Robert Blake Movies
Wide-eyed little Bobby Blake began his acting career as an Our Gang kid and eventually matured into one of Hollywood's finest actors. Born Michael Gubitosi, the boy was two years old when he joined his family vaudeville act, "The Three Little Hillbillies." The act was doomed to failure, as were most of the pipe dreams of the Gubitosi family. Relocating from New Jersey to California, Michael's mom found work for her kids as extras at the MGM studios. The young Gubitosi impressed the producers of the Our Gang series, and as a result the six-year-old was elevated to star status in the short subjects series. Little Mickey Gubitosi whined and whimpered his way through 40 Our Gang shorts, reaching an artistic low point with the execrable All About Hash (1940). During his five-year tenure with the series, the boy anglicized his professional name to Bobby Blake. Freelancing after 1944, Blake's performing skills improved immeasurably, especially when he was cast as Indian sidekick Little Beaver in Republic's Red Ryder series. He also registered well in his appearances in Warner Bros. films, playing such roles as the younger John Garfield in Humoresque (1946) and the Mexican kid who sells Bogart the crucial lottery ticket in The Treasure of the Sierra Madre (1948). Though sporadically happy in his work (one of his most pleasurable assignments was the otherwise forgettable Laurel and Hardy feature The Big Noise, 1944), Bobby Blake was an unhappy child, weighed down by a miserable home life. At 16, Blake dropped out of sight for a few years, a reportedly difficult period in his life. Upon claiming a 16,000-dollar nest egg at age 21, however, Blake began turning his life around, both personally and professionally. He matriculated into a genuine actor rather than a mere "cute" personality, essaying choice dramatic roles in both films and TV. He starred in the Allied Artists gangster flick The Purple Gang (1960), played featured roles in such films as PT 109 (1963), Ensign Pulver (1964), and The Greatest Story Ever Told (1965), and guest starred on dozens of TV shows. In 1963, he was one of 12 character actors amalgamated into the "repertory company" on the weekly anthology series The Richard Boone Show; he spent the next 26 weeks playing everything from agreeable office boys to fevered dope addicts. His true breakthrough role came in 1967, when he was cast as real-life multiple murderer Perry Smith in Richard Brooks' filmization of In Cold Blood. Even after this career boost, Blake often found the going rough in Hollywood, due as much to his own pugnacious behavior as to typecasting. He did, however, star in such worthwhile efforts as Tell Them Willie Boy Is Here (1969) and Electra Glide in Blue (1973). Blake achieved full-fledged stardom at last with his three-year (1975-1978) starring stint on the TV cop series Baretta, adding to his already sizeable fan following via several lively, tell-all guest appearances on The Tonight Show, The Merv Griffin Show, and several other video chat fests. Despite his never-ending battles with the ABC executives during the Baretta run, Blake stuck out the series long enough to win an Emmy, and even got to direct an episode or two.
Forming his own production company, Blake made several subsequent tries at TV-series success: Hell Town (1985), in which he starred as a barrio priest, lasted 13 weeks, while the private-eye endeavor Jake Dancer never got past its three pilot films. He has been more successful with such one-shots as the TV miniseries Hoffa (1983), in which he played the title character with chilling accuracy, and the 1993 TV biopic Judgment Day: The John List Story, which earned him another Emmy. His later film appearances were in hard-nosed character parts, such as 1995's The Money Train, and he landed a plum (albeit terminally odd) lead role in David Lynch's postmodern thriller Lost Highway (1997), as a clown-faced psychopath who plays bizarre mind games with a suburban couple. Though he's managed to purge some of his personal demons over the years, Robert Blake remains as feisty, outspoken, and unpredictable as ever, especially when given an open forum by talk show hosts.
In 2001, Blake generated headlines once again, though this time off-camera and in an extremely negative vein. The mysterious murder of wife Bonnie Lee Bakely sent the tabloids into a furious frenzy of speculation and accusation. Arrested for the murder of Bakely in April 2002, Blake's future looked increasingly grim as evidence continued to mount against him. Nevertheless, in March 2005 the actor was completely exonerated of all accusations surrounding Bakely's death and narrowly escaped a life sentence in prison. His on-camera activity remained extremely infrequent, however. Late in 2005, the press reported the outcome of a civil trial involving Bakely's homicide, in which Blake was required to pay an estimated $30 million to her children. ~ Hal Erickson, All Movie Guide
Treasure of the Golden Condor is a Technicolor remake of 1942's Son of Fury; both films were based on the same novel by Edison Marshall. Cornel Wilde stars in the old Tyrone Power role as Jean-Paul, a Frenchman cheated of his birthright by his duplicitous uncle (George Macready). Retreating to South America with lovable reprobate MacDougal (Finlay Currie), Jean-Paul searches for buried treasure in the jungles of Guatemala. He also romances MacDougal's comely daughter Clara (Constance Smith). Eventually, Jean-Paul must bid Clara goodbye and return to France, there to settle accounts with his uncle. Clara prays for the day that Jean-Paul will come back for her and as the closing music swells . . . . ~ Hal Erickson, All Movie Guide
- Starring:
- Cornel Wilde, Constance Smith, (more)
It's a toss-up as to who looks better unclothed in Universal's Veils of Bagdad: Hero Victor Mature or heroine Mari Blanchard. Mature plays a Robin-Hood type named Antar, who travels with a troupe of jugglers and wrestlers, all of whom double as thieves, pickpockets and second-story men. When the evil Pasha of Bagdad (Leon Askin) conspires with the equally evil Vizier (Guy Rolfe) to steal tax money to finance a private war, Antar and his gang swings into action. Blanchard plays Selima, the toothsome daughter of a murdered tribal chieftain who works as a cabaret dancer while searching for her dad's murderer. TV fans are advised to keep an eye out for future Baretta star Robert Blake, who shows up in a bit as a youthful beggar. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Mature, Mari Blanchard, (more)
Apache War Smoke was a remake of Apache Trail (42); both films were based on a story by Ernest Haycox. Haycox had previously written Stage to Lordsburg, a western yarn filmed by John Ford as Stagecoach (39). Apache War Smoke adheres to the Stagecoach formula by trapping several strangers in a dangerous situation, in this instance an incipient Apache uprising. Included in the group are the passengers of a stagecoach, and the gang of bandits who've just held up the coach; there's also a notorious Indian hater in the bunch. Apache War Smoke spins its yarn in a brisk 67 minutes, with only a few slow stretches here and there. ~ Hal Erickson, All Movie Guide
- Starring:
- Gilbert Roland, Glenda Farrell, (more)
Partly conceived as a follow-up to Prince of Foxes, 20th Century-Fox's The Black Rose, reunites the earlier film's two stars, Tyrone Power and Orson Welles. Filmed on location in England and Morocco, the story concerns 13th-century Saxon nobleman Walter of Gurnie (Tyrone Power), who, after sparking an unsuccessful rebellion against the Norman conquerors of his homeland, sets out to seek his fortune in the Far East. In the company of his friend Tristam (Jack Hawkins), Walter makes the acquaintance of megalomanic North African warlord Bayan (Orson Welles). Journeying farther, Walter and Tristam arrive in China, where they are treated with deference--so long as they never try to leave. Eventually escaping his Chinese hosts, Walter returns to his native country. Previously renounced by King Edward (Michael Rennie) because of his role in the a Saxon rebellion, Walter is welcomed back with open arms because of all the cultural and scientific wonders he's brought back from China (including gunpowder). The "Black Rose" of the title is the beauteous Maryam (Cecile Aubrey), with whom Walter fell in love while both were the prisoners of Bayan. A bit lacking in terms of spectacular adventure sequences, Black Rose scores points on its star power and splendid Technicolor photography. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Orson Welles, (more)

- 1948
- NR
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John Huston's 1948 treasure-hunt classic begins as drifter Fred C. Dobbs (Humphrey Bogart), down and out in Tampico, Mexico, impulsively spends his last bit of dough on a lottery ticket. Later on, Dobbs and fellow indigent Curtin (Tim Holt) seek shelter in a cheap flophouse and meet Howard (Walter Huston), a toothless, garrulous old coot who regales them with stories about prospecting for gold. Forcibly collecting their pay from their shifty boss, Dobbs and Curtin combine this money with Dobbs's unexpected windfall from a lottery ticket and, together with Howard, buy the tools for a prospecting expedition. Dobbs has pledged that anything they dig up will be split three ways, but Howard, who's heard that song before, doesn't quite swallow this. As the gold is mined and measured, Dobbs grows increasingly paranoid and distrustful, and the men gradually turn against each other on the way toward a bitterly ironic conclusion. The Treasure of the Sierra Madre is a superior morality play and one of the best movie treatments of the corrosiveness of greed. Huston keeps a typically light and entertaining touch despite the strong theme, for which he won Oscars for both Director and Screenplay, as well as a supporting award for his father Walter, making Walter, John, and Anjelica Huston the only three generations of one family all to win Oscars. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Walter Huston, (more)
Regular "Red Ryder" series villain Roy Barcroft took a well-earned breather in Homesteaders of Paradise Canyon. The equally disagreeable Gene Stutenroth (aka Gene Roth proved a fair enough substitute, however, as Bill Hume, a homesteader so disgusted over the fact that the government land he was promised for free instead goes for two dollars per acre that he hooks up with villainous newspaper publisher A.C. Blaine (Milt Kibbee). Having guided the homesteaders to Paradise Valley in the first place, Red Ryder (Allan Lane) manages to persuade his charges to remain despite the exorbitant price of land, much to the chagrin of Blaine and his cohort Langley (Emmett Vogan), who do their level best trying to scare the settlers away from the potentially lucrative valley. When Red goes undercover as a driver for Blaine's stagecoach line, young settler Steve Dill (John James) accuses him of treason and incites the settlers against him. It all comes to a showdown at the Hume ranch, where Bill's brother Rufe Mauritz Hugo) is shot before he can confess to his brother's treachery. Bill manages to get away, but Red mounts Thunder and tracks him down. Implicating his bosses Blaine and Langley, Bill is carted off to jail. ~ Hans J. Wollstein, All Movie Guide
Dissatisfied with his postwar Republic westerns (not to mention his comparatively low salary), Gene Autry switched his base of operations to Columbia in 1947, where he wore two hats as both star and producer. Autry's first Columbia effort, The Last Round-Up, is a vast improvement over the Republics that preceded it. The story finds Autry arranging for an impoverished Indian tribe to move from their desolate reservation to a more fertile and attractive location. Understandably, the Indians doubt Autry's motives, having been previously burned by such usurping crooks as Mr. Mason (Ralph Morgan) and his son Matt (Mark Daniels). Once Autry has convinced the Indians that he's on their side, he must contend with the Masons' murderous minions. In the course of events, Gene Autry sings five songs, several of them directed to pert leading lady Jean Heather. Featured among the Indian characters is little Bobby Blake, a recent graduate of Republic's "Red Ryder" series. Some of the action highlights in The Last Round-Up were lifted from the 1940 Columbia "A" western Arizona. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Autry, Jean Heather, (more)
The story of the legendary crime-fighting dog, Rin-Tin-Tin. ~ Tana Hobart, All Movie Guide
Rustlers of Devil's Canyon was one of seven "Red Ryder" westerns with Allan Lane in the lead. Returning from the Spanish-American war, Red Ryder (Lane) discovers that his home turf has been overtaken by rustlers. To make matters worse, a range war erupts between homesteaders and ranchers. It turns out that the head of the rustlers, outwardly a pillar of the community, is responsible for fomenting the hostilities. Red Ryder sets things right within the allotted 6 reels, aided by his youthful pal Little Beaver (Bobby Blake), who says "You betchum!" at the drop of a feather. ~ Hal Erickson, All Movie Guide
- Starring:
- Martha Wentworth
Actually it's Rin Tin Tin III, grandson of the legendary silent-movie canine star. Filmed in less than glorious Vitacolor, Return of Rin Tin Tin stars Donald Woods as an American priest assigned to a postwar European mission. Bobby Blake (later Baretta star Robert Blake) is a young war orphan whose harrowing experiences have soured him on mankind. Father Woods brings the boy to America, but the lad is still unapproachable until he befriends Rin Tin Tin. The dog restores the boy's zest for living and faith in humanity. A villain threatens to take the dog away, but all ends happily (and tearfully). While not on a par with MGM's Lassie pictures, PRC Pictures' Return of Rin Tin Tin has its heart in the right place. ~ Hal Erickson, All Movie Guide
- Starring:
- Donald Woods, Claudia Drake, (more)
Marshal of Cripple Creek was the last of seven Republic "Red Ryder" westerns starring Allan "Rocky" Lane. This time, Red Ryder (Lane) rides into a gold-mining town, where an outlaw gang is operating unmolested. It's not that the local sheriff is corrupt; it's simply that the villains are too clever and well-hidden. Since the crooks seem to favor robbing the regular gold-ore shipments, Ryder rides along on one of these excursions, and the results are explosive indeed. Helping our hero achieve his goal is former outlaw Tom Lambert (Trevor Bardette), anxious to prove he's gone straight. In addition to Allan Lane, Marshal of Cripple Creek features Bobby Blake and Martha Wentworth as Red Ryder's comic-strip cohorts Little Beaver and The Duchess. ~ Hal Erickson, All Movie Guide
- Starring:
- Martha Wentworth
Director Joseph Kane adapted his own story Diamond Carlisle for the screenplay of In Old Sacramento--the third film version of Kane's original tale. Bill Elliot stars as masked bandit Spanish Jack, who behaves as badly as he wishes with few of the usual redeeming features plaguing most cinema desperadoes. In fact, in the earlier film versions of Diamond Carlisle, Elliot's character was the villain! After numerous hairbreadth adventures, Elliot dies in the arms of loving saloon singer Constance Moore. Also released as Flame of Sacramento, this was the first of a long line of films in which onetime "B" cowboy star Bill Elliot would portray a new kind of "B" western hero--one who drank at any opportunity, took advantage of unarmed foes, and lived by his own personal code rather than the edicts of society. ~ Hal Erickson, All Movie Guide
- Starring:
- Constance Moore, Hank Daniels, (more)
In this western, Red Ryder rounds up a gang of horse thieves who have been stealing cavalry horses. ~ Sandra Brennan, All Movie Guide
In this drama, a husband becomes a single parent after his wife dies in childbirth. He is so engrossed in his newspaper career that he pays little attention to his daughter. He then meets and falls for a woman who chastises him for ignoring the child. He has just begun reestablishing his relationship with his daughter and is about to marry the woman when a convict escapes from prison and goes looking for the woman, who testified against him in court, to exact his murderous revenge. Fortunately, her fiance saves her and happiness ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Frazee, Twinkle Watts, (more)
Making his starring debut, Republic cowboy Monte Hale strums his guitar and sings Over the Rainbow Trail by Ken Carson, The Sons of the Pioneers and Down at the Old Hoe-Down by Gordon Foster, and Take Your Time by Glenn Spencer; on the last of these, he is accompanied by Bob Nolan. In between all the warbling, Hale finds enough time to prove that little Bobby Blake's pet bear isn't the one causing death and destruction among the area's cattle. For some reason, Republic chose the Hale series to launch their newly developed Magnacolor scheme, thus making the rather wooden Hale the first of the studio's illustrious cowboys to appear in (almost) natural hues. Adrian Booth (formerly Lorna Gray) made the first of seven appearances opposite Hale as little Bobby's sister, antagonistic at first toward the hero but falling properly in love with him before the fade-out. Little Bobby Blake (formerly Mickey Gubitosi of Our Gang fame) later became Robert Blake and the star of television's Baretta. Monte Hale never quite accepted the tag of "singing cowboy," and his series, which lasted until 1950, became increasingly less musical with each new entry. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Monte Hale, Adrian Booth, (more)
Red Ryder and his comical sidekick take on a new batch of bad-guys in this western, the 16th in the Red Ryder series. This time the heroic duo try to save a female rancher from a greedy financier who wants her land so he can exploit the enormous oil fields lying under it. ~ Sandra Brennan, All Movie Guide
An exemplary "Red Ryder" Western, Stagecoach to Denver features Red (Allan Lane), his aunt, the Duchess (Martha Wentworth), and Little Beaver (Bobby Blake) caring for Dickie Ray (Bobby Hyatt), a young child who has broken his back in a stagecoach collision that also took the life of Land Commissioner Felton (Edward Cassidy). Unbeknownst to the people of Elkhorn, stage owner Big Bill Lambert (Roy Barcroft) had arranged the "accident" in order to get rid of the pesky land commissioner who threatened to ruin his plans for controlling all communication between Elkhorn and Denver. Little Dickie requires an operation but Doc Kimball (Tom Chatterton) needs the consent from his nearest relative, Denver resident May Barnes (Marin Sais), whom the boy has never met. Since she is scheduled to arrive on the same stage as the new land commissioner, Taylor (Tom Chatterton), Aunt May poses a problem for Big Bill, who has them both kidnapped and replaced with his own people, Wally (Stanley Price) and Beautiful (Peggy Stewart). The latter feels sorry for little Dickie and is ready to bail but Big Bill forces her to go through with the deception. The boy survives his operation, of course, and Big Bill's treachery is eventually revealed. But Beautiful pays a rather heavy price for her part of the deception when she takes a bullet meant for Bobby. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Martha Wentworth
In this western, Red Ryder and his sidekick prove that a man never committed the crime of which he has been accused. They then round up the real outlaws. ~ Sandra Brennan, All Movie Guide
Fannie Hurst's novel Humoresque is the lachrymose tale of a famed Jewish-American violinist who forgets all about his friends and family in his rise to fame. Screenwriters Clifford Odets and Zachary Gold refashioned this timeworn material into a first-class, big-budget soap opera, completely dominated by the high-octane talents of Joan Crawford and John Garfield. A gifted musician, Garfield rises from the slums to the upper echelons of society, thanks to the patronage of wealthy, alcoholic Crawford. Virtually ignored by her husband Paul Cavanaugh, Crawford adopts Garfield as her lover as well as her protégé. He is only mildly offended by the setup; she, on the other hand, becomes jealous and possessive. It is not a woman who comes between Crawford and Garfield: it the intensity of his talent, not to mention the spectre of the great composers whose works he interprets so brilliantly. Garfield's virago of a mother (Ruth Nelson) feeds upon Crawford's jealousy, planting the seeds of guilt for (allegedly) holding her son back. The ultrastylish suffering of Joan Crawford and the street-punk insouciance of John Garfield (who looks like a "Dead End Kid" even while wearing a tux) is counterpointed by the phlegmatic comedy relief of Oscar Levant. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, John Abbott, (more)
This fast-paced western, geared entirely to the small-fry, was the first in Republic Pictures' long-running "Red Ryder" series to star Allan Lane. Lane had taken over from William Elliot, who had been promised A-westerns only by company president Herbert I. Yates. Ryder and his young Indian pal Little Beaver (Robert Blake) come to the aid of Ryder's stout aunt, "The Duchess" (Martha Wentworth), whose crusading efforts to open up a privately owned toll-road for all travellers has put the elderly rancher in danger from a powerful if corrupt civic leader, newspaper publisher Crawford (Barton MacLane). The second in the Lane "Red Ryder" series to be filmed, Santa Fe Uprising was substituted for a weaker entry in order to give the new Ryder the best possible chances for success. Wentworth, whose character name as depicted by series creator Fred Harman was, interestingly enough, "Martha 'The Duchess' Wentworth," replaced Alice Fleming in the role as Ryder's indomitable aunt. Lane, Blake, and Wentworth went on to star in six more "Red Ryder" westerns before the series moved over to Eagle-Lion (the former PRC) where the roles would be played by Jim Bannon, Don Kay Reynolds, and veteran B-western actress Marin Sais. ~ Hans J. Wollstein, All Movie Guide
All 7 "Red Ryder" B-westerns of the 1946-47 season were directed by R. G. Springsteen. All were written by veteran Earl Snell. And, all starred Allan "Rocky" Lane, returning to the series after briefly being replaced by Bill Elliot. Bobby Blake co-starred in these seven films as Ryder's young Indian chum Little Beaver, while Martha Wentworth filled the role of the Duchess. Each film had a historical slant, covering different eras in frontier history--even though costumes of the principal characters never changed. The self-explanatory California Gold Rush is set in 1849. Ryder heads to Sutter's Mill, where he must contend with claim-jumping and treachery. ~ Hal Erickson, All Movie Guide
Republic Pictures trotted out some of their popular Western stars -- including Roy Rogers, Dale Evans, Trigger, Allan Lane and Don "Red" Barry -- for this backstage musical starring the company's newest singing cowboy, Monte Hale. To top it all off, the studio "inaugurated" Trucolor, which, in reality, was the old Magnacolor system under a more enticing name. Hale played himself, a cowboy seeking employment with "Globe Pictures" along with such other newcomers as little Bobby Blake (later Robert Blake) and his dancing horse Pardner. Monte and the horse are hired to appear in the newest Rod Mason (John Dehner) Western extravaganza, but the self-important Mason grows increasingly jealous of Monte's success and engages in a bit of sabotage. Pardner is slightly injured as a result, and although he is wanted for a series of his own, Monte takes time out to heal the animal's wounds. Mason immediately accuses his rival of not only kidnapping the horse but mistreating him as well. Assisted by Foy Willing and the Riders of the Purple Sage, Monte eventually forces Rod and his henchman Ace (Fred Graham) to admit their culpability in Pardner's injuries, doing so the oldfashioned way -- by brute force. In addition to offering an enticing glimpse behind the scenes at Republic Pictures in its heyday, Out California Way also included such songs as Boogie Woogie Cowboy, Rose of Santa Fe, Little Bronc of Mine, and the title tune. Columnist and occasional screenwriter Jimmy Starr appeared briefly as himself. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Monte Hale, Adrian Booth, (more)
Red Ryder rounds up a crooked sheriff in this western adventure. ~ Sandra Brennan, All Movie Guide
In this western, Red Ryder tries to be a good example for a young man who idolizes his father, an outlaw. The boy wants to follow in his father's footsteps when the hero intervenes. ~ Sandra Brennan, All Movie Guide
According to Hollywood lore, both John Wayne and director Frank Borzage refused to work with Vera Hruba Ralston, the Czech-born inamorata (and future wife) of Republic Pictures owner Herbert I. Yates. Yates somehow managed to convince Wayne to change his mind, but Borzage was replaced by contract director Joseph Kane. The result was Dakota, the company's major release of 1945, a potentially sprawling empire-building Western. Wayne and Ralston play newlyweds heading for Fargo, North Dakota, where they plan to buy land in anticipation of the coming of the railroad. They are opposed by saloon owner Jim Bender (Ward Bond), who also knows about the expansion and is coercing the homesteaders into selling their land to him and his chief lieutenant, Collins (Mike Mazurki). The latter has been elected president of the Wheat Growers Association, and soon the farmers find themselves indebted to Bender. But Wayne, with his wife's help, beats Bender and his henchman at their own game, making certain that the farmers are well compensated for selling their land to the railroad company owned by Ralston's father (Hugo Haas). Contrary to popular belief, Vera Hruba Ralston was not Dakota's chief liability. For some reason, Republic Pictures, normally a leader in action-oriented melodrama, chose to employ an inordinate amount of rear projection footage this time around, making for rather dull viewing. The Western only leaves the confines of the studio back lot for the climactic prairie fire scenes, filmed by a second unit under the direction of stunt expert Yakima Canutt. Apparently a better figure skater than an actress, Ralston actually shows a bit of spirit in some of her scenes but is rather obviously upstaged by the veteran Ona Munson as a kind-hearted saloon entertainer. Munson was borrowed from Warner Bros. and her singing of "Coax Me" by Andrew B. Sterling and Harry Von Tilzer remains one of Dakota's main pleasures despite editor Fred Allen's endless cross-cutting to Ralston's reactions. The latter was reportedly a very pleasant person devoid of a prima donna ego and would be cast opposite John Wayne again in The Fighting Kentuckian (1949). Republic serial heroines Linda Stirling and Adrian Booth can be spotted among Munson's dancing girls. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- John Wayne, Vera Ralston, (more)


















