated a more pronounced rapport between Allen and his off- and onscreen leading lady Diane Keaton than had previously existed. The Dixieland score is performed by the Preservation Hall Jazz Band. ~ Hal Erickson, All Movie Guide
- Starring:
- Woody Allen, Diane Keaton, (more)
