Chris Biggs Movies

A monk and a pickpocket become unlikely allies in this action adventure story. Sixty years ago, a nameless monk (Chow Yun-Fat) was appointed the guardian of a mysterious scroll that grants remarkable powers to those who possess it. After six decades of traveling the world to protect the scroll, the monk must find someone new to assume the responsibility, but as fate would have it, the new caretaker turns out to be Kar (Seann William Scott), a scruffy and distinctly non-enlightened petty thief living in San Francisco. As the monk attempts to educate Kar in the powers and responsibilities of the scroll and the ways of a monk's life, they discover they have a rival for the possession of the valuable scroll. As Kar and the monk fend off their mysterious adversary, they are aided by Bad Girl (Jaime King), a beautiful Russian mob affiliate with amazing martial arts skills and a vested interest in keeping the scroll in virtuous hands. Bulletproof Monk was based a comic book series published in 1999; Chow Yun-Fat's frequent collaborators John Woo and Terence Chang produced. ~ Mark Deming, All Movie Guide

This fourth trip down Freddy Lane was the most successful at the box-office, but although it has some impressive visuals, it is mostly an empty film. Credit must go to the effects team for some fine work, but otherwise, this entry from the director of Cutthroat Island (Renny Harlin) is extremely weak. Roland Kincaid falls asleep and awakens in the Springwood junkyard, where his dog -- named "Jason" in a sad foreshadowing of the film's giggly tone -- pees fire on Freddy's grave. The pyro-urinary baptism causes Krueger (Robert Englund) to reassemble from bones outward in an admittedly impressive sequence. Predictably, Freddy guts Kincaid, then appears in Joey's waterbed as a naked pinup girl (Hope-Marie Carlton) before slicing him to ribbons. And so it goes. The film has a few interesting ideas kicking around, but no real identification points. This is a video game, not a movie, and the characters seem to exist only in order to move the film from one effects sequence to another. There is a lot to be said for special effects, and the ones here are extraordinary and vivid. However, the wonderfully grim mood and subtle performances of Chuck Russell's outstanding third entry in the series are gone, abandoned by Harlin in favor of a splashy, comic book approach which would, unfortunately, dominate the series' later installments. ~ Robert Firsching, All Movie Guide

The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an air of grim fatalism that sets it apart from its giggly successors. Patricia Arquette stars as Kristen, whose nightmare leads to a slashed wrist which looks suspiciously like a suicide attempt. She is placed in a hospital psychiatric ward with a group of six other troubled teens who all dream about the same horribly burned man (Robert Englund) trying to kill them. Perhaps the most unusual thing about this picture, however, is the unexpected depth of sadness running through it. There are some achingly sweet moments in this otherwise frightening film which, though not disruptive, are impossible to analyze. The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty-eyed, and there are several similar scenes throughout the film. One answer can be found in the sensitive direction of Chuck Russell, who emphasizes the tragedy and utter hopelessness in these kids' lives and manages to wring some unexpectedly perceptive turns from his cast. This is a film in which a great deal of care was obviously lavished on individual scenes (the sets are outstanding) and performances. The results are well worth repeated viewings, and prove that sequels don't necessarily have to be inferior films. ~ Robert Firsching, All Movie Guide

Critters, an amusing horror comedy directed byStephen Herek, is the story of a family menaced by eight basketball sized creatures from outer space who arrive at their Kansas farm in search of food. Helen Brown (Dee Wallace Stone) and Brad (Scott Grimes), owners of the farm find themselves held hostage as the creatures roll, jump and bounce around during the night. They are pursued by a pair of inept, intergalactic bounty hunters, Charlie (Don Keith Opper) and Johnny (Terrence Mann) who can shape-shift at will and are packing weapons capable of taking care of any creature they encounter. The special effects of this humorous thriller are extremely good and the creatures themselves have distinct and separate personalities. ~ Linda Rasmussen, All Movie Guide

Dr. Howard Machen (Kirk Alyn) and his students have been raiding California's Indian graveyards for archeological artifacts, a criminal practice that the university wants him to stop. After being ordered to make a complete inventory of his illegal finds, Machen regretfully withdraws from the latest field trip, but sends a group of students to dig without him. The young people stop at a remote gas station and receive a warning from an old Indian man (George Randall). He tells them to steer clear of Black Tree, where a great battle took place a century ago that returned many braves to the earth. The students find the location and an excavation yields plenty of ancient items, but strange things start happening and soon flaky D.J. (Jo Ann Robinson) is claiming that she senses evil about them. Her suspicions are confirmed when Randy (Richard Hench) is possessed by the spirit of Black Claw, a brutal Indian warrior who was known for dabbling in black magic. One by one the expedition is dispatched with arrows, clubs, and tomahawks and their skulls are peeled clean. Horror cult figures Forrest J. Ackerman and Carroll Borland make cameo appearances as faculty members in Scalps, which was an early film from prolific exploitation director Fred Olen Ray. ~ Fred Beldin, All Movie Guide