Martin Berkeley Movies

This is the one in which the "villain" is a huge, carnivorous praying mantis. After the titular insect has attacked several people in a remote Arctic region, Col. Joe Parkham (Craig Stevens) swings into action. Parkham and his associates, Dr. Ned Jackson (William Hopper) and Ned's assistant Margie Blake (Alix Talton), track the predatory mantis as it heads southward to Washington DC (how did it get past customs?) The green monstrosity meets its Waterloo in "Manhattan Tunnel", where it is bombarded with poison gas (a little Raid or Black Flag might have come in handy). Some of the Arctic scenes in The Deadly Mantis were clumsily culled from the 1933 drama SOS Iceberg and a handful of Air Force training films. ~ Hal Erickson, All Movie Guide

Obviously inspired by such films as The Asphalt Jungle and The Killing, The Big Caper takes place in a small town with a large bank. James Gregory plays the leader of a gang of thieves who intends to knock over the bank--but not without meticulous pre-planning. In the months prior to the holdup, gang members Rory Calhoun and Mary Costa (a popular opera star making her dramatic film debut) gain the confidence of the townspeople by posing as the husband-and-wife owners of a local gas station. When Gregory makes it clear that he plans to blow up a school to create a diversion, Calhoun and Costa decide to go straight in a hurry. The Big Caper was directed by Robert Stevens, best known for his work on such TV anthologies as Alfred Hitchcock Presents and The Twilight Zone. ~ Hal Erickson, All Movie Guide

When their car breaks down, honeymooning couple Ray and Meg Loomis (Biff McGuire, Mary Scott) accept the courtesy of a brash middle-aged man named Mr. Moon (Robert Emhardt). Unfortunately, while trying to fix the car, Mr. Moon ruins his new suit -- whereupon he goes berserk, threatening dire consequences to both Ray and Meg. Before long, it is obvious that the Loomises are unable to escape the wrathful Mr. Moon -- but as things turn out, this temperamental gentleman is not the villain of the piece. ~ Hal Erickson, All Movie Guide

A man with a strangely misshapen face wanders out of the desert near a small town and falls to the ground dead. The county sheriff (Nestor Paiva) tentatively identifies the dead man as Eric Jacobs, a laboratory assistant to Professor Deemer (Leo G. Carroll), a research scientist living a few miles out in the desert. But there's something strange about Jacobs; his facial features and bodily extremities are distorted to a point where he's barely recognizable. The sheriff calls in Dr. Matt Hastings (John Agar), the local physician, who makes a diagnosis of acromegalia, a glandular disorder that affects the body's growth. He also tells the sheriff that it can't possibly be acromegalia, because symptoms as pronounced as those he sees in this case take years to develop, and the man was in perfect health just three months earlier. Hastings refuses to believe the professor's account of Jacobs' rapid deterioration, but the sheriff takes the word of the scientist. Back in his laboratory, Deemer continues his work, going over tests of a chemical on various animals, all of which are jumbo-sized, including guinea pigs the size of rabbits, baby mice the size of full-grown rats, and a tarantula three feet long. Suddenly, the professor is attacked by his assistant (Eddie Parker), whose face and hands are distorted in the same manner as Jacobs, and who injects the helpless scientist with the experimental chemical before collapsing dead. A fire starts during the attack and in the confusion, the tarantula's glass cage is broken and it escapes the burning laboratory, wandering out into the desert. Weeks go by, and a new assistant, Stephanie "Steve" Clayton (Mara Corday), arrives to begin work for the professor. When Hastings gives her a ride to Deemer's home, the scientist explains to the doctor that he's been working on a radioactive nutrient, that, if perfected, could feed the entire world's population. He also says that Eric Jacobs made the mistake of testing the chemical on himself and it caused the disease that killed him. Hastings and Steve begin a romance, unaware that wandering around the desert is the tarantula from Deemer's laboratory, now grown to the size of an automobile and getting bigger with each passing day. Soon livestock and then people begin disappearing, and the sheriff is at a loss to explain any of it, or the one clue left behind in each case: large pools of what seems to be some kind of venom next to the stripped skeletons of the victims. Hastings takes some of the material in for a test; meanwhile, Steve notices that Deemer is going through some bizarre changes. His mood has darkened and his features now appear to be changing, as the acromegalia, caused by the injection, manifests itself. Hastings learns that one of the professor's test animals was a tarantula, which was presumed destroyed. When he learns that the pools near the deaths are composed of spider venom -- equivalent to what it would take many thousands of spiders to generate -- he's certain that the tarantula from the laboratory survived. By this time, the title creature is bigger than a house and ravaging the countryside, killing everything in its path and knocking down power lines and telephone poles as it moves. Hastings arrives just in time to rescue Steve from the attacking creature, which destroys Deemer's house and kills the professor. The sheriff and the highway patrol are unable to slow the creature, now the size of a mountain and moving at 45 miles an hour, even with automatic rifle fire, as it follows the road through the desert toward the town. Even an attempt to blow it up with dynamite fails when the monster walking right through the blast. Finally, the creature is poised to attack the town, when jets scrambled from a nearby Air Force base (led by a young Clint Eastwood, barely recognizable behind an oxygen mask) swoop in. When rockets fail to divert the monster from its path, the jets roar in for a second pass and drop enough napalm to incinerate the creature. ~ Bruce Eder, All Movie Guide

War Paint stars Robert Stack as a courageous U.S. Cavalry lieutenant, assigned to deliver a peace treaty to a powerful Indian chief. Unfortunately, a band of bloodthirsty renegades have vowed to kill the officer before he completes his mission. Will our hero be able to deliver the treaty at the appointed time, thereby avoiding mass bloodshed? And will the Indian chieftain's daughter (Joan Taylor) actually survive until the last reel, even though she's fallen in love with the lieutenant? (If so, it will be a Hollywood first!). Beautifully photographed in Pathecolor, War Paint was filmed on location in Death Valley. ~ Hal Erickson, All Movie Guide

Despite its ebullient title and the presence of lightweight dancing star Dan Dailey, Meet Me at the Fair has a lot more meat on its bones than most musicals of the early 1950s. Dailey plays an early-1900s medicine show huckster who finds himself the reluctant guardian of orphanage escapee Chet Allen. As he grows fond of the boy, Dailey becomes determined to thwart the corrupt system that allows substandard orphan asylums to operate while political hacks get rich on government funding. Dailey wins the confidence (and love) of orphan committee member Diana Lynn, who helps to foil the machinations of crooked district attorney Hugh O'Brien. The darker aspects of Meet Me at the Fair are lightened by director Douglas Sirk's marvelous recreations of backstage life at the turn of the century. The film is also a special treat for fans of Scatman Crothers, who is never less than terrific as Dan Dailey's sidekick. ~ Hal Erickson, All Movie Guide

Brilliant plastic surgeon Philip Ritter (Paul Henreid) loses the love of his life, concert pianist Alice Brent (Lizabeth Scott), to her manager, David (Andre Morell). As a balm to his wounded pride, Dr. Ritter Henreid makes over a hideously scarred female criminal into the spitting image of the woman who jilted him (the girl is played by Mary McKenzie "before," and, of course, by Lizabeth Scott "after"). Alas, he cannot make over her personality as well, and soon she's run off with her own crooked crowd. A not-bad precursor to Hitchcock's Vertigo, A Stolen Face was produced by Britain's Hammer Films, and distributed in the U.S. by Lippert. ~ Hal Erickson, All Movie Guide

In this drama, based on a novel by Mary O'Hara, the relationship between humans and animals is paralleled as they struggle to live and find love on a wild ranch in Wyoming. The human story centers around a rancher's niece who falls in love with a neighboring rancher's son. The equine story follows the romantic exploits of a wild-eyed black mare and a wild white stallion, Thunderhead. One night, the sly stud sneaks upon the other's land and steals the mare. The rancher's boy brings them back. The rival ranchers get involved in a horse race and the niece's uncle wins over the other's pregnant mare. The two youngsters find love and as Thunderhead's baby is foaled, happiness ensues. ~ Sandra Brennan, All Movie Guide

Told in flashback, Out of the Depths strives to explain why its four male protagonists are bobbing around the Pacific in a lifeboat. The story proper begins as Captain Faversham (Jim Bannon) and his crew embark upon a secret mission which takes them into Japanese waters. The plan is to prevent a kamikaze attack against the American invading forces. Compelling in itself, the plotline isn't improved by arbitrary doses of misfire pathos and comedy relief. One of the sailors is played by Ken Curtis, later to gain TV fame as Festus on Gunsmoke. ~ Hal Erickson, All Movie Guide

Three years after its previous "Lone Wolf" entry Passport to Suez, Columbia Pictures revitalized the B-picture series with The Notorious Lone Wolf. Gerald Mohr succeeds Warren William in the role of jewel thief-turned-detective Michael Lanyard, while Eric Blore is back as Lanyard's faithful valet Jamison. Returning from WW2, Lanyard is immediately involved in another baffling case: Several priceless jewels have been stolen from a museum, and you-know-who is the most likely suspect. Racing against time-the theft occured on the eve of his reunion with the gorgeous Carla Winter (Janis Carter)-Lanyard follows the trail of clues to a group of kidnapped foreign dignitaries. The film's highlight finds Lanyard and Jamison disguising themselves as Arab potentates, complete with beards and turbans. ~ Hal Erickson, All Movie Guide

The third of MGM's Dr. Kildare series to dispense with the services of Dr. Kildare (Lew Ayres), Dr. Gillespie's Criminal Case stars crusty old Lionel Barrymore in the title role. The first half of the film concerns Gillespie's efforts to expedite the romance of Army sergeant Orisin (Michael Duane) and Marcia Bradburn (Donna Reed), with the help of doctors Red Adams (Van Johnson) and Lee Wong How (Keye Luke). The closing reels lapse into melodrama when Gillespie is kidnapped by mentally unstable convict patient Roy Todwell (John Craven) and his gang. In addition to new MGM contractees Van Johnson and Donna Reed, Dr. Gillespie's Criminal Case gave a boost to young star-in-the-making Margaret O'Brien. Like most of the later films in the series, this one is hampered a bit by its excessive length. ~ Hal Erickson, All Movie Guide

In this melodrama, a group of women live in a boardinghouse near a prison to await the release of their men. ~ Sandra Brennan, All Movie Guide