Gary Brandner Movies

1991  
R  
Part of a pointless string of sequels ostensibly based on the werewolf novels by Gary Brandner, this entry deserves credit for taking the creatively dead series in an interesting new direction. Set in the barren rural town of Canton Bluff, the story centers on the enigmatic figure of Ian (Brendan Hughes), a likeable but severely solitary drifter who takes a job making repairs to the local church. Eschewing human contact, Ian seems unnaturally leery of the impending full moon, a fear shared by a man named Harker (Bruce Payne), the owner of a sleazy traveling carnival. Aware that Ian is a genuine werewolf, Harker is able to blackmail the young man into working for his carnival, where he is put on display with other human oddities. To further complicate matters, Harker is revealed to have a monstrous secret of his own -- he's a vampire, who sees Ian's condition as a cover for preying on the blood of local folk. In a nod to Tod Browning's Freaks, Ian joins forces with the other carnival freaks to destroy their evil master. Director Hope Perello's taut, suspenseful debut makes clever references to classic horror films without lapsing into parody or imitation, and the production has a classy look and feel, helping to shrug off the unpleasant stigma normally associated with the otherwise mediocre Howling franchise. ~ Cavett Binion, All Movie Guide

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Starring:
Brendan HughesBruce Payne, (more)
1989  
 
From the Dead of Night has an acceptable two-hour premise; unfortunately, the producers saw fit to drag things out to four hours. Lindsay Wagner stars as an LA fashion designer who, when she nearly drowns, has an out-of-body experience. Haunted by this, Wagner seeks out a spiritualist (Rita Zohar). This weird but worthy seer suggests that Wagner saw what no living person can be permitted to see, and prophesies that six entities from "the other side" will try to drag Wagner back. The conclusion finds the plucky Ms. Wagner doing battle with resurrected corpses. From the Dead of Night was stretched out over two consecutive days, February 27 and 28, 1989. ~ Hal Erickson, All Movie Guide

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1989  
R  
Basically another variation of Ten Little Indians with a werewolf thrown in for good measure, this plodding sequel efers less to previous Howling installments than to the source novels by Gary Brandner. The stage is set at an ominous Romanian castle, where the ancestors of a legendary werewolf bloodline committed suicide in the 15th century to rid the world of their monstrous kind. Apparently they did not entirely succeed, since five hundred years later a diverse group of guests is invited to the castle by its resident Count (Philip Davis), who plans to reveal the identity of a lycanthrope in their midst: the descendant of the one werewolf who got away. Filmed on location in Budapest, this film benefits from its ominous Gothic setting and an interesting score, but there is little else to recommend it; the mystery monster is onscreen for barely more than five minutes, making one wonder whether the film was originally intended to be a Howling sequel at all. ~ Cavett Binion, All Movie Guide

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Starring:
Philip DavisVictoria Catlin, (more)
1989  
R  
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Director Armand Mastroianni's last horror feature before building a more solid reputation as a director of TV movies and series, Cameron's Closet tells the tale of a bright young boy with innate telekinetic powers whose gifts were exploited by his father (Tab Hunter) in a series of controlled experiments. After his father's grisly death, Cameron's powers seem to have abated -- but as any horror aficionado can predict, they have increased exponentially, opening a gateway in the title walk-in for a powerful demon to emerge. The usual band of paranormal experts (including the oddly-cast Chuck McCann) arrive to do battle with the closeted beast and are dealt with in the usual gory ways, until it becomes apparent that only Cameron himself is psychically equipped to deal with the demon one-on-one. What might have been a taut supernatural thriller with good performances is undone by its crude treatment of Carlo Rambaldi's makeup-effects: the lurking demon -- which at one point is merely pulled along on a dolly -- ends up resembling a guy in a dime-store Batman costume. ~ Cavett Binion, All Movie Guide

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Starring:
Cotter SmithMel Harris, (more)
1989  
 
The bottom of the direct-to-video barrel is full of nigh-unwatchable horror anthologies like this one, which features a pair of uninspiring stories -- about a serial killer and a suicidal clown -- made for peanuts with somebody's old camcorder. As tolerant as genre fans tend to be with regard to low-budget horror, good conscience prevents any recommendation for even the most indulgent of horror fans. Ginger Lynn completists may want to give it a look on bargain rental night anyway, as the erstwhile porn queen introduces the stories. ~ Robert Firsching, All Movie Guide

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1988  
R  
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Shot in South Africa, this direct-to-video installment of the werewolf series continues that franchise's tradition of generating sequels light-years distant from the quality of Joe Dante's witty and frightening original. The fourth chapter even attempts to rewrite the original film's premise, which admittedly took grand liberties with the novel by Gary Brandner. The revamped tale involves successful author Marie (Romy Windsor), who visits the scenic woodland town of Drago to find respite from constant nightmare visions involving werewolves and a mysterious nun. Needless to say, her stay in the village does nothing to dispel the visions, which increase in frequency and seem to suggest strange portents of evil events to come... and a warning to get out of town before the next full moon. Director John Hough has yet to surpass his horror masterpiece The Legend of Hell House, and this deadly dull exercise is hardly a step in the right direction. ~ Cavett Binion, All Movie Guide

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Starring:
Romy WindsorMichael T. Weiss, (more)
1987  
PG13  
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Professor Harry Bechmeyer (Barry Otto) goes searching for a rare breed of werewolf/marsupial in this satirical horror comedy. With his sidekick Professor Sharpe (Ralph Cotterill), they find Jerboa (Imogen Annesley), and take her to Sydney to appear in a small role in a horror film. Soon members of her tribe disguised as nuns try and rescue the she-werewolf. Olga Gorki (Dasha Blahova) changes into a lupine monster as she pirouettes on the stage of the Sydney Opera House. The feature works as a parody of its two predecessors. ~ Dan Pavlides, All Movie Guide

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Starring:
Barry OttoImogen Annesley, (more)
1985  
R  
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The brother of a slain werewolf newscaster joins the battle against a lycanthropic femme fatale in this sequel to 1981's horror/humor update. Shortly after the events of the original The Howling, Ben White (Reb Brown) attends the funeral of his sister, journalist Karen White (played here by Hana Ludvikova and by Dee Wallace in the original). There, he meets both Jenny Templeton (Annie McEnroe), one of Karen's colleagues, and Stefan Crosscoe (Christopher Lee), a mysterious interloper who claims the slain reporter was a newscaster. Providing videotaped evidence of the transformation -- and turning up to destroy Karen as her undead body rises from the grave -- Crosscoe convinces Ben and Jenny to accompany him to Transylvania to battle Stirba (Sybil Danning), an immortal werewolf queen. Along the way, the do-gooders encounter Mariana (Marsha Hunt), another lusty werewolf babe, and her minion Erle (played by Fearless Vampire Killers veteran Ferdy Mayne). Arriving in the Balkans, Ben and company wander through an ethnic folk festival, unaware that Stirba is off in her castle having sex with other werewolves and plotting their downfall. Eventually, the adventurers do battle with Stirba in an assault that involves disguised dwarves, mutilated priests, supernatural parasites, and surprise revelations. Howling II is variously known as Howling II: Your Sister Is a Werewolf and Stirba the Werewolf Bitch. Director Philippe Mora, who previously helmed The Return of Captain Invincible, would return for Howling III: The Marsupials. ~ Brian J. Dillard, All Movie Guide

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Starring:
Christopher LeeAnnie McEnroe, (more)
1981  
R  
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This groundbreaking, darkly-comic horror film from director Joe Dante changed the look and feel of werewolf movies in ways light-years distant from Universal's horror classic The Wolf Man. The story begins with television reporter/anchor Karen White (Dee Wallace) taking part in a dangerous police operation intended to trap psychopath Eddie Quist (Robert Picardo). When confronted by Eddie face-to-face, she witnesses something horrifying enough to trigger selective amnesia. Plagued by a series of violent nightmares, Karen decides to admit herself to a posh recovery resort known only as "The Colony," run by her eccentric New Age therapist Dr. Wagner (Patrick MacNee), and brings along her husband Bill (Christopher Stone) for support. The night after they arrive, Karen and Bill are unnerved by eerie howling in the woods. Back in the city, Karen's coworkers Chris (Dennis Dugan) and Terry (Belinda Balaski) have been investigating Eddie's background after discovering that his body has disappeared from the morgue. Sifting through Eddie's possessions, they find a strange collection of artwork depicting wolf-like creatures, and decide to consult with Walter Paisley (Dick Miller, of course), the owner of an occult bookshop, on werewolf lore. Though he claims not to believe in the stuff he's selling, Paisley nevertheless convinces Chris to purchase a handful of silver bullets... just in case. Back at the colony, Dr. Wagner has organized a hunting party after hearing Karen's account of the nocturnal howling, but the men find nothing but a rabbit, which Bill is told to bring to the cabin of the sultry Marsha (Elisabeth Brooks) to prepare for dinner. After resisting Marsha's less-than-subtle sexual overtures, Bill is attacked by a wolf while returning to his cabin. The following moonlit night, the sleepless Bill wanders outside to find Marsha waiting and the two make love by the campfire, their bodies undergoing a frightening transformation. Just as Karen is beginning to suspect that her husband is hiding a secret far more threatening than marital infidelity, Chris and Terry have come to realize -- too late, in Terry's case -- that Eddie Quist is not only still alive, but not quite human... and he knows he's being followed. Chris arrives at the colony too late to save Terry, but manages to find Karen just as the colony's residents -- all of whom are werewolves, including Dr. Wagner -- are assembling to decide her fate. Dante fills his film with heartfelt homages to The Wolf Man and other classic horror movies, as well as a few clever visual puns and in-jokes from his tenure with Roger Corman, but never strays from the path to genuine horror, particularly when Rob Bottin's chilling monsters are onscreen. ~ Cavett Binion, All Movie Guide

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Starring:
Dee WallacePatrick Macnee, (more)

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