Rossano Brazzi Movies

The quintessential British caper film of the 1960s, The Italian Job is a flashy, fast romp that chases a team of career criminals throughout one of the biggest international gold heists in history. Michael Caine is Charlie Croker, a stylish robber and skirt-chaser just out of British prison. Shunning rehabilitation for recidivism, Croker takes over "The Italian Job," a complicated plan to hijack gold bullion from Italy -- right from underneath the noses of the Italian Police and the Mafia. The job, whose original mastermind was murdered, clearly requires the sponsorship of a richer, more established criminal than Croker. He turns to the auspices of the eccentric Mr. Bridger (Noël Coward in his last film role), a suave, regal, incarcerated English crime boss with a peculiar fascination with the Queen. Bridger provides Croker with a quirky group of Britain's most infamous computer hackers (including a lascivious Benny Hill), bank robbers, hijackers, and getaway drivers -- the ex-con is soon well on his way to relieving Italy of the gold. ~ Aubry Anne D'Arminio, All Movie Guide

Peter Sellers stars, as the tagline states, "as that cunning matador who flees from the bulls so that he may chase the chicks!" Juan Bautista (Peter Sellers) is an inept matador who wants to be a singer. Francisco Carbonell (Adolfo Celi), the owner of a local Barcelona night spot, offers Juan a singing contract for a week --the only stipulation being that he has three days to seduce Olimpia Segura (Britt Ekland), the "most desirable woman in Barcelona." The bumbling matador tries a series of half-baked lovemaking techniques that, amazingly, get Olimpia to come around. But when Olimpia discovers that Juan wanted to seduce her merely to get a singing job, Juan finds that avoiding charging bulls is a much safer vocation than dealing with an irate Olimpia. ~ Paul Brenner, All Movie Guide

In this tuneful Italian holiday film a scroogy old miser decides to evict Santa Clause and Company from the North Pole because the dead-beats are behind on their rent. Children from around the world rally 'round the Jolly One and send him their pennies and save the day. Songs include: "Christmas Is Coming," "The Christmas That Almost Wasn't," "Hustle Bustle," "I'm Bad," "Kids Get All the Breaks," "The Name of the Song Is Prune," "Nothing to Do But Wait," "Santa Claus (Round)," "Time for Christmas," "What Are Children Like When They're Fast Asleep?" and "Why Can't Every Day Be Christmas?" ~ Sandra Brennan, All Movie Guide

Originally released in Great Britain as The Battle of the Villa Fiorita, this film is not a wartime epic but a cozy domestic drama. Maureen O'Hara plays an American woman who leaves British husband Richard Todd, taking their two children along. While vacationing on the Riviera, Maureen falls in love with Rosanno Brazzi, a widowed Italian concert pianist who also has children. None of the kids are keen on this continental romance, and do their best to break up the affair. One of the children is played by pre-teen Olivia Hussey, several years before her star turn in Zefferelli's Romeo and Juliet. Consistently lovely to look at, Affair at Villa Fiorita is not for those who prefer surprises in their film fare. ~ Hal Erickson, All Movie Guide

An Italian count is willing to do almost anything to win the hand of a beautiful woman in this drama. The trouble begins after he invites the woman, an art appraiser, and her partner to his villa on the Italian Riviera to examine some art treasures. The count immediately tries to seduce the woman, but she is not interested in him. To convince her to marry her, he then tries to tell her that his crazy wife is really his daughter. A murder ensues. ~ Sandra Brennan, All Movie Guide

Redhead, originally released in Germany as Die Rote, is adapted from a novel by Alfred Andersch. Ruth Leuwerik is the carrot-topped protagonist, at wit's end over her disappointing marriage and disillusioning secondary romance. She drops both husband and lover to head to Venice, hoping there to land a job and to enjoy a more fulfilling life. Each person with whom Leuwerik comes in contact is also running away from himself or herself; so much for Venice. After being victimized by deceivers and exploited by self-absorbed martyrs, Leuwerik wearily returns home. Rosanno Brazzi, Giorgio Albertazzi and Gert Froebe costar in Redhead. ~ Hal Erickson, All Movie Guide

Delmer Daves directs this cross between a travelog and a routine romantic drama set in Italy. The story begins when beautiful librarian Prudence (a misnomer, played by Suzanne Pleshette) decides to take off for Italy. She works in a women's college and was brought up short for recommending a racy book to one of the students. In a huff, she opts to go to the land of opera and find out if Italian men are as romantic as legend maintains. Once there, she runs into Roberto (Rossano Brazzi), who is likely to prove the legend true, and meets Don (Troy Donahue), an American running away from the love of his life, Lyda (Angie Dickinson). Between the glamour and the setting, Daves has geared this fluffy tale for the more innocent-minded teen set. ~ Eleanor Mannikka, All Movie Guide

In this sword and sandal epic set during Rome's attack on ancient Greece, both the Roman and Carthaginian armies are battling for possession of Syracuse. Brave Archimedes is assigned to head the defense of the city. He is temporarily distracted after his lover gets pregnant and her evil step-brother takes her to Roman soldiers. The experience affects her so deeply that she loses her memory. She then marries a Roman dignitary. Archimedes also marries and many years pass. Now the Greek hero must head for Rome to form a new alliance. There he sees his long-lost love. She sees him too and instantly regains her memory, but to spare her son unnecessary grief, she does not tell her son. Later the Romans renege and again attack Syracuse. This time, the Roman fleet is destroyed and so are the respective spouses of the star-crossed lovers. Finally freed of their constraints the two marry, but for the sake of their son, they still restrain from telling him the truth about his father. ~ Sandra Brennan, All Movie Guide

Producer/director Joshua Logan's long-awaited filmization of Rodgers & Hammerstein's Pulitzer Prize winning musical South Pacific was not the classic that everyone hoped it would be, principally because of some curious creative choices made by the production personnel. Adapted from James A. Michener's best-selling novel Tales of the South Pacific, the film stars Mitzi Gaynor as WAVE officer Nellie Forbush, who while stationed overseas during World War II falls in love with wealthy French planter Emile De Becque (Rosanno Brazzi). The Navy would like DeBecque to help them in a reconnaissance mission against the Japanese, but he refuses; having run away from the outside world after killing a man in his home town, De Becque sees no reason to become involved in a war which he did not start and in which he has no interest. But when Nellie, her inbred bigotry aroused when she discovers that Emile has two mixed-race children, refuses his proposal of marriage, DeBecque, having nothing to lose, agrees to go on the mission. His partner in this venture is Lt. Joseph Cable (John Kerr), who like Nellie is a victim of prejudicial feelings; Cable has previously thrown away a chance at lasting happiness by refusing to marry Liat (France Nuyen), the dark-skinned daughter of Tokinese trader Bloody Mary (Juanita Hall). When Cable is killed and DeBecque is seemingly lost in battle, Nellie, realizing the stupidity of her racism, prays for Emile's safe return. The dramatic elements of South Pacific are offset by the low-comedy antics of "Big Dealer" seabee Luther Billis (Ray Walston). Outside of Walston and Hall, both repeating their stage characterizations, South Pacific suffers from a largely noncharismatic cast. Mitzi Gaynor never rises above cuteness in the difficult role of Nellie Forbush, while Rosanno Brazzi (whose singing is dubbed by Giorgio Tozzi) seems to be striking poses rather than acting as Emile DeBecque. These casting deficiencies might have been ignored had not South Pacific been laboring under an additional handicap: director Joshua Logan's decision to use colored filters in several key scenes, representing the emotions experienced by the actors. The constant color shift is more unsettling than attractive, drawing attention to Logan's technique and thereby taking the audience "out" of the picture. With all this going against it, however, South Pacific has much to be treasured. For one thing, all of Rodgers & Hammerstein's immortal songs--"Some Enchanted Evening," "Bali H'ai," "There is Nothing Like a Dame," "I'm in Love With a Wonderful Guy," "Younger Than Springtime" etc.--are retained, and, as a bonus, a song cut from the original stage production, "My Girl Back Home," is revived herein. In addition, the film is a bonanza for movie buffs who enjoy playing "spot the bit player:" among the supporting-cast ranks are Tom McLaughlin, Ron Ely, Doug McClure, John Gabriel and James Stacy (rumors persist that Joan Fontaine shows up unbilled as a nurse, but we've yet to spot her). Though artistically disappointing, South Pacific ended up one of the biggest box-office gold mines of the 1950s. ~ Hal Erickson, All Movie Guide

Produced and directed by Henry Hathaway, The Legend of the Lost boasted the one-time-only teaming of John Wayne and Sophia Loren. Location-filmed in the Sahara desert, the story concerns the efforts of Wayne, Loren and Rosanno Brazzi to locate a missing treasure in the ruins of ancient Timgrad. Once found, the treasure is stolen by Brazzi, who leaves his partners in the middle of nowhere to die like rats. Fortunately, Wayne and Loren survive the ordeal, though Brazzi is not so lucky. Of the three stars, Brazzi delivers the most interesting performance, while Wayne and Loren seem ill-at-ease throughout. The best aspect of this sometimes ponderous effort is the color cinematography of the great Jack Cardiff. ~ Hal Erickson, All Movie Guide

Story of Esther Costello is the cinematic equivalent of eating a whole box of potato chips; you may hate yourself, but you'll relish every bite in the meantime. Joan Crawford plays a well-meaning woman who throws herself whole-hog into every charitable cause that comes down the pike. She is married to Rossano Brazzi, who is as greedy as Crawford is generous. Crawford rescues blind deaf-mute Heather Sears from her squalid surroundings, leading to her creation of a charity campaign on behalf of handicapped children, with Sears as "poster child." Brazzi, in league with crooked promoter Ron Randell, seizes upon this as a means to line his own pocket--and one night, he decides to assert his manhood with the helpless Sears. The shock of this assault causes the girl to instantly regain her sight and hearing! Crawford reacts to her husband's outrage by driving her car into a tree, snuffing out Brazzi's life as well as her own. Sears--or Esther Costello, for she is indeed the title character--finds happiness with an honest young reporter (Lee Patterson). Set in America and released by an American company (Columbia), Story of Esther Costello was nonetheless filmed in its entirety in England. ~ Hal Erickson, All Movie Guide

Star Dennis O'Keefe doubles as director in Angela. O'Keefe plays a GI who falls in love with Mara Lane in postwar Rome. Lane kills her boss, forcing her to flee the law. O'Keefe goes along for the ride so that he won't be knocked off by Lane's husband. Just when it looks as though O'Keefe is willing to go to any lengths to protect the woman he loves, he discovers that she frankly isn't worth it. Filmed on location, Angela lacks the pacing and punch necessary to sustain audience empathy with the two characters; still, O'Keefe knows how to frame a scene and get the most out of his largely unknown cast. ~ Hal Erickson, All Movie Guide

Katharine Hepburn stars as Jane Hudson, an Ohio secretary on the verge of spinsterhood. Carefully saving her money, Jane takes an extended trip to Venice, half hoping to find the romance that has always eluded her. Luck of luck, she meets handsome Renato Di Rossi (Rossano Brazzi), who sweeps her off her feet. Jane's flight on Cloud Nine comes to a flaming crash when she learns that Renato is married and the father of a large family. Picking herself up and dusting herself off, Jane is determined to keep her romance alive, and hang the consequences. She ultimately does what's best for everyone, and heads back to Ohio, wistfully clutching to the memory of the happiest summer of life. Gorgeously color-photographed on location by Jack Hildyard, Summertime was an adaptation of (and vast improvement upon) Arthur Laurents' play The Time of the Cuckoo. ~ Hal Erickson, All Movie Guide