Jocelyn Brando Movies

In this taut, futuristic drama, the maiden voyage of a hypersonic passenger jet becomes a disaster when something goes terribly wrong and it gets stuck in orbit. The film is also known as Starflight: The Plane That Couldn't Land. ~ Sandra Brennan, Rovi

When her adoptive mother Joan Crawford died in 1977, erstwhile actress/author Christina Crawford and her brother Christopher were left out of Joan Crawford's will, "for reasons which are well known to them." Industryites have suggested that it may have been this posthumous act of rejection rather than an alleged lifetime of parental abuse that inspired Christina Crawford to pen her scathing autobiography Mommie Dearest. The 1981 film version of this tome was evidently meant to be taken seriously, but the operatic direction by Frank Perry and the over-the-top portrayal of Joan Crawford by Faye Dunaway (whose makeup is remarkable) has always seemed to inspire loud laughter whenever and where-ever the film is shown. According to the film (and the book that preceded it), Joan Crawford was a licentious, child-beating behemoth, who stalked and postured through life as though it was one of her own pictures-more Strait-jacket than Mildred Pierce. This is the film with the notorious "wire coat hanger" scene, just in case you need a reminder. Surprisingly, one emerges from Mommie Dearest with more sympathy for the monstrous but intensely vulnerable Crawford than for her whining daughter (played as an adult by Diana Scarwid, and as a child by Mara Hobel). Our favorite scene: Joan Crawford dazedly replacing her ailing daughter in the cast of a daytime TV soap opera. ~ Hal Erickson, Rovi

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, Rovi

Kojak moved from its traditonal Sunday-night timeslot to a new Saturday evening berth for this concluding episode of a two-part story. Though suspended from the force, Kojak is determined to track down a serial murderer known as The Clothesline Killer. It's a personal crusade for the troubled detective: Back in 1969, he allegedly shot the Clothesline Killer to death--and now there is every possibility that he gunned down the wrong man. Diane Baker appears in flashback as the detective's former love Irene. ~ Hal Erickson, Rovi

The farmers of Walnut Grove place their faith -- and their future -- in the hands of Joseph Coulter (Alan Fudge), a college-educated agronomist. Coulter has told the farmers of a new hybrid that would yield rich crops, and he has been sent to Minneapolis, with a large sum of cash, to purchase enough of the hybrid seed to benefit everyone in the community. But several days have passed, and Joseph has not yet returned. Charles (Michael Landon) takes up the challenge of searching for Joe, whom the farmers suspect of having taken off with their money. Meanwhile, Coulter's pregnant wife (Julie Cobb) must bear the brunt of the community's outrage. ~ Hal Erickson, Rovi

Former cop turned assistant DA Mel Grayson (Simon Oakland) uses his experitise in the realm of "circumstantial evidence" to sinister advantage. Murdering his wife, Grayson arranges the evidence to make it seem as though the woman has been killed by a burglar. By the time Ironside (Raymond Burr) figures out that something is amiss, a new wrinkle has been added: the fabricated "murder clues" could very well put the noose around the neck of Grayson's own nephew Paul Deke (Dennis Cooley) ~ Hal Erickson, Rovi

William Inge co-wrote this story about a young man who may have outgrown the straight-laced boundaries of his home town. After a hitch in the Navy, Bus Riley (Michael Thomas Parks) comes home to the staid Midwestern town of his birth; however, home doesn't feel quite like it used to, and Riley is looking for a new sense of purpose in his life. While his girlfriend Judy (Janet Margolin) tries to offer him the love and understanding he needs, she just isn't enough any more, and Riley soon starts looking for thrills with Laurel (Ann-Margret), a local floozy. Michael Thomas Parks, better known simply as Michael Parks, first put his James Dean-esque loner persona to work in this film; he'd get the most use out of it three years later, when he was top-billed in the briefly popular TV series Then Came Bronson. ~ Mark Deming, Rovi

Taken from a best-selling book, this is an uneven, politically tinged drama by George Englund that does not really follow the book that closely. Marlon Brando is Harrison Carter MacWhite, an ambassador to a Southeast Asian country that goes unnamed but stands in well for Vietnam. There is a growing movement against Yankee imperialism and the current government, increasing unrest, and other signs of a complex situation getting worse. At first the ambassador relies on past training and has his own facile explanations for the unfolding events. But as time goes by, he comes to learn that a revolutionary movement is not one-dimensional. Unfortunately, the film itself never adequately clarifies the events it depicts. ~ Eleanor Mannikka, Rovi

In this socially conscious drama, based on a true-story, a high school teacher gets in trouble for having his students write compositions describing their feelings about sex. He is suspended; his students unite to defend him. A confrontation with the prudish school board ensues. ~ Sandra Brennan, Rovi

Newly hired at a private school, teacher Laura Siddons (Wendy Hiller) suspects that one of her students, a girl named Gloria (Gigi Perreau), is having a clandestine romance. Laura and her gentleman friend, Ben (Robert H. Harris), eventually catch up with Gloria and confirm their suspicions: the girl is not only in love, but also married! Gloria begs Laura not to tell Gloria's mother for fear that the old woman will have a heart attack, whereupon Laura promises to keep the girl's secret -- but things take a sinister turn from this point forward. ~ Hal Erickson, Rovi

Though the fact was played down by the Universal-International publicity department, Step Down to Terror (aka The Silent Stranger) is a remake of the 1943 Alfred Hitchcock masterpiece Shadow of a Doubt. Charles Drake plays Johnny Williams, a psychotic serial killer who returns to his hometown to visit his mother (Josephine Hutchinson) and widowed sister-in-law Helen (Colleen Miller), both of whom are ignorant of his criminal past. Johnny hopes to settle down and start life anew, but Helen, her suspicions aroused by visiting detective Mike Randall (Rod Taylor), discovers the truth about her beloved brother-in-law. Failing to talk Helen out of turning him in, Johnny methodically plots her murder. Will Randall show up in the proverbial nick of time? Shadow of a Doubt was remade again, under its original title, as a 1991 TV movie. ~ Hal Erickson, Rovi

Randolph Scott is tall in the saddle once more in the Scott-Brown production Ten Wanted Men. The star is cast as John Stewart, who attempts to establish law and order on his vast Arizona spread without resorting to violence. Less peacefully inclined is Stewart's chief rival Wick Campbell (Richard Boone), who believes that might is right. To this end, Campbell recruits the services of hired gun Frank Scavo (Leo Gordon) and eight other pluguglies to drive all competition out of the territory. Jocelyn Brando costars as the woman in Stewart's life, while Donna Martell plays Campbell's much-abused mistress. Also registering well is Skip Homeier as Stewart's resentful nephew, who'd rather be anywhere else but Arizona. Ten Wanted Men might have been better had Budd Boetticher handled the direction instead of the competent but pedestrian H. Bruce Humberstone. ~ Hal Erickson, Rovi

Fritz Lang directed this gritty drama of gangland murder and police corruption, which was considered quite violent in its day. Dave Bannion (Glenn Ford) is a scrupulously honest police detective who learns that one of his fellow officers has committed suicide. Bannion is told by the officer's wife, Bertha (Jeanette Nolan), that he was severely depressed after being told he was diagnosed with a terminal illness. But the cop's mistress, a barmaid named Lucy (Dorothy Green), has another tale to tell. She claims that he left behind a suicide note detailing a complex trail of corruption in the department, leading to mob boss Mike Lagana (Alexander Scourby), and now Bertha plans to use the note to blackmail Lagana. When Lucy is found dead beside an abandoned road, with her body showing obvious signs of torture, Bannion is convinced that her story was true, and he goes after Lagana. When he threatens to expose Lagana's dealings, the gangster orders Bannion killed. But the car bomb meant to finish Bannion off instead kills his wife Katie (Jocelyn Brando). The police take Bannion off the case, but, convinced his peers are trying to cover their tracks, Bannion follows the case alone, determined to get revenge. Lee Marvin and Gloria Grahame shine in key supporting roles. ~ Mark Deming, Rovi