Carlo Ludovico Bragaglia Movies
Over his over 40-year-long career as a filmmaker,
Carlo Lucovico Bragaglia is most fondly remembered in his native Italy for a string of popular comedies starring
Toto, including
Toto le Moko (1949) and
Le Sei Mogli di Barbalu (1950), but he also directed films of other genres including dramas, melodramas, and sword and sandal adventures. Some of his most well-known films include
Casanova Farebbe Cosi (1942), La Vita e Bella (1943), and
I Quattro Moschettieri (1963). Bragaglia was also known as a theatrical director. Having lived to the age of 103, he was a famed storyteller who provided a wealth of information and anecdotes concerning the early days of Italian cinema.
Before entering the film industry, Bragaglia fought in WWI. He was seriously wounded during battle and left in a morgue to die. When he survived, he received a medal. Upon his discharge, Bragaglia and his brother Arturo Bragaglia teamed up to experiment with photography. He later connected with Anton Giulio, another brother, to found the Casa d'arte Bragaglio. The establishment quickly became a hip spot for Rome artists. Bragaglio next founded the Teatro degli Indipendenti and launched his theatrical career. As with his earlier photography, he was primarily interested in the avant-garde. Bragaglia's father was the head of Cines Studios and in 1930, Bragaglia joined him and began learning all aspects of the filmmaking process. He made his directorial bow with a few documentaries and did not make his first feature film, the comedy
O la Borsa o la Vita, until 1933. When Bragaglia turned 100 in 1994, that year's Locarno Film Festival honored him with a retrospective of his best films. After leaving films, Bragaglia became a published poet. In 1996, he penned his memoirs, Bragaglia Raconta Bragaglia. He died in a Rome Hospital after breaking a hip. ~ Sandra Brennan, Rovi

- 1962
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An Italian village is the site for a con game by 4 criminals who pretend to be friars. ~ Rovi
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- 1961
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Even within its category of stock sword-and-sandal films from Italy, this is a weak entry set in the Middle Ages and featuring the adventures of the Crusaders as they capture Jerusalem. Lacking panoramas of battles any larger than a handful of people at a time, some of the oomph is necessarily missing. The story itself is based on the growing love between Tancrid (Francisco Rabal), one of the leading Crusaders, and Glorinda (Sylvia Koscina), the daughter of the king of Persia. Glorinda does not sit home and embroider, she dons armor and goes into battle with the best of them. This may not turn out to be such a good idea, since Tancrid will be among the many enemies she may encounter in her iron-clad persona. ~ Eleanor Mannikka, Rovi
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- Starring:
- Francisco Rabal, Sylva Koscina, (more)

- 1961
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In this fantasy adventure Ursus, the mighty son of Hercules, and his fearsome pride of lions take on an army of terrible barbarians. ~ Sandra Brennan, Rovi
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- Starring:
- Ed Fury

- 1961
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This French/Italian sword 'n' sandal effort is set in the Rome of 476 BC. The Eternal City is threatened with invasion from the Etruscans, with soldier-of-fortune Louis Jourdan in the vanguard. When offered a truce, Jourdan demands that the Romans offer hostages as a sign of good faith. He is especially interested in making the acquaintance of Sylvia Sims, the militaristic leader of a group of female warriors (the "Amazons" of the title). As the film hastens to its conclusion, we learn that Jourdan and Syms are the only honorable people around; with plenty of treachery and back-stabbing in both the Roman and Estrucan camps, it's a wonder if anyone will be left standing for the final battle scenes. ~ Hal Erickson, Rovi
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- Starring:
- Louis Jourdan, Nicole Courcel, (more)

- 1960
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- 1960
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This was one of the earlier movies to follow from Italy in the wake of the success of Hercules starring Steve Reeves, and marked an attempt to add some star power to the notion of a mucleman movie, not so much in the title role as the female lead. Mickey Hargitay, a body-builder, plays the Greek hero, while his then-wife, Jayne Mansfield, then one of Hollywood's reigning sex queens, has two roles in the film. Hercules learns of the murder of his wife and seeks vengeance, only to learn that the kingdom from which the murderers came is besieged from within, by a usurper to the throne. Jayne Mansfield portrays the king's daughter, who sympathizes with Hercules and opposes the usurper; she and Hercules are parted when he is wounded battling a three-headed dragon and given aid by a group of Amazons, who bring him to their queen (also played by Mansfield). She proceeds to woo the strongman, not knowing that she has a unique way of terminating her relationships -- transforming her lovers into trees. Hercules manages to escape with his life while the queen is done in by one of her victims. He eventually returns to free the princess and her kingdom. ~ Bruce Eder, Rovi
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- Starring:
- Mickey Hargitay

- 1960
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Yet another in a spate of historical costume dramas by Italian filmmakers, Hannibal tells the story of the famous general's battles and his ill-advised march across the snowy Alps. To make life that much more interesting, violence, gore, sex, love, and personal issues are thrown in for good measure. The great general is played by Victor Mature and his main love interest Sylvia by Rita Gam. As Hannibal's successes in battle increase, it seems like he is fated for ultimate victory, but his own failings are his undoing in the end. Unevenly paced and unconvincing in parts, this offering by director Carlo Ludovico Bragaglia (best-known for the "Toto" series of comedies) is geared more for audiences out for spectacle and entranced by history, no matter how it is interpreted. ~ Eleanor Mannikka, Rovi
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- Starring:
- Victor Mature, Rita Gam, (more)

- 1958
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- 1956
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In this Biblical epic, a brave Chaldean rebel takes on his evil nemesis, a cruel Assyrian king. En route to his fateful meeting, the rebel hides in the humble hut of a luscious peasant girl. She is found by the king's passing troops; when the king sees the lass he is immediately smitten and makes her a part of his court. Unfortunately, when the king is suddenly poisoned, she is blamed. Later it is revealed that the real killer is the king's corrupt advisor who wants the kingdom for himself. Meanwhile, the rebel continues to fight his way to the palace so he can liberate the people and save the girl. ~ Sandra Brennan, Rovi
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- Starring:
- Rhonda Fleming, Ricardo Montalban, (more)

- 1955
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After a woman is dumped, she schemes to ruin her ex-lover's imminent marriage. ~ Rovi
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- 1953
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- 1951
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- 1950
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- 1950
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Filmed in 1945, the Italian My Widow and I made it to the U.S. five years later. Two of Italy's top box-office draws, Vittorio de Sica and Isa Miranda, head the cast. De Sica plays Adriano Lari, who has been missing for so long that he is presumed dead. Returning home, Lari poses as his own brother in order to claim a huge insurance policy. But when his "widow" Maria (Miranda) begins responding to the advances of Signor Gugliemi (Gino Cervi), Lari has second thoughts about hiding his true identity. My Widow and I may be a one-joke comedy, but the joke is never played beyond his worth. ~ Hal Erickson, Rovi
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- Starring:
- Vittorio De Sica, Isa Miranda, (more)

- 1950
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The Voice of Love is primarily a showcase for the splendid singing of Italian musical favorite Gino Bechi. Sagaciously, Bechi is cast as a professional singer who loves Countess Luisa Diana (Annette Bach). He carries on a courtship by telephone, as logical a means as any to have the star burst into song at a moment's notice. In true operetta fashion, the story occasionally shifts to the backstairs romance between Bechi's butler (Carlo Campanini) and the countess' maid (Laura Gore). The fun really begins when circumstances dictate that the singer and countess impersonate their respective servants. ~ Hal Erickson, Rovi
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- Starring:
- Gino Bechi, Annette Bach, (more)

- 1950
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- 1950
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- 1949
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Toto, the brilliant Italian comic actor, frequently appeared in parodies of previous movie hits. Toto le Moko is a lampoon of Jean Gabin's Pepe le Moko, and as such plays best if one is familiar with the Gabin picture. Toto plays the cousin of notorious Pepe le Moko, leader of all illegal activities in the Casbah. When Pepe disappears, Toto is obliged to take his place. Through a combination of a magic potion and sheer dumb luck, Our Hero manages to keep himself alive, and also finds time to dally with several desirable lovelies. But when Pepe returns, there's you-know-what to pay. ~ Hal Erickson, Rovi
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- Starring:
- Totò, Gianna Maria Canale, (more)

- 1948
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In this musical, a renowned tenor meets a lovely woman at a British railway station. When the woman's dog gets in a fight, he saves it. Unfortunately this causes them to miss their train. Later, the tenor discovers that his suitcases by been stolen. The thief, a tramp, is then mistaken for the singer and taken to a Roman studio. Meanwhile, the tenor and the woman must somehow earn enough money to eat supper before the next train arrives. They do it by singing. Later they are arrested for passing a counterfeit bank note. Fortunately they are released in time to make it to Rome and find the tramp. ~ Sandra Brennan, Rovi
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- Starring:
- Nino Martini, Patricia Roc, (more)

- 1947
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- 1947
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Originally Pazzi di Giola, this romantic comedy was written by Vittorio De Sica, who also plays the leading role of Count Valli. The lightweight story concerns the misadventures of a honeymooning couple (De Sica and Marie Denis) during a motor trip through Southern Italy. Unbeknownst to the bride, her husband is a member of the nobility, a fact that leads to any number of complications and misunderstandings. The supporting characters are relegated to comedy relief, with many of their funnier lines compromised by the unimaginative English-language subtitles. The film's highlight is a dream sequence, replete with a song rendition by the ubiquitous Mr. De Sica. ~ Hal Erickson, Rovi
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- Starring:
- Umberto Melnati

- 1946
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- 1946
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- 1943
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- 1942
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