David Brenner Movies

Night Watch director Timur Bekmambetov helms his first English-language feature film with this big-screen adaptation of Mark Millar's action-packed graphic novel. Wesley Gibson (James McAvoy) is a cube-dwelling hypochondriac whose uneventful life has become a mundane blur of terminal boredom. Repeatedly humiliated by his boss and constantly cuckolded by his cheating girlfriend, weakling Wes seems to be living right down to everyone's expectations that he would never amount to anything in life. However, upon discovering that the father he never knew has been brutally murdered, the spineless, clock-punching pushover is recruited into a secret society of assassins known as the Fraternity. During the course of his training, the man who was once an office-bound wimp develops lightning-fast reflexes and superhuman dexterity courtesy of his skilled mentor Fox (Angelina Jolie). Upon completing his training, Wes is assigned the task of dealing out death to the mythological Fates, who possess the ability to alter the lifelines of mortal men. It isn't long before the nebbish nerd-turned-agile assassin is erasing the bad guys with surprising efficiency, yet as Wes begins to carry the mantle passed down to him by his father, he gradually begins to suspect that his wise tutors are not the crime-fighting enforcers they present themselves to be. Now, with everything he ever wanted in life finally within his grasp, Wes is about to find out that the only thing more difficult than ending the lives of others is summoning the courage to take control of his own. ~ Jason Buchanan, All Movie Guide

Director Oliver Stone once again offers a powerful and provocative story based on real-life events in this drama. Sargeant John McLoughlin (Nicolas Cage) and William J. Jimeno (Michael Pena) were two officers assigned to New York City's Port Authority who were working their beats on a quiet day in early fall when they received an emergency call. The day was September 11, 2001, and McLoughlin and Jimeno were among the policemen who attempted to evacuate the World Trade Center towers after they were struck by airliners piloted by terrorists. Both McLoughlin and Jimeno were inside the fifth building of the World Trade Center when the towers fell, and were two of the last people found alive amidst the wreckage. As McLoughlin and Jimeno struggled to hold on to their lives as rescuers sifted through the rubble, their spouses -- Donna McLoughlin (Maria Bello) and Allison Jimeno (Maggie Gyllenhaal) -- clung to the desperate hope that their husbands would survive and be found. As the McLoughlin and Jimeno families waited for word on the fate of the two men, they watched as a city and a nation came together with strength and compassion in the face of a tragedy. World Trade Center was based on the true story of John McLoughlin and William J. Jimeno, both of whom cooperated with producers in the making of this film. ~ Mark Deming, All Movie Guide

Directed by Roland Emmerich, this mega-budget, special-effects-laden epic revolves around the onset of an international series of crises brought on by the long-term results of the greenhouse effect. At the eye of the storm is paleoclimatologist (a professor dedicated to the study of weather patterns throughout the ages) Jack Hall (Dennis Quaid), who voluntarily takes on the preservation of the world in the dawn of the next ice age and all the disaster that comes along with it -- violent hurricanes, tornadoes, earthquakes, tidal waves, massive floods, etc. Hall must also contact his son, Sam (Jake Gyllenhaal), who was in the middle of an academic competition in New York City when the chaos begun. In addition to facing the largest-scale onslaught of natural catastrophes in the history of humankind, Jack, in his journey north, must contend with the masses fleeing south in an attempt to resettle in a warmer climate. The Day After Tomorrow also features Emmy Rossum, Sela Ward, and Joe Cobden. ~ Tracie Cooper, All Movie Guide

Filmmaker James Mangold follows his Oscar-winning drama Girl, Interrupted (1999) with this whimsical fantasy. Meg Ryan stars as Kate McKay, a modern female executive in New York City whose drive to succeed in the cutthroat corporate world has left little time for romance. When her genius ex-boyfriend Stuart (Liev Schreiber) opens a portal in time, the experiment transports Leopold (Hugh Jackman) from 1867 to the present day. A charming bachelor and the royal "Third Duke of Albany" in his own time, Leopold is fascinated by the 21st century. As the courtly Leopold and the decidedly liberated Kate tour the town, a mutual attraction develops into something deeper, a relationship that's threatened by Leopold's temporary chronological status. Kate & Leopold (2001) was originally developed by co-screenwriter Steve Rogers as a project for star/producer Sandra Bullock, who had a hit with his film Hope Floats (1998). ~ Karl Williams, All Movie Guide

Based on a metaphysical 1978 novel by science fiction and horror author Richard Matheson, this romantic fantasy-drama won an Oscar for its expensive and impressive visual vistas depicting an imaginative afterlife. Robin Williams stars as Chris Nielsen, a doctor who has suffered with his artist wife Annie (Annabella Sciorra) through the devastating loss of their children, Marie and Ian, who were killed in a car accident. Although Annie's all-consuming depression nearly destroyed their marriage, the couple rebuilt their relationship and are now living out a comfortable middle age. Stopping one night to help a motorist in a wreck, Chris is struck by a car and killed. At first confused about where he is, Chris meets Albert (Cuba Gooding Jr.), a spiritual guide who helps him to realize he's passed away and that he must move on to the next world. After trying with only limited success to communicate with the devastated Annie, Chris moves on and discovers an afterlife that can become whatever one envisions, where even his pet dog awaits him. What Chris envisions as paradise are the paintings of his wife, and he happily takes up residence there, awaiting the far-off day when Annie will eventually join him. He also meets his children, although they have chosen different appearances than the ones they had in life. Then tragedy strikes when Annie, inconsolable, commits suicide and goes to Hell. Although it is rarely done, Chris insists on traveling there, risking his eternal soul to save the woman he loves. Accompanied part of the way by Albert and a wizened guide called The Tracker (Max von Sydow), Chris finally reaches Annie in Hell, and must convince her of the truth in order to release her from her dark prison. ~ Karl Williams, All Movie Guide

A group of intrepid humans attempts to save the Earth from vicious extraterrestrials in this extremely popular science-fiction adventure. Borrowing liberally from War of the Worlds, Aliens, and every sci-fi invasion film inbetween, director Roland Emmerich and producer and co-writer Dean Devlin present a visually slick, fast-paced adventure filled with expensive special effects and large-scale action sequences. The story begins with the approach of a series of massive spaceships, which many on Earth greet with open arms, looking forward to the first contact with alien life. Unfortunately, these extraterrestrials have not come in peace, and they unleash powerful weapons that destroy most of the world's major cities. Thrown into chaos, the survivors struggle to band together and put up a last-ditch resistance in order to save the human race. As this is a Hollywood film, this effort is led by a group of scrappy Americans, including a computer genius who had foreseen the alien's evil intent (Jeff Goldblum), a hot-shot jet pilot (Will Smith), and the President of the United States (Bill Pullman). While some critics objected to the film's lack of originality and lapses in logic, the combination of grand visual spectacle and crowd-pleasing storytelling proved irresistible to audiences, resulting in an international smash hit. ~ Judd Blaise, All Movie Guide

With Heaven and Earth -- cobbled together from two autobiographical reminiscences (When Heaven and Earth Changed Places and Child of War, Woman of Peace by Le Ly Hayslip -- Oliver Stone completes his self-declared "Vietnam Trilogy" (the other films being Platoon and Born On the Fourth of July) of films examining the Vietnam War from different perspectives. Heaven and Earth begins in the central Vietnamese village of Ky La during the 1950s. Phung Le Ly (Hiep Thi Le) is an innocent peasant girl, helping her mother (Joan Chen) to tend the rice paddies while being lectured in the ways of life by her father (Haing Ngor). The idyllic peace of the village is disrupted when a jet bomber crosses the skies. Soon the village is decimated as the American-backed South Vietnamese government troops and the Viet Cong engage in brutal warfare in which the victims are the innocent villagers. Le Ly is both tortured and raped. She leaves Ky La for Danang for a life as a prostitute. There she meets the tall and craggy American soldier Steve Butler (Tommy Lee Jones), a kind but lonely man who isn't looking for sex but for someone to settle down with -- as he says, "I want an Oriental wife." They marry, and Steve takes her back to the United States, where her in-laws look at her not as a wife but as a pet. In the harsh glare of 1970s U.S. culture, Le Ly has trouble adjusting to the American way of life. But not as hard a time as her husband, who, after twenty years in Vietnam, discovers he cannot adapt to civilian life. ~ Paul Brenner, All Movie Guide

Val Kilmer delivers what was considered one of 1991's best performances as Jim Morrison in Oliver Stone's hallucinatory bio-pic of the seminal 1960s rock group The Doors. Stone cuts a jagged swath through Morrison's life, starting with a childhood memory where Morrison sees an elderly Indian dying by the roadside. It picks up with Morrison's arrival in California and his assimilation into the Venice Beach culture, followed by his film school days at UCLA; his introduction to his girlfriend Pamela Courson (Meg Ryan); his first encounters with Ray Manzarek (Kyle MacLachlan); and the origin of The Doors -- made up of Manzarek, Robby Kreiger (Frank Whaley), and John Densmore (Kevin Dillon). As the fame of The Doors grows, Morrison's obsession with death increases. The band grows weary of Morrison's missed recording sessions and no-shows at concerts. Morrison, meanwhile, sinks deeper into a drug-induced haze, having mystical sexual encounters with Patricia Kennealy (Kathleen Quinlan), an older rock journalist involved with sadomasochism and witchcraft. ~ Paul Brenner, All Movie Guide

Monologist Eric Bogosian's one-man theatre piece Talk Radio, co-written by Bogosian and Ted Savinar, is searingly brought to the screen by Oliver Stone. Bogosian plays a provocateur radio talk-show host, whose constant espousal of his inflammatory views and ceaseless hectoring of his callers and listeners reaps equal parts love and hate. As his program rolls on, Bogosian is revealed to be just as screwed up as any of his fans, if not more. And then he pushes one caller just a bit too far. In co-adapting the play for the screen, Oliver Stone interweaves elements of Steven Singular's factual book Talked to Death, the story of a liberal Denver radio personality who was murdered at the behest of a militant right-wing hate group. One word of warning: if you're not a fan of the sort of radio depicted herein, chances are you won't warm up to this film. Talk Radio was the indirect inspiration for the 1990 TV series Night Caller. ~ Hal Erickson, All Movie Guide