William Bowers Movies

The second of two attempts to revive the 1960s TV series The Wild, Wild West (the first was Wild Wild West Revisited), More Wild, Wild West was telecast October 7, 1980. Robert Conrad is back as 19th- century secret-agent James West, while Ross Martin returns to the role of "man of many faces" Artemus Gordon. The principal heavy, played with tongue firmly in cheek by Jonathan Winters, is a mad scientist who plans to create an army of invisible supermen. Victor Buono, who was special guest villain on the very first Wild Wild West episode in 1965, plays a supporting role; carried over from Wild Wild West revisited are Harry Morgan and Rene Auberjonois. Several networks evinced interest in More Wild, Wild West, but Ross Martin's death in 1981 ended all plans for a weekly series. ~ Hal Erickson, All Movie Guide

Right after wrapping up her role as Emily on The Bob Newhart Show, Suzanne Pleshette began her reign as "queen of the TV pilot films" with Kate Bliss and the Ticker Tape Kid. Kate Bliss (Pleshette) is a private investigator in the 19th-century West, setting up her shingle in a tough frontier town. The Ticker Tape Kid (Don Meredith) is a onetime stockbroker who has become a Robin Hood-type outlaw. Kate is hired to protect a prissy British land baron (Tony Randall) from the Kid, but soon her loyalties begin to waver. Kate Bliss and the Ticker Tape Kid didn't make it as a series, but allowed Suzanne Pleshette a refreshing change of pace from her usual urban roles. ~ Hal Erickson, All Movie Guide

This comedy western is the failed pilot for a TV series based on the 1971 feature film Skin Game. Like the original, this tells the story of two bungling con artists, one white the other black, who ride around trying to collect an outlaw bounty and outsmart slave traders. ~ Sandra Brennan, All Movie Guide

The movie opens as two outlaws are just being rescued from being hung as thieves by an old friend. They go their separate ways, but keep running into each other across the country on their way to California as they alternately are on the good and bad side of the law. Their rescuer becomes the infamous "Black Bandit," the nemesis of the Wells Fargo line, they work for the line and have to protect it. They decide to rob the line.... ad infinitum. Good working relationship between the actors makes this a much more comfortable movie than it might have been with the hackneyed plot line. ~ Tana Hobart, All Movie Guide

Union Colonel Brackenby (Melvyn Douglas) and his second-in-command, Captain Heath (Glenn Ford), attempt to command a rather inept cavalry unit during the Civil War. General Willoughby (Jim Backus) heads them out West on assignment rather than allowing them to foul things up where it counts. They soon get involved with Martha Lou, a confederate spy (Stella Stevens) posing as a prostitute, and her boss, Jenny (Joan Blondell) as well as a group of renegades and an Indian chief. In spite of their ridiculous slapstick antics, they manage to carry out their mission. This comedy was based on Company of Cowards, a novel by Jack Schaefer. ~ Kristie Hassen, All Movie Guide

It's late Thursday night at the local paper and a savvy city editor, a world-weary but upright writer, and a beleagured copy boy prepare to put the next day's paper to bed. Suddenly two stories come over the wire. In the first, a young girl has gotten lost in the city's storm drains, and her life is endangered when a terrible storm erupts and the sewers begin to fill with runoff. In the second, the grandson of the writer is among a team of missing Air Force pilots who were attempting to set a record flying from Hawaii to Washington, DC. This suspenseful, newsroom drama chronicles the ways in which these situations affect the workers as they try to get the paper out on time. ~ Sandra Brennan, All Movie Guide

Although reformed and a town marshal Jake Wade (Robert Taylor) has one thing more to do before he can settle down and marry Peggy Carter (Patricia Owens): spring former comrade-in-arms Clint Hollister (Richard Widmark) from jail. Clint had done the same for Jake way back and the latter now considers the score settled. But Clint wants the loot from the gang's final heist, which the reformed Wade had buried before leaving for good, and to make sure that the marshal doesn't lead everyone on a wild goose chase, he brings Peggy along as leverage. An Indian raid complicates matters but all scores are settled in the end in this fine western originally lensed in Cinemascope. ~ Hans J. Wollstein, All Movie Guide

The Depression-New Deal subtext of the original 1936 My Man Godfrey was understandably dispensed with in this so-so 1957 remake. David Niven steps into the old William Powell role as hobo-turned-butler Godfrey, while June Allyson does her best in the Carole Lombard part as Irene Bullock, the spoiled, impulsive heiress who brings Godfrey into her zany household. The remake follows the original with reasonable fidelity so far as the basics are concerned, with Godfrey, a wealthy lawyer who dropped out of society after an unhappy romance, rescuing the screwball Bullock family from bankruptcy and self-destruction simply by applying a soupcon of common sense. The supporting cast is able, though not as "perfect" for their roles as their 1936 counterparts: the most interesting bit of casting is Jay Robinson, who rose to fame as Caligula in The Robe, as the parasitic "protégé" originally portrayed by Mischa Auer. In keeping with the custom of the times, My Man Godfrey is fitted out with an opening theme song, written by Peggy Lee and Sonny Burke, and performed by Sarah Vaughan. ~ Hal Erickson, All Movie Guide

In this film noir, five college students laughingly devise a perfect plan for robbing a casino in Reno. At first they do it just to pass the time, but one of them is deeply in debt and becoming increasingly distraught about it. He successfully cajoles his peers into carrying through with their plans. ~ Sandra Brennan, All Movie Guide

Actor Dick Powell made an impressive film debut with the taut atomic-age suspenser Split Second. Convicts Stephen McNally, Paul Kelly and Frank DeKova escape to a ghost town in the Nevada desert. Only it isn't exactly a ghost town, but a "dummy village" constructed for the purpose of A-bomb testing. The criminals hold several hostages, including reporter Keith Andes, nightclub singer Jan Sterling, selfish socialite Alexis Smith, her doctor-husband Richard Egan and her newest boyfriend Robert Paige. Andes suspects that the deserted town is at Ground Zero of the latest bomb test, but he can't convince the convicts until it's almost too late. The best and most horrifying sequence occurs near the end, when the criminals, accompanied by the duplicitous Ms. Smith, discover that they're driving towards the A-bomb target instead of away from it. Novelist Irving Wallace collaborated on the script of Split Second with Chester Erskine and William Bowers. ~ Hal Erickson, All Movie Guide

Assignment - Paris is based on a serialized Saturday Evening Post yarn by Paul and Pauline Gallico. The film stars Dana Andrews as reporter Jimmy Race, assigned to the Paris bureau of the New York Herald Tribune. Race makes the acquaintance of French journalist Jeanne Moray (Marta Toren), who is forced to suppress a white-hot news story about an impending Iron Curtain political conspiracy because she lacks proof. At great risk to himself, Race heads to Budapest to ferret out the facts, sometimes right under the noses of the communist "damage control" experts. George Sanders co-stars as editor Rick Strang, who dispatches Race on his fact-finding mission--partly because of his dedication to truth, and partly because he has designs on the gorgeous Jeanne himself. One of the more palatable anti-Red tracts of its era, Assignment - Paris makes excellent use of authentic Parisian and Hungarian locations. ~ Hal Erickson, All Movie Guide

Broderick Crawford plays Johnny Damico, a detective who suddenly finds himself up to his neck in trouble and his career on the line. Going home in the rain one night, he finds himself just a few feet from a shooting on a dark street, where the gunman claims to be a detective from another precinct, flashing a real badge -- and then slipping away. Damico discovers that the victim of the shooting was a witness who was to have appeared before a grand jury investigating waterfront crime, and that the same man who shot him also murdered the chief investigator on the case just a few hours earlier (which is where the badge came from). Damico could lose his job, but instead he's given the chance to redeem himself -- he's sent undercover and given a new identity as New Orleans tough-guy Tim Flynn, who insinuates himself onto the New York waterfront when he arrives on ship. He manages to hook up with union thug Joe Castro (Ernest Borgnine) and his strong-arm man Gunner (Neville Brand), who try to frame him for a murder that also gets a potential stoolie out of the way and that hooks Damico up with crooked police sergeant Bennion. After following one blind alley involving a federal agent (Richard Kiley) working as a longshoreman, Damico manages to get an intro to Blackie Clegg (Matt Crowley), the man working behind Castro, Gunner, et al, who's as cool and slippery as they come and as sadistic as he is vengeful. ~ Bruce Eder, All Movie Guide

In this classic noir-influenced Western, Gregory Peck stars as an aging gunslinger, sick of killing but haunted by punks wanting to make a name for themselves by slaying a legend. After being warned by his old friend the Sheriff, Peck decides to return East to see his estranged wife and the child he left behind. Knowing his death is an inevitability if he stays, Peck leaves but before he can reach his destination his past catches up with him in the form of a young outlaw. A showdown-cum-Greek tragedy follows and the film ends on a haunting, bleak note. Nominated for an Academy Award in Best Motion Picture Story, The Gunfighter was often imitated by other Westerns, most notably by High Noon, and its minimalist, morally difficult, and compelling tale made it one of the most important films produced in the 1950s. ~ Brian Whitener, All Movie Guide