Bruce Beresford Movies

The popular Australian comic strip The Wonderful World of Barry McKenzie was first brought to the screen in this raunchy 1972 romp. Barry Crocker plays the title character, a carefree Aussie cowboy with an inordinate fondness for beer and "Sheilas". Touring England as a stand-up comic, Barry runs across several odd characters, including addlepated discipline freak Dennis Price. Also on hand is Barry McKenzie cocreator Barry Humphries, appearing in drag as Dame Edna Beveridge, a character who would bring Humphries worldwide fame and fortune in the 1990s. Director Bruce Beresford, who went on to such loftier efforts as Breaker Morant, Tender Mercies and Crimes of the Heart, breezes through his scatalogical material with the abandon of a schoolboy scribbling naughty words on the sidewalk. ~ Hal Erickson, All Movie Guide

The suffocating repressiveness of the Victorian era is superbly realized by director Bruce Beresford in The Getting of Wisdom. Thirteen-year-old Laura (Susannah Fowle), an incorrigible free spirit from the Australian outback, is enrolled in a prestigious girl's boarding school. The indoctrination process is a rough one, and Laura very nearly loses her individuality and sense of self-worth. When she does mature, however, it is on her terms, and not the school's. Intriguingly, The Getting of Wisdom is based on the reminiscences of a 19th-century female writer who used the pen name of Henry Handel Richardson. Despite its somber dramatic overtones, the film contains moments of uninhibited humor, a trademark of director Beresford. ~ Hal Erickson, All Movie Guide

Breaker Morant is one of the most acclaimed Australian films, telling a powerful tale of wartime betrayal and injustice. Henry "Breaker" Morant (Edward Woodward) is an Englishman living in Australia at the end of the 19th century. When war breaks out in 1899 between Britain and the Boers (descendants of Dutch colonists), Morant and a number of Australians volunteer for duty and are absorbed into the non-regular units of the British army. Acting under orders from his commanders, Morant oversees the execution of several Boer prisoners; it turns out that one of them was German, and in order to keep the peace with Germany, Britain agrees to courtmartial Morant and two other soldiers, sentencing two to death and one to life imprisonment. Based on a play by Kenneth Ross, Bruce Beresford's film is powerfully filmed and acted and has become a classic anti-war movie since its 1980 release; the script (co-written by Beresford) was nominated for an Academy Award. The final execution scene is nearly overpowering in its sense of tragedy and futility. ~ Don Kaye, All Movie Guide

Director Bruce Beresford continued his tradition of putting socially disenfranchised characters front and center with this wryly observant comedy drama about middle class Australian teens that served as a stark contrast to the popular American teen films of its day. Friends from the Sydney suburb of Cronulla, Debbie (Nell Schofield) and Sue (Jad Capelja) are a pair of average schoolgirls who smoke, drink, have sex, and cheat on exams. The girls are also striving to become "surfie chicks," the groupies that hang around the surfer boy gangs of southern Sydney, pairing off with the objects of their affection. Adhering to odd rules that prevent them from eating or going to the bathroom in the surfers' presence, the girls get into trouble for their wild behavior, with Debbie eventually fearing that she's pregnant, leading to a fatal overdose of heroin for her boyfriend Garry (Geoff Rhoe). Ultimately, Debbie and Sue become disillusioned with the sexism and narrow-mindedness of their crowd. Puberty Blues (1981) was based on the book of the same name by Kathy Lette and Gabrielle Carey, a pair of real-life Sydney teens who wrote newspaper articles under the pseudonym "The Salami Sisters." ~ Karl Williams, All Movie Guide

Director Bruce Beresford has safely stayed within the domain of the Bible and not strayed into patches of Hollywood fiction in this routine version of the story of David (Richard Gere). For that reason, anyone unfamiliar with Biblical history might be puzzled by the episodic presentation of David's life. In the opening scenes, Samuel condemns Saul and anoints the young David as his heir, and in fairly quick succession David slays Goliath, incurs Saul's jealous wrath, leaves, and, much later, comes back to rule after Saul has died. Once David is on the throne, Bathsheba and then Absalom enter into the picture. Interspersed are brutal scenes of fighting, but not much in the way of motivation for David's complex behavior. Gaps in the narration or unclear motivation may be the result of trying to cover too many events in a 114-minute running time. ~ Eleanor Mannikka, All Movie Guide

Bruce Beresford returned to the austerity of his first Australian films with The Fringe Dwellers. Kristina Nehm stars as an Aborigine woman named Trilby, who along with her tribespeople lives on the fringes of "accepted" Australian society. Trilby's mother (Justine Saunders) urges her family to remove themselves from squalor and move up to a fashionable all-white suburb. What with the snobbery of her new neighbors and an onslaught of visiting relatives, Trilby never has a moment of happiness. She seeks solace in the arms of her boyfriend (Ernie Dingo), but this only results in an unwanted pregnancy. Her "escape" to a better life is an indirect result of her newborn child's death. Bruce and Rhoisin Beresford adapted the script of The Fringe Dwellers from the novel by Nene Gare. ~ Hal Erickson, All Movie Guide

Based on the Pulitzer Prize-winning play by Alfred Uhry, Driving Miss Daisy affectionately covers the twenty-five year relationship between a wealthy, strong-willed Southern matron (Jessica Tandy) and her equally indomitable Black chauffeur Hoke (Morgan Freeman). Both employer and employee are outsiders, Hoke because of the color of his skin, Miss Daisy because she is Jewish in a WASP-dominated society. At the same time, Hoke cannot fathom Miss Daisy's cloistered inability to grasp the social changes which sweep the South in the 1960s. Nor can Miss Daisy understand why Hoke's "people" are so indignant. It is only when Hoke is retired and Miss Daisy is confined to a home for the elderly that the two fully realize that they've been friends and kindred spirits all along. The supporting cast includes Esther Rolle as Miss Daisy's housekeeper and Dan Aykroyd as Miss Daisy's son Boolie (reportedly, playwright Uhry based the character upon himself). Driving Miss Daisy won Academy Awards for best picture, best actress (Jessica Tandy), best screenplay (Uhry) and best makeup (Manlio Rachetti). ~ Hal Erickson, All Movie Guide

In Paul Verhoeven's wild sci-fi action movie Total Recall, Arnold Schwarzenegger plays a 21st-century construction worker who discovers that his entire memory of the past derives from a memory chip implanted in his brain. Schwarzenegger learns that he's actually a secret agent who had become a threat to the government, so those in power planted the chip and invented a domestic lifestyle for him. Once he has realized his true identity, he travels to Mars to piece together the rest of his identity, as well as to find the man responsible for his implanted memory. Verhoeven has created a fast, furious action film with Total Recall, filled with impressive stunts and (literally) eye-popping visuals. Though the film bears only a passing resemblance to the Philip K. Dick short story it was based on ("We Can Remember It For You Wholesale"), the movie is an entertaining, if very violent, ride. ~ Stephen Thomas Erlewine, All Movie Guide

Adapted by Brian Moore from his own novel, The Black Robe is a sprawling recreation of a turbelent period in Canadian history. In 1634, Jesuit missionary Father Laforgue (Lothair Bluteau) arrives in the New World, hoping to convert the Huron Indian tribe to Catholicism-and, incidentally, to expedite the French colonization of Quebec. Laforgue is regarded with a combination of warmth and wariness by the natives, who refer to Laforgue and his fellow priests as "black robes". Offering his services as both guide and friend is Algonquin chief Chomina (August Schellenberg). The by-the-book Laforgue does little to endear himself to the Indians-one of whom, a holy man, labels the priest as a demon who will bring nothing but death and destruction. The one who suffers most is Chomina, the man who most desires peaceful coexistence. In an ironic coda, we learn that the "black robes" have set into motion the fall of the Hurons, simply by imposing their Christian values upon them. Black Robe has been compared to Dances with Wolves, but the films do not share the same philosophy: while the idealistic hero of Wolves strives to understand and appreciate his new Indian comrades, the pious protagonist of Black Robe has only conversion in mind. ~ Hal Erickson, All Movie Guide

The final installment of what might be called Bruce Beresford's southern trilogy (the other films being Crimes of the Heart and Driving Miss Daisy) examines a disintegrating Southern family. The Odom family live in an elegant mansion, where Warren (Albert Finney) is retired and spends the days puttering around the house. One day, his daughter, a high school honor student named Lucille (Kathryn Erbe) finds a letter written by her mother Helen (Jill Clayburgh) declaring her intentions of leaving the family. Quickly re-writing the letter to remove the harsh words, she finishes it just in time for Warren to read it. Warren is crestfallen at the news of Helen's departure, telling her, "Lucille, I feel knocked off my perch about this." Warren descents into a depression as she and Warren await the return of Helen. After it becomes apparent Helen is not returning, Lucille drops out of high school to care for the home and her father, while Warren strikes up a relationship with available widow Vera Delmage (Piper Laurie). But then Lucille's no-nonsense older sister, Rae (Suzy Amis) arrives with her husband Billy McQueen (Kyle MacLachlan). Rae is pregnant and announces her intention of staying for awhile. ~ Paul Brenner, All Movie Guide

Based on a novel by William Boyd (who also wrote the film's screenplay), this darkly witty drama explores the political, social, and sexual gamesmanship of a group of British and African politicians. Morgan Leafy (Colin Friels) is a British diplomat who, for the past three years, has been assigned to the British High Commission of Ninjana, an African nation slowly divesting itself of colonial rule. Leafy is an arrogant and frequently confused alcoholic romantically involved with an African woman named Hazel (Jackie Mofokeng). Arthur Fanshawe (John Lithgow), a new High Commission appointee who wants nothing more than to be promoted and moved out of Africa, brings some interesting news to Leafy: massive reserves of oil have been discovered in Ninjana, and if the British want to reap the full profits of this windfall, they will want to stay on the good side of Sam Adekunle (Louis Gossett Jr.), who in all likelihood will be the next president of Ninjana. However, something of a diplomatic crisis has come up; a native woman was struck by lightning in the courtyard of the High Commission's compound, and the locals insist that she cannot be moved until certain time-honored rituals have been performed. At a loss for advice, Leafy turns to Dr. Alex Murray (Sean Connery), a Scottish doctor who has been in Africa for 23 years and is one of the few people equally at ease with both the British colonials and the natives. However, Leafy doesn't seem so eager to seek out assistance in his romantic problems; while he's involved with Hazel, Leafy also finds himself dallying with Adekunle's wife Celia (Joanne Whalley-Kilmer) and Fanshawe's wife Chloe (Diana Rigg). By the way, don't bother looking for Ninjana on a map -- it doesn't really exist. ~ Mark Deming, All Movie Guide

The relationship between an unproven lawyer and the female convict he attempts to save from execution is detailed in this death-row drama. Sharon Stone plays against type as Cindy Liggett, convicted of murder at the age of 19, who has spent over a decade in prison awaiting execution. Having resigned herself to her eventual death, she cares little when her case falls into the hands of newly appointed clemency board attorney Rick Hayes (Rob Morrow). Hayes devotes himself to her case, however, and uncovers several inconsistencies regarding her earlier trial. Seeing a chance to save Liggett's life, Hayes fights for a stay of execution but finds himself facing opposition from powerful political figures and even Liggett herself. Largely ignored at the box office, the film suffered in comparison to Dead Man Walking (1995), the Academy Award-winning drama whose treatment of the death penalty theme may still have been fresh in the minds of audiences. ~ Judd Blaise, All Movie Guide