Bruce Beresford Movies

Mental illness stretches a loving family to the breaking point in this independent drama. Chris Marino (Devon Gearhart) is a ten-year-old boy growing up in a small oceanside community in Florida. Chris's father John (Joe Pantoliano) is a construction worker who is struggling to hold the family together under difficult circumstances -- his wife and Chris' mother, Mary (Marcia Gay Harden), has been diagnosed with schizophrenia, and while they've been pursuing a variety of treatment options, Mary's condition continues to slowly deteriorate as she hears phantom sounds, has hallucinations, and becomes increasingly paranoid. While Joe tries to explain Mary's disease to Chris, her actions have turned her into an increasingly frightening and embarrassing stranger to her son, and Mary is clearly aware of the toll her condition has taken on the family but cannot help herself. After a violent incident results in a call from the police, Mary enters a mental hospital, and as Joe begins to buckle under the pressure of his circumstances, he quits his job and devotes all his spare time to building a sailboat, a project that reminds him of better days for Mary and himself. Canvas was the first feature film from writer and director Joseph Greco, who drew inspiration from the story of his mother, who was diagnosed with schizophrenia when he was growing up. ~ Mark Deming, All Movie Guide

Like so many other MTV series, Pimp My Ride bore a title that never would have gotten to first base in past television seasons. However, the subject matter was fairly benign despite the "P" word. The exotically yclept Xzibit served as host of the series, in which various automobiles that had seen better days -- or were butt-ugly to begin with -- were plucked off the streets of Southern California and "pimped," or reconditioned, to look like sleek, sassy luxury vehicles. These rebirths usually required not only a paint and tire job, but a total remake and an arsenal of cool accessories. Each half-hour episode opened with a lively hip-hop theme song composed by Jeff Cardoni ("So you wanna be a playa/But your wheels ain't fly/You gotta hit us up/To get a pimped out ride...") Xzibit would select the honored car of the week, which would then be placed in the expert hands of the mechanics and artisans of West Coast Customs, an establishment owned by Ryan Friedlinghaus. The series regulars included paint and body experts Aren, Ish, Jimmy, Buck, and 2Shae; suspension and body specialist Danny; wheels and tires maven Alex; electronics wiz Ryan; and accessories man Big Dane. Created by Bruce Beresford and Rick Hurvitz, Pimp My Ride debuted March 4, 2004. ~ Hal Erickson, All Movie Guide

Produced in the run-up to Sydney's 2000 Olympic Games, this film is an unapologetic publicity piece for one of the world's most beautiful cities. A sharp Englishwoman (Lucy Bell) returns to Australia seeking her family's history. Along the way she meets her Great Aunt Claire, who tells her about the first inhabitants of Sydney, and Malcolm, an archeologist who eventually falls for her. Shot in the giant Imax format, this film features breathtaking images of the city, making Sydney look like a fine place for the whole family to visit. ~ Jonathan Crow, All Movie Guide

This drama focuses on the efforts of an African clerk who bypasses the correct channels to assist his road building English boss. ~ All Movie Guide

The suffocating repressiveness of the Victorian era is superbly realized by director Bruce Beresford in The Getting of Wisdom. Thirteen-year-old Laura (Susannah Fowle), an incorrigible free spirit from the Australian outback, is enrolled in a prestigious girl's boarding school. The indoctrination process is a rough one, and Laura very nearly loses her individuality and sense of self-worth. When she does mature, however, it is on her terms, and not the school's. Intriguingly, The Getting of Wisdom is based on the reminiscences of a 19th-century female writer who used the pen name of Henry Handel Richardson. Despite its somber dramatic overtones, the film contains moments of uninhibited humor, a trademark of director Beresford. ~ Hal Erickson, All Movie Guide

Early in his career, Australian director Bruce Beresford helmed Don's Party, which closely mirrors Shampoo in its basic premise and its edgy correlations between sex and politics. One pivotal election night, Don, played by John Hargreaves, throws a party for a group of friends, ostensibly so that everyone can watch the ballots roll in on television. But when booze is consumed in quantity, inhibitions are kicked downstairs. Particularly boorish under the influence of alcohol are Don's male friends, who indulge in a barrage of insulting verbal attacks on each other when they aren't trying to get each other's wives into bed. Unapologetically adult in its content and themes, Don's Party was adapted from a play by David Williamson; it marks one of the earliest classics of Australian New Wave cinema. ~ Hal Erickson, All Movie Guide

The popular Australian comic strip The Wonderful World of Barry McKenzie was first brought to the screen in this raunchy 1972 romp. Barry Crocker plays the title character, a carefree Aussie cowboy with an inordinate fondness for beer and "Sheilas". Touring England as a stand-up comic, Barry runs across several odd characters, including addlepated discipline freak Dennis Price. Also on hand is Barry McKenzie cocreator Barry Humphries, appearing in drag as Dame Edna Beveridge, a character who would bring Humphries worldwide fame and fortune in the 1990s. Director Bruce Beresford, who went on to such loftier efforts as Breaker Morant, Tender Mercies and Crimes of the Heart, breezes through his scatalogical material with the abandon of a schoolboy scribbling naughty words on the sidewalk. ~ Hal Erickson, All Movie Guide

Bruce Beresford (Driving Miss Daisy) delivers this fact-based drama about one of the most fascinating private lives of the 20th century. Alma Schindler (Sarah Wynter) was one of the most renowned young beauties in turn-of-the-century Vienna, sought after as a romantic conquest by some of the most famous men in the city, including the artist Gustav Klimt (August Schmolzer). She is won, however, by the most challenging and enigmatic artistic figure of them all, composer/conductor Gustav Mahler (Jonathan Pryce). His one demand is that she give up her own aspirations as a composer, which she has nursed for years. She agrees, and their marriage proves to be a devoted yet loveless union, producing two children but leaving Alma bereft of affection. She suppresses her frustrations as her husband's star rises, sublimating her ambitions completely. His career advances yield extraordinary music but equally notable controversies, and the marriage is riven by stress. When their oldest daughter dies, Alma's health is broken. While convalescing at a sanitarium, she meets another patient, Walter Gropius (Simon Verhoeven). He is gentle and attentive, and they begin an affair, which her husband accidentally learns of later. Their marriage survives, but Mahler also knows that he is a doomed man because of a damaged heart. After his death, Alma Mahler marries Gropius, an ambitious young architect with revolutionary ideas. Their marriage lasts but a few years, for Alma is drawn to another man, the artist Oskar Kokoschka (Vincent Perez). Kokoschka is young, iconoclastic, and daring -- all of the things that the career- and status-oriented Gropius isn't. Their affair yields a renowned painting of Alma that Kokoschka calls Bride of the Wind, a depiction of their passion amid a storm-swept background. They also conceive a child that Alma decides not to carry to term. She returns to Gropius for a time, while Kokoschka sells the painting for enough money to buy a commission in the army, and he is reported killed in action during World War I. Finally, after leaving Gropius, Alma meets a gifted author, Franz Werfel (Gregor Seberg), whom she marries. Her past catches up with her in an odd way, however, when Kokoschka returns, having survived the war and captivity -- he is still obsessed with Alma, to the point that he walks around Vienna in the company of a life-size doll of her, which he destroys in a fit of anger one night at a party. Meanwhile, in Alma's life with Franz Werfel, she finally finds peace and fulfillment, even as a composer -- the movie ends with a 1925 recital at which soprano Frances Alda (Renee Fleming) performed Alma Mahler Werfel's songs. ~ Bruce Eder, All Movie Guide

Based on the testimony of survivors, this historical drama recounts the WWII heroism of female prisoners of war. (Glenn Close) stars as Adrienne Partiger, a society doyenne who flees Singapore with other expatriate women, mostly the wives of servicemen, when Japanese forces invade in 1942. When their gunboat is sunk in an air attack, the survivors wash ashore on Japanese-held Sumatra. The women are interned in a grim POW camp where punishments for even minor infractions are extreme. With the help of a missionary (Pauline Collins), Partiger corrals the women, including a tough American (Julianna Margulies), an Australian nurse (Cate Blanchett) and a young wife (Jennifer Ehle) into a musical group. Since singing is not allowed, the a cappella chorus dubs itself "a vocal orchestra" and is tolerated -- if barely -- by their Japanese captors. Though living conditions are squalid, food is scarce, and a thin sliver of soap inspires a shower brawl, the music keeps spirits uplifted and a Jewish-German doctor (Frances McDormand) provides some medical aid. Writer-director Bruce Beresford interviewed real-life participants in similar POW musical groups. Some provided, from memory, sheet music of the pieces they performed, which were used in the film. ~ Karl Williams, All Movie Guide

This by-the-numbers psychodrama about a child psychologist trying to discern the truth behind a pair of murders stars Richard Dreyfuss as Dr. Jake Rainer, a child psychologist living in an upscale community. Rainer retired when a patient committed suicide, but the local sheriff (J.T. Walsh) calls him to the scene of a double murder. In a lavish home, Rainer meets Tim Warden (Ben Faulkner) and his sister Sylvie (Liv Tyler, in her feature film debut), whose parents have been brutally slain. Sylvie hid in a closet and didn't see the killer, but Tim, who is autistic and cannot communicate, witnessed the crime. Rainer starts the complicated process of reaching Tim through gentle psychological techniques based on his theory that autistics think in sequences, while a colleague (John Lithgow) simply wants to drug the child into revealing the killer's identity. The real-life son of child psychologists who worked with autistic children, Silent Fall screenwriter Akiva Goldsman had better success with his first film, an adaptation of The Client (1994), a drama with a similar plot and themes. ~ Karl Williams, All Movie Guide

Based on the award-winning play by Sam Shepard, this drama offers an unblinking look at a family desperately clinging to the last threads of the American dream. Weston Tate (James Woods) is an alcoholic Viet Nam veteran struggling to hold on to the family's farm; he often brags about his grand plans for the place, but in truth the land is just one step away from foreclosure. His wife Ella (Kathy Bates) is determined to hold her family together, though she often dreams of running away and isn't above sleeping with corrupt land developer Taylor (Randy Quaid) if it will help keep the farm in her family's hands. Their son Wesely (Henry Thomas) has the soul of a poet and dreams of a better life, while his sister Emma (Kristin Fiorella) has inherited her mother's strength, but also her mother's burden in holding the Tates together. Noted filmmaker Bruce Beresford adapted Shepard's play for the screen and served as executive producer; Michael McClary directed. ~ Mark Deming, All Movie Guide

Director Bruce Beresford continued his tradition of putting socially disenfranchised characters front and center with this wryly observant comedy drama about middle class Australian teens that served as a stark contrast to the popular American teen films of its day. Friends from the Sydney suburb of Cronulla, Debbie (Nell Schofield) and Sue (Jad Capelja) are a pair of average schoolgirls who smoke, drink, have sex, and cheat on exams. The girls are also striving to become "surfie chicks," the groupies that hang around the surfer boy gangs of southern Sydney, pairing off with the objects of their affection. Adhering to odd rules that prevent them from eating or going to the bathroom in the surfers' presence, the girls get into trouble for their wild behavior, with Debbie eventually fearing that she's pregnant, leading to a fatal overdose of heroin for her boyfriend Garry (Geoff Rhoe). Ultimately, Debbie and Sue become disillusioned with the sexism and narrow-mindedness of their crowd. Puberty Blues (1981) was based on the book of the same name by Kathy Lette and Gabrielle Carey, a pair of real-life Sydney teens who wrote newspaper articles under the pseudonym "The Salami Sisters." ~ Karl Williams, All Movie Guide