Tim Bevan Movies

After the death of his wife and his subsequent descent into alcoholic near-agoraphobia, a crotchety Pakistani intellectual convinces his shady entrepreneur brother to provide work for his son in this multi-layered portrait of the immigrant experience in Great Britain. Young Londoner Omar (Gordon Warnecke) isn't sure what he wants out of life, but his uncle Nasser (Saeed Jaffrey) provides a corrupt, capitalist role model as Omar graduates from washing cars for the old crook to running his run-down laundromat. After a chance meeting with Johnny (Daniel Day-Lewis), an old school chum whose flirtation with fascism deeply wounded Omar's principled Papa (Roshan Seth), Omar hires the young thug to work for him. Soon, the pair begin a romantic relationship that remains as under-wraps as the illicit drug-running and enforcement work they perform for Nasser's associate, Salim (Derrick Branche). On the domestic front, Omar must balance his knowledge of Nasser's long-running affair with posh Brit Rachel (Shirley Ann Field) with his own loyalty and attraction to Nasser's Westernized daughter, Tania (Rita Wolf). After successfully transforming his laundrette into a vision of resplendent pastel suds and providing a bright spot in his otherwise sqalid London neighborhood, Omar seems to have a bright future in Nasser's organization. The spectre of Johnny's past, however, combines with Omar's conflicted immigrant loyalties to threaten the sense of identity the young man has managed to stake out for himself. British-born, half-Pakistani playwright and novelist Hanif Kureishi won an Oscar nomination for his screenplay for My Beautiful Laundrette, which was originally filmed for BBC television. Kureishi collaborated again with director Stephen Frears on Sammy and Rosie Get Laid. ~ Brian J. Dillard, All Movie Guide

This comedy was inspired by the true story of Cynthia Payne, a former waitress who gained fame as England's best-known (and best-liked) madame. Christine Painter (Julie Walters) is a working-class single mother who sub-leases a few inexpensive flats as a way of bringing in extra money. Christine has no particular interest in selling her body, but when she finds herself in a tight spot financially -- and notices that the prostitutes who rent her apartments are the only ones who consistently pay on time -- she decides to open a brothel. With the help of Shirley (Shirley Stelfox), an experienced prostie, and Morton (Alec McCowen), a former RAF commander with a fondness for women's undergarments, Christine opens a little place where elderly businessmen can indulge their fondness for kinky lingerie and being spanked by younger women. Soon Christine's business is booming and everyone is happy -- until the police pay her a visit. Personal Services was directed by Terry Jones, best known as a member of the Monty Python troupe; the real-life Cynthia Payne served as a technical advisor. ~ Mark Deming, All Movie Guide

Cinematographer Chris Menges' first directorial effort, A World Apart was inspired by the lives of South African journalist Ruth First and her daughter Shawn Slovo (who wrote the film's screenplay). Barbara Hershey plays the fictional counterpart to Ms. First, Diana Roth, with Jodhi May as her daughter. Told from the daughter's viewpoint, the film shows us that Diana and her husband Jeroen Krabbe are so busy with their anti-Apartheid political activism that they totally shut May out of their lives. In 1963, Hershey is arrested by the South African police, becoming the first white woman to be held under the infamous 90-day-detention act. Left despondent and suicidal by two separate arrests and by constant harassment from the police, Diana still won't include her daughter in her life until the girl presses the issue in a climactic confrontation. Some critics felt that Shawn Slovo was using A World Apart to settle unresolved issues in her own life: Ruth First was killed under suspicious circumstances in 1982, without ever reconciling with her daughter. ~ Hal Erickson, All Movie Guide

Dexter King (Jeff Goldblum) is an actor who spends his nights on-stage in London's West End as a comedic punching bag for obnoxiously self-centered comedian Ron Anderson (Rowan Atkinson). He gets hit in the head with hammers, he trips, and he stands by dumbly as Anderson gets all the laughs. His home life is little different. His roommate, Carmen (Geraldine James), is a nymphomaniac, so he's always surprised by naked men parading through the kitchen in the morning. A chance meeting with lovely nurse Kate Lemon (Emma Thompson) and a tryout for the lead in a new Andrew Lloyd Webber-ish musical based on The Elephant Man (called, not surprisingly, "Elephant!") jolt Dexter from his torpor. Not that it makes him much less of a loser, which is the quality the show's producers are looking for. "You're a victim," they tell him. His attempts to seduce Kate are equally jarring. She asks him if he is a big believer in having sex on the first date. "Why, no," he tells her, trying to impress her with his sensitivity. Too bad, she replies -- she doesn't believe in getting serious with someone if they're sexually incompatible. Romance and showbiz go on, with the show a hit, though Dexter's romance hits a temporary snag: his backstage romance with a co-star (Kim Thomson) gets found out. ~ Nick Sambides, Jr., All Movie Guide

Director Bernard Rose and screenwriter David Yallop were inspired by the real-life Hulten/Jones murder case of 1944, famously known as The Cleft Chin Murder Case, after a London cabbie was found murdered. It was a sensation in England, where American soldier Karl Hulten and British showgirl Elizabeth Maud Jones became household names -- even beating out news of the war. In the film, Karl Hulten (Kiefer Sutherland), is an American GI who is stalking the black market of London after stealing an army truck and going AWOL. There he meets up with Betty Jones (Emily Lloyd), a stripper with a deluded fantasy world view formed by watching a steady stream of Hollywood film noir and gangster pictures. Seeing Karl, who claims he is Chicago Joe doing advance work in London for encroaching Chicago gangsters, Betty takes the opportunity to set her fantasies to life as she connives Karl into a crime spree of petty crimes. With luck on their side, the spree keeps escalating, until Betty urges Karl to commit the ultimate crime -- murder. ~ Paul Brenner, All Movie Guide

Dark Obsession is a slow, English-made, psychological thriller dealing with erotic obsession, guilt and betrayal. Sir Hugo Buckton (Gabriel Byrne), an aristocrat strapped for money, is married to beautiful, sensual and successful Virginia (Amanda Donohoe). His alcoholism and his envy of her lead to his obsessive jealousy and belief in her lack of fidelity. During one drunken evening while out driving with friends, Hugo hits and kills a pedestrian who resembles Virginia. When Hugo begins to receive vague blackmail letters, he suspects one of his friends, and the group begins to plot a murder. Dark Obsession has all the ingredients of a first-rate thriller but fails despite its excellent cast to generate any excitement. The pace of the film is languid, the motivations of the characters are unclear, and after the accidental death, nothing much really happens. Dark Obsession, originally released as Diamond Skulls, despite the best efforts of its cast, is a thriller that fails to thrill. ~ Linda Rasmussen, All Movie Guide

Initially conceived as a theatrical feature, but originally aired on television in the United States, Robin Hood puts slight, but effective, twists on the legendary tale. Starring Patrick Bergin in the title role, the film follows Robin and his group of bandits as they fight Prince John and save Maid Marion (Uma Thurman). This version is a little grittier than both Errol Flynn's classic movie or the contemporary extravaganza starring Kevin Costner, since Bergin is quite down-to-earth and Thurman makes Marion into a brat, not a helpless maiden. However, these qualities and the stately photography make the film quite entertaining, and it easily equals Costner's version, even if it can't match Flynn's timeless movie. ~ Stephen Thomas Erlewine, All Movie Guide

In the tradition of This Is Spinal Tap, producer/ director/ star Tim Robbins' Bob Roberts is a satire disguised as a documentary. Robbins plays the titular Roberts, a wealthy, well-connected young man running for a senatorial seat in Pennsylvania. On the surface, Roberts is an ingratiating glad-hander, a sincere believer in the restoration of such intangibles as national pride, family values, etc. But the longer Roberts is followed about by documentary filmmaker Brian Murray, the more we become aware that the candidate is a textbook case of cynicism and contempt. Only Giancarlo Esposito, a reporter for an underground newspaper, is willing to dig beneath Roberts' veneer--a habit that leads to the film's ironic conclusion. Several well-known actors make cameo appearances as TV commentators, notably Tim Robbins' longtime partner Susan Sarandon. Bob Roberts started out as a Tim Robbins-directed short subject for the TV series Saturday Night Live, then was expanded into a $4 million feature. ~ Hal Erickson, All Movie Guide

A white, Inuit boy named Avik is the focus of New Zealand director Vincent Ward's meditation on race and romance. In the opening moments of the movie, set in 1931 in the Arctic-Canadian settlement Nunataaq, Avik (portrayed initially by Robert Joamie) lives under the watchful eye of his grandmother (Jayko Pitseolak). While tagging along after British cartographer Walter Russell (Patrick Bergin), Avik falls prey to the "white man's disease,"--tuberculosis; to assuage his own guilt, Russell takes the boy to a Montreal clinic to recover. There, Avik meets Albertine, a mixed-blood Indian girl, and the two fall in love, but their relationship is quickly broken up by the Mother Superior who is in charge of the clinic. Years later, Avik again meets Russell, who this time is on a mission to recover the German U-boat lying wrecked off the coast of Nunataaq. Avik asks for Russell's help in learning the whereabouts of Albertine, and he gives the cartographer a chest X-ray of the girl which he has carried with him since their separation. More time elapses, and Avik (now played by Jason Scott Lee) has become a British bombardier fighting in World War II. He is sought out by Albertine (Anne Parillaud), who has become Russell's mistress. Still, she begins an affair with Avik; Russell soon finds out, and as revenge sends Avik and his crew on a suicide mission of which Avik is the lone survivor. Despondent over his war experiences, Avik flees to Canada, where he becomes an alcoholic; decades later, he is sought out by Rainee (Clotilde Courau), the daughter born from his affair with Albertine. On his way to the girl's wedding, Avik is killed in an accident; his body washes up on the beach at Nunataaq, a wedding gift still clutched in his arms. ~ Jason Ankeny, All Movie Guide

This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title's four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis' ear for witty dialogue and a colorful supporting cast. Director Mike Newell's sympathetic attention to character keeps the proceedings believable, and prevents the film's more serious moments from seeming mawkish. These elements, along with Grant's star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture. ~ Judd Blaise, All Movie Guide

New York cop Jack Grimaldi (Gary Oldman) has a nice home, a stunning wife Natalie (Annabella Sciorra), and a sweet, if stupid mistress, Sheri (Juliette Lewis). Jack also earns extra money by betraying mob witnesses to Mafia-boss Don Falcone (Roy Scheider). Assigned to guard the viciously sexy Russian-born hit woman, Mona Demarkov (Lena Olin), Jack is almost instantly seduced and allows Mona to escape. Falcone orders Jack to find and kill Mona, and threatens to murder him if he fails. Mona offers to pay Jack to help her eliminate Falcone and fake her own death. Several plot twists and turns later, Jack is left with his life in shambles. ~ Linda Rasmussen, All Movie Guide

A woman dealing with an unexpected death has to help her friends with their own crises in this comedy-drama. Rebecca Lott (Elizabeth Perkins) gets an unpleasant surprise while waiting for her husband to return from his daily jog -- he was hit by a car and instantly killed. A handful of Rebecca's friends and relatives rally around her, including her close friend and neighbor Sylvie (Whoopi Goldberg), her former stepmother Alberta (Kathleen Turner), and her younger sister Lucy (Gwyneth Paltrow), but she has a hard time accepting the fact that she's now a widow (or, as she prefers to put it, "the 'W' word"). It also seems that the women trying to offer Rebecca emotional support could use some of their own; Sylvie's marriage is hanging by a thread, and Lucy is depressed and cynical owing to her inexperience with men. But romance begins to find its way back into Rebecca's life when a handsome younger man (Jon Bon Jovi) -- hired to paint the house -- takes a shine to her. Moonlight and Valentino was based on a play written by Ellen Simon, daughter of comic playwright Neil Simon. ~ Mark Deming, All Movie Guide

This controversial political drama semi-fictionalizes the history of the radical Black Panther Party, an African-American organization that polarized America from 1966-70. Huey Newton (Marcus Chong) and Bobby Seale (Courtney B. Vance) are a pair of Oakland, California, men who form a new political party dedicated to protecting Blacks from bigoted cops through violent means. Their "Black Panther Party for Self-Protection" serves free lunch to kids, educates the community in African-American awareness, gets drug dealers off the streets, and has gun battles with the Oakland police. Two members of the Panther Party are Tyrone (Bokeem Woodbine) and Judge (Kadeem Hardison). When FBI director J. Edgar Hoover (Richard Dysart) suspects that the Black Panthers' leftist leanings are an indication of communist involvement, Judge, an affable Vietnam vet, agrees to become a double agent, reporting to both the Feds and the Panthers. After the Panthers storm the State Assembly in Sacramento, political paranoia grows, and Hoover conspires with the mafia to flood urban streets with cheap heroin, thus destroying the party. Director Mario Van Peebles, who also appears in the role of Stokely Carmichael, worked from a script written by his father, Melvin Van Peebles, based on his book about his real-life experiences with the Black Panthers. ~ Karl Williams, All Movie Guide