Bruce Beresford Movies

Based on a novel by William Boyd (who also wrote the film's screenplay), this darkly witty drama explores the political, social, and sexual gamesmanship of a group of British and African politicians. Morgan Leafy (Colin Friels) is a British diplomat who, for the past three years, has been assigned to the British High Commission of Ninjana, an African nation slowly divesting itself of colonial rule. Leafy is an arrogant and frequently confused alcoholic romantically involved with an African woman named Hazel (Jackie Mofokeng). Arthur Fanshawe (John Lithgow), a new High Commission appointee who wants nothing more than to be promoted and moved out of Africa, brings some interesting news to Leafy: massive reserves of oil have been discovered in Ninjana, and if the British want to reap the full profits of this windfall, they will want to stay on the good side of Sam Adekunle (Louis Gossett Jr.), who in all likelihood will be the next president of Ninjana. However, something of a diplomatic crisis has come up; a native woman was struck by lightning in the courtyard of the High Commission's compound, and the locals insist that she cannot be moved until certain time-honored rituals have been performed. At a loss for advice, Leafy turns to Dr. Alex Murray (Sean Connery), a Scottish doctor who has been in Africa for 23 years and is one of the few people equally at ease with both the British colonials and the natives. However, Leafy doesn't seem so eager to seek out assistance in his romantic problems; while he's involved with Hazel, Leafy also finds himself dallying with Adekunle's wife Celia (Joanne Whalley-Kilmer) and Fanshawe's wife Chloe (Diana Rigg). By the way, don't bother looking for Ninjana on a map -- it doesn't really exist. ~ Mark Deming, All Movie Guide

An international collection of well-known directors contributed to this compilation film, each fashioning a short film inspired by an aria from a famous opera. The approaches vary broadly, from the playful abstraction of Jean-Luc Godard's segment, which illustrates Armide with exercising body-builders, to the more literal approach of Franc Roddam, who transports Tristan und Isolde's story to modern-day Las Vegas. A particular stand-out is Julian Temple's take on Rigoletto, which recasts Verdi as the accompaniment to a contemporary Southern California sex farce. ~ Judd Blaise, All Movie Guide

Adapted by Brian Moore from his own novel, The Black Robe is a sprawling recreation of a turbelent period in Canadian history. In 1634, Jesuit missionary Father Laforgue (Lothair Bluteau) arrives in the New World, hoping to convert the Huron Indian tribe to Catholicism-and, incidentally, to expedite the French colonization of Quebec. Laforgue is regarded with a combination of warmth and wariness by the natives, who refer to Laforgue and his fellow priests as "black robes". Offering his services as both guide and friend is Algonquin chief Chomina (August Schellenberg). The by-the-book Laforgue does little to endear himself to the Indians-one of whom, a holy man, labels the priest as a demon who will bring nothing but death and destruction. The one who suffers most is Chomina, the man who most desires peaceful coexistence. In an ironic coda, we learn that the "black robes" have set into motion the fall of the Hurons, simply by imposing their Christian values upon them. Black Robe has been compared to Dances with Wolves, but the films do not share the same philosophy: while the idealistic hero of Wolves strives to understand and appreciate his new Indian comrades, the pious protagonist of Black Robe has only conversion in mind. ~ Hal Erickson, All Movie Guide

Bruce Beresford (Driving Miss Daisy) delivers this fact-based drama about one of the most fascinating private lives of the 20th century. Alma Schindler (Sarah Wynter) was one of the most renowned young beauties in turn-of-the-century Vienna, sought after as a romantic conquest by some of the most famous men in the city, including the artist Gustav Klimt (August Schmolzer). She is won, however, by the most challenging and enigmatic artistic figure of them all, composer/conductor Gustav Mahler (Jonathan Pryce). His one demand is that she give up her own aspirations as a composer, which she has nursed for years. She agrees, and their marriage proves to be a devoted yet loveless union, producing two children but leaving Alma bereft of affection. She suppresses her frustrations as her husband's star rises, sublimating her ambitions completely. His career advances yield extraordinary music but equally notable controversies, and the marriage is riven by stress. When their oldest daughter dies, Alma's health is broken. While convalescing at a sanitarium, she meets another patient, Walter Gropius (Simon Verhoeven). He is gentle and attentive, and they begin an affair, which her husband accidentally learns of later. Their marriage survives, but Mahler also knows that he is a doomed man because of a damaged heart. After his death, Alma Mahler marries Gropius, an ambitious young architect with revolutionary ideas. Their marriage lasts but a few years, for Alma is drawn to another man, the artist Oskar Kokoschka (Vincent Perez). Kokoschka is young, iconoclastic, and daring -- all of the things that the career- and status-oriented Gropius isn't. Their affair yields a renowned painting of Alma that Kokoschka calls Bride of the Wind, a depiction of their passion amid a storm-swept background. They also conceive a child that Alma decides not to carry to term. She returns to Gropius for a time, while Kokoschka sells the painting for enough money to buy a commission in the army, and he is reported killed in action during World War I. Finally, after leaving Gropius, Alma meets a gifted author, Franz Werfel (Gregor Seberg), whom she marries. Her past catches up with her in an odd way, however, when Kokoschka returns, having survived the war and captivity -- he is still obsessed with Alma, to the point that he walks around Vienna in the company of a life-size doll of her, which he destroys in a fit of anger one night at a party. Meanwhile, in Alma's life with Franz Werfel, she finally finds peace and fulfillment, even as a composer -- the movie ends with a 1925 recital at which soprano Frances Alda (Renee Fleming) performed Alma Mahler Werfel's songs. ~ Bruce Eder, All Movie Guide

Adapted from the Pulitzer Prize-winning play by Beth Henley (who also penned the screenplay), Crimes of the Heart stars three high-powered actresses as three high-strung sisters. Lenny (Diane Keaton), Meg (Jessica Lange) and Babe (Sissy Spacek) gather at Lenny's deep-South home for her birthday. Lenny, the oldest, can't seem to sustain a relationship with a man. Meg is an aspiring actress who hasn't progressed beyond commercial voice overs. And Babe is released on bond from jail after shooting her senator husband. Add to this information the fact that the girls' mother killed herself in Lenny's house, and that when Meg offhandedly expresses the wish that grouchy grandfather Hurd Hatfield would slip into a coma, he does, whereupon the sisters, despite every effort to treat the situation with proper sobriety, burst into helpless laughter over her "psychic" powers. ~ Hal Erickson, All Movie Guide

Early in his career, Australian director Bruce Beresford helmed Don's Party, which closely mirrors Shampoo in its basic premise and its edgy correlations between sex and politics. One pivotal election night, Don, played by John Hargreaves, throws a party for a group of friends, ostensibly so that everyone can watch the ballots roll in on television. But when booze is consumed in quantity, inhibitions are kicked downstairs. Particularly boorish under the influence of alcohol are Don's male friends, who indulge in a barrage of insulting verbal attacks on each other when they aren't trying to get each other's wives into bed. Unapologetically adult in its content and themes, Don's Party was adapted from a play by David Williamson; it marks one of the earliest classics of Australian New Wave cinema. ~ Hal Erickson, All Movie Guide

Based on the Pulitzer Prize-winning play by Alfred Uhry, Driving Miss Daisy affectionately covers the twenty-five year relationship between a wealthy, strong-willed Southern matron (Jessica Tandy) and her equally indomitable Black chauffeur Hoke (Morgan Freeman). Both employer and employee are outsiders, Hoke because of the color of his skin, Miss Daisy because she is Jewish in a WASP-dominated society. At the same time, Hoke cannot fathom Miss Daisy's cloistered inability to grasp the social changes which sweep the South in the 1960s. Nor can Miss Daisy understand why Hoke's "people" are so indignant. It is only when Hoke is retired and Miss Daisy is confined to a home for the elderly that the two fully realize that they've been friends and kindred spirits all along. The supporting cast includes Esther Rolle as Miss Daisy's housekeeper and Dan Aykroyd as Miss Daisy's son Boolie (reportedly, playwright Uhry based the character upon himself). Driving Miss Daisy won Academy Awards for best picture, best actress (Jessica Tandy), best screenplay (Uhry) and best makeup (Manlio Rachetti). ~ Hal Erickson, All Movie Guide

A frustrated writer helps save a woman being railroaded by the law -- or is she? -- in this comic mystery with romantic overtones. Phil Blackwood (Tom Selleck) is a best-selling mystery novelist who has run into a bad case of writer's block. Hoping to find inspiration for his next book, Phil goes to the city courthouse and witnesses the arraignment of Nina Ionescu (Paulina Porizkova), a beautiful Romanian immigrant who is accused of killing a man with a pair of scissors. For Phil, it's love at first sight, and after sneaking into jail disguised as a priest, he makes her an offer. Phil offers to let her stay at his house, and he provides her with an alibi -- she can claim that she couldn't have committed the crime, because she was with him at the time of the attack. Nina agrees, but after Phil encounters a handful of dangerous foreign agents, Nina's acrobatic parents, and a highly suspicious district attorney, he begins to wonder if Nina might have committed the murder after all. Her Alibi also features William Daniels as Sam, and James Farentino as Frank Polito; the song "Falling In Love" was written and recorded for the film by Randy Newman. ~ Mark Deming, All Movie Guide

The relationship between an unproven lawyer and the female convict he attempts to save from execution is detailed in this death-row drama. Sharon Stone plays against type as Cindy Liggett, convicted of murder at the age of 19, who has spent over a decade in prison awaiting execution. Having resigned herself to her eventual death, she cares little when her case falls into the hands of newly appointed clemency board attorney Rick Hayes (Rob Morrow). Hayes devotes himself to her case, however, and uncovers several inconsistencies regarding her earlier trial. Seeing a chance to save Liggett's life, Hayes fights for a stay of execution but finds himself facing opposition from powerful political figures and even Liggett herself. Largely ignored at the box office, the film suffered in comparison to Dead Man Walking (1995), the Academy Award-winning drama whose treatment of the death penalty theme may still have been fresh in the minds of audiences. ~ Judd Blaise, All Movie Guide

Director Bruce Beresford followed up his Academy Award-winning Driving Miss Daisy with another meditation on race, Mister Johnson. Set in West Africa in 1923, Johnson (Maynard Eziashi), the clerk of British administrator Harry Rudbeck (Pierce Brosnan), attempts everything within his power to ingratiate himself into white society. Johnson hatches a plan to juggle the books so that Rudbeck will have the capital necessary to achieve his ultimate dream of a "great northern road," but when his scheme is uncovered, he is fired. After finding another job with a shopkeeper named Gollop (Edward Woodward), he is again fired for his "creative" financing skills; however, Rudbeck hires him back to oversee the road construction project. When funds are cut off, Johnson convinces workers to do their jobs for free to ensure the project's completion. Once again, he is caught embezzling, and once again, he is let go; in a fit of desperation, he robs and kills Gollup. After confessing to the crime, he begs Rudbeck to kill him, sparing him the humiliation of public execution. ~ Jason Ankeny, All Movie Guide

This drama focuses on the efforts of an African clerk who bypasses the correct channels to assist his road building English boss. ~ All Movie Guide

Like so many other MTV series, Pimp My Ride bore a title that never would have gotten to first base in past television seasons. However, the subject matter was fairly benign despite the "P" word. The exotically yclept Xzibit served as host of the series, in which various automobiles that had seen better days -- or were butt-ugly to begin with -- were plucked off the streets of Southern California and "pimped," or reconditioned, to look like sleek, sassy luxury vehicles. These rebirths usually required not only a paint and tire job, but a total remake and an arsenal of cool accessories. Each half-hour episode opened with a lively hip-hop theme song composed by Jeff Cardoni ("So you wanna be a playa/But your wheels ain't fly/You gotta hit us up/To get a pimped out ride...") Xzibit would select the honored car of the week, which would then be placed in the expert hands of the mechanics and artisans of West Coast Customs, an establishment owned by Ryan Friedlinghaus. The series regulars included paint and body experts Aren, Ish, Jimmy, Buck, and 2Shae; suspension and body specialist Danny; wheels and tires maven Alex; electronics wiz Ryan; and accessories man Big Dane. Created by Bruce Beresford and Rick Hurvitz, Pimp My Ride debuted March 4, 2004. ~ Hal Erickson, All Movie Guide

The final installment of what might be called Bruce Beresford's southern trilogy (the other films being Crimes of the Heart and Driving Miss Daisy) examines a disintegrating Southern family. The Odom family live in an elegant mansion, where Warren (Albert Finney) is retired and spends the days puttering around the house. One day, his daughter, a high school honor student named Lucille (Kathryn Erbe) finds a letter written by her mother Helen (Jill Clayburgh) declaring her intentions of leaving the family. Quickly re-writing the letter to remove the harsh words, she finishes it just in time for Warren to read it. Warren is crestfallen at the news of Helen's departure, telling her, "Lucille, I feel knocked off my perch about this." Warren descents into a depression as she and Warren await the return of Helen. After it becomes apparent Helen is not returning, Lucille drops out of high school to care for the home and her father, while Warren strikes up a relationship with available widow Vera Delmage (Piper Laurie). But then Lucille's no-nonsense older sister, Rae (Suzy Amis) arrives with her husband Billy McQueen (Kyle MacLachlan). Rae is pregnant and announces her intention of staying for awhile. ~ Paul Brenner, All Movie Guide