Michael Blankfort Movies

The story begins as an astronomer notices that a blazing comet is headed straight for Phoenix Arizona. Unfortunately, no one believes him. They will eventually, but only after most of Phoenix has been reduced to cinders. Emmies went to the special effects (among the best ever seen on TV in those days before computer-generated special fx) and sound recording. The all-star cast includes Richard Crenna, Elizabeth Ashley, David Dukes, Joanna Miles, Lloyd Bochner, Merlin Olsen and Andrew Duggan, all of them superbly cast and none merely doing the usual celebrity walk-through. Originally telecast in a three-hour slot, Fire in the Sky debuted November 26, 1978. This film should not be confused with the 1993 alien-abduction film of the same name. ~ Hal Erickson, All Movie Guide

The Plainsman was a Technicolor remake of the 1936 Cecil B. DeMille film, all about the fictional romantic triangle of Wild Bill Hickok, Calamity Jane and Buffalo Bill. DeMille had the advantage of a topnotch cast: Gary Cooper as Hickok, Jean Arthur as Calamity (complete with a Wally Westmore cosmetic job!) and James Ellison as Buffalo Bill. David Lowell Rich, director of the 1966 The Plainsman, had to make do with Universal contractees Don Murray, Abby Dalton and Guy Stockwell. Denied DeMille's budget, Rich turned out a cut-rate western, wherein the "big" Indian attacks look more like Disneyland exhibits. The usually reliable Abby Dalton further weakens the film with a Southern accent that wouldn't convince a prairie dog. Originally made for television, The Plainsman was instead released theatrically--then went promptly to the small screen. ~ Hal Erickson, All Movie Guide

There's a curious, unsettling "feel" to MGM's The Vintage, perhaps because of its curiously selected cast. Mel Ferrer and John Kerr play a couple of Italian brothers, Giancarlo and Ernesto Barandero, who escape to France after Ernesto kills a man. Attaining jobs in a vineyard run by Louis Morel (played by the decidedly non-Gallic Leif Erickson), the Barandero brothers fall in love with two local lasses: Leonne (Michele Morgan), Monel's young wife, and Lucienne (top-billed Pier Angeli), Leonne's kid sister. Emotions simmer into a boil before the predictably violent climax. The Vintage was adapted from an Ursula Kier novel by Michael Blankfort, a blacklistee compelled to work in Europe during the late 1950s. ~ Hal Erickson, All Movie Guide

Tyrone Power is a Dutchman, and Susan Hayward is an Irish lass. If you believe that, then the rest of Untamed will go down a lot easier. Power is a Boer calvary commander attempting to bring peace to his South African homeland. He has an affair with Hayward, a married woman whose husband is killed during a Zulu attack. While rescuing the survivors, Power runs afoul of Dutch farmer Richard Egan, who insists that Hayward is his property. Egan turns bandit, targeting the diamond mines. Power is bound and determined to stop Egan--and, it is hoped, to clear the path towards lasting happiness with Hayward. The Untamed is a CinemaScope adaptation of a novel by Helga Moray. ~ Hal Erickson, All Movie Guide

A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide

Stanley Kramer's production unit at Columbia Pictures was known for its willingness to tackle subject matter that was not necessarily "box office" (much to the dismay, of course, of Columbia head man Harry Cohn!) Adapted by Michael Blankfort from the autobiography by Donald Powell Wilson, My Six Convicts is the true story of a prison psychologist and his efforts to "reach" his incarcerated patients. John Beal plays the Donald Powell Wilson counterpart, herein known simply as Doc. Convinced that psychological rehabilitation is, indeed, an option, Doc overcomes a great deal of opposition -- from both prison officials and prisoners -- to test out his theories. Once he's won the confidence of hardened safecracker James Connie (Millard Mitchell), Doc is able to bring five more convicts into his circle: murderous mobster Punch Pinero (Gilbert Roland); alcoholic, self-sacrificing Blivens Scott (Marshall Thompson); holdup man Clem Randall (Alf Kjellin); psychopathic killer Dawson (Harry Morgan -- yes, that Harry Morgan); and embezzler Steve Kopac (Jay Adler). These six cons learn to make their life behind bars not only tolerable but productive, and in so doing pass on their new outlook on life to their fellow inmates. Despite the seriousness of the subject matter, My Six Convicts is essentially a comedy, with the all-male cast working together in seamless perfection. ~ Hal Erickson, All Movie Guide

In Halls of Montezuma, Richard Widmark stars as Lt. Carl Anderson, a former schoolteacher who serves as a no-nonsense Marine officer during WW II. Anderson leads his patrol to a Japanese-controlled island, where the enemy has set up an experimental rocket base. The patrol's mission is to capture prisoners for interrogation, which proves a near-insurmountable task given the fact that the Americans are heavily outnumbered. Among the grime-covered Marines are Walter (Jack) Palance, Robert Wagner, Karl Malden, Richard Boone, Skip Homeier and Neville Brand. Jack Webb is a chain-smoking war correspondent, while Reginald Gardiner shows up as an aristocratic--but very tough--British officer. ~ Hal Erickson, All Movie Guide

In this provocative drama, a stern hard-liner judge commits euthanasia to save his terminally ill wife from further suffering. He decides to kill her by driving the both of them off a cliff. He succeeds in ending her pain, but unfortunately he survives and ends up turning himself in with a full confession. Now it is up to his brilliant lawyer to defend him. He not only justifies the old judge's actions, he also proves that the wife took a fatal dose of poison before getting in the car; therefore she committed suicide. The judge is freed and returns to his courtroom where he oversees his cases with considerably more sympathy and understanding than he did before. ~ Sandra Brennan, All Movie Guide

Ingrid Bergman stars in Adam Had Four Sons, her second American film appearance. Based on a novel by Charles Bonner, the story begins in the early twentieth century, when French governess Emilie Gallatin (Bergman) is hired to care for the four growing sons of wealthy Adam Stoddard (Warner Baxter). The sudden death of Stoddard's wife Molly (Fay Wray) and the loss of his fortune compels Emilie to reluctantly give up her position and head home. Ten years later, Stoddard, having recovered financially, again sends for Emilie, even though his sons have all grown and are about to march off to WW1. Secretly in love with Stoddard, Emilie nonetheless keeps her place, until the libertine behavior of Stoddard's scheming sister-in-law Hester (Susan Hayward) forces Emilie to take drastic action. ~ Hal Erickson, All Movie Guide

Blind Alley, directed by Charles Vidor is a chilling psychological drama in the film-noir tradition reminiscent of the fine melodrama The Desperate Hours. Hal Wilson (Chester Morris) is an escaped killer who hides out in the home of noted psychologist Dr. Shelby (Ralph Bellamy). While Wilson's gang holds Shelby's family and servants hostage, the pipe-smoking mental doctor calmly tries to discover the reasons for Wilson's murderous proclivities. As gun moll Mary (Ann Dvorak) covers Shelby, Wilson willingly allows the doctor to psychoanalyze him, using hypnosis to trace the killer's childhood. Blind Alley works as a "film noir" complete with surrealistic dream sequences. A taut story and moody cinematography by Lucien Ballard -- with sharp direction from Vidor, and superlative acting by Morris and Bellamy -- earn this film noir entry a top spot in the genre. The film was remade scene-for-scene in 1949 as The Dark Past, with William Holden as the killer and Lee J. Cobb as the unflappable head shrinker. ~ Hal Erickson, All Movie Guide