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Carlyle Blackwell Movies

Leading man Carlyle Blackwell projected a virile, self-reliant image in his many silent film appearances. He began his cinematic acting career in 1909, adding directing to his accomplishments in 1914. While on a professional visit to England in 1921, Blackwell became the first film actor to play "Sapper's" famed soldier-of-fortune Bulldog Drummond. He remained in England until 1931, retiring after a secondary role in the first talkie version of Hound of the Baskervilles. His son, Carlyle Blackwell Jr., likewise pursued an acting career--and contrary to previously published reports, however, the younger Blackwell is not the same person as acerbic fashion expert Mr. Blackwell. ~ Hal Erickson, Rovi
1947  
 
Beneath the proper, prurient exterior of a spinster college professor beats the passionate, seductive heart of a sexy romance novelist. When she finds her ribald first book approved for publication she finds herself facing a terrible dilemma. If word of her secret avocation leaks out, she could be ruined at the school and so she asks her pretty niece to masquerade as the book's author. Things work out just swell until the niece falls for the handsome publisher the professor wanted. ~ Sandra Brennan, Rovi

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Starring:
William BenedictCarlyle Blackwell, (more)
 
1945  
 
The East Side Kids have become so benign in Docks of New York that they actually go out of their way to help the cops! It all begins when Glimpy (Huntz Hall) stumbles across a corpse and a stolen necklace. This brings himself and Muggs (Leo Gorcey) under the scrutiny of mysterious knife-wielding assassins, who are also searching for war refugees Saundra (Gloria Pope) and Mrs. Darcy (Betty Blythe). It turns out that Saundra is the incumbent princess of the duchy of Tuscania, and there are those who would kill her before she can assume the throne. Not unexpectedly, the necklace is vital to Saundra's future, so it's up to Muggs, Glimpy and the rest of the East Side Kids to safeguard both the girl and the royal jewels. Contrary to previously published reports, the "Carlyle Blackwell Jr" who appears in Docks of New York is not famed fashion arbiter Mr. Blackwell. ~ Hal Erickson, Rovi

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Starring:
Leo GorceyHuntz Hall, (more)
 
1945  
 
Ned Trumpet (Wallace Beery), the chief pilot of a Navy blimp, is given to weaving accounts of the fighting prowess of his non-existent son. His friendship with widow Maude Weaver (Selena Royle) and her son Jess (Tom Drake) in effect sets him up with a real family. Jess enters the service and goes on to sink an enemy submarine -- from a blimp. Having that real-life feat to brag about, Ned can at last quell all the longtime doubts of his friend Jimmy (James Gleason), and he decides to marry Maude. Bit-Part Alert: Watch for a young Blake Edwards, the future writer/director of 10, S.O.B., and Victor/Victoria, as a flier. ~ Nicole Gagne, Rovi

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Starring:
Wallace BeeryTom Drake, (more)
 
1945  
NR  
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A few corny moments aside, Objective Burma must rate as one of the best combat films of WW2. Errol Flynn stars as Captain Nelson, who leads a hardy band of paratroopers behind enemy lines in Burma, for the purpose of destroying a Japanese radar station. Their mission accomplished, Nelson and his men prepare to make their escape by plane, but this proves to be impossible. It is therefore necessary for the surviving paratroops to make a grueling 150-mile journey by foot through the Japanese-held jungle, in hopes of eventually reaching their own lines. With the exception of Henry Hull, who delivers a mannered, strained performance as an Ernie Pyle-like war correspondent, the performances are uniformly excellent, with Flynn, George Tobias and William Prince standing out. Director Raoul Walsh and cinematographer James Wong Howe stage the combat scenes (filmed on the "Lucky" Baldwin Santa Anita ranch) with brutal efficiency, showing little but conveying a lot in the way of gore and carnage. The strangest sequence (at least to modern viewers) has the paratroopers expressing horror and disgust at a vicious sneak attack by the Japanese-which occurs only a few reels after the Americans have staged an equally merciless attack on a Japanese unit! In England, Objective Burma was taken to task by newspaper journalist who felt that the Americans were unfairly taking full credit for the success of the Burmese campaign. The ensuing hue and cry compelled Warner Bros. to issue an apology, and to withhold the British release of the film until 1952, at which time it was accompanied by a lengthy prologue title extolling England's contribution to the Burma invasion. Originally released at 142 minutes, Objective Burma is usually shown on TV in its 128-minute reissue form. ~ Hal Erickson, Rovi

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Starring:
Errol FlynnHenry Hull, (more)
 
1944  
 
The wartime housing shortage in Washington DC is the basis for this comedy. Several attractive young ladies rent a single DC apartment, causing no end of complications to their various professional and private lives. Also moving in (due to a misunderstanding) is a young newlywed (Jane Wyman), whose flustered husband (Jack Carson) is denied access to the apartment. The funniest of the female roommates is a visiting Russian sniper, played con brio by Eve Arden. The Doughgirls is based on the popular Broadway play by Joseph A. Fields (with uncredited assistance by George S. Kaufman). Three Stooges fans are advised to keep an eye out for Curly Joe DeRita as an unhappy schlemiel who can't find a place to sleep. ~ Hal Erickson, Rovi

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Starring:
Ann SheridanAlexis Smith, (more)
 
1944  
 
The genesis of The Story of Dr. Wassell is said to have been a story told by President Franklin Delano Roosevelt to director Cecil B. DeMille. Gary Cooper stars as Corydon M. Wassell, a real-life country doctor from Arkansas who worked as a medical missionary in China in the years prior to WWII. When America enters the war, Dr. Wassell joins the Navy and is shipped to Java. As the Japanese overtake the island, Wassell is placed in charge of the wounded evacuated marines. Ordered to leave the area immediately, the doctor disobeys his commands, staying behind to care for ten seriously wounded men from the USS Marblehead, even as Japanese bombs rain down upon his staff. With the help of other stranded allied troops, Wassell and his wounded make it to Australia, where despite his insubordination he is lauded as a hero. Not as much of a spectacular as earlier DeMille films, The Story of Dr. Wassell concentrates on personalities, with mixed results. ~ Hal Erickson, Rovi

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Starring:
Gary CooperLaraine Day, (more)
 
1943  
NR  
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Though its purely propagandastic aspects are never far from surface, Destination Tokyo must rank as one of the most intelligent and objective of wartime thrillers. Cary Grant is a tower of strength as Captain Cassidy, skipper of an American submarine bound for Tokyo harbor. Its mission: to allow a Navy meterologist to survey Japanese weather conditions, in preparation for a major Allied assault. Many of the individual incidents in Delmar Daves' script are based on fact, notably an episode in which a pharmacist's mate is called upon to perform an emergency appendectomy. Admittedly, some of the secondary characters are WWII stereotypes, but they're never played that way. Particularly good isDane Clark, in his first important screen role; also registering well as a radio man is John Forsythe, in his first screen role ever. From the sub's embarkation in San Francisco to its climactic retreat from Japan, there's not a single solitary dull moment in the 135 minutes of Destination Tokyo. ~ Hal Erickson, Rovi

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Starring:
Cary GrantJohn Garfield, (more)
 
1941  
 
This 48-minute Hal Roach "streamliner" represents a rare directorial assignment for veteran Hollywood choreographer LeRoy Prinz, who also produced the film. Johnny Downs stars as Bob Sheppard of Quinceton University, who is appointed by his frat brothers to get even with the snotty sorority gals at all-female Marr Brynn U. This requires Bob to dress up in drag as a "blonde bombshell" and to enter Marr Brynn's annual beauty contest. When he's not flouncing around in curls and crinolines, Bob spends his time romancing pert co-ed Virginia (Frances Langford). The supporting cast ranges from silent-comedy veteran Harry Langdon to leggy newcomer Marie Windsor. The film's four musical numbers (representing approximately 25 percent of the running time!) include the Oscar-nominated "Out of the Silence". ~ Hal Erickson, Rovi

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Starring:
Frances LangfordJohnny Downs, (more)
 
1937  
 
"Camp Romance," a place for the romantically challenged, provides the setting of this musical. The story centers on a frumpy secretary's crush on her handsome boss, the camp manager. The manager has been working on a musical. Just as he is about to finish it, the secretary gives herself a makeover, turns into a drop- dead knockout, and romantic bliss ensues. Songs include: "Keeno, Screeno and You," "I'll Follow My Baby," "Thrill of a Lifetime," "Paris in Swing," "Sweetheart Time," "It's Been a Whole Year," "If We Could Run the Country for a Day." ~ Sandra Brennan, Rovi

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Starring:
Yacht Club BoysJudy Canova, (more)
 
1936  
 
The Calling of Dan Matthews is a modernized and sanitized version of Harold Bell Wright's muckraking novel. Minister Dan Matthews (Richard Arlen) wants to rid his community of its seamy "Old Town" district, a breeding ground for prostitution and other crimes. Most of the property in question is owned by leading citizen J. B. Strong (Frederick Burton), who is ignorant (or chooses to be) of the appalling conditions in his tenements. Mathews convinces Strong that changes must be made, but is still compelled to whale the tar out of Hardy (Douglass Dumbrille), the evil vice lord of Old Town. The good reverend also wins the hand of Strong's daughter Hope (Charlotte Wynters). ~ Hal Erickson, Rovi

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Starring:
Richard ArlenCharlotte Wynters, (more)
 
1936  
 
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Director George Cukor and producer Irving G. Thalberg's adaptation of Romeo and Juliet, a lavish production of Shakespeare's tale about two star-crossed lovers, is extremely well-produced and acted. In fact, it is so well-done, that it is easy to forget that Leslie Howard and Norma Shearer are too old to be playing the title characters. ~ Stephen Thomas Erlewine, Rovi

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Starring:
Norma ShearerLeslie Howard, (more)
 
1935  
 
In this bedroom farce, an ex-wife overhears her former hubby's new wife and her lover planning a tryst for the weekend while the husband is away on a business trip. Hoping that the husband will catch them in the act, the ex creates an elaborate scheme whereby the lovers' plans are foiled and they must spend the weekend at her house. She then arranges for her former husband to drop by so he can see for himself the kind of hussy he married. Unfortunately the whole plot goes terribly awry when two fugitive jewel thieves wind up stranded at the ex-wife's house too. Things get really mixed up when the ex-wife discovers that she is in love with the second-wife's lover. Meanwhile second wifey recovers the jewels from the thieves just as her hubby returns. He gets there just as his ex-wife and the lover are married. ~ Sandra Brennan, Rovi

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Starring:
Kay FrancisGeorge Brent, (more)
 
1935  
 
Warner Bros.' Devil Dogs of the Air is very much a "formula" picture -- but what a wonderful formula it is! James Cagney plays reckless stunt flyer Tommy O'Toole, who is encouraged to join the Marine Flying Corps by his old Brooklyn buddy Lt. William Brannigan (Pat O'Brien). An undeniably talented flyboy, Tommy is also brash, obnoxious and pugnacious, quickly earning the enmity of his fellow trainees. He even falls out with Brannigan over the affections of pretty waitress Betty Roberts (Margaret Lindsay). Very nearly "washing out" of the service, Tommy is eventually brought into line by the combined efforts of Brannigan, Betty, and the rest of the "devil dogs." After earning oodles of money for Warners during its first release, Devil Dogs of the Air proved equally as successful when it was reissued six years later, just before America's entry into WW II. ~ Hal Erickson, Rovi

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Starring:
James CagneyPat O'Brien, (more)
 
1935  
 
In this musical campus comedy, trouble ensues when a meddlesome, overprotective father enrolls in the same college as his son so he can watch over his love life. The son soon finds himself involved with a conniving golddigger who dumps him when she discovers that his family fortune has been squandered on a bum business deal. Songs include: "Old Man Rhythm," "I Never Saw a Better Night," "There's Nothing Like a College Education," "Boys Will Be Boys," "When You Are in My Arms," and "Come the Revolution, Baby." ~ Sandra Brennan, Rovi

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Starring:
Charles "Buddy" RogersGeorge Barbier, (more)
 
1934  
 
Student Tour looks like an MGM musical two-reeler that was expanded to feature length as it went along. Charles Butterworth and Jimmy Durante are teamed respectively as fey philosophy professor Lippincott and brash athletic coach Hank. The two comics shepherd a co-ed college rowing team on a world tour, with orders to keep the team's rowdy captain Bobby (Phil Regan) out of trouble. Lackluster leading lady Maxine Doyle co-stars as Ann, a plain-jane who takes off her glasses at a Monte Carlo masquerade ball and wins BMOC Bobby for her very own. Ann also brings the story to a rousing conclusion by substituting for the cockswain in the climatic rowing race, urging the team to victory with a peppy song-and-dance. Nelson Eddy also shows up to sing "The Carlo," a pulsating number obviously inspired by "Bolero." The film's giddy highlight is "Taj Mahal," in which a group of pretty students (including a young Betty Grable) go swimming in the pool of the famous Indian shrine! According to studio publicity, a crop of genuine college coeds were hired to play the students in Student Tour, but to the trained eye they sure look like standard Hollywood extras and bit players. ~ Hal Erickson, Rovi

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Starring:
Jimmy DuranteCharles Butterworth, (more)
 
1930  
 
A young man moves to the Canadian West after a shyster bilks him out of his life savings. He is working hard upon his newly purchased ranch when he sees a plane crash and finds a lovely young woman has survived. He takes her home to help her recover from her amnesia. Eventually he learns that she is the daughter of the attorney who took his money. Still, he cannot help but fall in love with her, and he helps save her from the creep she is supposed to marry. ~ Sandra Brennan, Rovi

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1929  
 
American film star Carlyle Blackwell stars in the British melodrama The Wrecker. Based on a play by Arnold Didley and Bernard Merivale, the story concerns the intensive search for the title character, a mysterious saboteur who gets his jollies out of wrecking trains. Hero Roger Doyle (Joseph Striker) and heroine Mary (Benita Hume) can't figure out how the Wrecker manages to be in so many places at once. Eventually they discover that the villain -- played, to no one's surprise, by Blackwell -- sends out recorded messages to his various minions, one of whom spills the beans. A climactic chase aboard a speeding train (a cliché, but an effective one) brings The Wrecker to a rousing conclusion. ~ Hal Erickson, Rovi

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Starring:
Carlyle BlackwellBenita Hume, (more)
 
1922  
 
Filmed in England, this first movie version of the stage melodrama Bulldog Drummond featured a miscast Carlyle Blackwell in the title role. Captain Hugh "Bulldog" Drummond, the soldier of fortune created by "Sapper" (H.C. McNeile), was a combination old-school-tie British gentleman and brutish fascist. Blackwell could handle the "gentleman" part, but wasn't quite up to the tough, two-fisted aspects of the character. Still, the story itself is a good one: Bored by inactivity, Drummond advertises for "adventure" in the Times, and gets adventure aplenty when he becomes involved with a plot to kidnap an industrialist. The film's tension highlight was the scene in which the villainous Lakington (Warwick Ward) taunts a bound Drummond by fondling unconscious heroine Phyllis Benton (Evelyn Greeley); handled rather perfunctorily in the silent version, the sequence was vastly improved upon in the 1929 sound remake, which starred Ronald Colman as Drummond. ~ Hal Erickson, Rovi

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Starring:
Carlyle BlackwellEvelyn Greeley, (more)
 
1919  
 
From its title, one would think this picture was a light comedy, but it isn't -- it's a World War I spy drama, a subject which was growing increasingly stale by early 1919. Carlyle Blackwell plays Charles Conant, a young, wellto-do man who is masquerading as a muleteer on a tramp steamer. He quits the boat in England to look up some distant relatives, Lord and Lady Dartridge. Lady Dartridge's daughter, Lady Joan Templar (Evelyn Greeley) helps him out by giving him work on the estate, but his behavior is suspicious. There are several workers who are secretly plotting to smuggle titanium on board a German submarine, and Conant is quite interested in their activities. Of course by the end of the film, he has proved himself a true-blue American by capturing these bad men -- it turns out that the titanium belongs to his father's company and was inadvertently sold to the Germans. Before Conant goes off to join the Lafayette Squadron in France, Lady Joan has decided to throw away her title and marry him. This convoluted film was originally a Saturday Evening Post story by Kenyon Gambier with an equally convoluted title: "A Huge, Black One-Eyed Man." Some of the English countryside in the picture looks an awful lot like Fort Lee, New Jersey, where World Pictures had its studio. ~ Janiss Garza, Rovi

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1918  
 
Even though the plot to this World Film programmer was slight, the cast included some of the studio's most well-known names. After the death of her grandfather (Captain Charles), Helene (June Elvidge), a singer, finds work as a model at a studio belonging to four artists -- Jeffrey Darrel (Montagu Love), Ned Lorrimer (Carlyle Blackwell), Dick Turner (John Bowers) and Stanley Sargent (George MacQuarrie). Naturally all the artists fall in love with her, but Ned stirs things up with his intense jealously. Because the studio is no longer a happy place to be, Helene quits and heads for a career on the stage. She works her way up to stardom, while three of the painters get their pictures accepted at an exhibition. Jeffrey is the one exception, since he refused to sell out and become commercial. The three successful artists ask Helene to help them celebrate, but she turns them down in favor of Jeffrey. ~ Janiss Garza, Rovi

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1918  
 
Jack Burkshaw (Carlyle Blackwell, who also directed) returns home from the West to discover that his mother (Kate Lester) has married a widower, Eugene Alston (Charles Duncan). Alston has two grown children, pretty Marion (Evelyn Greeley) and roguish Jerry (William Sherwood). While Jack falls in love with Marion, Jerry takes advantage of Barbara Manning (Muriel Ostriche), a young stenographer, then neglects her in favor of an actress. Jack uses sneaky and sometimes humorous means to make Jerry see the error of his ways, while winning Marion's heart at the same time. ~ Janiss Garza, Rovi

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1918  
 
Leap to Fame opens with what was rapidly becoming a cliched plot device in 1918: Young playboy Charles Trevor (Carlyle Blackwell, who also directed) is booted out of his father's mansion and ordered to "make something" of himself. Obligingly, Trevor takes a job as a rookie newspaper reporter. Scooping the paper's ace news-hound, our hero rescues an inventor from the clutches of a German spy ring. Need we add that the inventor has a very pretty daughter (Evelyn Greeley), who gratefully marries Trevor in the closing reel? The most original aspect of Leap to Fame was the casting of crusty Scotsman Lionel Belmore as the head of the spies. ~ Hal Erickson, Rovi

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