Tony Bill Movies

As World War I rages in Europe and Allied forces in France, Italy, and England find their resolve quickly diminishing due to the overwhelming force of the German juggernaut, a handful of brave American soldiers volunteer to join their French counterparts in learning to fly and fighting for freedom from above as the true story of the legendary Lafayette Escadrille comes to the screen in a breathtaking war adventure from Academy Award-winning director Tony Bill and famed producer Dean Devlin. They have come from all over the United States, ready and willing to put their lives on the line despite their country's initial pledge to not get involved with the all-consuming war that rages throughout Europe. Few could have foreseen the challenges faced by the world's first fighter pilots, however, and upon arriving at their aerodrome in France, the aspiring aviators are assigned to a new squadron under the command of war-ravaged Captain Thenault (Jean Reno) and battle-weary American pilot Reed Cassidy -- the sole survivor of his devastated former air brigade. With little encouragement from their fellow aviators and nothing to drive but their unifying goal of taking to the skies and offering up their lives in the name of freedom, the determined airmen of the Lafayette Escadrille set out to make history by embarking on the adventure of a lifetime. James Franco, Martin Henderson, and David Ellison star in a script penned by Phil Sears, Blake T. Evans, and David S. Ward. ~ Jason Buchanan, All Movie Guide

Directors Fenton Bailey and Randy Barbato follow up Party Monster by returning to the documentary form of their most popular film The Eyes of Tammy Faye. Rather than examining evangelists-cum-gay icons, this time the duo takes aim at the cultural phenomenon that is and was Deep Throat, the hardcore porn film that cost 25,000 dollars to make and grossed over 600-million-dollars world-wide, making it the most successful independent film of all time. The impact of the film on the public's perception of pornography is discussed, as is the unlikely relationship the film had to the Watergate scandal. Actress Linda Lovelace who later denounced Deep Throat, claiming she'd been forced to make it at gunpoint, appears in interviews that were shot just before her fatal 2002 car accident. ~ Matthew Tobey, All Movie Guide

Based upon Peter Biskind's book of the same name, this BBC-produced documentary traces the rise of a generation of Hollywood filmmakers who briefly changed the face of movies with a more personal approach that pushed the boundaries of what was acceptable onscreen. Influenced by such European directors as Jean-Luc Godard, François Truffaut, and Federico Fellini, the movement kicked off in the mid-'60s with two films directed by Arthur Penn: Mickey One and Bonnie and Clyde. (The latter had been offered to both Godard and Truffaut before it wound up with producer/star Warren Beatty and Penn.) What really kicked it into gear was the unexpected success of Easy Rider, a biker-road movie that became that rare film phenomenon: acclaimed at the Cannes Film Festival and a huge commercial success. Film school graduates, the first generation brought up with movies as their main cultural reference, flooded the studios (whose own regimes were changing) with production chieftains such as Robert Evans of Paramount and David Picker at United Artists; they approved risky-looking projects and allowed relatively untested filmmakers like Francis Ford Coppola to take on heavyweight movies such as The Godfather or Hollywood newcomers like Britain's John Schlesinger to make quirky stories like Midnight Cowboy. Enriched by success with their TV show The Monkees, producer Bert Schneider and director Bob Rafelson formed a company that produced not only Easy Rider but seminal '70s films such as Five Easy Pieces and the Oscar-winning Vietnam War documentary Hearts and Minds. Another godfather to the new movement was producer Roger Corman, who gave early career opportunities to Coppola, Martin Scorsese, Peter Bogdanovich, and Jonathan Demme on low-budget projects that allowed them to learn their craft.

Two things brought this movement to an end: Some individual filmmakers' personal excesses (such disastrous flops as Dennis Hopper's follow-up to Easy Rider, appropriately titled The Last Movie, and Scorsese's New York, New York), and the studios growing fascination with special effects-driven B-movies. An outgrowth of two box-office and marketing juggernauts -- Jaws and Star Wars -- the resulting films became entertainments rather than personal statements of the directors. Narrated by William H. Macy, Easy Riders, Raging Bulls features vintage clips of Coppola, Scorsese, Beatty, George Lucas, Sam Peckinpah, Roman Polanski, Robert Altman, and Pauline Kael. It also includes original interview material with Penn; Corman; Bogdanovich; Hopper; Picker; writer/directors John Milius and Paul Schrader; actresses Karen Black, Cybill Shepherd, Margot Kidder, and Jennifer Salt (the latter two shared a house in Malibu, a social center for young filmmakers); actors Peter Fonda, Kris Kristofferson, and Richard Dreyfuss; producers Jerome Hellman, Michael Phillips, and Jonathan Taplin; editor Dede Allen; production designer Polly Platt; writers David Newman, Joan Tewksbury, Gloria Katz, and Willard Huyck; cinematographers Laszlo Kovacs and Vilmos Zsigmond; agent Mike Medavoy; and former production executive Peter Bart. Among the films discussed are Rosemary's Baby, The Wild Bunch, Mean Streets, American Graffiti, The Rain People, Midnight Cowboy, M*A*S*H, McCabe and Mrs. Miller, The Last Picture Show, Shampoo, Taxi Driver, and Raging Bull. (Three interviewees -- cinematographer Gordon Willis, critic Andrew Sarris, and writer-director Monte Hellman -- listed in the Variety review of this film, were not included in this version from a screening on Bravo.) ~ Tom Wiener, All Movie Guide

This made-for-cable biopic was based on Against the Current: As I Remember F. Scott Fitzgerald, the memoirs of Frances Kroll Ring. The film covers the years 1939 through 1940, when Frances Kroll (Neve Campbell) served as Fitzgerald's secretary. Once the most celebrated and idolistic novelist of the Roaring '20s, Fitzgerald (played by Jeremy Irons) has degenerated into a burned-out alcoholic, plagued by domestic travails attending his mentally ill wife, Zelda (Sissy Spacek), and his gossip-columnist mistress, Sheila Graham (Natalie Radford). The dedicated and devoted Frances manages to get her boss back on track and off the booze, but it is really too late. Fitzgerald dies at age 44, with what may have been his greatest novel, The Last Tycoon, remaining unfinished. Set in Hollywood (but filmed in Toronto), Last Call debuted over the Showtime network on May 25, 2002. ~ Hal Erickson, All Movie Guide

Based on the book by Julia Alvarez, this fact-based drama tells the story of a woman who, along with her family, found the courage to defy a corrupt dictator -- and paid a fearful price for their actions. Minerva Mirabal (Salma Hayek) and her sisters Patria (Lumi Cavazos), Mate (Mia Maestro), and Dede (Pilar Padilla) are the daughters of Enrique (Fernando Becerril), a man who owns a plantation and a small store in the Dominican Republic during the rule of the despotic Rafael LeónidasTrujillo (Edward James Olmos). When several members of her family are killed by Trujillo's forces, Minerva pledges that she will some day win revenge against the dictator, though when the leader first encounters Minerva, it's after she helps foil a friend's poorly planned assassination attempt. After completing her schooling, Minerva meets Virgilio Morales (Marc Anthony), a professor of law at a state university who also works with an underground rebel group attempting to overthrow Trujillo. The two fall in love, and Virgilio helps to open Minerva's eyes to the extent of Trujillo's crimes; when Virgilio is forced to go underground as a result of his actions against Trujillo, Minerva pledges to follow his example and become a lawyer. However, Trujillo's head has been turned by the lovely Minerva, and the more he learns about her, the more he wants to seduce her, hoping to crush her fiery spirit. In time, Minerva attends law school, hoping to challenge the system from within, but upon graduation she discovers Trujillo has been keeping tabs on her actions and isn't about to allow her to practice law; an outraged Minerva vows to fight the corrupt dictator by any means necessary. Produced for the Showtime premium cable network, In the Time of the Butterflies first aired on October 21, 2001; leading lady Salma Hayek also served as executive producer. ~ Mark Deming, All Movie Guide

This film from the "Rescuers" series, based on true stories of Christians who helped save the lives of Jews during World War II, concerns a woman (Robin Tunney) who becomes involved with a man (Michael Rappaport) who has been exiled to a Jewish ghetto by the Nazis. Meanwhile, a couple who run a travelling circus (Daryl Hannah and Tim Matheson) help Jews attempting to escape the Holocaust by allowing them to travel with their group as performers. Barbra Streisand served as Executive Producer for this film, produced for the Showtime premium cable network. ~ Mark Deming, All Movie Guide

Produced for television by Disney, this production of the often filmed Charles Dickens novel Oliver Twist stars Elijah Wood as the Artful Dodger and Richard Dreyfuss as Fagin. The familiar tale follows the title character as he attempts to escape from the poverty and crime that surrounds him. ~ Perry Seibert, All Movie Guide

Set in the year 2017, Barb Wire takes place after democracy has fallen and a fascist military junta has taken over the U.S. government, plotting to wipe out the country with Red Ribbon, a laboratory-manufactured disease derived from the AIDS virus. The entire test city of Topeka has been annihilated, and only the small bastion of Steel Harbor remains the last free zone in the country, conveniently the home of the title heroine Pamela Lee. Barb, a leather-clad, silicon-stretched motorcycle mama, happens to carry antibodies for Red Ribbon in her DNA, thus making her an enemy of the state. She sets out to defend freedom and take down the evil government by posing as a stripper and seducing foolish male adversaries with her well-displayed assets. The plot thickens as she happens upon her freedom-fighter ex-lover and his wife (much in the vein of Casablanca). ~ Jeremy Beday, All Movie Guide

A young boy embarks on a holiday adventure with his estranged father in this poignant family drama starring Henry Winkler, Katherine Hepburn, and Swoosie Kurtz. Based on a short story by author Truman Capote, One Christmas opens in 1930, as eight year old Buddy (T.J. Lowther) leaves his aunt in Alabama to spend Christmas with his father in New Orleans. It's been years since Buddy has seen his dad, and these days the old swindler seems more interested pulling off scams than bonding with his long lost son. But the life of a con man has taken a heavy toll on Buddy's dad, and when you're entire world is based on lies, a little truth can bring the whole thing crashing down. As the hard-living grifter begins to realize the importance of cherishing every minute he has with the boy who looks up to him, young Buddy gets his Christmas wish to reconnect with the father he's never known, but always loved. ~ Jason Buchanan, All Movie Guide

More than a decade after 1982's Six Weeks, director Tony Bill once again explored romance, sentimentality, and dying young with Untamed Heart. The film stars Christian Slater as Adam, an shy and awkward busboy who saves waitress Caroline (Marisa Tomei) from being raped in a park late one night. Naturally, the two begin to fall in love. As their relationship progresses, Caroline discovers that Adam has a heart defect, though he claims he has a baboon heart. Rosie Perez also stars as Cindy, Caroline's sassy comic-relief-providing co-worker. ~ Matthew Tobey, All Movie Guide

Stephanie Zimbalist stars in this made-for-cable thriller as a L.A. detective who decides to re-open the case of a murder she herself witnessed as a child. ~ Jason Ankeny, All Movie Guide

In this conclusion of a two-part story, David (Bruce Willis) attempts to escape from a chain gang in order to be reunited with his pregnant sweetheart Maddie (Cybill Shepherd, who is represented only by her voice in this episode). It looks like David's only hope for freedom is to follow the "musical" advice of his fellow inmates. Meanwhile, with one of the Moonlighting stars out of circulation, the nervous ABC executives begin auditioning potential "David Addison" replacements! ~ Hal Erickson, All Movie Guide