Sam Bernard Movies

In this action thriller, Steve Mitchell (Peter Weller) is an American agent sent to Bucharest to defuse a bomb located in the U.S. embassy. He's pleasantly surprised to find that Erica Long (Daryl Hannah), his colleague and former girlfriend, will be his assistant for this project, but the fun part of the reunion is cut short when Serbian terrorists attack the embassy and take most of the staff hostage. While Steve and Erica manage to escape, Steve's 14-year-old son is still inside, and he must find a way to get him out before Gen. Buck Swain (Tom Berenger), who was once a schoolmate of the terrorist leader, executes his raid to liberate the embassy, which could prove bloody. Enemy Of My Enemy manages to season its traditional action scenario with moments of dry humor and a dash of romance. ~ Mark Deming, All Movie Guide

In this "supernatural" comedy, a plain-jane spinster cares for her elderly grandmother, who happens to be a fanatic wrestling fan -- and also extremely rich. When her obnoxious relatives show up for Thanksgiving dinner, the grandmother, who has been given a magic potion by an exorcist, turns into a supernatural killer who takes on different shapes to perform her murders. ~ Brian Gusse, All Movie Guide

The sequel to Warlock, this film features the return of the evil warlock (Julian Sands) who is on a quest to search out and obtain a set of six magical runestones needed to summon the Devil to Earth. However, a group of powerful druids have become aware of the sinister plans afoot, and it is up to them to defeat the warlock and prevent Armageddon. ~ Iotis Erlewine, All Movie Guide

This film's for the BMX bike racers of the world. A small town is out to raise funds by building a BMX racetrack and sponsoring a major race. They sponsor their own small-town hero Cru (Bill Allen) who's up against the big-monied sponsor's champion Bart Taylor (played by Olympic gymnast-turned-actor, Bart Thomas). Bart's the bad guy here, who doesn't play by the rules. The film's highlights are found in the stunt-filled race sequences, where the two duel it out on their high-flying two wheelers. ~ All Movie Guide

Betty Grable and Dan Dailey play a couple of small-time vaudevillians, at least until Dailey gets a big Broadway break. Success swells his head to cataclysmic dimensions; he becomes an alcoholic, loses his stardom and winds up in the drunk ward. Grable divorces Dailey to marry rancher Richard Arlen, but Dailey's old pal Jack Oakie tries to rehabilitate the fallen star. Oakie's mission seems hopeless until Grable rejoins the act, and everything is patched up...at least professionally. If the plot of When My Baby Smiles at Me seems familiar, perhaps you've seen the previous two versions of the George Manker Watters/Arthur Hopkins play Burlesque: The Dance of Life (1929) and Swing High, Swing Low. ~ Hal Erickson, All Movie Guide

In this engagingly silly musical fantasy from the waning days of WW2, Fred MacMurray stars as Bill, who wants to serve his country but has been classified 4-F. While working at a local USO, Bill falls in love with the fickle Lucilla (June Haver, soon to be Mrs. Fred MacMurray), never realizing that he himself is worshipped from afar by the sensible Sally (Joan Leslie). Stumbling across an old lamp donated to a scrap drive, Bill impulsively rubs the lamp--and out pops Ali (Gene Sheldon), a bibulous, bumbling genie. Hoping to become a hero in Lucilla's eyes, Bill asks Ali to put him in the US Army. The genie complies, but gets his wires crossed, and Bill ends up in the Continental Army during the Revolutionary War. In short order, Bill meets two lookalikes of the girls in his life at "Ye U.S.O.", shows up at Valley Forge and trades quips with General Washington (Alan Mowbray)--who, in anticipation of MacArthur and Eisenhower, bombastically insists that he has no political aspirations--unsuccessfully tries to alert Washington of the duplicity of Benedict Arnold (John Davidson), and ultimately finds himself behind enemy lines with a troop of Hessians, whom he tries to hoodwink by delivering a Nuremberg-style speech, replete with "Sieg Heils." Arrested and sentenced to a Hessian firing squad, Bill again summons Ali, who whisks him off to the year 1492. In an elaborate "opera bouffe", Bill musically dissuades the sailors serving under Christopher Columbus (Fortunio Bonanova) from staging a mutiny, convincing them to continue seeking out the New World (as represented by a group of Cuban natives in a conga line). Once on dry land, Bill is entranced by a comely Indian maiden who looks a lot like Lucilla, only to be entrapped in an old-fashioned "badger game" cooked up by the girl's wily Native American boyfriend (Anthony Quinn). Buying his way out of an embarrassing situation by agreeing to purchase Manhattan Island for $24, Bill is then transported to "New Amsterdam" in the mid-1600s. In his efforts to persuade the local Dutch elders that he is the rightful owner of Manhattan, Bill succeeds only in getting arrested again. This time, however, the drunken Ali manages to zap our hero back to the 20th Century--with the 17th-century equivalent of Sally in tow. The songs, by Kurt Weill and Ira Gershwin, are appropriately bright and satirical, but none are standouts. Still, Where Do We Go From Here? is one of those frothy 1940s concoctions that is absolutely impossible to dislike. ~ Hal Erickson, All Movie Guide

A priest relates the tale of his friend, a WWI veteran, to the Post-War Planning Committee. Unable to get a job upon his return from the war, he puts off his marriage and works for a bootlegger. He is forced to take a rap for his boss, goes to prison, and forms a gang. After his release, a gang war breaks out, resulting in his death. He leaves a note to his friend the priest asking that his story be told as a warning. ~ Steve Huey, All Movie Guide

Today I Hang has more going for it than most PRC Productions (including no fewer than two directors!), but in the end is laid low by chintzy production values. Walter Woolf King stars a jewelry salesman Jim O'Brien, who is framed for a murder he didn't commit. Martha Courtney (Mona Barrie), the murder victim's widow, believes in Jim's innocence and sets about to find the guilty party. The motivation for the killing is a stolen necklace, pilfered by Courtney's late husband (Harry Woods) and his unknown confederate. Despite the cheapness of their surroundings (one of the main sets has no front door, obliging the actors to make all their entrances and exits from a side door), Walter Woolf King and Mona Barrie deliver strong, credible performances. ~ Hal Erickson, All Movie Guide

Set soon after the Japanese attack on Pearl Harbor, Let's Get Tough! opens with the East Side Kids -- Leo Gorcey, Huntz Hall, Bobby Jordan, David Gorcey, Sammy "Sunshine" Morrison, and Bobby Stone -- trying to enlist in the armed forces and getting turned down because they're not yet 18 years old. Eager to contribute and frustrated at not being allowed to help out in the national emergency, they decide to take action on their own when they see an argument between Kino, a Japanese dealer in antiques, and a local boy named Fritz Heinbach (Gabriel Dell). They try to run Kino out of his own store but instead, the shopkeeper runs them off, and the boys get a warning from "Pop" Stevens (Robert Armstrong), the local cop on the beat, to stay out of trouble. That night, however, they return intent on trashing Kino's store, only to find the man at his desk, stabbed to death. When they're pulled in by the police, the boys find out that Kino was a Chinese agent impersonating a Japanese, and trying to uncover a cell of saboteurs. The boys decide to investigate on their own after they hear rumors that Bill (Tom Brown), the brother of one of them, has been thrown out of the army for his un-American beliefs and has been seen hanging around Matsui, who is considered a potential suspect. They end up infiltrating a meeting of Japanese saboteurs and spies, and find an alliance between them and German immigrant Fritz Heinbach; Bill turns out to be an American agent working the same case as Kino, but they're all trapped, until one of the gang escapes to summon the police. ~ Bruce Eder, All Movie Guide

Apparently hoping to break out of the series' formula rut, the producers of the "Range Riders" western Tumbledown Ranch in Arizona employ a clever and amusing framing device. At the beginning of the picture, the son of Range Rider John "Dusty" King (played by King) meets the son of Dusty's old pal Ray "Crash" Corrigan (played by Corrigan) in college. After the boys exchange a few reminiscences of their dads' exploits, Dusty's son is knocked out by an accidental blow on the head. When he awakens, he finds he has been transported back to the Old West, and has assumed his father's identity. Once this has been established, the plot proper gets under way, wherein Dusty, Crash and Alibi (Max Terhune) try to stem the criminal activities of the villains (Quin Ramsyey, James Craven, Jack Holmes) and to champion the cause of the heroine (Sheila Darcy). By the time the heroes finally return to the Wild Frontier, the picture is half over, forcing the screenwriters to telescope 6 reels' worth of plot and action into 25 minutes. ~ Hal Erickson, All Movie Guide

This fourth entry in MGM's Thin Man series could just as well have been titled "Nick and Nora Charles Go to the Races". Officially retired from sleuthing, Nick Charles (William Powell) does his best to be a dutiful husband to his lovely wife Nora (Myrna Loy) and a good father to his young son Nick Jr. (Dickie Hall). But when murder rears its ugly head at the local race track, Nick is called in by Major Jason I. Sculley (Henry O'Neill), head of the New York athletic commission, to help solve the case. As usual, there is no shortage of suspects: This time the "rogue's gallery" includes high-rolling gamblers Link Stevens (Loring Smith) and Fred Macy (Joseph Anthony); Link's hoity-toity girlfriend Claire Porter (played by legendary acting teacher Stella Adler); two-bit tout "Rainbow" Benny Loomis (Lou Lubin); reporters Whitey Barrow (Paul Kelly) and Paul Clarke (Barry Nelson); and Clarke's sweetheart Molly Ford (Donna Reed). Highlights include a zany episode on a department-store merry-go-round, an outsized brawl at a fancy sea-food restaurant, and the inevitable gathering together of suspects in the offices of police lieutenant Abrams (Sam Levene). The flippant nature of Shadow of the Thin Man can be attributed to screenwriters Irving Brecher and Harry Kurnitz, both longtime friends and associates of comedian Groucho Marx. ~ Hal Erickson, All Movie Guide

Also known as People's Enemy, this is a low-budget surprise movie which depicts a convicted racketeer on his way across country to Alcatraz, where he is to begin his sentence for murder. ~ Tana Hobart, All Movie Guide