Edward Bond Movies

1971  
 
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The contrast between modern, urban civilization and life in the natural world lies at the heart of Nicolas Roeg's visually dazzling drama Walkabout. In broad outline, the plot might resemble a standard fish-out-of-water tale: two city children become stranded in the Australian outback, and struggle to find their way back to civilization with the help of a friendly aborigine boy. But Roeg and screenwriter Edward Bond are concerned with far more than the average wilderness drama, as a shocking act of violence near the story's beginning makes clear. This is particularly true in regards to the relationship between the white children and the aborigine boy, who ultimately develops a troubled romantic attraction towards the older sister. Obviously intended as a statement on the exploitation of the natural world and native cultures by European civilization, the film nevertheless maintains an evocative vagueness that usually -- but not always -- favors poetry over didacticism. Most importantly, the film's justifiably acclaimed cinematography is likely to sway even those who find fault with the film's narrative and message. The shift between the sterile city images and the truly stunning, beautifully composed Australian landscapes provide the film's single best argument, making the film a vivid and convincing experience. ~ Judd Blaise, All Movie Guide

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Starring:
Jenny AgutterLucien John, (more)
1971  
PG  
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Nicholas and Alexandra covers the rise and fall of the last of the Russian Romanovs. We first meet Czar Nicholas (Michael Jayston) and his German bride Alexandra (Janet Suzman) at their 1894 wedding. Though Nicholas is devoted to Alexandra, the Russian populace is less politely inclined to having a "foreigner" as their Czarina. Alexandra gains favor when she gives birth to the much-loved Prince Alexis (Roderick Noble). Alas, Alexis suffers from hemophilia, a disease which strikes every second generation of Alexandra's family. When all conventional medical ministrations fail, Alexandra puts the fate of her son in the hands of mystical holy man Rasputin (Tom Baker, later famous for his portrayal of Doctor Who). As Rasputin's influence and power grows, the Russian peasantry becomes more restless and disgruntled. They are now willing to listen to the speeches of such rabble-rousers as Lenin (Michael Bryant) and Trotsky (Brian Cox), who sow the seeds of revolution. Even after the murder of Rasputin, the Bolsheviks are unsatisfied: The revolution finally comes to pass in October of 1917. At first, the moderate Kerensky (John McEnery) pleads with his followers to allow the Romanovs safe passage out of Russia. But the radicals seize control, and on July 16, 1918, the royal family is summarily executed. ~ Hal Erickson, All Movie Guide

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Starring:
Michael JaystonJanet Suzman, (more)
1969  
 
Set in London and the Riviera, Laughter in the Dark stars Nicol Williamson as Edward, a wealthy, knighted art dealer who falls hard for tartish usherette Margot (Anna Karina). She is kept by a glorified pimp (Jean-Claude Drouot), who conspires with the girl to take Edward for everything he's got. The art dealer is blinded in an auto accident, after which he switches emotional gears and plans to kill the girl and her keeper. Somehow this all worked better back when Hollywood people like Joan Bennett and Dan Duryea were involved. Based on a 1938 novel by Vladimir Nabokov, the film version of Laughter in the Dark "updates" the piece with flash shots of "mod" London, which now seems more anachronistic than anything in the 1930s. ~ Hal Erickson, All Movie Guide

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Starring:
Nicol WilliamsonAnna Karina, (more)
1969  
PG  
Michael (David Warner) is an independent businessman and a happily married man with two children. Traveling to the market one day, he is victimized by a nobleman who demands compensation for crossing his land. Michael leaves two horses and a caretaker on the noble's land after he has paid for passage. He returns for the horses when he discovers that the landowner has no legal right to demand the compensation. Michael discovers his caretaker has been beaten and the horses are near death. A court rules he must take back the horses in their pitiful condition, and he refuses to accept the verdict. His wife Elisabeth (Anna Karina) is killed by a stampede, pushing Michael over the edge. He succumbs to a life of crime, when he torches the nobleman's castle, but the evil count escapes. Michael becomes a hero as people join the cause in rebelling against the unpopular judgment, but he really only wishes to take back his horses and have the nobleman held accountable for his actions. He tracks the nobleman to another town and his rebel army kills the soldiers protecting the cowardly count. A rapist is hung for his crimes, and Michael agrees to turn himself in when officials promise his case will be heard again in this brutal tale of political crimes and reprisals of the common man. ~ Dan Pavlides, All Movie Guide

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Starring:
David WarnerAnna Karina, (more)
1966  
 
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Italian director Michelangelo Antonioni's first English-language production was also his only box office hit, widely considered one of the seminal films of the 1960s. Thomas (David Hemmings) is a nihilistic, wealthy fashion photographer in mod "Swinging London." Filled with ennui, bored with his "fab" but oddly-lifeless existence of casual sex and drug use, Thomas comes alive when he wanders through a park, stops to take pictures of a couple embracing, and upon developing the images, believes that he has photographed a murder. Pursued by Jane (Vanessa Redgrave), the woman who is in the photos, Thomas pretends to give her the pictures, but in reality, he passes off a different roll of film to her. Thomas returns to the park and discovers that there is, indeed, a dead body lying in the shrubbery: the gray-haired man who was embracing Jane. Has she murdered him, or does Thomas' photo reveal a man with a gun hiding nearby? Antonioni's thriller is a puzzling, existential, adroitly-assembled masterpiece. ~ Karl Williams, All Movie Guide

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Starring:
David HemmingsVanessa Redgrave, (more)

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