Abner Biberman Movies

The plot of the Pine-Thomas adventure quickie Submarine Alert is more than a little beholden to Hitchcock's The 39 Steps. Richard Arlen plays FBI radio engineer Lee Deerhold, who turns bitter and vindictive when he is abruptly fired. Actually, his termination was engineered by his FBI superiors, so that Deerhold will be susceptible to a job offer from a gang of Nazi saboteurs. When Deerhold finally gets wise to what's going on, he finds himself being hotly pursued by practically everyone else in the picture. The better-than-average cast includes Wendy Barrie as undercover agent Ann Patterson, Nils Asther as a mysterious doctor, and Abner Biberman, Marc Lawrence and Dwight Frye as various villains. ~ Hal Erickson, All Movie Guide

In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide

It's Dorothy Lamour again, sarong and all, in the South Seas wish-dream Beyond the Blue Horizon. Lamour plays Tama, a daughter of the jungle who heads to the US to claim an inheritance. For publicity purposes, press agent Squidge (Jack Haley) tries to team Tama with his client, circus lion tamer Jakra (Richard Denning). As it turns out, Jakra is compelled to return to the South Seas with Tama to obtain positive proof that she is indeed sole heir to her family's fortune. The climax finds Jakra putting his animal-taming skills to practical use when a rogue elephant goes on a rampage. One suspects that audiences in 1942 didn't believe this one either. ~ Hal Erickson, All Movie Guide

An entertaining amalgam of Universal contract players, leftover sets and stock footage, South of Tahiti stars Brian Donlevy, Broderick Crawford and Andy Devine as Bob, Chuck and Moose, three stooge-like sailors who land on a South Sea island. While Bob pitches woos at voluptuous native girl Melahi (Maria Montez in one of her earliest leading roles), Chuck and Moose try to plunder a valuable-and sacred--bed of pearls. Nothing much happens after this, except for a few dozen shots of gorgeous Universal starlets in various states of undress. H.B. Warner, who in his heyday played Jesus in DeMille's The King of Kings, brings a modicum of dignity to the proceedings as a native chieftan. Even at its weakest, South of Tahiti is slick and pleasantly amusing. ~ Hal Erickson, All Movie Guide

This remake of Dangerous is set in Singapore and chronicles the exploits of a woman who believes herself cursed. To recover, she is taken to the rubber plantation of a handsome young man. There she finds true happiness and love. Suddenly, her abusive ex-husband shows up. She had thought him dead, and his presence terrifies her. Fortunately an auto accident takes care of him and she can resume her happy life. ~ Sandra Brennan, All Movie Guide

One would never know it from the title, but This Woman is Mine is a virile seafaring yarn dealing with the northern fur trade. Based on a sprawling novel by Gilbert W. Gabriel, the film takes place during a trading expedition from New York to Oregon, bankrolled by John Jacob Astor (played by Sig Ruman!) Ship's captain Jonathan Thorn (Walter Brennan) is a stern taskmaster in the Captain Bligh tradition, who demands 110 percent from his passengers and crew members, among them bookkeper Robert Stevens (Franchot Tone), French-Canadian adventurer Ovide de Montigny (John Carroll) and pretty stowaway Julie Morgan (Carol Bruce). The anticipated romantic triangle develops, but this is forgotten when Thorn's vessel is besiged by hostile Indians on the banks of the Columbia River. A literally explosive conclusion more than compensates for the narrative silliness that precedes it. ~ Hal Erickson, All Movie Guide

Beefcake star Jon Hall shows off his sleek physique in the exotic melodrama South of Pago Pago. The son of an island chieftan, young Kehane (Hall) defiantly opposes the efforts by crooked pearl hunter Bucko Larson (Victor McLaglen) to invade his domain. Larson and his minions hope to dissuade our hero by introducing him to seductive Ruby (Frances Farmer), who lures Kehane away from his childhood sweetheart Malia (Olympe Bradna). But Ruby turns honest at the last moment, saving Kehane's life at the expense of her own. Originally released by United Artists, this Edward Small production later made the revival-house rounds through the distribution channels of PRC Pictures. ~ Hal Erickson, All Movie Guide

Lola Lane and James Craig play explorers working on behalf of the British government. Lane and Craig have been assigned to venture deep into the wilds of Africa to retrieve the sacred skull of a long-deceased Sultan. Whoever possesses the skull will have total control over the native population--which is why several sinister gentlemen with Teutonic accents (America wasn't in the war yet, so no nationalities, please) also covet the skull. A reactivated volcano provides a rip-roaring climax for this Universal second feature. Zanzibar was based on a pair of short stories written by Maurice Tombragel and Maurice Wright, who collaborated on the screenplay. ~ Hal Erickson, All Movie Guide

The second screen version of the Ben Hecht/Charles MacArthur play The Front Page, His Girl Friday changed hard-driving newspaper reporter Hildy Johnson from a man to a woman, transforming the story into a scintillating battle of the sexes. Rosalind Russell plays Hildy, about to foresake journalism for marriage to cloddish Bruce Baldwin (Ralph Bellamy). Cary Grant plays Walter Burns, Hildy's editor and ex-husband, who feigns happiness about her impending marriage as a ploy to win her back. The ace up Walter's sleeve is a late-breaking news story concerning the impending execution of anarchist Earl Williams (John Qualen), a blatant example of political chicanery that Hildy can't pass up. The story gets hotter when Williams escapes and is hidden from the cops by Hildy and Walter--right in the prison pressroom. His Girl Friday may well be the fastest comedy of the 1930s, with kaleidoscope action, instantaneous plot twists, and overlapping dialogue. And if you listen closely, you'll hear a couple of "in" jokes, one concerning Cary Grant's real name (Archie Leach), and another poking fun at Ralph Bellamy's patented "poor sap" screen image. Subsequent versions of The Front Page included Billy Wilder's 1974 adaptation, which restored Hildy Johnson's manhood in the form of Jack Lemmon, and 1988's Switching Channels, which cast Burt Reynolds in the Walter Burns role and Kathleen Turner as the Hildy Johnson counterpart. ~ Hal Erickson, All Movie Guide

Otis Ferguson has said of Each Dawn I Die that "the story is of the kind you would have to see to disbelieve." And to be sure, the film is nothing more than a sampler of '30s prison-film conventions. But with the brilliant acting by James Cagney and the fast-paced and hard-edged direction of William Keighley, the film clatters past like an express train. Cagney plays Frank Ross, an innocent newspaperman who is railroaded into prison by a corrupt district attorney. In prison, he meets hardened-con Stacey (George Raft). Frank, at first, doesn't want to associate with Stacey and the other prisoners, but trapped in the hellhole prison, he more and more turns into a bitter con. Finally granted a hearing from the parole board, Frank pleads his innocence, but the parole board is headed by Grayce (Victor Jury), the man responsible for his imprisonment, and his parole is denied, and Frank becomes more hardened and embittered. By this point, Stacey has befriended him and agrees to help Frank prove his innocence. ~ Paul Brenner, All Movie Guide

Though Rudyard Kipling's poem Gunga Din makes a swell recital piece, it cannot be said to have much of a plot. It's simply a crude cockney soldier's tribute to a native Indian water boy who remains at his job even after being mortally wounded. Hardly the sort of material upon which to build 118 minutes' worth of screen time-at least, it wasn't until RKO producer Pandro S. Berman decided to convert Gunga Din into an A-budgeted feature film. Now it became the tale of three eternally brawling British sergeants stationed in colonial India: Cutter (Cary Grant), McChesney (Victor McLaglen) and Ballantine (Douglas Fairbanks Jr.). Ballantine intends to break up the threesome by marrying lovely Emmy Stebbins (Joan Fontaine), while Cutter and McChesney begin hatching diabolical schemes to keep Ballantine in the army (if this plot element sounds a lot like something from the Ben Hecht and Charles MacArthur play The Front Page, bear in mind that Hecht and McArthur shared writing credit on Gunga Din with Joel Sayre and Fred Guiol; also contributing to the screenplay, uncredited, was William Faulkner). All three sergeants are kept occupied with a native revolt fomented by the Thuggees, a fanatical religious cult headed by a Napoleonic Guru (Eduardo Ciannelli). Unexpectedly coming to the rescue of our three heroes-not to mention every white man, woman and child in the region-is humble water carrier Gunga Din (Sam Jaffe), who aspires to become the regimental trumpeter. Originally slated to be directed by Howard Hawks, Gunga Din was taken out of Hawks' hands when the director proved to be too slow during the filming of Bringing Up Baby. His replacement was George Stevens, who proved to be slower and more exacting than Hawks had ever been! ~ Hal Erickson, All Movie Guide

Panama Lady is a cleaned-up remake of the 1932 Helen Twelvetrees vehicle Panama Flo. Lucille Ball essays the old Twelvetrees role as Lucy, a nightclub "hostess" stranded in Panama by her ex-lover Roy (Donald Briggs). Victimized by a shakedown orchestrated by Roy, oil rigger McTeague (Allan Lane) holds Lucy responsible. To avoid landing in jail, Lucy agrees to accompany McTeague to his oil camp as his housekeeper. Assuming she's been brought to this godforsaken spot for sexual purposes, Lucy eventually realizes that McTeague's intentions are honorable: All he wants is his money back, and he expects our heroine to work off the debt on her feet! Ultimately Lucy and McTeague fall in love, but not before the scurrilous Roy re-enters her life. ~ Hal Erickson, All Movie Guide

This sequel to Grand National's 1938 actioner Cipher Bureau once again stars Leon Ames as bureau head Major Philip Waring. In case you're wondering, the Cipher Bureau is a government agency in charge of decoding enemy messages. Teamed with agent Helen Lane (Charlotte Wynters), Major Waring is dispatched to the Panama Canal. Here the two operatives discover that an Oriental spy ring (no nationalities, please: this is still 1939) is stealing vital secrets concerning the Canal. Almost as dangerous as the spies is Abner Biberman in the role of a turncoat bureau agent. The very brief "Cipher Bureau" series was created by Arthur Hoerl and Monroe Sheff. ~ Hal Erickson, All Movie Guide