Donald P. Borchers Movies

This low-budget entry into the sword-and-sorcery cycle of the early '80s wasn't successful during its initial release, but has steadily built a strong cult following over the years. The Beastmaster tells the story of Dar (Marc Singer), the son of a king who was stolen from his mother's womb by a witch under the command of vicious sorcerer Maax (Rip Torn). A poor villager saves Dar from being sacrificed and raises him as his own son, teaching Dar how to fight and witnessing the boy's ability to telepathically communicate with animals. Their happiness is destroyed when their village is attacked by the evil Jun horde, a race of beast-like warriors controlled by Maax. Dar vows revenge and journeys to his father's former kingdom to destroy Maax. Along the way, he falls in love with gorgeous slave girl Kiri (Tanya Roberts) and teams up with former royal guard Seth (John Amos). Dar also uses his powers to enlist the aid of an eagle, a panther and two adorable ferrets named Kodo and Podo. Together, Dar and his unlikely but brave team square off with Maax in an impressive two-part finale that involves a swordfight on the side of a pyramid and a showdown with the Jun horde near a flaming moat. The resulting film was full of action and eccentric surprises, but failed to make an impression at a box office already glutted with fantasy films. However, The Beastmaster eventually became a serious cult favorite thanks to home video and extensive exposure on cable (it is the second most aired movie on TBS after Gone With the Wind). This enduring popularity led to two sequels and a syndicated television series chronicling the further adventures of Dar. ~ Donald Guarisco, Rovi

This imaginative low-budget horror film from first-time director Frank LaLoggia tells the story of shy high-school student Andrew (Stefan Arngrim) who, in a nod to the Omen films, slowly begins to realize that his feelings of alienation stem from the fact that he is the Antichrist. This revelation is not lost on Andrew's elderly next-door neighbor and one of his fellow students -- both of whom are actually archangels-in-hiding who have been waiting for the inevitable moment when the boy's latent identity finally surfaces. Andrew's first demonstration of his powers allows him to avenge himself on his cruel classmates (in an imaginative scene, one macho poser is gifted with breasts), but soon he begins to undergo a more dramatic change. The climactic moment comes during an outdoor Passion play performance -- during which the actor portraying Jesus on-stage ends up crucified for real -- and archangels Gabriel and Michael arrive to fulfill their destiny in the final battle between good and evil. Considering the budgetary limitations, this is still an impressive debut, tackling its weighty metaphysical themes with style and intensity seldom seen in other teen-horror films and boasting a superb score blending punk, pop, and new wave tracks with haunting Gregorian chants. Apart from its artistic merit, Fear No Evil should stand as an inspiration to young filmmakers everywhere. Producer/director Frank LaLoggia managed to scrape up 150,000 dollars to finance the production and find distributors all on his own -- all at the tender age of 23 -- long before his success directing the more subdued supernatural opus Lady in White. ~ Cavett Binion, Rovi