Paulo Branco Movies

Gerardo Herrero's political drama El Misterio Galíndez (The Galindez File) uses the real life 1956 disappearance of Spanish political refugee Jesus de Galindez as its subject. Saffron Burrows plays a privileged college girl named Muriel who travels to Spain in order to finish her doctoral thesis about political rebellion; Galindez is the main focus of her work. With the help of a pair of locals (Guillermo Toledo and Txema Blasco), she learns that Galindez was publicly critical of the Dominican Republic's political leaders who may have been responsible for his death. Muriel eventually travels to Miami in order to uncover the truth. She is opposed throughout her search by an FBI agent (Harvey Keitel) who wants keep the truth hidden as it would reveal unpleasant facts about the United States' role in his disappearance. The film was screened at the 2003 Toronto Film Festival. ~ Perry Seibert, Rovi

This delicate and haunting fable from elder statesman of Portuguese filmmaking Manoel de Oliveira has been intepreted in many quarters as the director's response to the violence and brutality of September 11th; it also functions a poignant reflection on the birth and death of civilization. The film begins aboard a cruise ship that departs from Lisbon and is heading to Bombay, India, with many stops along the way. On board are Rosa Maria (Leonor Silveira) and daughter Maria Joana (Filipa de Almedia). As the tourists travel from county to country, Rosa Maria talks to her daughter about the myths and culture of various civilizations; stops include the Sphinx, the Acropolis, Istanbul and many other locales. Tourists board in several locations - many played by celebrities including Irene Papas, Catherine Deneuve, and Stefania Sandrelli - and they engage in lengthy, cultured, super-intellectual discussions with one another aboard the boat, mostly about the birth of civilization and the violence that must accompany it. In these discussions, each individual speaks to the others in his or her native language, sans any difficulty of understanding from the others. Then, a darker truth about the nature of the ship itself emerges, and sets the film up for an unexpectedly horrifying ending. A Talking Picture was shown in competition at the 2003 Venice Film Festival. ~ Andrea LeVasseur, Rovi

An attractive widow finds her attentions turning to her teenage son in a troubling manner in this drama from France. Pierre (Louis Garrel) is a moody 17-year-old who is spending the summer with his parents at their summer home in the Canary Islands. While Pierre isn't especially close to his father (Philippe Duclos), he enjoys a warm relationship with his mother, Hélène (Isabelle Huppert) -- almost too warm, as her affection for him subtly strains the boundaries of typical familial behavior. When Pierre's father dies unexpectedly in an auto accident, his emotional dependence on Hélène grows, while her desire for her son does the same. Though Pierre finds himself attracted to several girls his own age summering on the island, he finds it increasingly difficult to reconcile his curiosity with the growing sexual tension between mother and son. ~ Mark Deming, Rovi

An expectant, ultra-modern mother living in 1913 Barcelona is thrust into a complex and labyrinthine mystery when her psychiatrist husband goes missing and she is forced to seek the help of her conservative brother-in-law in locating her missing spouse in director Joaquin Oristrell's Freudian period comedy. Alma is a modern woman of very modern means; her father Spain's foremost neurosurgeon and her husband, Leon, a devoted follower of controversial Austrian psychiatrist Sigmund Freud. After arriving home one summer afternoon to find her tearful husband mumbling incoherent words of woe, Alma's life is turned upside down when Leon suddenly disappears. With no one else to turn to than her lovelorn brother-in-law Salvador -- likewise a psychiatrist who secretly pines for Alma despite being married to her sister -- Alma's discovery of a strange manuscript on hysteria and female sexuality proves the launching point for a tireless quest to locate her missing husband and discover the true meaning behind his inexplicable disappearance. ~ Jason Buchanan, Rovi

A man who set out for Africa to fight in the name of Christ becomes an immortal legend when he disappears after confronting a Muslim sultan in director Manoel de Oliveira's adaptation of a play by Jose Regio. In the late 1570s, Dom Sebastiao (Ricardo Trepa) longed to establish a Portuguese empire, but in 1578 he vanished without a trace. In the years that follow Sebastiao's story evolves into the myth of the hidden king. Years later, in Portugal, Sebastiao makes a messianic return as a king on a white steed, with a mission to save humanity from an all-consuming darkness. Determined to extend his empire beyond the borders of Africa, Sebastiao subsequently leaves the country in order to realize his divine vision of a Christian Portuguese empire. ~ Jason Buchanan, Rovi

Director Chantal Akerman helmed this offbeat comedy about a mother and daughter who find themselves living together again for the first time in many years. Still reeling emotionally from the recent death of her husband, Catherine (Aurore Clément) has chosen to leave her old home and move in with her grown daughter, Charlotte (Sylvie Testud). While Charlotte is sympathetic, she's something less than enthusiastic; her mother's mood swings and the clutter of her collected belongings are cramping her home and her style, and when Catherine decides to revive her career as a piano teacher, the constant parade of youngsters bludgeoning the keyboard makes it all but impossible for Charlotte to complete her latest writing project. Catherine and Charlotte decide to look for more spacious living quarters, while Charlotte is also in search of her own office space. As a steady stream of prospective tenants check out their home, Charlotte makes friends with a pregnant woman looking for a new flat (Natacha Régnier), while her search for a space of her own brings Charlotte a relationship with a like-minded realtor (Jean-Pierre Marielle) and an unlikely collaborator in Michelle (Elsa Zylberstein), a poet who enjoys tinkering with Charlotte's prose. ~ Mark Deming, Rovi

The complex relationship between master and servant is explored in director João Botelho's adaptation of Denis Diderot's popular novel Jacques le Fataliste et Son Maître. As Tiago (Rogério Samora) drives his master (André Gomes) through the Portuguese countryside to an unspecified destination, the traveling pair embark on a series of highly philosophical discussions. Flowing with tales of his life in the military and previous sexual escapades, Tiago trades a series of tales with his rapt passenger, including the story of a vengeful spurned lover who plots revenge on the nobleman who rejected her by transforming a prostitute into a society lady and convincing him to marry the tainted bride. ~ Jason Buchanan, Rovi