Robert Blees Movies

In this comedy, Gidget, the all-American surfer girl, has grown up, married Moondoggie, and become a travel agent. She and he, who have been married for seven years, are experiencing marital problems due to their careers and monetary pressure. ~ Sandra Brennan, Rovi

This wonderfully cheesy TV movie-of-the-week stars Tony Franciosa as a detective hot on the trail of a murderer whose mutilated and predominantly male victims are found encased in silken cocoons. He eventually tracks the killer's path to Los Angeles, where he discovers her true identity -- a woman who was bitten by black widow spiders as a child, who has developed the ability to transform herself into a gigantic spider-monster (as portrayed by a not-too-convincing rubber puppet). An odd diversion for director Dan Curtis, with a 1950's monster-movie mentality incongruous with his earlier TV features. The cast -- comprised of many familiar TV faces -- try to play their roles straight, despite the overall impression that the whole thing is a silly put-on. ~ Cavett Binion, Rovi

This sequel to the stylish 1971 melodrama The Abominable Dr. Phibes once more stars Vincent Price in the title role. Long believed dead, Phibes arises from a state of suspended animation, in search of the means to bring his deceased wife back to the land of the living. Phibes also wears a rubber mask to disguise his own horribly disfigured countenance. (The giveaway: he never moves his mouth when speaking, and eats by applying his fork to his neck!) With the aid of the enigmatic, never-speaking Vulnavia (Valli Kemp), Phibes follows an Egyptian expedition, seeking out an ancient elixir of life and killing everyone who gets in his way. In the original film, all of the doctor's grisly but ingenious murders were motivated, and all were linked by a Seven Deadly Plagues throughline. In the sequel, Phibes kills whenever he feels like it, and utilizes an impressive array of death-dealing contraptions (one victim literally has his skin blown off his body by a high-powered electric fan). This marks one of the only films ever made to wrap with Vincent Price singing "Somewhere, Over the Rainbow." ~ Hal Erickson, Rovi

The most successful of network television's many WWII dramatic series of the '60s, Combat!, ran for five seasons on ABC -- or roughly one year longer than the war lasted! Set in the months following D-Day, the weekly, hour-long series focused on King Company, a platoon of American GIs battling their way through Southern Europe, encountering action, adventure, humor, heartbreak and dozens of guest stars along the way. Throughout the series' run, King Company was headed by gritty, taciturn Sgt. Chip Saunders (Vic Morrow) and his superior officer, cool and courageous Lt. Gil Hanley (Rick Jason). Though several soldiers were attached to the platoon from one season to the next, the most enduring of the supporting players were Pierre Jalbert as Paul "Caje" Lemay, Jack Hogan as "Wild Man" Kirby, and Dick Peabody as PFC Littlejohn. Some of the better episodes were directed by such Hollywood heavyweights as Robert Altman and Burt Kennedy. Filmed in glorious black-and-white during its first four seasons -- the better to accommodate newsreel footage of actual wartime battles -- Combat! switched to color for its fifth and final season on the air. ~ Rovi

The first hour-long network Western series telecast in color, Bonanza was also the granddaddy of all "property" Westerns, future examples of which included The Virginian, The Big Valley, and The High Chaparral. The series took place during and after the Civil War in Virginia City, NV. Lorne Greene starred as Ben Cartwright, silver-haired owner of the fabulous, half-million-acre Ponderosa Ranch. The industrious, independent Cartwright had been widowed three times, each of his wives providing him with a single son. Pernell Roberts played eldest son Adam, the brooding, intellectual offspring of Ben's first wife Elizabeth; Dan Blocker played middle son Hoss, the beefy, affable issue of Ben's second wife Inger; and Michael Landon played youngest son Little Joe, a hotheaded, temperamental lad who took after his mother, Ben's third wife Marie. The four Cartwrights comprised the principal cast during the series' first six seasons, with occasional appearances by Victor Sen Yung as the Ponderosa's Chinese cook Hop Sing; Ray Teal as Virginia City's taciturn lawman, Sheriff Roy Coffee; and Bing Russell (father of Kurt Russell) as deputy Clem Foster. When Pernell Roberts left the series at the outset of season seven, it was explained that Adam had gone to Europe to complete his education. Several attempts were made to replace Adam in the hearts and minds of the viewing public: Guy Williams of Zorro fame was seen briefly as cousin Will Cartwright; David Canary appeared as ranch foreman Canady (aka Candy) during seasons nine through 11, then again during season 14, Lou Frizzell showed up as Ben's friend Dusty Rhoades beginning in season 12, as did Mitch Vogel as Dusty's ward Jamie Hunter, a teenaged orphan; and during the series' final year, Tim Matheson weaved through the proceedings as ex-convict Griff King, whom Ben tried to give a second chance by taking him on as a ranch hand. Making its NBC debut on September 12, 1959, Bonanza spent its first two seasons on Saturday evenings, opposite CBS' Perry Mason.
Ratings improved tremendously when Bonanza shifted to Sunday evenings at 9 PM (EST) beginning in the 1961-1962 season; in fact, the series was America's number one show for three seasons in a row, from 1964 through 1967. It might have run forever had it not been for two calamitous events during the 1972-1973 season: the decision by NBC to reschedule the show to Tuesdays, and the unexpected death of longtime regular Dan Blocker. With ratings plummeting precipitously, the show was canceled on January 16, 1973 -- a rather ignominious climax for a classic Western series that was second only to Gunsmoke in longevity. Since that time, a number of attempts have been made to revive Bonanza, notably a trio of made-for-TV movies produced in 1988, 1993, and 1995; the latter two appearing after the deaths of Lorne Greene and Michael Landon. And during the 2001-2002 season, the PAX network aired the prequel series Ponderosa, which detailed the adventures of the four Cartwrights in the years before Bonanza took place. ~ Hal Erickson, Rovi

Two years before Hitchcock terrified audiences with the shower scene from Psycho, audiences recoiled at the shower scene in this dark and decidedly twisted psychological thriller. The tale of terror centers on an exotic dancer (Anita Ekberg) who is terrorized by a knife-wielding homicidal maniac. She is cut up but not seriously hurt as her step brother bursts into the bathroom and shoots the killer before he finishes. Unfortunately, the slasher escapes. Time passes, and while the physical wounds, heal, the psychic wounds continue to haunt the poor dancer, who must go to a psychiatrist for help. When a reporter hears about the case, he suspects the work of a serial killer and starts investigating. He finds that each of the killer's victims are given a horrifying sculpture of a woman screaming. Meanwhile, the girl's doctor finds himself falling in love with her. ~ Sandra Brennan, Rovi

Filmed in Mexico, The Black Scorpion was the last theatrical feature to bear the imprimatur of special-effects maven Willis O'Brien. Allegedly an outgrowth of a ten-minute "test" film, the story is set in motion by a volcanic eruption which releases dozens of giant scorpions from a cave. American geologist Richard Denning and his cohorts try to drive the scorpions back into their lair, but the huge arachnids are soon at large in civilization, munching on innocent bystanders as they go their merry way. The authorities are able to destroy all but one scorpion, who unfortunately is the nastiest of the bunch. The climax takes place in a Mexico City bullring, where the scorpion does battle with a fleet of military helicopters. ~ Hal Erickson, Rovi

Few actresses other than Joan Crawford could have successfully pulled off the melodramatic excesses of Autumn Leaves. Though a very attractive fortysomething, Crawford remains aloof from romance until she meets Cliff Robertson, a young man half her age. An ardent and persistent suitor, Robertson finally breaks down her resistence to marriage. After a few weeks of wedded bliss, Crawford is confronted by Vera Miles, who claims to be Robertson's first wife. Miles further insists that Robertson is mentally unbalanced...and his subsequent behavior seems to bear this out. What Crawford doesn't know-but the audience does-is that the real villains of the piece are Miles and her middle-aged lover, Robertson's own father (Lorne Greene). Autumn Leaves works far better on screen than it does in print, thanks to the virtuoso performances of practically everyone in the cast. And, as anyone who's listened to top-40 radio during the past four decades already knows, the film also yielded a hit title song, written by Joseph Kosma, Jacques Prevert, and Johnny Mercer and performed during the credits by Nat King Cole. ~ Hal Erickson, Rovi

A friendship is ripped apart by a greedy woman in this drama. The trouble begins when a horse trainer and a jockey, both long-time friends, fall for the same woman. ~ Sandra Brennan, Rovi

Lex Barker trades his Tarzan loincloth for buckskins in the Universal western Yellow Mountain. Barker stars as gold prospector Andy Martin, who has a serious falling out with his partner Pete Menlo (Howard Duff) over the affections of pretty Nevada Wray (Mala Powers). But Andy and Pete patch up their differences to rescue Nevada's father (William Demarest) from the evil machinations of land baron Bannon (John McIntire). William Fawcett, who looks like he was born during the original Gold Rush, once more goes through his "grizzled old prospector" routine. Yellow Mountain was one of a group of Universal oaters designed as double-feature fodder in larger markets, and main-feature status in smaller movie houses. ~ Hal Erickson, Rovi

Filmed on location at Montana's Glacier National Park, Cattle Queen of Montana makes excellent use of the diverse talents of Barbara Stanwyck and Ronald Reagan. Stanwyck is cast as Sierra Nevada Jones, who hopes to stake her claim in the cattle business despite opposition from hostile land barons. She is helped along by government agent Farrell, even though he's officially on hand to find out who's been inciting the local Indian tribes into attacking the whites. Lance Fuller delivers a well-balanced performance as Colorados, a college-educated Indian chief who hopes to bring peace to the land. Long a fixture of TV's Late Late Shows, Cattle Queen of Montana was briefly reissued theatrically when Ronald Reagan was elected president in 1980. ~ Hal Erickson, Rovi

John Forsythe plays a successful television writer, Don Newell, who works on the "Crime of the Week" anthology series. Newell is being blackmailed by one of the program's actresses (Kathleen Hughes), who threatens to tell his wife of their clandestine affair. Arriving at the actress' apartment for a showdown, Newell discovers that the woman has been murdered. Though the writer is the principal suspect, the real killer is Henry Hayes (Edward G. Robinson), "Crime of the Week"'s research expert, who was also a blackmail victim. The inability of the police to solve the murder becomes the subject of the next "Crime of the Week" program. Hayes tries to deflect attention from himself by building up evidence against Newell, which the writer is compelled to use in his script. But Newelltumbles to Hayes' guilt, and includes this fatal clue in his "Crime of the Week" playlet. Hayes tries to kill Newell during the live broadcast, but the police arrive on the scene and shoot down Hayes. Although The Glass Web was originally released in 3-D, it is surprisingly light on "stereoptic" special effects. ~ Hal Erickson, Rovi

Lizabeth Scott and Diana Lynn are both effectively cast against type in Paid in Full. Scott plays Jane Langley, the spectacularly self-sacrificial older sister of selfish, reckless Nancy Langley (Lynn). Though she is in love with Bill Prentice (Robert Cummings), Jane gives him up to Nancy. And when Jane accidently causes the death of Nancy's child, she vows to makes amends by the most direct means possible. What follows is within the Production Code guidelines of the era -- but just barely. An unabashed "woman's picture" (that's what they called them back in 1949), Paid in Full doesn't always play well today, since viewers might be tempted to yell "Get real, Lizabeth!" at the screen. Still, it worked beautifully for its original target audience, especially those who'd read the factual Reader's Digest article upon which it was based. ~ Hal Erickson, Rovi