Alberto Bevilacqua Movies

The time is the mid-14th century --- the Pope is now residing at Avignon, the Black Death is killing millions across Europe, and civil wars are adding to the turmoil and chaos. In this story adapted from Giovanni Boccaccio's Decameron, a young teenage couple is sent to live in a nearby town by the man's uncle, in an attempt to keep them safe from harm. She is from the lower classes, and he comes from a noble family -- a family that opposes his choice of a future bride. While en route to the town, the couple's horses are stolen and they are forced to continue through the forest on foot -- at a pace that introduces them to a kaleidoscope of Boccaccio's characters, from masters of mysticism, to soldiers of the warring Papal armies. Somehow, the couple manage to get through this gauntlet of sorts, and they do marry. Just as they are ready to go back to Rome (where they came from), they hear that there is an insurrection in the offing, and suddenly, their brief spate of stability is threatened again. ~ Eleanor Mannikka, All Movie Guide

In this intellectual drama, Ras (Eli Wallach) is a ruler or dictator who, somewhat like the Biblical King David, covets another man's wife as his own. Unlike David, however, Ras wants to humiliate Marcello (Nino Manfredi), a dedicated musician whose life he has already ruined. He forces Marcello to seek an annulment to his marriage through the Vatican. ~ Clarke Fountain, All Movie Guide

Here the director adapts his own novel about Mira (Romy Schneider), a firebrand of a woman, who moves from being a ferocious labor organizer to being the mistress of her town's factory owner (Ugo Tognazzi). Labor negotiations provide a background for their brief but devastating romantic affair. ~ Clarke Fountain, All Movie Guide

Two Sicilian bachelors deflower a virgin and find themselves in hot-water with her shot-gun slinging father in this Italian comedy. They are also in trouble with the local carabinieri. ~ Sandra Brennan, All Movie Guide

This anthology features three chilling horror stories. "Il Telefono" is credited to Guy de Maupassant, although he never wrote such a story, and concerns a woman (Michele Mercier) receiving telephone calls from beyond the grave. "Wurdulak", by Alexei Tolstoi, stars Boris Karloff as an aging vampire who can only feed on those he loves. Co-starring Mark Damon and Susy Andersen, it is clearly the best story of the three. The final tale, "La Goccia d'Acqua," is falsely credited to Anton Chekhov. It features Jacqueline Pierreux stealing a ring from a corpse she is preparing for burial, only to be murdered by the old woman's ghost. The American version differs in four major areas: the print is shorter, the stories appear in a different order, there is a linking device with Karloff speaking directly to the audience from a foggy void, and Roberto Nicolosi's musical score is replaced with one by lounge-icon Les Baxter. The American release of the film is also missing a comic coda featuring Karloff riding on horseback (or is he?); this appears in most Eurpoean prints of the film, including Mario Bava's original cut. ~ Robert Firsching, All Movie Guide