Edward Black Movies

Sally Kirkland stars as a good-hearted hooker named Bambi Rose in this odd crime-drama from director Amos Kollek. Bambi is getting a bit long in the tooth, and is at the mercy of a sadistic pimp named Slim (Richard Lynch), who has his fingers in nearly every sort of crime imaginable. When a greedy Wall Street stockbroker (Robert LuPone) shows up on her doorstep after being mugged, Bambi enlists his aid in ripping off Slim and saving her daughter from a life of vice. More interesting than the film is the cast, which -- aside from including some fine performances from Kirkland and Lynch -- features such future luminaries as Kathy Bates and Sarah Michelle Gellar (credited as Sarah Gellar). ~ Robert Firsching, Rovi

A novel by Francis Brett Young and its theatrical adaptation by John Perry were the sources for the even-keeled melodrama A Man About the House. Handsome Italian laborer Kieron Moore works as caretaker of the Neopolitan villa inherited by plain-Jane Englishwomen Margaret Johnston and Dulcie Gray. Johnston is swept off her feet by the raffishly charming Moore, and before long they are wed. Their connubial bliss lasts just long enough for Moore to poison his bride; the villa had once belonged to his family, and he's willing to use any means to get it back. Though it seems as if Moore has committed the perfect crime, Dulcie joins forces with doctor Guy Middleton to prove that Moore murdered Johnston. Since the villa fronts a vertigo-inducing clifftop, it is inevitable that someone will topple into the ocean with a piercing scream. ~ Hal Erickson, Rovi

The "2000 Women" of the film's title are the female inmates in a WW II German concentration camp in France. Though many of the women don't get along, they are united in their hatred for their Nazi captors. The story takes a truly melodramatic turn when three English airmen parachute into the camp, offering a ray of hope for those inmates planning an escape. Some of the humor is "black" indeed, involving a card-playing corpse and other questionable sources of laughter, but this was the sort of material that wartime audiences wanted. Heading the cast of 2000 Women are Phyllis Calvert, Flora Robson and Patricia Roc, fine British actresses all who overcome an abundance of script deficiencies. The film was the first production of Individual Pictures, formed by the producer-director-writer team of Frank Launder and Sidney Gilliat. ~ Hal Erickson, Rovi

In this period drama from England, Fanny Hopwood (Phyllis Calvert), upon graduating from finishing school, returns to her family's home in London. However, bad luck awaits her at nearly every turn. After her father is killed in a fist fight by the aristocratic but dastardly Lord Manderstoke (James Mason), whose social standing saves him from prosecution, Fanny learns that he was not in fact her real father, and that she is actually the bastard daughter of a member of Parliament. Shortly after this revelation, Fanny's mother dies, and Fanny receives yet another shock when she learns that her parents supported themselves by running a brothel. Now an orphan, Fanny is sent to live with her biological father, an uncomfortable situation made even more difficult thanks to the resentment of his wife and the couple's friendship with Lord Manderstoke, who has romantic designs on young Fanny. Fanny is able to take comfort in a budding romance with Harry Somerford (Stewart Granger), her father's secretary, and a warm friendship with Chunks (Wilfred Lawson), the family butler. However, Fanny's happiness with Harry may be short-lived, as her stepmother threatens to reveal the tragedy and scandal of her past. Based on the novel by Michael Sadleir, Fanny by Gaslight was released in the U. S. under the title Man of Evil. ~ Mark Deming, Rovi

Four pilots are forced to bail out, and they end up stuck upon a remote tropical island filled with beautiful women. This musical comedy chronicles their adventures. Things go well for the flying Sea Bees as the women fawn upon them and cater to their every whim. Soon they find themselves four wives, and it is not until it is nearly too late that they discover why there are no men on the island--- all husbands are expected to commit suicide following their honeymoons. ~ Sandra Brennan, Rovi

A set of flashbacks to 19th century London provide the action in this British wartime film, in which a wealthy girl (Phyllis Calvert) becomes friends with a young waif (Margaret Lockwood) while at school. The waif later becomes a governess for the girl, but betrays their relationship by having an affair with her friend's husband (James Mason). The Man in Grey did exceptionally well in England at the time of its release, and later spawned a cavalcade of similar movies. ~ John Bush, Rovi

After several months' heavy war duty, the crew of the British submarine Sea Tiger is enjoying a much-deserved leave, when suddenly they're called back to active duty. Sub commander John Mills has been ordered to pursue and sink the formidable German battleship Brandenburg. A series of nailbiting seaborne perils, each one more life-threatening than the last, awaits the Sea Tiger as Mills endeavors to carry out his orders. Setting the British We Dive at Dawn apart from the usual Hollywood submarine epic is the fact that all the characters-include the senior officers-are between the ages of 19 and 23; There's no room for an "old sea dog" Alan Hale or Charles Bickford in this one. Though modestly produced, We Dive at Dawn offers a million dollars (or a million pounds)' worth of pulse-pounding excitement. ~ Hal Erickson, Rovi

In this musical an American's daughter owns an escort agency. Even though WW II rages and men are hungry for females, the woman's business is flagging until she comes up with some enterprising schemes to turn things around. ~ Sandra Brennan, Rovi

British radio funster Arthur Askey inherits British film comedian Will Hay's longtime stooges Moore Marriot and Graham Moffatt in Back Room Boy. Big-Hearted Askey plays a cuckoo scientist seeking peace and quiet in a Scottish lighthouse. No such luck: the house is being used as a rendezvous for Nazi spies. Beyond the presence of Marriot and Moffatt, one gets the impression that Back Room Boy was originally intended as a Will Hay vehicle, inasmuch as Hay's longtime scripters Val Guest and Marriot Edgar wrote the yarn. Young Googie Withers fares well in an a thankless leading-lady assignment. ~ Hal Erickson, Rovi

This WWII drama, based on a novel by Oscar E. Millard, takes place in Nazi-occupied Belgium. Andre Delange (Eric Portman) owns a nightclub but is connected with the resistance movement. He used to secretly publish an anti-Nazi paper before the German invasion. Now his underground comrades want to put out the paper again. Delange's assistant publisher is the alluring Julie Lanvin (Phyllis Calvert). But the co-owner of the cabaret, Charles Neels (Peter Glenville), is jealous of Lanvin's relationship with Delange. Neels informs on the publishers, the Nazis raid the newspaper, and the staff is arrested -- but Delange and Lanvin escape. When the two of them manage to put out another issue of the paper, the Nazis believe that they have arrested the wrong people, and they release the staff. Veteran British director Anthony Asquith was at the helm. ~ Michael Betzold, Rovi

Scottish stage, radio and film favorite Will Fyffe heads the cast of Neutral Port. The star is cast as crusty Captain Ferguson, who is forced to dry-dock his torpedoed ship at the mythical port of Esperanto. Anxious not to injure its neutrality, the country refuses to allow Ferguson to seize a Nazi supply ship as compensation for the loss of his own vessel. But the good captain takes matters into his own hands by stealing not one but two German ships. When these are shot from under him, the captain returns to Esperanto to face the consequences, but chances are he'll be back in business again before the sun sets. ~ Hal Erickson, Rovi

One of the few "Inspector Hornleigh" films to gain a wide US distribution, Mail Train stars Gordon Harker as Hornleigh and Alastair Sim as his dumb-like-a-fox assistant Sergeant Bingham. Borrowing a bit from the 1939 British box-office hit Night Train, the plot pits Hornleigh and Bingham against a clever gang of Nazi espionage agents. Most of the action takes place aboard a speeding train, with our heroes never quite certain who can be trusted and who can't. Phyllis Calvert contributes to the intrigue as one Mrs. Wilkinson, who is, as the phrase goes, not all she seems to be. With Walter Forde in the director's chair, it shouldn't be surprising that Mail Train contains as many laughs as thrills. ~ Hal Erickson, Rovi

Cottage to Let is a taut British wartime spy thriller, laced with moments of genuinely hilarious comedy. The "maguffin" in this instance is a revolutionary new bombsight, designed by inventor John Barrington (Leslie Banks). A group of Nazi spies intend to steal the blueprints for the invention (hence the film's alternate title Bombsight Stolen), and to that end dispatch one of their top agents (John Mills), who parachutes into the story posing as wounded RAF pilot Lt. Perry. Hailed as a war hero by the gullible locals, Perry rents a cottage from the unsuspecting Barrington and his wife (Jeanne de Casalis). The treacherous Nazi meets his match in the unlikely form of oafish Charles Dimble (Alastair Sim), who turns out to be a British undercover agent. ~ Hal Erickson, Rovi