John Boorman Movies
One of Britain's most acclaimed directors, John Boorman is known for making films resplendent with great visual flair and taut narrative. Boorman is also known as one of the commercial mainstream's more independently-minded directors; his high-risk approach to filmmaking has insured that his films are as economically unpredictable as they are unique. Boorman himself has been quoted as saying "Filmmaking is the process of turning money into light and then back into money again," an epigram whose simplicity has in many ways defined the ups and downs of his career.A native of London, where he was born January 18, 1933, Boorman attended a Jesuit school and held down a series of non-descript jobs before he started writing film reviews and working as an editor for the BBC. By 1962, he was the head of the Bristol BBC documentary unit. Three years later, he directed his first fictional film, the whimsical, loosely structured Having a Wild Weekend, which starred the Dave Clark Five. Rather than resembling just another Hard Day's Night rip-off, the film was distinctive and original enough to earn Boorman recognition as an innovative stylist by a number of prestigious publications.
Following more work for the BBC, Boorman made his Hollywood directing debut in 1967 with Point Blank. Starring Lee Marvin as a gangster obsessed with getting revenge on the Organization that once wronged him, the film was seen as an elegant exploration of the increasing depersonalization of life in the modern urban world. It also went on to become recognized as one of the definitive Hollywood films of the late '60s, occupying a place in the groundbreaking Hollywood New Wave next to such classics as Bonnie and Clyde.
Following another collaboration with Marvin on the allegorical Hell in the Pacific (1968), which cast the actor as a WWII soldier stranded on an island with a Japanese soldier (Toshiro Mifune), Boorman made Leo the Last (1970). A surreal tale of London culture clash, it starred Marcello Mastrioanni as an Italian aristocrat living in London's Notting Hill neighborhood. Although the film disappeared at the box office, it did earn Boorman the Best Direction award at Cannes.
Deliverance, Boorman's 1972 follow-up to Leo the Last, was as successful as its predecessor had been overlooked. A nightmarish meditation on the inefficacy of social constructs and civilized niceties in the face of primal squalor, the film was hailed for its depictions of the dark realities of human nature and oppressive machismo. Nominated for three Oscars, including one for Best Director, the film quickly became a classic, with its scenes involving a banjo duel with an inbred Appalachian child and Ned Beatty's rape by a pair of backwoods rednecks recognized as some of cinema's most memorable.
Boorman's next two projects, the Sean Connery vehicle Zardoz (1973) and Exorcist II: The Heretic (1977), were unquestionable disappointments that dimmed the director's post-Deliverance glow. He rebounded with Excalibur (1981), a brutal, visually-lavish adaptation of Malory's Morte d'Arthur. The film enjoyed a warm critical and commercial reception and earned a number of honors, including a Golden Palm nomination for Boorman at Cannes. Following the success of Excalibur, Boorman did not direct again until 1985, when he helmed The Emerald Forest. The story of a man's tireless search for his son, who disappeared into the Amazon rain forest when he was seven, it starred Boorman's son Charley as the grown boy, who had been raised by a tribe of Amazon Indians. Despite earning high marks for its ravishing scenery, the film was a notable flop, with some critics complaining that Boorman sacrificed narrative strength in favor of impressive visuals.
With Hope and Glory (1987), Boorman regained any critical standing he might have lost with The Emerald Forest. The surprisingly gentle, semi-autobiographical account of a boy's experiences during the London Blitz, it was Boorman's least pessimistic film to date, and was hailed for its unforced exuberance. He followed it with Where the Heart Is (1990), a comedy that proved to be a critical and commercial nonentity, and I Dreamt I Woke Up (1991), a critically acclaimed short film that recounted the highs and lows of Boorman's career.
Following the short Two Nudes Bathing and the relatively disappointing Beyond Rangoon (both 1995), Boorman resurfaced in 1998 with The General. The story of legendary, real-life Irish crime lord Martin Cahill, it featured an extraordinary performance by Brendan Gleeson in the title role, and it was hailed as Boorman's best film in years. The director -- who had his own real-life encounter with Cahill when the latter robbed his house years earlier -- won the Best Direction award at Cannes for his work, almost 30 years after winning the same award for Leo the Last. ~ Rebecca Flint Marx, Rovi
- 2014
John Boorman returns to his celebrated 1987 picture, Hope and Glory, with this sequel set during the Korean War. ~ Jeremy Wheeler, Rovi
- 2013
John Boorman adapts L. Frank Baum's classic Wizard of Oz novel with this computer-animated picture, the first for the veteran director. The 25-million-dollar production will focus more on the book and less on being a straight-up remake of the beloved 1939 musical. ~ Jeremy Wheeler, Rovi
Deliverance and Tailor of Panama director John Boorman returns to the director's chair for this tale of a hawkish businessman who slowly finds his life being taken over by the twin brother he never knew he had. Liam O'Leary (Brendan Gleeson) is a no-nonsense real-estate developer who isn't above greasing the politician's wheels a bit to get the permits he needs. His 20-year marriage to Jane (Kim Cattrall) has been stale for over a decade, and his adolescent son, Connor (Brian Gleeson), has most recently taken to communism as a means of showcasing his rebellious streak. Though Liam still dotes on his aging mother (Moira Deady), it's plain to see that his sister, Oona (Sinéad Cusack), is the favored child in the family. One day, stuck in traffic on the way home from work and frustrated at his inability to obtain planning permission for a multi-million pound stadium, Liam is shocked to see his spitting image approach his car and begin cleaning the windshield while begging for change. Now, after discovering that he was not only adopted but has an identical twin as well, Liam finds his life rapidly being taken over by a cunning doppelganger who has had enough of life on the streets, and has finally found a means of turning his luck around by simply stepping into the shoes of his more successful counterpart. ~ Jason Buchanan, Rovi
- Starring:
- Brendan Gleeson, Kim Cattrall, (more)
The many emotional scars left by South Africa's history of institutionalized racism come under the microscope in this drama. As South Africa comes to terms with the legacy of apartheid, their government has created the Truth and Reconciliation Commission, in which the perpetrators of racial violence and injustice must come face to face with their victims if they are to be forgiven for their crimes. Langston Whitfield (Samuel L. Jackson) is an African-American journalist who is assigned to cover these hearings by The Washington Post; Whitfield doubts the efficacy of this process, and sets out to interview Col. De Jager (Brendan Gleeson), a notorious former officer of the South African police who was famous for his violence against blacks in order to put this method to the test. While in South Africa, Whitfield meets Anna Malan (Juliette Binoche), an Afrikaner poet who is covering the hearing for a radio station and is both appalled and disturbed by the details of the violence inflicted against her countrymen. After striking up a friendship, Whitfield and Malan become romantically involved as they try to come to terms with their feelings about what they've learned. Also screened under the title Country of My Skull, In My Country was adapted from a book by South African author Antjie Krog. ~ Mark Deming, Rovi
- Starring:
- Samuel L. Jackson, Juliette Binoche, (more)
Set amidst the controversy of the handover of the Panama Canal from America to Panama in late 1999, this espionage thriller follows seductive British spy Andrew Osnard (Pierce Brosnan), who has found himself recently banished to Panama. When Osnard stumbles into a tailor shop, he meets Harry Pendel (Geoffrey Rush), a garrulous sort with an unmatched penchant for "fluence" -- that is, fabricating wild tales with real-life details. Osnard threatens to expose his shady past, until Pendel agrees to provide him with information about the political situation in Panama. Pendel's wife Louisa (Jamie Lee Curtis) tries to remain unscathed by her husband's constant follies, which escalate and put him in the midst of international discord, while also threatening the shaky relationship between himself and Osnard, who cannot escape each other's grasp. Based on John le Carré's popular 1996 novel, the film also features Catherine McCormack, David Hayman, and young Daniel Radcliffe, who completed this film before his starring role in Harry Potter and the Sorcerer's Stone, released later in the year. ~ Jason Clark, Rovi
- Starring:
- Pierce Brosnan, Geoffrey Rush, (more)
- 1999
Produced by the British television network Channel 4, this documentary takes a look at the life and work of acclaimed filmmaker Stanley Kubrick, with special emphasis on the production of what proved to be his final film, Eyes Wide Shut. Family, friends, and collaborators of the great director offer a glimpse into his working methods and personality (as well as the estate where the reclusive Kubrick spent most of his time), among them actors Tom Cruise and Nicole Kidman, fellow directors Steven Spielberg and Sydney Pollack, studio executive Terry Semel, Kubrick's wife Christiane, and his daughters Anya and Katharina. Here, Kubrick is portrayed as an eccentric but stable man whose reclusive nature allowed him to go out in public when he chose without being recognized, who had a close and loving relationship with his family, and who could be difficult and challenging to work with. Another of Kubrick's daughters, Vivian Kubrick, who made a documentary on the production of her father's film The Shining (one of the few relatively close looks at Kubrick at work), did not participate in this film. ~ Mark Deming, Rovi
- Starring:
- John Boorman, Tom Cruise, (more)
John Boorman, who won the 1998 Cannes Film Festival's Direction award for this film, previously won the same Cannes award almost three decades earlier for his Leo the Last (1969) about an alienated aristocrat in a London slum. Shot in widescreen color (but printed in sharp black-and-white), The General is a biographical portrait of ruthless Irish crime lord Martin Cahill, shot down outside his home by a single assassin on August 18, 1994. After this opening, the film then unfolds as a lengthy flashback of the events that led to his death, sketching in the raw beginnings of the youthful Martin (Eamonn Owens of The Butcher Boy) and moving into the Dublin slum of Hollyfield to show the adult Cahill (Brendan Gleeson) and his link to a local cop, Inspector Ned Kenny (Jon Voight). Various thefts enable Cahill to support his wife Frances (Maria Doyle Kennedy), his four children, and his sister-in-law Tina (Angeline Ball). As the years pass, Cahill rises as a mobster, bamboozling cops, constructing airtight alibis, pulling off a near-impossible jewel heist, and setting up a menage a trois with Frances and Tina. (Both actresses were seen previously in Alan Parker's The Commitments). ~ Bhob Stewart, Rovi
- Starring:
- Brendan Gleeson, Adrian Dunbar, (more)
- 1998
This made-for-cable retrospective of movie star Lee Marvin (1924-1987) was assembled by filmmaker John Boorman, who directed Marvin in two gutsy features: Point Blank (1967) and Hell in the Pacific (1968). Beginnng with the actor's impressive battle record as a Marine in WWII, the documentary traces Marvin's trek to Hollywood, where after several nondescript minor roles, he scored as a brutish "heavy" in such films as The Big Heat (1953) and Bad Day at Black Rock. Achieving nominal stardom in the TV cop series M Squad, Marvin returned to films as an action hero, but it was for his comedic portrayal of a drunken, washed-up gunslinger in Cat Ballou that he won an Academy Award. In his last decade, Marvin was unfortunately better known to the public for the palimony suit brought against him by his live-in girlfriend than he was for his body of film work. Among the interviewees are one of Marvin's war buddies, his widow, and actor-admirer William Hurt. Lee Marvin: A Personal Portrait by John Boorman was a presentation of the American Movie Classics cable service. ~ Hal Erickson, Rovi
- 1997
A tale of lost-love, idealism and steadfast commitment that alternates between comedy and drama. Passionate and tragic Angela Mooney (Mia Farrow) is a woman prepared to die for her ideals and attempts suicide rather frequently, something that never fails to draw a crowd. Outwardly, her reason for killing herself centers on the local creamery, a business run by her husband, who has spent his life building it up, that is about to be taken over by the America-based Little Rooster Corporation. Angela is afraid that the American company will destroy the quaint character of the town. Unfortunately, Angela is alone in her struggle as everyone else supports the buy-out. Angela's real reasons for fighting are revealed via flashback and have to do with the handsome young Scottish soldier to whom she gave her virginity when she was an impressionable young girl. He was an idealist and transferred his sense of justice to her. Later he was run out of town and so moved to America where he became a wealthy tycoon. Years pass and now the soldier/business magnate prepares to return to the village, something that has caused a flurry of activity amongst the townsfolk. ~ Sandra Brennan, Rovi
- Starring:
- Mia Farrow, Brendan Gleeson, (more)
- 1995
This sprightly British drama speculates upon the origins of the anonymous painting, Two Nudes Bathing, which hangs in the Louvre. The painting depicts two beautiful, naked young women engaged in a tender act. The tale begins as a portrait painter makes his way to the home of the parsimonious Comte who wants his daughters painted au naturel without the usual frills and frippery. One of the women is preparing to marry. Comte wants to remember them as they are, pure, beautiful, and unsullied by the touch of a man. For years he has been obsessed with guarding their virginity, and even though he commissions the painter to depict them, the artist is not allowed to talk to, or make eye-contact with the lovelies. While they pose, the young women are guarded by a tongueless old woman. Still, these precautions do not prevent the curious maidens from asking the artist about sex at every opportunity. At first the artist hesitates, but soon he tells them what they want to know. Though the painter involves himself with a lusty servant girl, he cannot help but spy on the maidens while they bathe. The result is the notorious painting in which the nude girls are depicted with one of them daintily holding the nipple of the other. Naturally, the finished work causes quite a stir in Comte's prudish household. The American version has been edited down to 35 minutes. ~ Sandra Brennan, Rovi
In a role originally intended for Meg Ryan, Patricia Arquette plays Dr. Laura Bowman in director John Boorman's film of an American abroad in a strange country. It's 1988 and Laura is desperate to flee the United States and the memory of her husband and son's murders. Accompanied by her sister, Andy (Frances McDormand), she heads for Burma just as the peaceful protests against the country's military government take a more violent turn. Andy and the rest of their party flee in a hurry, but Laura is forced to stay behind when she loses her passport. A former professor (Aung Ko) offers her guidance to the border of Thailand, where they both hope to make their escape. Boorman's scenes of action and violence are well-staged, but Arquette is not big enough to carry the film and her plight seems inconsequential next to that of the Burmese as the military begins its ruthless crackdown. ~ Don Kaye, Rovi
- Starring:
- Patricia Arquette, Frances McDormand, (more)
In celebration of the 100th anniversary of the Lumière brothers' first films, filmmakers Sarah Moon and Philippe Poulet challenged 39 renowned international directors to each complete a 52-second film using the original Cinematographe camera under the conditions endured by the brothers. The result of the project was this film, Lumière et Compagnie. The film stock used was homemade from a slightly altered version of the Lumières' recipe. No synchronized sound was allowed and only natural lighting was permitted. The participating directors included John Boorman, Costa-Gavras, Peter Greenaway, Lasse Hallström, Spike Lee, David Lynch, Liv Ullmann, and Wim Wenders. Among the actors who performed in the films were Liam Neeson, Lena Olin, Aidan Quinn, and Alan Rickman. ~ Matthew Tobey, Rovi
- 1991
Filmmaker John Boorman pulls an "8 1/2"-and a good one-in I Dreamt I Woke Up. In this rambling reflection on Boorman's life and career, the director appears as himself, while John Hurt shows up as his alter ego. Boorman's son Charley plays "The Green Man," a far-from-veiled reference to his starring appearance in his dad's The Emerald Forest. And Janet McTeer rounds out the cast as an "everywoman", essaying all sorts of hallucinatory roles. Short (1944) and bittersweet, I Dreamt I Woke Up was filmed in County Wicklow, Ireland; it was first shown in the US at the Telluride Film Festival, in tandem with Susan Seidelman's 26-minute comedy Dutch Master. ~ Hal Erickson, Rovi
- Starring:
- John Boorman, John Hurt, (more)
In this comedy from writer-director John Boorman, wealthy real estate mogul Stewart McBain (Dabney Coleman) owns a demolition firm which specializes in blowing up old buildings to make way for upscale new ones. When neighbors protest his plans to raze a dilapidated old building to make way for a new Brooklyn subdivision, television crews film the confrontation, and McBain comes off like a fool. His three spoiled children ridicule him. Tired of their carping, McBain gives them each 750 dollars and drops them off at the old building, known as the Dutch House. Daphne (Uma Thurman), Chloe (Suzy Amis), and Jimmy (David Hewlett) are at first completely lost, because they have no idea how to live in the real world. As McBain and his wife, Jean (Joanna Cassidy), monitor their children's progress, the three youngsters learn to get along with the neighborhood people and eventually set up a commune of sorts, into which they invite their friends and various homeless people. ~ Michael Betzold, Rovi
- Starring:
- Dabney Coleman, Uma Thurman, (more)
An affectionate reverie about war, childhood, and British stoicism, John Boorman's Hope and Glory is the veteran filmmaker's recollection of the bombing of London during World War II. Set on the British home front during the early days of the war, this episodic movie shows the blitz through the eyes of seven-year-old Billy Rohan (Sebastian Rice-Edwards). At the war's outset, Billy finds himself alone in a house full of women, as all the men are called off to join the war effort. With wide-eyed wonder and an outsized imagination, Billy sees the war as a grand diversion, an extension of his world of knights, tin soldiers, and war games. As bombs fall and houses burn, Billy's mother (Sarah Miles) struggles to keep the family together in her husband's absence. Even as Billy seeks to escape the harem of aunts and sisters, Dawn (Sammi Davis), his older sister, falls for a Canadian soldier, who gets her pregnant. After the Rohans' home catches fire (not, ironically, as the result of a bomb blast, but from a domestic accident), the family is forced to move in with Billy's cantankerous grandfather in the countryside, where they spend the rest of their summer and enjoy an unusual idyll amid the raging war. Nominated in 1987 for a Best Picture Academy Award, Hope and Glory proved to be another high point in the career of the remarkably protean Boorman. ~ Elbert Ventura, Rovi
- Starring:
- Sebastian Rice-Edwards, Sarah Miles, (more)
The Emerald Forest is based on a true story, as related by Los Angeles Times correspondent Leonard Greenwood. Powers Boothe stars as Bill Markham, a US engineer working on a dam project in the Amazonian jungles. Bill's young son, Tomme (played by director John Boorman's son Charley Boorman) is kidnapped in the rain forest by a tribe called "The Invisible People" because of their skills at camouflage - a group that has reportedly never experienced contact with Caucasians. The authorities give up the boy for lost, but Bill perseveres in searching for his son, for over 10 years. While fleeing for his life from The Fierce People - enemies of The Invisible People - he's rescued at the last minute by Tomme, now an adoptee of The Invisible People's chief. To Bill's frustration, Tomme initially refuses to join his biological dad and return to civilization, but when The Fierce People swing in and abduct all of the women in the Invisible People tribe, Tomme seeks his dad's help in rescuing them. ~ Hal Erickson, Rovi
- Starring:
- Powers Boothe, Meg Foster, (more)
- 1984
The film tells the tale of the adolescent son of two wealthy socialites who have left him home alone while they go out on the town. At home, the boy begins a series of wild daydreams. He finds himself aboard an elevator that takes him through the Earth and onto another planet. There he finds the "Nautilus," Captain Nemo's submarine. He also finds Nemo's ape/man assistant. Together they begin a series of spectacular adventures. They encounter many storybook characters along the way. ~ Sandra Brennan, Rovi
- Starring:
- Seth Kibel, Jason Connery, (more)
- 1982
- R
Writer/director Neil Jordan's debut feature is a tense thriller played out amid the violence in Northern Ireland. Stephen Rea stars as Danny, a saxophone player in a traveling band who witnesses the brutal murders of the manager of the band (who is involved in some extortion payoffs) and a deaf and dumb girl, who has seen the killing of the manager. After observing these cold-blooded executions, Danny becomes obsessed with hunting down the killers. His obsession develops into a murderous rage so intense that he ends up becoming as heartless a killer as the people he is trying to find. ~ Paul Brenner, Rovi
- Starring:
- Stephen Rea, Alan Devlin, (more)
John Boorman directed this gloriously savage interpretation of Arthurian legend loosely based on Thomas Malory's novel Le Morte d'Arthur. By turns gleaming and filthy, tender and bloody, the film is a visually stunning epic which is never less than compelling. Nigel Terry is perfectly cast as Arthur, whose unwavering trust and faith are shown to be both quietly heroic and achingly naïve. Interestingly, the quest for the Grail is the least effective part of the film, despite bold cinematography by Alex Thomson (who was nominated for an Oscar) and a fine performance by Paul Geoffrey as Perceval, whose greatest desire is attained in his dying sight. It is the scenes of Camelot in which Boorman is at his most effective, as Arthur is betrayed by the burning passions of Guenevere (Cherie Lunghi) and Lancelot (Nicholas Clay), whose boiling internal forces cannot be denied, whatever the cost. The wicked Mordred (Robert Addie) and Morgana (Helen Mirren) are commanding when onscreen, and Nicol Williamson's performance as the grandiosely self-sacrificing Merlin is outstanding. Liam Neeson and Patrick Stewart also appear in this dense, passionate, and stirring triumph featuring a marvelous Trevor Jones score. The gruesome effects by Peter Hutchinson and Alan Whibley, however, and sights such as a knight having sex in full body armor make this a fairy tale strictly for adults. ~ Robert Firsching, Rovi
- Starring:
- Nigel Terry, Nicol Williamson, (more)
- 1978
- PG
During the 1977 Ediburgh Film Festival, independent filmmaker Maurice Hatton made this feature story, using real-life actors, film directors, producers, etc., to enact improvisational roles in a film about filmmaking. In the story, Charlie (played by the film's real-life producer Charles Gormley) is going from person to person at the Edinburgh Film Festival in order to raise money for the production of an independent director's first "commercial" film, tentatively titled "Gulf and Western." The bluffs, lies, and outright rejections he receives are characteristic of those experienced by industry insiders, and this rather bleak, occasionally humorous feature became a favorite among filmmakers and industry cognoscenti. Among the well-known individuals who enact roles similar to their real-life activities are director John Boorman, actress Susannah York, director Wim Wenders, and agent Dennis Selinger. ~ Clarke Fountain, Rovi
- Starring:
- Charles Gormley, Neville Smith, (more)
Four years after her bout of demonic possession, Regan MacNeil seems at peace as she enjoys a privileged but lonely adolescence. Her actress mother, absent on-location, leaves her in the care of her childhood nanny, Sharon, who feels inextricably bound to her young charge despite the terror she endured during the girl's possession. Regan attends frequent counseling sessions with Dr. Gene Tuskin, an unorthodox psychologist who believes Regan remembers more of her ordeal than she admits. Meanwhile, Father Lamont, a protégé of the priest who died exorcising Regan, is called to investigate the death of his mentor. The Church is divided over the teachings of Father Merrin and wants to gather documentation of his views about demonic existence. Father Lamont himself is conflicted -- haunted by images of a possessed woman he could not save. As he and Dr. Tuskin become convinced that the demon still exhibits a hold on Regan, the priest sojourns to Africa in search of Kokuma, who as a boy was possessed by the same demon and exorcised by Father Merrin. Learning the true name and ancient origins of his supernatural foe, Lamont returns to America to stage a climactic battle for Regan's soul. ~ Brian J. Dillard, Rovi
- Starring:
- Linda Blair, Richard Burton, (more)
A resident of 23rd-century Earth becomes involved in a revolution after discovering the hidden truth about society's rulers in director John Boorman's sci-fi drama. Sean Connery plays Zed, the central rebel, who begins the film as a member of the Exterminators, a band of skilled assassins who exact a reign of terror over the lesser Brutals. The Exterminators answer only to their god, a gigantic stone image known as Zardoz. Haunted by doubt about Zardoz's true divinity, Zed chooses to investigate. His disbelief is confirmed when the god proves to be a fraudulent tool of the Eternals, a secret society of brilliant immortals who pretend to divinity in order to exploit the masses. Knowing the truth, Zed sets out to reveal the hoax and destroy the Eternals' unjust rule. ~ Judd Blaise, Rovi
- Starring:
- Sean Connery, Charlotte Rampling, (more)
Adapted from James Dickey's popular novel, John Boorman's 1972 movie recounts the grueling psychological and physical journey taken by four city slickers down a river in the backwoods of Georgia. At the behest of Iron John-esque Lewis (Burt Reynolds), the less adventuresome Ed (Jon Voight), Bobby (Ned Beatty), and Drew (Ronny Cox) agree to canoe down an uncharted section of the river before a dam project ruins the region. After warnings from the grimy, impoverished locals, and Drew's tuneful yet ominous "Dueling Banjos" encounter with a mute inbred boy, the four men embark on their trip, exulting in the beauty of nature and the initial thrill of the rapids. The next day, however, things begin to take a turn for the worse when Bobby and Ed decide to rest on shore after becoming separated from Lewis and Drew. Two rifle-wielding mountain men (Bill McKinney and Herbert "Cowboy" Coward) emerge from the woods, tying up Ed while one of them rapes Bobby and makes him "squeal like a pig." Lewis and Drew rescue them, but the attack irrevocably changes the tenor of the journey. As the river gets rougher and rougher, the men come to nightmarish grips with what it means to survive outside the safety net of "civilization." ~ Lucia Bozzola, All Movie Guide
- Starring:
- Jon Voight, Burt Reynolds, (more)
- 1970
- R
Prince Leo (Marcello Mastroianni) is the exiled ruler from an unnamed country living on the edge of a London ghetto with his harridan mistress Margaret (Billie Whitelaw). While viewing birds through his telescope, he witnesses the struggles of his black neighbors to survive their harsh urban environment. When Salambo (Glenna Forster Jones) is forced into prostitution by Jasper (Keefe West), the prince decides to take action. He rescues the woman after she is raped and makes her his ward and protectorate. When the royal guards invade the neighborhood, Leo and a makeshift troop of residents repel the advance with fireworks and homemade explosives. The film is based on the George Tabori play "The Prince" and deals with class struggles of the poor against the haughty royals. ~ Dan Pavlides, Rovi
- Starring:
- Marcello Mastroianni, Billie Whitelaw, (more)
The entire cast of Hell in the Pacific consists of two high-powered international stars: Lee Marvin and Toshiro Mifune. The time is World War II. A downed American marine pilot (Marvin), is stalked on a remote Pacific island by a Japanese navy officer (Mifune). The Japanese officer captures the American, but this situation is reversed when he manages to wriggle free. The two enemies finally decide to live and let live, each moving to their own separate portion of the island. By and by the adversaries come to rely upon one another to survive; they set up living quarters in a deserted camp, get drunk together, and almost -- but not quite -- become friends. The present ending of Hell in the Pacific is greatly at odds with director John Boorman's original vision, in which the Japanese officer angrily kills two Japanese soldiers who have come across the American and decapitated him. As it now stands, viewers are left with an explosive "lady or the tiger" denouement. ~ Hal Erickson, Rovi
- Starring:
- Lee Marvin, Toshiro Mifune, (more)
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