Richard L. Breen Movies

Frank Sinatra brings a sneering Rat Pack ethos to his first hard-boiled detective role in Tony Rome. Tony is an ex-cop who lives on a houseboat off Miami, accepting fees for private-eye work. His former partner, Ralph Turpin (Robert J. Wilke), asks Tony for help in locating Diana Pines (Sue Lyon), the daughter of rich construction magnate Rudolph Kosterman (Simon Oakland). Tony finds her unconscious and drunk in a sleazy motel room and returns her to her home. Rudolph decides to hire Tony in order to find out why his daughter is behaving so erratically. In the meantime, Diana's stepmother, Rita (Gena Rowlands), also offers Tony money to inform her first about whatever Tony finds out. He discovers that Diana has lost an expensive diamond pin, but before he can act upon the information, he is beaten up by two goons and nearly killed by Diana's crazy step-uncle. Tony then finds out that Turpin has been murdered. With help from sultry and sexy divorcée Ann Archer (Jill St. John), Tony discovers that Diana has been funneling large sums of money to her alcoholic mother, Lorna (Jeanne Cooper), with Rita's priceless jewelry being replaced by fakes. A collection of disagreeable human sludge all take their turns trying to get Tony and the information that he holds -- including his old pal Lieutenant Santini (Richard Conte). After a murder attempt on Rudolph's life, Tony uncovers a series of vile connections involving blackmail, deceit, and betrayal. ~ Paul Brenner, All Movie Guide

Doris Day and Rod Taylor star in this romantic comedy as Janet and Mike Harper, a married couple who relocate to England when Mike is transferred by the company for whom he works. While Janet and Mike seem to be happy together, the trip across the pond seems to bring on a case of the Seven Year Itch; he has his head turned by his new secretary, while she meets an amorous antique dealer. While the Harpers both begin to see the error of their ways, will they both retreat in time to save their marriage? The supporting cast includes Hermione Baddeley, Reginald Gardiner, and former presidential press secretary turned journalist Pierre Salinger. ~ Mark Deming, All Movie Guide

This WW II adventure chronicles the real-life courage of President John F. Kennedy when he was a Navy lieutenant in charge of the illustrious PT 109. Among the adventures they had was the courageous rescue of Marines stranded upon the isle of Choiseul. As they flee, their little boat is split in half by a Japanese destroyer. The survivors then make a long, dangerous swim to an island. One of them is too badly injured to do it, so Kennedy helps him. Later, the future leader braves many dangers to get to another island to radio for help. This video also contains a newsreel chronicling the President's assassination and a cartoon short featuring Foghorn Leghorn. ~ Sandra Brennan, All Movie Guide

This is the third time around for the Rodgers and Hammerstein musical. The action takes place in urban Texas instead of the traditional setting in rural Iowa. This film version contains five extra songs written exclusively by Richard Rodgers. Box office results were adequate at best, and movie going public deemed this version the least interesting of the three. The youth audience was lured by the casting of Ann-Margaret, Pat Boone and Bobby Darin. Alice Faye returned to the big screen after a sixteen year absence as Melissa Frake. Tom Ewell plays her husband, Abel. The plot finds a family traveling to Dallas for the Texas State Fair. Singing commences on the ferris wheel, the merry-go-round and in other locales. The only real action is the anticipation of a drag race between Wayne (Pat Boone) and the carrot topped, malevolent motorhead Red (Edward "Tap" Canutt). ~ Dan Pavlides, All Movie Guide

If Warner Bros.' pageantlike The FBI Story resembles an episode of Jack Webb's Dragnet at times, it's probably because the screenplay was by veteran Dragnet scrivener Richard L. Breen. The film meticulously details the history of the Federal Bureau of Investigation, from its formation in 1924 to the present day (1959, that is). The story is told through the eyes of FBI agent Chip Hardesty (James Stewart), who narrates the film. We see the FBI tackling such villains as the Ku Klux Klan, the mob, the Nazis and the communists. Subplots include the struggle by the federal agents to be given permission to carry firearms, a plight driven home when Hardesty's best friend (Murray Hamilton) is killed by gun-toting Baby Face Nelson (William Phipps). Offsetting moments like these are scenes of Hardesty's home life with his wife Lucy (Vera Miles), who at first opposed her husband's joining the bureau but who later becomesJ. Edgar Hoover's biggest fan. Excessively sentimental at times (it seems that the Hardesty family can never hold a party without receiving a terse telegram announcing yet another personal tragedy) and saddled with a rambling, stop-and-start continuity, the overall success of The FBI Story hinges upon its individual episodes, including a wowser of a pre-credits sequence involving matricidal mad bomber John Graham (Nick Adams). Since the film was made at a time when the FBI was considered to be of spotless reputation, don't expect to see any scenes of the bureau wiretapping civil rights leaders--or, for that matter, J. Edgar Hoover prancing around in drag. ~ Hal Erickson, All Movie Guide

Seven Cities of Gold is the story of Father Junipero Serra (Michael Rennie), the 18th century Jesuit priest who founded the first missions in California. Based on the novel by Isabelle Gibson Ziegler, the film adds a dash of intrigue and adventure to the story in the person of a Spanish military commander (Anthony Quinn) who clashes with the altrustic, peace-loving Father Serra. The tenuous relationship between the Spaniards and the local Indians is endangered when one of the military officers (Richard Egan) betrays an Indian girl (Rita Moreno). To avoid wholesale bloodshed, the errant officer willingly submits to tribal tortures to make amends for his misdeeds. Too melodramatic for some tastes, Seven Cities of Gold is redeemed by the breathtakingly beautiful color cinematography of Lucien Ballard. ~ Hal Erickson, All Movie Guide

At the height of the popularity of his Dragnet TV series, producer/director/star Jack Webb struck a deal with Warner Bros. to direct several feature films--the first of which, but of course, was 1954's Dragnet. This time around, the "true story" in which "only the names are changed to protect the innocent" involves the murder of former syndicate member Dub Taylor. LAPD sergeants Joe Friday (Webb) and Frank Smith (Ben Alexander) follow the trail of evidence to shifty gangster boss Stacy Harris, who during most of the film is able to avoid arrest through legal loopholes. Richard Boone plays Captain Hamilton, while Ann Robinson, best known for her screaming and scurrying about in War of the Worlds, plays policewoman Grace Downey. Most of the rest of the cast is drawn from Webb's TV and radio stock company, including Virginia Gregg, who is quite good as the amputee wife of the victim, and Vic Perrin, who would later portray the voyeuristic serial killer in the 1967 TV movie version of Dragnet. Some sources list Cliff Arquette as being in the cast of Dragnet, playing his familiar Charley Weaver character, but we can't find him. Dragnet has often been derided because of Joe Friday's reluctance to honor the civil liberties of his suspects, but remember that this was 1954, long before the "You have a right to remain silent" era. Webb's terse, tightly edited, close-up-dominated TV technique translates surprisingly well to the big screen. At its worst, Dragnet falls victim to the corny overkill of the TV version: the subtle-as-an-earthquake musical cues, Friday and Smith's ubiquitous nods and exchanged glances, etc. Still, Dragnet was a satisfying and profitable feature film directorial debut for Jack Webb, whose subsequent efforts included Pete Kelly's Blues (1955), The DI (1957), 30 (1959) and The Last Time I Saw Archie (1961). ~ Hal Erickson, All Movie Guide

The 1912 sinking of the luxury liner Titanic is used as a backdrop for a several fictional subplots, chief of which involves snooty socialite Clifton Webb and his wife Barbara Stanwyck. Stanwyck has booked passage on the ill-fated passenger ship with her daughter (Audrey Dalton) and son (Harper Carter), leaving Webb far behind. Webb manages to board the ship at the last minute, and discovers that Stanwyck plans to divorce him; she further informs him that he is not the father of their son. When the Titanic sideswipes an iceberg and begins its slow descent in the Atlantic, the women and children are put on the lifeboats while the men stay behind to face death (except for cowardly cardsharp Allyn Joslyn, who disguises himself as a woman). The formerly class-conscious Webb acts with conspicuous bravery, seeing to it that several steerage passengers are ushered to safety. He is reunited with his son, who has given up his lifeboat seat to an elderly woman. All misunderstandings swept aside, Webb and his son face their final moments on earth together. In the film's best moment, a miniature recreation of the Titanic is seen sinking beneath the waves as the survivors watch from their lifeboats in numb horror. ~ Hal Erickson, All Movie Guide

Belated honeymooners Polly (Jean Peters) and Ray Cutler (Casey Adams) arrive at their Niagara Falls cottage only to find that Rose (Marilyn Monroe) and George Loomis (Joseph Cotten) have not yet checked out. Though the Cutlers temporarily take another cabin, the lives of the two couples are bound together for the next two days. Polly discovers that Rose is having an affair and that George, though emotionally unstable, has good reason for his jealous rage. George accurately suspects that Rose openly flaunts her sexuality to make him act crazy in front of witnesses. This is part of Rose's plan: her lover Patrick (Richard Allan) will kill George and make it look like suicide or a disappearance. Instead, George kills Patrick, and he returns to kill Rose, but finds Polly instead. As she had been sympathetic to him, he asks her not to tell anyone that he is alive so he can simply disappear. But, realizing that he wants to kill Rose, Polly informs the police. What follows is escalating terror, with George stalking Rose, Rose desperately trying to leave town, the police searching for both of them, and finally George and Polly adrift in a boat heading for the precipice. In Henry Hathaway's Technicolor film noir, Niagara Falls serves as an apt metaphor for the destructive power of out-of-control carnal and murderous obsessions. ~ Steve Press, All Movie Guide

The model (Jeanne Crain) is stuck in an unhappy relationship with a married man. The marriage broker (Thelma Ritter) doesn't like this and tries to match the model with a lonely x-ray technician (Scott Brady). The model is so grateful that she tries to find an eligible bachelor for the broker. The broker resists this largesse, but then realizes that the only reason she meddles in other people's lives is to make up for the emptiness of her own. The Model and the Marriage Broker resists the temptation of poking fun at the less attractive clients of the marriage broker; this is especially true in the case of Frank Fontaine, whose performance as a lovesick Swede is quite moving. ~ Hal Erickson, All Movie Guide

Bejabbers! Sure an' some heathen has gone and stolen the Blarney Stone. Yes, Top O' the Morning is set in Ireland, or at least Hollywood's idea of Ireland. American detective Bing Crosby arrives on the Auld Sod to investigate the theft of the Stone, while the local constabulary, represented by Barry Fitzgerald (his third teaming with Crosby) and Hume Cronyn, assist Bing in his inquiries. Cronyn turns out to be the heavy of the piece, but Crosby is too busy romancing leading colleen Ann Blyth to concern himself. The "faith 'n' begorrah" business is spread a bit too thick in Top O' the Morning, but not as thick as Barry Fitzgerald's near-impenetrable brogue. ~ Hal Erickson, All Movie Guide

One of the more popular movie-review paperbacks sums up Paramount's Isn't it Romantic? with a terse "No." There's actually more to the film than that, but not much. Set in Indiana in the 1890s, the story revolves around an diehard Confederate soldier named Major Euclid Cameron (Rolan Culver), who refuses to acknowledge that the South lost the Civil War. Cameron also regards himself as an aristocrat who will never sully his hands with work, which is why he and his family are flat broke. It is up to the Major's three pretty daughters-Candy (Veronica Lake), Susie (Mona Freeman) and Rose (Mary Hatcher)-to make ends meet financially, even if it means marrying for money rather than love. Pearl Bailey transcends the stereotypical role of the Cameron's housekeeper Abigail with her soulful renditions of such forgettable tunes as "I Shoulda Quit When I Was Ahead" (a bit of advice that could have profited the film's producers!) ~ Hal Erickson, All Movie Guide