Richard Brennan Movies

In this Australian comedy, adapted by Louis Nowra from his own play and updated from a '70s to a '90s setting, a Sydney slacker gets the chance to stage an opera, but his cast is assembled from the ranks of the mentally ill. After a long stretch sponging off his law-student girlfriend Lucy (Rachel Griffiths), college dropout Lewis (Ben Mendelsohn) fakes his way into a job doing occupational therapy with a group of asylum inmates. Although his original assignment is to stage a variety show, manic-depressive patient Roy (Barry Otto) soon hijacks the project and convinces Lewis to helm an adaptation of his favorite opera, Mozart's Cosi Fan Tutti. Lewis' unlikely cast ranges from psycho firebug Doug (David Wenham) and scruffy loudmouth Sandra (Kerry Walker) to depressive, dirt-obsessed Ruth (Pamela Rabe) and self-effacing drug addict Julie (Toni Collette). Given the dearth of acting and singing experience among these players, Lewis opts to translate the piece from Italian to English and stage it as a play with only a few pieces of music. The show still proves to be more than its director bargained for -- despite the dubious assistance of his friend Nick (Aden Young), an actor/director who's currently staging his own over-the-top production of Diary of a Madman. Although Cosi reteams Muriel's Wedding co-stars Collette and Griffiths, their characters here never share a scene. The production also includes former Men at Work singer Colin Hay in a featured role, plus cameos from Greta Scacchi and Paul Mercurio (who appeared alongside Otto in Strictly Ballroom). ~ Brian J. Dillard, All Movie Guide

In 1945, a tribunal was held to investigate atrocities committed by the Japanese upon Australian soldiers during World War II. At an internment camp, 1100 Australian soldiers were tortured and killed by the Japanese, with only 300 survivors. This horrible event was not known until a terrible discovery of decapitated corpses was made at a grisly site on Ambon Island in Indonesia after the war. Stephen Wallace directed this courtroom drama based on the incident and follows the intrepid investigator who uncovers the truth behind the missing Australian soldiers. Bryan Brown plays Captain Cooper, the prosecutor of the case, in which 91 Japanese officers and soldiers are accused of murdering the Australian prisoners-of-war. The chief defendants are camp commander Takahashi (George Takei) and Captain Ikeuchi (Tetsu Watanabe). Takahashi denies knowing anything about the atrocities, as does Ikeuchi. Nevertheless, Cooper presses on to undercover the truth. But standing in his way is the American delegation, led by Major Beckett (Terry O'Quinn). They don't want a case to go forward that would reflect badly on the Japanese high command, since General MacArthur wants to reinstate many of the Japanese officers in a new postwar Japanese order. ~ Paul Brenner, All Movie Guide

In this stylish and smart 1988 thriller, reporter Tom Stewart accidentally falls on the wrong side (not that he's ever on the right side) of the law during a psychotic killer's spree of murders. Stewart's no angel having already stolen money from a car wreck. At the center of the killings is Morris Martin, a schoolteacher on a rampage supposedly searching for his "dead" wife. As Martin's killings become progressively more violent and heat from the police increases, Stewart is forced to hunt Martin down himself, teaming up with crooked cop Ray Birch to do so. Stewart and Birch eventually corner Martin, but have no idea the mystery they'll uncover when they find him. ~ Brian Whitener, All Movie Guide

Three young women contend with the rougher side of night (and day) life in the big city of Sydney as one of them gets ready to take off on a flight to New York. The women go to nightclubs, bars, and the beach, they trip out on drugs, one tries to land a job, another tries prostitution for a short while, and through it all, the friends alternately argue and make up -- all within an 18-hour span of time. A tragic postscript to the film: actress Vera Plevnik who played one of the three women (Jane) was killed in a car crash not long after the movie was completed. ~ Eleanor Mannikka, All Movie Guide

Yes, Stir is a prison picture, but don't be put off by the seeming flippancy of its slangy title. Ben Jewson based his screenplay on his own experiences while incarcerated. Jewson spares us nothing: the gleeful brutality of the guards, the sexual outrages in the cells, the grim future in store for those "lucky" enough to be set free. The film culminates in a riot, clearly inspired by TV news footage of Attica. Stir proved an impressive debut for Australian director Stephen Wallace. ~ Hal Erickson, All Movie Guide

Set between the years 1949 and 1956, Newsfront tracks the destinies of two brothers, their adventures and misadventures placed in the context of sweeping social and political changes in their native Australia. Both of the protagonists are newsreel photographers. Frank (Gerard Maguire) is constitutionally resistant to change, while Len (Bill Kennedy) welcomes any alterations in his own life and in the world around him. The film fluctuates between black and white and color, between actual news footage and reconstructed events. Newsfront is what The Way We Were might have looked like on a tiny budget with a cast of unknowns. The film represented a laudable feature-film directorial debut for one-time documentary filmmaker Philip Noyce. ~ Hal Erickson, All Movie Guide

Two veterans of Vietnam special-forces (John Hargreaves, Grant Page) have retired to the relatively painless field of stuntwork. They return to active duty, however, when the Australian government hires them to retrieve documents and destroy the fortress of a Filipino overlord. ~ John Bush, All Movie Guide