Donald P. Borchers Movies

An teenage orphan and an intergalactic warrior join forces to prevent the world from being taken over by a ruthless race of aliens plotting to enslave mankind in this sci-fi action movie starring Mark Dacascos and Billy Zane. Rykker (Dacascos) is a benevolent alien who has become trapped on planet Earth. He's made it his mission to protect the human race from the evil Syndicate - an alien fifth column that is determined to claim Earth as their own. In the aftermath of a fierce highway battle between Rykker and a particularly troublesome gang of Syndicate agents, top Syndicate leader Saylon (Zane) arrives on Earth to construct the wormhole that will allow his warriors to launch a full-scale invasion. But in order to make that happen, ruthless Syndicate heavy Isis (Amelia Cook) must first gather the parts needed to assemble the portal. Upon hijacking a truck that is transporting the parts she needs, Isis makes the fatal mistake of murdering Julie (Emma Lahana)'s entire family. Now suddenly left alone in the world and determined to make Isis pay for her transgression, Julie teams with Rykker to take out the Syndicate at the highest level. But while Rykker doesn't believe that a human can help in the fight against such powerful otherworldly forces, Julie ultimately proves her worth by saving his life. Later, after a hair-raising cross country battle against Syndicate assassins, Rykker and Julie face off against Saylon and Isis in the volatile nuclear reactor where Saylon is constructing his interplanetary wormhole. ~ Jason Buchanan, Rovi

Kim Delaney stars as a woman on the rebound in this made-for-television movie. Delaney stars as Maggie, a woman who just broke up with her boyfriend. She gets involved with a handsome stranger named Roy (Jack Scalia), knowing little about his past. She gets more than she bargained for though, and she soon learns about Roy's darker side. ~ Bernadette McCallion, Rovi

A thwarted leprechaun exacts his bloody revenge in this darkly comic horror film. A thousand years ago in Ancient Erin, there lived a wee Leprechaun who searched for a comely bride. Legend has it that his proper bride would thrice sneeze. Poor Leprechaun did find his sneezing lass, but just before the third achoo, her daddy, the Leprechaun's slave, thwarts his plans. Angry, the wee man vows to exact his revenge upon the man's fairest ancestor 1,000 years hence. Time flies and the movie moves to modern California on St. Paddy's day. The Leprechaun returns to find the lovely Bridget sneezing. Once. Twice. Thrice. He captures hapless Colleen. To her rescue comes her fearless boyfriend Cody who steals a bit of gold from the Leprechaun. Enraged, the greedy greeny begins systematically killing people. Will Cody prevail? ~ Sandra Brennan, Rovi

In this tense drama a reporter tries to figure out the reason a wealthy young man shot a popular pulp-fiction writer and then shot himself. ~ Sandra Brennan, Rovi

This confusing but enjoyably weird film stars Drew Barrymore (still toying with her good girl/bad girl image) as Holly Gooding, a young woman who apparently stabs her mother to death in New York then shows up on the doorstep of young L.A. screenwriter Patrick (George Newbern), in response to his ad for a prospective roommate. Despite his attraction to her, Patrick is increasingly bewildered by the appearance of Holly's apparent double, whose existence she neither confirms nor denies. At the same time, Holly is tormented by recurring visions of her mother's death and the persistent snooping of an FBI agent. When Patrick becomes convinced that Holly is being pursued by her own evil twin, he learns from ex-nun and phone-sex operator Sister Jan (Sally Kellerman) that the deadly double is Holly's "doppleganger," a supernatural creature which haunts a human being after assuming that person's shape. One plot twist follows another before unraveling completely in a ridiculously contrived double-surprise climax. This film does boast good performances and manages to avoid most standard low-budget horror conventions -- that is, until the last five minutes, wherein its cleverness is derailed by plot holes large enough to fly a zeppelin through. ~ Cavett Binion, Rovi

A Depression-era inventor finds a way of revolutionizing manufacturing technology and then discovers that this invention has its dark side as well. ~ Tana Hobart, Rovi

A dreary and depressing tale despite the excellent assemblage of talent, this is the story of a Depression-era family where sibling rivalry and tragedy seem to be the watch words of their home life. A period piece set in 1930s Texas. ~ Tana Hobart, Rovi

This allegorical comedy from scriptwriter Joe Minion (After Hours, Vampire's Kiss) offers a unique twist on the standard road movie formula. It tells the story of a young boy named Gus who grows sick and tired of parental squabbles and decides to steal his dad's red Mustang and hit the highway on a cross-country journey. The country presented in this film, however, is not the U.S., but a fictional land with states such as Bergen and Essex - a land with parallels to a giant board game. While on the road, Gus spots a billboard inviting him to play the "Motorama" game, a promotional effort by a major gas station that promises winners $500 million dollars. In order to win, one simply has to collect enough game cards from Chimera gas stations all over the country to spell out the word "Motorama." As Gus approaches his goal of collecting all eight letters, he has assorted adventures, many of them strange and a few that are distinctly unpleasant. The film features cameos from several notable cult favorites, including character players Jack Nance and Dick Miller, actress Drew Barrymore, and even the pop singer Meat Loaf. ~ Sandra Brennan, Rovi

Former child star and one-time scandal magnet Drew Barrymore had her first teenage role in this offbeat thriller with comic overtones. Charlie Cross (Matt Frewer) is vacationing with his 15-year-old daughter, Joleen (Barrymore). Charlie and Joleen are stranded in an Arizona trailer park when they run out of gas, and they quickly get to know their temporary neighbors, including ill-tempered landlady Agnes Reed (Susan Tyrrell), her son, Jimmy (Andras Jones), friendly but scrambled Vietnam vet Duckett (Richard Masur), fellow travelers Amy (Jennifer Tilly) and Louise (Karen Austin), and geeky Pinky Sears (Anthony Rapp). However, it turns out that a psychotic murderer is in their midst, and Sheriff Bill Childers (Dick Miller) joins with the mobile home dwellers in trying to catch the killer before he can strike again. Far From Home marked the directorial debut of Meiert Avis, while screenwriter Tommy Lee Wallace previously worked with co-star Frewer as a director for the TV series Max Headroom. ~ Mark Deming, Rovi

Predating the 1990s cycle of vampire-stripper films (From Dusk Till Dawn, Bordello of Blood, etc.) this cynical entry from director Richard Wenk concerns frat boys looking for a go-go girl to perform at their upcoming party. Wandering to the wrong side of town, the randy youths enter a seedy strip joint populated by vampires. Grace Jones is the nasty ringleader, Katrina, who acknowledges the film's debt to Hammer's Vampire Circus by performing an erotic dance painted in zebra-stripes. Among the heroes, co-star Robert Rusler is far more interesting than the bland lead (Chris Makepeace), while Gedde Watanabe manages to be both unfunny and offensive by turning in the most ridiculously stereotyped Asian performance since John Wayne assayed Genghis Khan in The Conqueror. This is the least of the comedic vampire films that came out in the mid-'80s, and although Billy Drago is menacing as the evil Snow and Greg Cannom's special effects are striking, Vamp remains unfunny and not frightening in the least. Famed female bodybuilder Lisa Lyon appears as a stripper named Cinnamon, and Dedee Pfeiffer, Hy Pyke, and Simmy Bow are among the recognizable supporting cast. ~ Robert Firsching, Rovi

Joanna Crane (Kathleen Turner) is a cold, workaholic sportswear designer, divorced and dedicated only to her job. Once strapped into that role, Joanna looks for an "out" and finds it by donning a wig and hitting the pavement as a $50/trick hooker named China Blue. Explicit scenes show her at work on her night job, including a long S and M segment with a policeman. While making money as China Blue, Joanna runs into a menacing, fanatic preacher (Anthony Perkins) who is out to save her from this life of sin, but in the meantime, he is also busy watching nude girly shows. As China Blue and the sexually ambivalent Reverend heat up their relationship, he becomes difficult to read: is this psycho reverend a killer? While China Blue is plying her trade, Bobby Grady (John Laughlin) has finally realized after 12 years of marriage that his wife Amy (Annie Potts) is frigid and just as he has this remarkably delayed insight, he is assigned by Joanna's boss to find out if she is stealing designs or not. By tracking Joanna, Bobby sees her transformation as China Blue and as might be expected, sex is not far behind. ~ Eleanor Mannikka, Rovi

Narrator Job (Robby Kiger) relates the tale of Gatlin, NE, where one day the children, led by a boy preacher named Isaac (John Franklin), rose up and slaughtered all the grown-ups. A few years later, Job and his sister, Sarah (Ammemarie McEvoy), help their friend, Joseph (Jonas Marlowe), try to escape through the cornfields of Gatlin. Meanwhile, Burt Stanton (Peter Horton), a commitment-phobic young doctor, and Vicky Baxter (Linda Hamilton), his frustrated girlfriend, travel through the cornfield-lined roads of Nebraska on their way to Burt's new internship in Omaha. Their car hits Joseph, who appears out of nowhere, but upon examining him, Burt realizes the child's throat was slit before he ever wandered out from the corn. Attempting to locate help, Burt and Vicky turn to gas-station owner Diehl (R.G. Armstrong), who urges the couple to go anywhere but nearby Gatlin to report the murder. Several contradictory street signs later, they arrive in Gatlin anyway, and, befriending Sarah and Joseph, attempt to uncover the mystery behind Isaac's cult and its mysterious deity, known only as He Who Walks Behind the Rows. Stephen King cash-ins flooded the market between the successes of Brian DePalma's Carrie (1976) and Rob Reiner's Misery (1990), many of them, like Children of the Corn, based only loosely on the author's fiction. The original short story appeared in the collection Night Shift. ~ Brian J. Dillard, Rovi