Terence Blanchard Movies

Directed by TV veteran Darnell Martin, the musical drama Cadillac Records documents the compelling true-life story of the Chicago record label that helped the world discover such legendary artists as Muddy Waters, Howlin' Wolf, Little Walter, and Chuck Berry. Founded in 1950 by Leonard Chess (Adrien Brody), Chess Records quickly gained a reputation as home to some of the most talented and influential blues artists ever to step into a recording studio. But giving these musicians an opportunity to bring their music to the world was no easy task, because along the way there was enough sex, drugs, and rock & roll to ensure that things around Chess Records never got boring. Featuring Jeffrey Wright as Muddy Waters, Gabrielle Union as Geneva Wade, Beyoncé Knowles as Etta James, Mos Def as Chuck Berry, Cedric the Entertainer as Willie Dixon, and Eamonn Walker as Howlin' Wolf. ~ Jason Buchanan, All Movie Guide

The documentary Lights! Action! Music! consists primarily of interviews with composers, directors, and actors who explain the many challenges involved in writing original music for motion pictures. Among the many famous names who appear on camera or whose work is used during the film are Francis Ford Coppola, Carter Burwell, Rachel Portman, and Spike Lee. ~ Perry Seibert, All Movie Guide

Academy Award-nominated director Spike Lee (the guiding force behind the critically acclaimed documentary 4 Little Girls) turns to nonfiction filmmaking once again with the heart-wrenching marathon work When the Levees Broke: A Requiem in Four Acts, produced by Lee's Forty Acres and a Mule Filmworks and originally screened on HBO. In four "acts" of approximately one hour each, Lee examines the devastation wrought by Hurricane Katrina in the late summer of 2005 and the incorrigible response to the catastrophe from U.S. government agencies. The filmmaker then evaluates the overwhelming measures that must be taken for the area to rebound and recover fully, demonstrating time and again that this seems an unlikely prospect in the immediate future. Act One covers the events that immediately preceded Katrina's onslaught of horror, with an in-depth exploration of the Bush administration and FEMA's joint failures to understand the potential calamity at hand. Lee picks up this subtopic again and makes it the central focus of Act Two, which expands into a dissection of the government agencies' failure to respond to the crisis with adequate measures; time and again, the director fills his frame, in this segment, with images and indications of naked human indifference. Act Three plunges headfirst into the toll taken by the hurricane on the lives of Louisiana residents, with protracted glimpses of the destruction wrought. And finally, the film wraps with Act Four, where Lee conducts more recent interviews with experts who question the soundness of the New Orleans levee system in the face of future catastrophes. A number of celebrities and public figures also appear on camera to provide commentary throughout the work, including New Orleans mayor Roy Nagin, actor, singer and social activist Harry Belafonte, and actor Sean Penn. ~ Nathan Southern, All Movie Guide

Omnibus films attained renewed popularity during the 1990s and 2000s; this particular seven-episode film-a-sketch arrived during that period, and involved several top-tiered international filmmakers including John Woo, Spike Lee, Ridley Scott, Emir Kusturica and three others. Each helmer was asked to shoot a segment of between 16-18 minutes in length, for UNICEF, on the subject of exploited and/or underprivileged children around the world. The package opens with "Tanza," helmed by Algerian novelist-cum-filmmaker Mehdi Charef and shot in Burkina Faso. It concerns the 12-year-old female title character - an adolescent freedom fighter - who trollops through the countryside accompanied by young male guerilla fighters who spout off deliberately nonsensical English-language dialogue. Kusturica takes the reins for the second segment, "Blue Gypsy," an overtly comical episode in the vein of Time of the Gypsies about a precocious young boy who makes the split from his alcoholic father and thieving family and goes to live in a juvenile detention center, finding it preferable to home. The third episode, helmed by co-producer Stefano Veneruso and entitled "Ciro," recalls neorealismo with its Naples-set tale of a young boy unloved and systematically neglected by his mother, who resorts to spending time with other neglected children and stealing watches, and then gets caught in the direst of ways. The fourth segment, Spike Lee's delicately-handled "Jesus Children of America," stars Hannah Hodson as Blanca, a young Brooklynite ostracized by her peers because her parents are junkies; when she learns of her HIV-positive status, her world crumbles. For the 5th episode, "Bilu and Joao," Brazilian director Katia Lund casts child actors Francisco Anawake de Freitas and Vera Fernandes as two impoverished tykes whose days involve walking around the outskirts of Sao Paulo and pulling a wooden cart, into which they pile aluminum and paper - but do so joyously, with the courage and grace of two individuals delighting in subhuman work despite the direst of circumstances. For the sixth segment, "Jonathan," Ridley Scott teams up to co-direct with daughter Jordan Scott; the episode stars David Thewlis (Naked) as an emotionally-traumatized war photographer who encounters a band of Eastern European orphans. And the closer, John Woo's "Song Song and Little Cat," studies the contrast between the lives of two young Asian girls from polar opposite ends of the socioeconomic spectrum: Oi Ruyi is Little Cat, an abjectly impoverished child discovered in the garbage, during infancy, by a homeless man; she grows up helping her discoverer forage for victuals until he dies, leaving her aimless and bereft. Woo cuts between her story and that of Song Song, a wealthy and pampered little girl whose story is equally tragic in its own way, as her parents are undergoing a bitter divorce. Though this film, as indicated, enlisted the support of at least two major Hollywood directors (Scott and Lee) it did encounter extreme difficulty securing U.S. theatrical and ancillary distribution, which effectively kept it out of North America in the years that immediately followed its global release. ~ Nathan Southern, All Movie Guide

Robert Williams was an anomaly in the 1950s during the dawning days of the Civil Rights Movement -- while most African-American leaders espoused peaceful resistance and abhorred violence, Williams advocated meeting force with force, and suggested that blacks should arm themselves for their own protection in his controversial book Negroes With Guns as well as his outspoken newsletter The Crusader. Williams' bold views were not the only thing about him that caused a stir; an incident involving a civil rights protest in 1961 led to Williams being charged with kidnapping by the FBI (charges which were later dropped), and the author and activist went into exile, living for a while in Cuba (where he broadcast a radio show into the southern United States, Radio Free Dixie) and later in China (as a guest of Mao Tse-tung). Negroes With Guns: Rob Williams and Black Power is a documentary (created with the cooperation of Williams' estate) that looks at the private and public lives of a brilliant but wildly controversial man. Negroes With Guns: Rob Williams and Black Power was screened as part of the 2004 Los Angeles Film Festival. ~ Mark Deming, All Movie Guide

Jamie Foxx once again brilliantly demonstrates his acting chops as Stan "Tookie" Williams, the South Central Los Angeles native who, at the age of 17, co-founded the infamous Crips street gang. If one is to believe the script of this made-for-cable film, Williams hadn't intended the Crips to wallow in crime and violence; instead, he'd hoped that the gang would form a united front to protect his 'hood from other gangbangers. Needless to say, it didn't turn out that way, and within a few years of its 1971 formation, the Crips was the biggest and most powerful gang in the country, with branches in virtually every state. Ultimately, Williams is charged with murder and sentenced to San Quentin's death row in 1987. There he experiences an epiphany and becomes an advocate for peace, harmony, and tolerance, writing children's books that preach against the lure of street gangs. As the years roll by and the date of his execution draws closer, Williams manages to negotiate a peace between the Crips and their chief rivals, the Bloods, and even manages to receive three Nobel Prize nominations. Lynn Whitfield co-stars as Barbara Becnel, the crusading journalist who helped Williams see the light -- not so much to save his soul, but to prevent a similar fate from befalling her own son. Although considerable liberties are taken with the facts, Redemption: The Stan "Tookie" Williams Story neither glamorizes nor excuses its title character, nor the "gangsta" culture that he so enthusiastically embraced in his youth. After a showing at the Sundance Film Festival, the movie made its FX network debut on March 3, 2004. ~ Hal Erickson, All Movie Guide

A powerful behind-the-scenes man in politics and show business finds himself skidding into a very public scandal in this taut drama. Eli Wurman (Al Pacino) was raised in the deep South, attended Harvard Law School, and has devoted his spare time to progressive political causes since working alongside Dr. Martin Luther King Jr. in the 1960s. However, Wurman now makes his living as a press agent and PR man, and while he's near the top of his profession, years of overwork, constant smoking and drinking, and ceaseless tension are taking their toll, leaving him on the verge of collapse, with only the prescriptions of his friend Dr. Napier (Robert Klein) keeping him on his feet. One of Wurman's biggest clients is Cary Launer (Ryan O'Neal), a fading film star with political aspirations who, after attending a disastrous Broadway opening, asks Wurman to do him a big favor -- bail Launer's girlfriend, Jilli (Téa Leoni), out of jail and keep an eye on her. Wurman manages to get Jilli out of the stir, but she insists upon being escorted to an exclusive sex and opium den for a night of heavy drinking and drugging, and then reveals to Wurman that she owns a device which she's used to record footage of the most public figures who attend the club, including Elliott Sharansky, a billionaire Jewish civic leader (Richard Schiff). That night, a half out-of-it Eli accompanies Jilli back to her hotel room when an intruder barges in and forces an overdose on her, killing her instantly. The next morning, Wurman has only fuzzy memories of what transpired. He decides to focus on his attempts to set up a political fundraiser, but has a hard time getting the right A-list celebs to appear, just as many of New York's power brokers aren't especially interesting in working with Wurman or Launer. In the midst of this chaos, Victoria (Kim Basinger), who was married to Wurman's late brother, arrives in New York and urges him to leave the city and his career behind while he still can. People I Know was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, All Movie Guide

Spike Lee's documentary on the football star, movie actor, and social activist is a no-frills examination of a man who has rarely been out of the public spotlight for over 45 years. Jim Brown talks about the various phases of his life, from his boyhood in the all-black community of St. Simons Island, GA; to his adolescence on Long Island, where he became a multi-sport star athlete; to his college days at Syracuse University; to his nine-year career as the NFL's leading running back with the Cleveland Browns; to his days as an action star in Hollywood films; to his work with various social programs, many designed to help inner city youth. Among the many interview subjects are Art Modell, the onetime owner of the Browns; former Cleveland Brown teammates Dick Schafrath, John Wooten, Bobby Mitchell, Paul Warfield, and Walter Beach; filmmaking colleagues Fred Williamson and Bernie Casey (both football players turned actors), Raquel Welch, Oliver Stone, James Toback, Melvin Van Peebles, and Stella Stevens; Kim Brown and James Brown Jr., two of Brown's children from his first marriage; and Rockhead Johnson, a former Los Angeles gang leader and officer of Brown's Amer-I-Can organization. Lee does address Brown's ongoing legal problems over various assault charges, many of them involving women, and he tracks down a onetime Brown lover who in the mid-'60s wound up in the hospital after an incident at his Los Angeles home. Brown appeared in a supporting role in Lee's film He Got Game. This film, co-produced by HBO's sports division, was released theatrically for a limited run; a version running 114 minutes premiered on HBO several months later. ~ Tom Wiener, All Movie Guide

The acting debut of pop music diva Mariah Carey loosely traces the singer's real-life trajectory to fame. Carey is Billie, an impoverished girl growing up in a tough New York neighborhood abandoned by her drug-addicted mother and dreaming of stardom. Billie gets her big break when her group's demo tape is heard by Julian Dice (Max Beesley), an infamous bad boy DJ and record producer in the club scene of the early '80s. A volatile relationship soon develops between Dice and Billie while her professional life takes off, leading to fame, fortune, and heartbreak. Glitter is the sophomore film of actor-turned-director Vondie Curtis-Hall and co-stars Eric Benet, Dorian Harewood, Ann Magnuson, Terrence Dashon Howard. and Da Brat. ~ Karl Williams, All Movie Guide

A man struggles back from madness to avenge the death of someone he knew in an intelligent thriller based on the acclaimed novel by George Dawes Green. Romulus Ledbetter (Samuel L. Jackson) once had a career as an acclaimed concert pianist, a position at the Juilliard School of Music, and a loving wife and children. But Ledbetter's life has been devastated by paranoid schizophrenia; now homeless, Ledbetter wanders the streets of New York City as he rails against Cornelius Gould Stuyvesant, a man whom he believes controls all the evil in the world while following his movements from a perch atop the Chrysler Building. Most nights, Ledbetter takes shelter in a cave in Central Park, earning him the nickname "the Caveman." One morning, Ledbetter discovers a frozen corpse caught in the branches of a tree near his cave; the body is that of Scotty (Sean MacMahaon), a homeless drug addict who was close friends with his pal Matthew (Rodney Eastman). Ledbetter is determined to get justice for Scotty, and he's also eager to prove himself to his daughter Lulu (Aunjanue Ellis), now a New York City police officer. While Ledbetter is at first convinced that his nemesis Stuyvesant is responsible for Scotty's death, in time he focuses on another suspect: David Leppenraub (Colm Feore), a famous photographer known for his controversial erotic images of young men, who occasionally hired Scotty as a model. As Ledbetter attempts to investigate Leppenraub's possible role in the murder, he soon gains an unexpected ally -- Moira (Ann Magnuson), a noted sculptor and Leppenraub's sister. The Caveman's Valentine marked the major-studio debut for director Kasi Lemmons, who made an impressive debut in 1997 with the independent drama Eve's Bayou. ~ Mark Deming, All Movie Guide