Alfredo Bini Movies

As with his earlier Trial of Joan of Arc, French-filmmaker Robert Bresson effectively casts unknowns in his interpretation of the Knights of the Round Table saga. Breaking with the standard romantic spin on this legend, Bresson offers us a selfish, ruthless Lancelot, no better than the other grubby "nobles" who seek but fail to find the Holy Grail. Returning from his futile mission, Lancelot callously renews his affair with King Arthur's Guenevere, who likewise is depicted in less than sympathetic terms. Expectedly, the dream of "Camelot" is dashed to bits; Bresson argues that Camelot was never any more than a dream--or rather, a delusion. The mudcaked cinematography of Pasqualino de Santis adds to the iconoclastic flavor of Lancelot of the Lake. ~ Hal Erickson, All Movie Guide

This Italian documentary profile of John F. Kennedy and his brother Robert covers their lives up to their untimely assassinations. Stock footage of Viet Nam, Ku Klux Klan and Civil Rights marches are added, but nothing new is revealed in this feature. It is plagued by the Italian language dubbing of everyone except Lauren Bacall, Marilyn Monroe, and Hitler. Surviving brother Edward (Ted) Kennedy is shown at the opening of the film delivering the burial elegy for his brother Robert. At that time, many thought he should be considering his own presidential aspirations. ~ Dan Pavlides, All Movie Guide

Based on a story by Joseph Conrad, this 18th-century set drama is set shortly after the French Revolution and chronicles the exploits of a former counterrevolutionary pirate who befriends a mentally ill, naive young woman. Eventually his feelings of friendship turn to love and this in turn leads to tragedy when she falls in love with a French naval officer. ~ Sandra Brennan, All Movie Guide

Originally Uccellacci e Uccellini, The Hawks and the Sparrows was adapted by director Pier Paolo Pasolini from his own novel. Italian comedian Toto plays a dual role, as "himself" and 12th century monk Brother Ciccillo. In modern times, Toto and his son Ninetto Davoli come across a talking crow who insists upon asking them where they're going. The answer, it turns out, is eight centuries into the past, where Toto and Davoli become monks, employed by Francis of Assisi to convert the birds of the world to Christianity. Unfortunately, every sparrow that they win over to God is devoured by a hawk. Back in the present, Toto and Davoli face a similar situation when their landlord threatens them with eviction. After various and sundry misadventures, the two human protagonists, growing weary of the philosophical crow's loquaciousness, eat the bird and move on, prepared to face whatever life brings them without the "help" of their feathered friend. The symbolism in The Hawks and the Sparrows is so obvious as to be funny, which was Pasolini's intention all along. ~ Hal Erickson, All Movie Guide

Relating his facts in straight-on documentary fashion, Pier Paolo Pasolini's 1964 Biblical film stars Enrique Irazoqui as Jesus. In it, Christ and his followers are depicted as gentle radicals working against the grain of the unjust Roman power structure. Typically offbeat Pasolini touches include having Satan disguise himself as a Catholic priest and the casting of the director's own mother as the Virgin Mary. The music is selected from a variety of sources, from Bach to American spirituals. Il Vangelo Secondo Matteo was released in the U.S. as The Gospel According to St. Matthew -- much to the discomfort of Pasolini, who didn't want Matthew designated as a saint. ~ Hal Erickson, All Movie Guide

Accattone , Pier Paolo Pasolini's first feature, is also his first semidocumentary study of "the little homelands": the small, often squalid cultural pockets in the remotest provinces of Italy. Using nonprofessional actors for his leading characters, Pasolini concentrates on Franco Citti, a rural pimp who falls in love with virtuous Franca Pasut. Having previously led an aimless existence, Citti takes a job-and, it is implied, a bath--in hopes of impressing his new girl. It isn't long, however, before Citti gives up both job and Pasut, degenerating into a life of violent crime. As was the case with most of his subsequent films, Pasolini both directed and wrote Accattone, adapting the screenplay from his own novel ~ Hal Erickson, All Movie Guide